1910s Landscape Paintings

Signed seascape oil on panel circa 1910 by French painter post impressionist painter Adolphe Louis Gaussen. The work depicts a view of the bright blue sea from a rocky shoreline on t...

This evocative early 20th-century oil painting by Scottish artist Robert Russell MacNee RGI (1880-1952) depicts a farm with a track, horses, and figures. MacNee was an accomplished p...

Autumn Landscape Oil on relined canvas, c. 1915 Signed lower right corner: "Royal H. Milleson" Condition: Excellent Canvas size: 14 1/2 x 20 3/8 inches Frame size: 19-1/4 x 25-1/4 x 2-1/2 inches Clearly among the artist's finest paintings! Provenance: Private Collection, Greencastle, Indiana Ray H. French Collection (1919-2000) Martha A. French Trust Royal Hill Milleson...

Artist: Alfred Oliver, British (1886 - 1921) Title: A Pair of Pheasants in Sussex Landscape Year: circa 1910 Medium: Oil on Canvas, signed l.r. Size: ...

Signed lower right, 'A. W. Kerr' for Alexander Kerr (Australian, 1875-1950) and painted circa 1920. Inscribed on original frame, 'Menam River, Bangkok, ...

Henry Ward Ranger (1858 - 1915) Stony Cove and Headland, 1910 Oil on canvas 28 x 36 inches Signed lower right Provenance: McDonough Gallery, New York William Macbeth Galleries, New York American Art Association, The Completed Pictures Left by the Late Henry Ward Ranger, 1917, Lot 72 A key person in the establishment of the Old Lyme, Connecticut art colony in 1899, Henry Ward Ranger is regarded as the leader of the Tonalist movement in America and was a leading painter in this country in the late 19th and early 20th-centuries. He was born in Geneseo and raised in Syracuse, New York, and in 1873, enrolled in the College of Fine Arts at Syracuse University, where his father was a professor of photography and drawing. Two years later, he became a re-toucher of paintings in his father's studio and did not earn a college degree. He also spent much time in New York City, where he was a writer of music criticism and visited galleries, where he had his first exposure to French Barbizon painting...

An original Scottish Impressionist oil by John Henderson. This fine painting dates to circa 1910 and is an oil on canvas in a stunning and fresh palette. The wooded moorland stream l...

An original antique impressionist oil painting by American artist George Renouard.

Oil on canvas, signed lower left. A luminous sunset or sunrise winter scene from Scandinavia. Edvard Axel Rosenberg (Swedish School, 1858-1934) In many ways Edward Rosenberg...

Guy Wiggins Clearing after a Shower Signed lower right, titled on verso Oil on panel 12 x 16 inches Guy Carleton Wiggins is best known for his impressionistic snow scenes of New Yo...

Robert Jenkins Onderdonk (1852 - 1917) San Antonio Artist Toluca, Mexico painting. Mexican Street Scene Image Size: 11 x 8 Frame Size: 15 x 12 Medium: Oil "Toluca, Mexico" Circa 1912 This piece was painted in 1912 when Robert & his wife went to visit his son who was working in Mexico City at that time. Robert Onderdonk is considered the "Dean" of Texas Painters. Robert Jenkins Onderdonk (1852 - 1917) Robert Jenkins Onderdonk is noted for his landscape and portrait paintings and also for his fine art teaching. Onderdonk was born in Catonsville, Maryland in 1852. He was the father of Robert Julian Onderdonk and Eleanor Rogers Onderdonk, also distinguished Texas artists. He received an academic education at the College of St. James, Catonsville, followed by studies at the National Academy of Design in 1872 under the instruction of Lemuel Everett Wilmarth. In 1875, Onderdonk attended Art Students League of New York and received instruction from Walter Shirlaw, James Carroll Beckwith and William Merritt Chase. Onderdonk moved to San Antonio, Texas in 1878 where he made a living teaching and selling his paintings. In 1889 he moved to Dallas, where he painted several portraits for the Huburt Portrait Company, followed by employment with the Art Students League of Dallas. In 1896, Onderdonk returned to San Antonio, Texas where he continued to paint until his death in 1917. Onderdonk was a member of the Allied Artists of America; Salmagundi Club, New York, and the San Antonio Art League. Exhibitions included the Annual Exhibition of the State Fair of Texas, Dallas; Dallas Art Association; Louisiana Purchase Exposition, St. Louis; Annual Texas Artists Exhibition, Fort Worth; Annual Exhibition, National Academy of Design, New York, and the San Antonio Art League. Source: John and Deborah Powers, "Texas Painters, Sculptors, and Graphic Artists" Robert Jenkins Onderdonk was born at St. Timothy's Hall, Catonsville Maryland, in 1852. He had a very thorough academic education and was always sketching family members, classmates and landscapes on the back of his school books. This sketching ethic was a process he subscribed to his entire life, always carrying a sketch book with him where ever he went, like a camera of today. Deciding to make art his profession, Robert moved to New York. He was not only a part of the academic beginnings of American art while studying in New York at the renowned National Academy of Design in 1870, but also one of the first student members, under the instruction of Lemuel Everett Wilmarth, at the Arts Students League. At the League, Robert also studied and honed his craft with other teachers including Walter Shirlaw, William Merritt Chase and James Carroll Beckwith. Some of his classmates included: George Inness, Jr., Frederick Stuart Church, John Henry Twachtman and a Texan from San Antonio named Edward Grenet. Robert was lured to Texas in 1879 by his childhood friend and rancher, William Negely and by stories he read in the tabloids of the day that touted Texas as the "Promised Land." Robert found the light, people and atmosphere of San Antonio agreeable and quickly settled in. He soon met a fellow Texas artist, Emily Gould, whom he married in 1881. They lived with her parents in a house called "Bella Vista" throughout their lives. The house was two miles north of town, had a wonderful view of the city and still stands today. Here Robert lived and taught art classes, painted portrait commissions, landscapes, still lifes and supported his family. Some of his students, who later became well-known Texas artists, were Mary Bonner, Seymour Thomas, Edward D. Eisenlohr, and Rolla Taylor. Robert worked hard and encouraged his students to do their best. Robert was part of and organized several of the first art clubs in Texas, further helping to develop an interest in Texas art in the State and nationwide, but also giving Texas and American artists places to display their works, win awards and achieve much needed recognition. He helped organize "The Brass Mug Club," a revered group of San Antonio artists that met on Sundays to enjoy friendship and go into the Texas Hill Country and paint. Members included Julian Onderdonk (Robert's son), José Arpa, Leo Cotton, Rolla Taylor, Tom Brown and Ernst Raba. In 1912, Robert and Julian were involved in the organization of the San Antonio Art League, the first important art organization in Texas with the mission to establish a free public gallery in San Antonio with exhibitions, lectures and classes in art. Later, larger exhibitions that needed more room due to the extreme popularity of the League and its awards were held at the Witte Museum in San Antonio. While living in Dallas from 1889 to 1895, and in order to obtain commissions, Robert organized the first Dallas art school, the Dallas Arts Students League, where he was president and instructor. In 1905, Robert was chosen to select artists from New York and Texas to be represented and judged at the Dallas Fair, which later became the State Fair of Texas. In 1901, Robert was commissioned by well-known Texas historian and writer, James T. DeShields, to paint a large historic painting of the Alamo battle. He used his family, friends and fellow artists for this painting, including his son. Robert even put himself in the painting, as one of the Alamo Defenders, taking a mortal shot from the enemy and falling backwards. The painting took three years to complete. The Fall of The Alamo was first exhibited at the St. Louis Worlds Fair in 1904. Among Robert's important commissions were the illustrations he provided for feared Texas gunfighter John Wesley Hardin's autobiography, The Life of John Wesley Hardin, published in 1896. This was a courageous task by Onderdonk considering that Hardin, who had killed over forty men, was the fastest gun in the West, East, North or South. When Robert Jenkins Onderdonk died in 1917 at the age of sixty-five at his home in San Antonio, he was known as the dean of Texas artists. His contributions to Texas art and the early artists of Texas were well-known and well-respected. Written by Peter C. Rainone, as published in American Art Review, June 2008 Robert Onderdonk was educated at the College of St. James in Maryland where his father was headmaster. At 20, he studied for two years at the National Academy of Design, under Wilmarth, then at the Art Students League under Shirlaw and Beckwith. He was the private pupil of A H Warren, a tonalist painter known as "the Corot of America." In 1878, he concluded his art studies with William Merritt Chase. To earn funds for a European trip he never made, Onderdonk was persuaded to establish his studio in San Antonio in 1878. By 1881 he was married, living near Pedro Spring, and taking the mule car to his studio in the city. He always carried with him a wood panel such as the top of a cigar box so he could paint small scenes. For his studio classes he charged $3 per month. He moved to Dallas in 1889, when offered $100 a month to teach. After his father-in-law died in 1896, he returned to San Antonio where he remained except for a trip to St. Louis in 1899 to try commercial painting on tile. Not ambitious, not robust, not careful in signing his paintings, he received commissions for hundreds of portraits without being able to earn a suitable living. Even his epic "Davy...

A substantial, early twentieth-century oil showing two children, wearing period summer dress and posed beside a well, with a view beyond across lush green lawns...

This superb 1913 late Pre-Raphaelite spring landscape oil painting is by noted Birmingham artist Edward Steel Harper Junior. The title, Life Kindled from a Fiery Birth is from Swinbu...

Carl Johansson (1863-1944) Sweden Vangforsen, Ramsele, 1915 oil on canvas signed and dated Carl Johansson 15 unframed: 50 x 65.5 cm (19 5/8 x 25 3/4 in) framed: 68 x 83 cm (26 3/4 ...

George Henry Leonard, Jr. (1869 - 1928) La Marre de Soire Oil on canvas 15 x 21 3/4 inches Signed lower right A landscape painter--primarily using a late impressionist loose stroke as his main mode of expression--Leonard drew not only upon French influences, but also the American school of impressionism characterized by Frank Boggs...

Ivan Summers: 1889-1964. Well listed and important American impressionist. He has had auction results as high as $6,670. He studied at the St. Louis Scho...

This beautiful early 20th-century fan design by American-English artist Cyrus Cuneo ROI (1879-1916) depicts a couple with cherubs in an ornamental garden. Cuneo was an accomplished p...

Alfred Augustus Glendening Senior (English, 1840–1921) View along the Thames at Bisham Abbey, oil on canvas, circa 1910 This beautifully observed riverscape by Alfred Augustus Glend...

Alexander Bower (1875 - 1952) Portland Harbor, Maine, 1910 Oil on canvas 27 x 33 inches Signed and dated lower right An American Impressionist, Alexande Bower was born in New York, studied at The Pennsylvania Academy of Fine Art, and was living with his wife in Cliff Island, Maine by 1914. Despite his urban upbringing, the coast and the sea fascinated Bower. A large portion of his paintings are seascapes, particularly scenes depicting the coast of Cape Elizabeth...

Antique American school modernist circus scene by Ann Taube Goodman (Born 1905). Oil on canvas, circa 1925. Signed. Displayed in a modernist fra...

Colin Campbell Cooper is perhaps best known for his marvelous urban depictions of New York and Philadelphia, which encapsulate the vibrant modernity of these street scenes and skyscr...

Johann Berthelsen and one of New York city’s best known artists along with Guy Wiggins, depicting the streets, parks and skyline of New York. When he first arrived in New York he ga...

Ruth Anderson Municipal Building, Manhattan, circa 1918 Oil on canvas 25 x 19 inches Ruth A. Anderson was born in Carlisle, Pennsylvania in 1891 and die...

Painted in 1917, this striking winter landscape captures the force and stillness of a spring flood, likely set in the artist’s native Ockelbo region. The painting is a rare example o...

Robertson K. Mygatt (American, 1862-1919) Green Field and Barn Oil on panel, 6 1/8 x 9 7/8 inches Framed: 10 x 15 inches The landscape painter and etcher Robertson K. Mygatt was born in New York City and studied at the Art Students’ League with John Twachtman...

Frederic Milton Grant (1886 - 1959) Low Tide, 1916 Oil on canvas 16 1/4 x 18 1/8 inches Signed and dated lower right Housed in a Stanford White Newcomb-Macklin frame. Exhibitied: Ar...

Porte Saint-Denis Under the Snow (Porte Saint-Denis Sous la Neige) Eugène Galien Laloue (French, 1854-1941) Gouache and watercolor on paper, original carved and gilded frame. 12 ¼ x ...

William Anderson Coffin (1855 - 1925) Springtime Landscape, circa 1910 Oil on canvas 30 x 24 inches Signed lower right Landscape and figure painter William Anderson Coffin was born...

Signed oil on panel circa 1910 by sought after French post impressionist painter Pierre Eugène Montezin. The piece depicts a view of Rue des Hussiers in Neuilly sur Seine, France. Bl...

Oil Painting by Charles Henry Burleigh "The Farmstead" R.B.A 1875- 1956 Brighton painter member of the Royal of Institute of painters. Also ex...

This painting is characterized by a cool, turquoise sky that contrasts against snow-covered hills and trees. The artist Harald Gallén has painted the snow in flowing, almost sculptur...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left Illustrated "New Hope for American Art" Fred Wagner (1861 - 1940) One of the earliest of the Pennsylvania...

Charles Hawthorne Near Provincetown Signed and inscribed "TO MY FRIEND RILLINGIK" lower left Oil on canvas 16 x 20 1/4 inches Provenance: Private Collection Sotheby's New York, Sept...

An outstanding example of the new-impressionist work of Rodolphe Wytsman . This large canvas depicts a tranquil summer day on the Meuse river near the town of Dave. Wytsman painted a number of landscapes in this area between 1910 and 1911 at the height of his artistic career. The use of colour and neo-impressionist execution are testament to his position as one of the finest Belgian painters of this period alongside Van Rysselberghe, Claus, Montigny and Georges Morren...

William Jean Beauley Great Kills, circa 1917 Signed lower right Oil on panel 40 x 50 inches Housed in its original Newcomb-Macklin gilt frame Pro...

Alexandre Altmann (1878-1932) Snowy Landscape, 1915 Oil on canvas, 50 x 65 cm Provenance: Private collection, France Captured in the winter tones of 1915 by Alexandre Altmann, 'Sn...

Inlet and windmill, a watercolor painting by William Walker Alexander (Canadian, 1870-1948). Presented a giltwood frame. Signed "W.W Alexander" lower right. Inner mat has minor wear ...

Carl Johansson (1863-1944), also known as "Ultramarin Johansson," was a highly skilled Swedish landscape painter who is known for his ability to capture...

Le vieux pont, Brantôme, Dordogne by Paulémile Pissarro (1884-1972) Oil on canvas 54 x 65 cm (21 ¹/₄ x 25 ⁵/₈ inches) Signed and titled lower left, Paulémile- Pissarro. 1918. An ext...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Harry Leith-Ross (1886 - 1973). The son of an English father and a Dutch mother, Harry Leith-Ross was born in the British Colony of Mauritius, an island in the Indian Ocean a thousand miles off the southeast coast of Africa. His first formal art instruction began in England under Stanhope Forbes, followed by studies with Jean Paul Laurens at the Academie Julian in Paris. Leith-Ross came to the United States to enroll at the National Academy of Design in New York City in 1910, and then to Woodstock, in 1913. It was in Woodstock at the Art Students League, under the tutelage of Birge Harrison and John F. Carlson, that Leith-Ross would receive the training that most influenced his career as an artist. There he formed a lifelong friendship with fellow artist, John Folinsbee. The two artists shared a studio during this time and participated in several joint exhibitions exclusively featuring their work, including an exhibit at the Louis...

4015 Gouache landscape painting in a green frame

Stunning figurative landscape of the Mission San Juan Capistrano by Warren Eliphalet Rollins (American, 1861-1962). Presented in a giltwood frame. "Capistrano" lower right, unsigned. This is a study for a larger painting of the same scene. Image size, 14.5"H x 21"W. For many years Warren Eliphalet Rollins was known as the "Dean of the Santa Fe art colony." He was the first artist to have a formal exhibition there; it was held in 1906 in the old Palace of the Governors. He was a close friend of Carlos Vierra, Gerald Cassidy, Kenneth Chapman, Sheldon Parsons and most of the other famous artists who assembled in the New Mexican capital during the first half of this century. Born in Carson City, Nevada, Rollins was raised in California and attended the San Francisco School of Design where he studied under Virgil Williams. At the completion of his studies, he was awarded the Avery Gold Medal and made Assistant Director of the school. Following his marriage in 1887, he and his wife settled in San Diego, and it was during this period that Rollins became interested in the Indian as subject matter. In search of material, Rollins, his wife, and their two daughters, Ramona and Ruth, traveled through every Western state from the Mexican to the Canadian borders. While in Montana, Rollins painted a portrait of Calamity Jane...

Leon Kroll Rocks and Surf, Monhegan, 1913 Signed and dated lower right Oil on canvas 30 x 25 inches Leon Kroll remained a painter of realism at a time when the American art world w...

Signed lower left: Iosif Evstafievich Krachkovsky (1854 - 1914), and dated lower right - 1910. Summer View Of Well pole or Shadoof / sweep somewhere in Ukraine (due the specific wicker fences design). A hot summer day that causes thirst, water quenches it. Water, a symbol of life at all times. The well depicted in this painting. source of water and hence the source of life. Symbolism and philosophical overtones in this painting is the main message of the artist to us... Oil painting on canvas pasted on cardboard, framed, early 20th century. Size app.: 45 x 33 cm (roughly 17.7 x 12.99 in), framed by 56 x 44 cm (roughly 22.04 x 17.32 in). Very Good condition, age wear, canvas pasted on cardboard. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker than on our pictures, appearance also depends on sufficient light in your room. I. E. Krachkovsky - Polish-Russian landscape painter...

Walt Kuhn (1877-1949)was associated with the art group known as "The Eight" and with Arthur B. Davies, was a the key figure in forming the American Association of painters and Sculp...

Sorting the Catch John C Gray (Scottish, 1880-1951) oil on canvas, framed signed and dated 1914 framed: 18 x 22 inches canvas: 13 x 16 inches provenance: private collection, Scotland...

MANUEL GARCÍA Y RODRÍGUEZ Spanish, 1863- 1925 THE WASHERWOMEN signed and dated "Garcia y Rodriguez" 1910 (lower right) oil on mahogany wood panel 19...

Signed with monogram lower left * The Robert Lehman Collection at the Metropolitan Museum of Art contains more paintings (nine) by Georges D’Espagnat than any other nineteenth- or ...

We are honored to present for sale a captivating winter landscape painting by Anton Jonsson Genberg, completed in 1919. This piece is a pristine representation of Genberg's artistry,...

Listed Hungarian artist. Active in Paris, Vienna, Budapest, Munich, and Prague. Measures: 24 x 20 inches, oil on panel. 34 x 30 inches with period frame. Signed lower right. 'The Bea...

A very interesting signed and dated 1914 oil on canvas depicting an East London dock scene. A large steam ship is docked, with London barges in front and a city skyline beyond. Thi...

Estate signed verso. Painted between the years 1916 and 1926. This painting is identified in the Francis Draper Jr. archives as #0-99........... PROVENANCE: The Francis Draper Jr. Estate........ PLEASE INQUIRE ABOUT THE ENTIRE COLLECTION OF THESE WONDERFUL CALIFORNIA PLEIN AIR IMPRESSIONIST...

This evocative pastel painting by Victor Jernbergh, dated 1917, captures the serene and enchanting scene of a river at dusk. The central composition is dominated by a lone pine tree ...

Signed figures in landscape pastel on canvas circa 1910 by French Barbizon painter Leon Augustin Lhermitte. The piece depicts a rural landscape with two women in traditional Breton c...

This gorgeous Edwardian Scottish oil painting is by noted Scottish artist George Houston. Painted circa 1910 and in portrait orientation, the composition is a winter's snowy landscap...

Georges d'Espagnat French, 1870 - 1950 Les Vendanges Signed gdE (lower left)  Oil on canvas 67 by 43 in. W/frame 71 by 47 in. Born at Melun on 14th August 1870, Georges d’Espagnat...

Jim’s of Lambertville is proud to present this piece by Herbert Pullinger (1878 - 1961). Herbert Pullinger was born and raised in Philadelphia where he would spend his entire life....

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John...