Oil Pastel Figurative Paintings

This painting evokes a grace that feels both intimate and timeless. The combination of intricate detail and intuitive mark-making communicates a feminine, ethereal impression. A restrained neutral palette with a hint of blush adds understated elegance. Tone on tone textures are built up using lace textile...

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s work is set apart using han...

We are pleased to offer several works by this artist.

Donald Stacy "Orange Nude Lounging" c.1950s Oil pastel and gouache paint on paper 23" x 20" framed black gallery wood frame float mount Unsigned Came from artist's estate Donald Stacy (1925-2008) New Jersey Studied: Newark School of Fine Art The Art Students League Pratt Graphic Arts Center University of Paris 1953-54 University of Aix-en-Provence 1954-55 Faculty: Art Department of the New School Museum of Modern Art School of Visual Arts Stacy Studio Workshop Exhibitions: Grand Central Moderns George Wittenborn The New School Print Exhibitions, Chicago University of Oklahoma Honolulu Museum Monclair Museum Wisconsin State College Louisiana Art...

Abstract expressionist figurative portrait by San Francisco artist Michael William Eggleston (American, 20th Century). From a collection of his works. Signed...

Emilio Cruz (1938-2004) Bonnie and Clyde Pastel on paper Hand signed lower right Dimensions Framed H 15-7/8" W 18-1/2", Sight H 13-1/2" W 16-1/8" Emilio Antonio Cruz (1938 – 2004) was a Cuban American artist who lived most of his life in New York City. His work is held in several major museums in the United States. Emilio Antonio Cruz was an American Artist of Cuban descent. He was born in the Bronx on March 15, 1938. He studied at the Art Students League of New York with Edwin Dickinson, George Grosz and Frank J. Reilly and at The New School in New York City, and finally at the Seong Moy School of Painting and Graphic Arts in Provincetown, Massachusetts. As a young artist in the 1960s, Cruz was connected with other artists who were applying abstract expressionism concepts to figurative art such as Lester Johnson, Red Grooms, Mimi Gross, Bob Thompson and Jan Muller. He combined human and animal figures with imagery from archaeology and natural history to create disturbing, dreamlike paintings. Cruz received a John Hay Whitney Fellowship and awards from the Joan Mitchell Foundation and from the National Endowment for the Arts. In the late 1968, Emilio and wife Patricia Cruz moved to St. Louis to work with Julius Hemphill and the Black Artists Group. He served as director for the visual arts program, which also included painters Oliver Jackson and Manuel Hughes. In addition to artistic contributions, the couple participated in city-wide civil rights protests and rent strikes. Cruz moved to Chicago and taught at the School of the Art Institute of Chicago during the 1970s, where he exhibited widely and was represented by the Walter Kelly Gallery. He wrote two plays, Homeostasis: Once More the Scorpion and The Absence Held Fast to Its Presence. These were first performed at the Open Eye Theater in New York in 1981, and later were included in the World Theater Festival in Nancy and Paris, France, and in Italy. In 1982 he returned to New York where he began to exhibit again. In the late 1980s he resumed teaching at the Pratt Institute and at New York University. Harry Rand, Curator of 20th Century Painting and Sculpture at the Smithsonian American Art Museum, described Emilio Cruz as one of the important pioneers of American Modernism of the 1960s for his fusion of Abstract Expressionist art with figuration. Geno Rodriguez, Curator and Executive Director of The Alternative Museum, wrote in 1985, "Emilio Cruz, is a brilliant and impassioned artist whose current paintings are monumental, imbued with intelligence, fury and an apt sense of irony. They reflect the turbulent world within which we live." Geoffrey Jacques wrote in 1990, "Emilio Cruz paints humanity’s essence. Mythology and archeology are the foremost concerns of the painter Emilio Cruz. Dinosaurs, skeletal humans and fossil-like images are used in his work as metaphoric signposts in a consideration of the basic questions of existence." Art historian and curator Paul Staiti wrote in 1997, "Emilio Cruz's Homo sapiens series is a strange and haunting genealogy of the modern soul... What is at stake here more than biopolitical culture, is the remystification of the body and mapping of consciousness ... For all the trauma, explicit and implicit, Cruz's style is masterful, classical, even beautiful." Exhibitions Cruz held his first solo exhibition at the Zabriskie Gallery in New York in 1963. Afterwards his work was included in many group and solo exhibitions, including the Anita Shapolsky Gallery in 1986 and 1991, museum exhibitions at the Studio Museum in Harlem in 1987, the Pennsylvania Academy of the Fine Arts in 1997. In 1994, Cruz's work was shown as part of the American contingent at the IV Bienal Internacional de Pintura en Cuenca, Ecuador. Other American artists exhibiting at this show were Donald Locke, Philemona Williamson, Whitfield Lovell...

Abstract composition is a contemporarary artwork realized by Mario Guglielmotti in 1973 Charcoal and Oil Pastel.

This mixed media painting by XVALA has an aluminum metallic painted background with three robot memes. Varying shades of blue paint and oil stick create depth to the surface and def...

This artwork is part of a series of oil pastels from Marc Chaubaron, who aimed to keep a record of the old Saint-Goustan French port. The artist used a...

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s work is set apart using han...

Aaron Fink (American, b. 1955) "Cherry" Signed and dated "Aaron Fink 1980" lower right. framed. there is a label that was on the board on back from Obelisk gallery. it is currently not attached. it is unframed. Floated against a foam core backing so that the edges of the sheet are visible. The two tiny tears are probably at site of old tack holes, where the tacks pulled through the paper due to the weight. Born in Boston, Fink received his BFA from the Maryland Institute College of Art and his MFA from the Yale University School of Art. His work has been exhibited widely throughout the U.S., Europe, Japan and Australia. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers, who remained a strong supporter of his work until his death in 1999. Fink’s work is represented in the collections of the Art Institute of Chicago, the Hara Museum, Tokyo, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York and the National Gallery of Art, Washington, DC, among many others. Fink currently divides his time between Boston and Rockport, Massachusetts. S E L E C T E D C O L L E C T I O N S Art Institute of Chicago Bank of America Boston Public Library Bouwfonds Netherlandse Gemeenten, The Netherlands Brooklyn Museum of Art Castelli Collection, New York Chase Manhattan Bank Chemical Bank Childrens Hospital, Chicago Choate Rosemary Hall...

This painting comes with an Acrylic QR code plaque - when the QR code is scanned you can then point the camera at the physical painting and it will become augmented reality. To crea...

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s work is set apart using han...

Brightly colored expressionist nude figurative painting of a reclining nude female with bold yellow, blue, and magenta accents by Linda Goodman (American...

"CABEZA" Figurative Painting 30" x 24" inch by Isaac Pelayo Medium: oil, oil pastel, and aerosol on wood ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision between The R...

Pitcher Crystal is an original modern artwork realized by Antonio Scordia in 1955. Oil painting on canvas. Hand signed and dated on the lower margin. Titled, signed and dated on t...

Original oil pastel with underlying graphite drawing lines by the well known Russian/American artist Nahum Tschacbasov. Signed and dated by the artist lower right, 1971. Condition is excellent. Provenance: Estate of the artist, Nahum Tschacbasov. Overall matted and in a contemporary narrow blond maple frame 17.5 by 15 inches. Nahum Tschacbasov Biography : Russian-American artist Nahum Tschacbasov (1899-1984) is known for his cubo-surrealistic works which feature a strong psychological element. Some of his work bears a resemblance to work of another Russian-American artist--David Burliuk. He was somewhat of a late starter, moving to Paris in 1932 to study under Adolph Gottlieb, Marcel Gromaire and Fernand Leger. He had his first exhibition in Paris in 1934. He then returned to the US where he joined Rothko and Gottlieb at the Galery Seccession. He was one of the co-founders of The Ten, a group of social conscious abstract painters which included Rothko, Gottlieb, Joseph Solman and Ilya Bolotowsky, among others. In 1944, he began to work at Stanley Hayter's Atelier 17, a center for surrealistic ideas. Between 1936 and 1943, he had five one-man exhibitions at the ACA Galleries and participated in five group shows. He also exhibited at the Whitney, the Pennsylvania Academy of Fine Arts, the Knox Albright Museum, the Chicago Institute of Fine Art and Corcoran, among others. His work can be found in the permanent collections of the Met, the Whitney, the Brooklyn Museum and the Jewish Museum. Tschacbasov has been the subject of two recent retrospective at Fletcher Gallery, Woodstock, NY and Arthur Kalaher...

This vibrant and dynamic artwork "It's time for football ' captures the viewer's attention through its bold use of color and energetic lines. Dominated by hues of pink, green, blue...

Dive into the rebellious spirit of "Vincent Van Gogh, Decentralized," a provocative piece from the same series that reimagines the storied artist under a modern lens. This 2022 artwo...

The picture is in very good condition. However, there is a small tear is at the end of the page right side about less then 1/2 inch and some wrinkle. Abraham Weinbaum, also known as...

In "Caripela," Diego Tirigall presents a raw, minimalist expressionist portrait that diverges from his usual style. The 80 cm by 100 cm painting draws the viewer into a deep emotiona...

Richard Marshall Merkin (American, 1938-2009) Gladys and Half-Pint Hand signed 'Merkin' (center right), Titled, inscribed, dated, and initialed 'GLADYS BENTLEY AND FRANKIE 'HALF-PINT' JAXON 1997/R.M.' verso. Oil on canvas 37 1/2 x 72 in. (95.3 x 182.9 cm) framed 39 1/4 x 74 x 2 in. Gladys Alberta Bentley (August 12, 1907 – January 18, 1960) was an American blues singer, pianist, and entertainer during the Harlem Renaissance. Her career skyrocketed when she appeared at Harry Hansberry's Clam House, a well-known gay speakeasy in New York in the 1920s, as a black, lesbian, cross-dressing performer. She headlined in the early 1930s at Harlem's Ubangi Club, where she was backed up by a chorus line of drag queens. She dressed in men's clothes (including a signature tailcoat and top hat), played piano, and sang her own raunchy lyrics to popular tunes of the day in a deep, growling voice while flirting with women in the audience. On the decline of the Harlem speakeasies with the repeal of Prohibition, she relocated to southern California, where she was billed as "America's Greatest Sepia Piano Player" and the "Brown Bomber of Sophisticated Songs". She was frequently harassed for wearing men's clothing. She tried to continue her musical career but did not achieve as much success as she had had in the past. Bentley was openly lesbian early in her career, but during the McCarthy Era she started wearing dresses and married, claiming to have been "cured" by taking female hormones. Frankie "Half-Pint" Jaxon, born Frank Devera Jackson was an African American vaudeville singer, stage designer and comedian, popular in the 1920s and 1930s. He was born in Montgomery, Alabama, orphaned, and raised in Kansas City, Missouri. His nickname of "Half Pint" referred to his 5'2" height. He started in show business around 1910 as a singer in Kansas City, before travelling extensively with medicine shows in Texas, and then touring the eastern seaboard. His feminine voice and outrageous manner, often as a female impersonator, established him as a crowd favorite. By 1917 he had begun working regularly in Atlantic City, New Jersey and in Chicago, often with such performers as Bessie Smith and Ethel Waters, whose staging he helped design. He served slightly less than a year in the United States Army in 1918–1919 and rose to the rank of sergeant. In the late 1920s he sang with top jazz bands when they passed through Chicago, working with Bennie Moten, King Oliver, Freddie Keppard and others. He performed and recorded with the pianists Cow Cow Davenport, Tampa Red and "Georgia Tom" Dorsey, recording with the latter pair under the name of The Black Hillbillies. He also recorded with the Harlem Hamfats. In the 1930s, he was often on radio in the Chicago area, and led his own band, titled Frankie "Half Pint" Jaxon and His Quarts of Joy. Jaxon appeared with Duke Ellington in a film short titled Black and Tan (1929), and with Bessie Smith in "St. Louis Blues" (1929). Cab Calloway's "Minnie the Moocher" (1931) is based both musically and lyrically on Jaxon's "Willie the Weeper" (1927). Richard Merkin, Sometimes described as Rhode Island’s most famous New York artist, Richard Merkin has led a dual life for nearly 40 years - teaching at RISD while enjoying a celebrated painting career based in New York City. He has exhibited in countless gallery and museum shows in the US and abroad and is represented in the permanent collections of the Smithsonian Institution, The Museum of Modern Art, the Whitney Museum, the RISD museum and many others. In addition to contributing drawings and paintings to The New Yorker (along with, Art Spiegelman, Saul Steinberg, Harper’s, The New York Times Sunday Magazine and several books on Erotica and Baseball, he is a contributing editor for Vanity Fair and a former style columnist for GQ. Merkin’s honors include a Tiffany Foundation Fellowship and the Rosenthal Foundation Award from the American Academy of Arts and Letters. Museums and Selected Collections : The American Federation of Arts, New York, NY Brooklyn Museum, Brooklyn, NY Chrysler Museum of Art, Norfolk, VA First city Bank, Chicago, Ill Fisk University Art Gallery, Nashville, TN Hallmark Collections, Kansas City, MO Massachusetts Institute of Technology, Cambridge, MA Maimi-Dade Junior College, Miami, FL Michigan State University, East Lansing, MI Minnesota Museum of Art, Minneapolis, MN Museum of Modern Art, New York, NY Museum of Art, Rhode Island School of Design, RI McClung Museum, University of Tennessee, Knoxville, TN Pennsylvania Acadamy of the Arts, Philadelphia PA Prudential Insurance Company, Boston, Ma Prudential Insurance Company, Newark, NJ Rose Art Museum, Brandeis University, Waltham, MA Sara Robey Foundation, New York, NY Smithsonian Institution, Washington, DC State University of Brockport, Brockport, NY Whitney Museum of American Art, New York, NY Selected Publications : 1986-Present Contributing Editor, Vanity Fair ..1988-Present, New Yorker... 1988-Present, style column, GQ...1997, Text and Illustration for The Tijuana Bibles, published by Simon & Shuster, 1995, Illustrated book, Leagues Apart: the Men and Times of the Negro Baseball Leagues published by Morrow. 1967 Cover of the Beatles “Sgt. Peppers Lonely Hearts Club Band” Album (Mr. Merkin appears in the back row, right of center) RISD: MFA in Painting, 1963; Professor, Department of Painting special skill: Merging his role as flaneur (connoisseur of city life) with his role as painter and social historian, Merkin retrieves lost cultural artifacts – a Turkish cigarette, a gangster, a bowler and generally “things most people don’t know about” – and reconstitutes their Jazz Age virtues on canvas in cubist, comic-laced landscapes of tropical color. (ala Robert Crumb and Ben Katchor) breaking in: Perpetually on the fly from his middle-class Brooklyn background, Merkin found the perfect escape in the mid ‘60s in George Frazier, a dapper Boston columnist who inspired the emerging New York painter’s overnight reinvention of himself. The elements of structure, stability and surprise he admired in this well-dressed dandy – a cool linen suit, a splash of suspender, a polka dot scarf and pearl-handled walking stick – soon surfaced in paintings peopled by impeccable underdogs of café society along with his personal pop heroes: William Burroughs, Bobby Short and Krazy Kat...

Paper measures 21 X 33 inches Born and raised in Mississippi, Alex O'Neal graduated from Rhode Island School of Design and School of the Art Institute of Chicago. In the Eighties, his formal education overlapped regular visits with Mississippi self-taught artists, including Mary T. Smith, Luster Willis, and Son Ford Thomas. He later immersed himself in art brut collections and European art brut in Switzerland, Germany, and France. His work is also inspired by African-American self-taught outsider art. O'Neal's drawings and paintings have been shown at The Drawing Center, New York; BRIC, Brooklyn; P.S.122, New York; Johnson Museum of Art, Ithaca, NY; Woodruff Arts Center, Atlanta; Tennessee Arts Commission, Nashville; Mississippi Museum of Art, Jackson, MS; Centre d’Art des Pénitents Noirs, Aubagne, France; Contemporary Arts Center, New Orleans; Chicago Cultural Center; Ecomuseu, Valls d'Aneu, Spain; Amory Arts Center, West Palm Beach; Huntsville Museum of Art, AL; Rockefeller Art Center, SUNY Fredonia; ART LA; Field Projects, New York; LOG at Lump Gallery, Raleigh, NC; and Linda Warren Projects, Chicago. His work is in volumes 16, 38, and 104 of New American Paintings. His paintings and drawings idiosyncratically depict circumstances that associate Americans, i.e. dysfunction, nature worship, cults, homegrown terrorism, Hollywood, reverence for Native America. There is formal influence from stylization found in Romanesque fresco, early American portrait painting...

Mom turn on autumn, 80x100cm

The Girls 4 Signed en verso Please note: the canvas is flat, it is not stretched It is best to ship in a tube Albion Vu is an architect, fashion designer and an abstract painter ...

STARSKY BRINE’s paintings and drawings captivate audiences with their distinctive style and a recurring theme, the search for the nature of humanity. In his bold works, the artist focuses on characters that are built from a combination of anthropomorphic and zoomorphic features, as well as the appropriation of elements from comics and toys from his childhood. On the one hand, these characters distort reality to venture into an environment of subcultures and urbanism created by the spontaneous intuition of his strokes and the appropriation of the contemporary iconography. On the other hand, they move within the realm of fantasy. In particular, the animals paired with their human characters evoke associations with fairy tales or comics. They are reminiscent of the world of theatre, in which fantasy and poetry but also comedy often serve as catalysts for the creation of critical meaning. With his works, Brines often questions the interplay of good and evil against the background of the worldwide socio-political climate. Yet Brines does not interpret his themes as ‘black and white.’ They are complex and nonlinear, with charming disruptions, quite serious and yet full of humor. Brines is personally influenced by his mother and art historically influenced by Latin American figurative art, the German Neoexpressionism, the Italian Transavantgarde, and the COBRA group. His works oscillate between figuration and abstraction. Brines holds a degree in Fine Art from the Instituto Universitario de Estudios Superiores de Artes Plásticas Armando Reverón...

In my artwork, I've melded realism with surreal touches, creating a harmonious blend that captures both the physical and emotional essence of my subject. My use of pastel and pencil ...

This artwork is part of a series of oil pastels from Marc Chaubaron, who aimed to keep a record of the old Saint-Goustan French port. It features a view of Auray from the bridge con...

"Black and White Tandem" Oil Painting 63" x 47" inch by Yevhenii Shapovalov Artwork ships rolled in a tube ABOUT: Yevhenii Shapovalov is a highly talented Ukrainian painter and gr...

This needs a new frame. This will be shipped without frame It measures 19 X 22 inches. I am including the framed dimensions so you have a sense of the size framed. David Azuz Tel ...

Quaker is a piece that fuses expressionism with the raw energy of street art, creating a canvas full of meaning and contradictions. Made with mixed media, the painting features a rei...

This artwork is part of a series of oil pastels from Marc Chaubaron, who aimed to keep a record of the old Saint-Goustan French port. It features a view of the "Rampes du Loc'h" (Lo...

"Smoke Break" is a visually striking and intellectually challenging painting that combines pop culture references with childhood nostalgia. At the center of the canvas, the phrase "T...

Judith Brenner Alberto Standing 1 Original Figurative Painting Mixed Media on Paper Size: H 84.1cm x W 59.4cm x D 0.1cm Sold Unframed Please note that insitu images are purely an ind...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

"Diet" is a thought-provoking piece that delves into the complexities of life and the human condition. The use of surreal imagery and symbolism in the painting invites the viewer to ...

Danny Brown is a first-generation American urban artist born in Los Angeles. His parents relocated their family from Oaxaca, Mexico in search of opportunity in the United States. Dan...

This painting, executed in bright and rich shades, depicts the mythological scene of the "Abduction of Europa." The central figure is a red bull, symbolizing Zeus, who to...

Diego Tirigall's "Mona Lisa, Gioconda 2" introduces an exciting dimension to his reinterpretations of classical art, featuring his first-ever round canvas at 80x80 cm. This unique fo...

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s work is set apart using han...

Tom Lovell (1909–1997) called himself "a storyteller with a brush," a description appropriate for an artist who spent over five decades capturing the sweep o...

"Fish, Skull & Bone" by Diego Tirigall blends contemporary symbolism with the raw energy of street art. Inspired by Basquiat and Richard Hambleton, the painting explores life, death,...

"CHIVA" Figurative Painting 30" x 24" inch by Isaac Pelayo Medium: oil, oil pastel, and aerosol on wood ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision between The Re...

Karl Kasimir Otto Ritter von Thoren (born July 21, 1828 in Vienna, died July 15, 1889 in Paris). Dimensions without frame. Austrian officer and painter. Thoren was the son of Colonel Franz Kasimir Ritter von Thoren and his wife Konstanze Maria (née Lachmann). He became an officer in 1846 and was involved in the Hungarian campaign in 1848. He then spent a long time in Venice, where he was employed as an adjutant to the military and civil governor Ludwig Gorzkowski. After turning to painting in 1857, he studied in Brussels and Paris for several years. In the mid-1860s he was commissioned to create a portrait of the Emperor Franz Josef in Vienna. After painting the death...

Original Mixed Media Figurative Painting by Cuban Painter Hector Frank. International acclaim as one Cuba’s foremost living artists, Havana born Hector Frank. Now, in his artistic p...

Timothy Rees was fascinated with drawing throughout his youth and after high school pursued a degree in animation. The pull to painting portraits and figures was strong, however, le...

This artwork is part of a series of oil pastels from Marc Chaubaron, who aimed to keep a record of the old Saint-Goustan French port. It depicts two houses with slate roof on the po...

Oil paint and pastel on canvas Hand-signed and dated lower left by the artist

STARSKY BRINE’s paintings and drawings captivate audiences with their distinctive style and a recurring theme, the search for the nature of humanity. In his bold works, the artist focuses on characters that are built from a combination of anthropomorphic and zoomorphic features, as well as the appropriation of elements from comics and toys from his childhood. On the one hand, these characters distort reality to venture into an environment of subcultures and urbanism created by the spontaneous intuition of his strokes and the appropriation of the contemporary iconography. On the other hand, they move within the realm of fantasy. In particular, the animals paired with their human characters evoke associations with fairy tales or comics. They are reminiscent of the world of theatre, in which fantasy and poetry but also comedy often serve as catalysts for the creation of critical meaning. With his works, Brines often questions the interplay of good and evil against the background of the worldwide socio-political climate. Yet Brines does not interpret his themes as ‘black and white.’ They are complex and nonlinear, with charming disruptions, quite serious and yet full of humor. Brines is personally influenced by his mother and art historically influenced by Latin American figurative art, the German Neoexpressionism, the Italian Transavantgarde, and the COBRA group. His works oscillate between figuration and abstraction. Brines holds a degree in Fine Art from the Instituto Universitario de Estudios Superiores de Artes Plásticas Armando Reverón...

An Impressionist drawing painting of a cat and flowers on a deck by contemporary artist Erik Freyman. Oil and pastel on board, signed in pen Size: 14...

"Vincent Van Gogh Skull" is a striking piece from a series that boldly merges historical artistry with contemporary symbolism. Created in 2022, this painting reenvisions the iconic f...

"Sur le Lac” Landscape Painting 5" x 9" inch by Katherine Bakhoum Tisné Medium: pastel on collage Katherine Bakhoum represents art that has been forgotten for a long while. She dra...

This artwork is part of a series of oil pastels from Marc Chaubaron, who aimed to keep a record of the old Saint-Goustan French port. It depicts the Sa...

Original Mixed Media Figurative Painting by Cuban Painter Hector Frank. International acclaim as one Cuba’s foremost living artists, Havana born Hector Frank. Now, in his artistic p...

"Nestcafe Society" and Corporate Ideals A striking painting by Diego Tirigall prompts deep thoughts about the relationship between appearances and reality. The painting features a rough sketch of a well-known instant coffee brand logo with words "N3stcafe Society" beneath it. This serves as a powerful symbol of the illusions that society and corporate ideals can create. The Illusion of High-Quality Coffee The painting highlights the gap between the promise of high-quality coffee and the reality of mass-produced, preservative-filled coffee packaged in an industrial jar. The large axe that cuts through the words "N3stcafe Society" symbolizes the destruction of these false promises and the consequences of pretending to be something one is not. The red coffee jar...

Yasser Claud-Ennin is a self-taught Nigerian-Ghanaian multidisciplinary artist, based in London, United Kingdom. His work draws inspiration from his multicultural heritage, weaving t...

Yasser Claud-Ennin is a self-taught Nigerian-Ghanaian multidisciplinary artist, based in London, United Kingdom. His work draws inspiration from his multicultural heritage, weaving t...

Yasser Claud-Ennin is a self-taught Nigerian-Ghanaian multidisciplinary artist, based in London, United Kingdom. His work draws inspiration from his multicultural heritage, weaving t...

Oil paint and pastel on paper Signed and dated lower right

Oil painting and oil pastel on paper Hand-signed by the artist lower right “ News from Eéa ” “At the time of the last cosmogony I heard from Eéa In the middle of the water, an isla...