1910s Landscape Paintings

William Baxter Closson Trail of the Snowshoes, circa 1910 Signed lower right Oil on canvas 30 x 40 inches Provenance The Cooley Gallery, Old Lyme, Connecticut Born October 13, 184...

ENRIQUE MARTÍNEZ CUBELLS Y RUIZ Spanish, 1874 - 1947 PREPARING FOR FISHING signed "E. M - CUBELLS. RUIZ" (lower right) oil on canvas laid on panel 11-1/4 X 15-1/4 inches (28.6 X 38....

Ceasare Ricciardi 1920’s Oil on Board 12x16 inches umframed 14x18 inches with frame signed lower right good condition The painting for sale is probably one of the most beautifully ...

Carl Johansson (1863-1944), also known as "Ultramarin Johansson," was a highly skilled Swedish landscape painter who is known for his ability to capture...

Berkes, Antal ( 1874-1938) Antal Berkes was a Hungarian painter, born in Budapest, Hungary. He lived in Paris for some time and produced cityscapes there as well as similar str...

In this painting, Art Nouveau French illustrator Georges Lepape depicts a high moment of personal drama. He exquisitely renders a beautiful yet solitary woman sitting on the beach...

DELAHOGUE Eugène Jules (1867-c1930) " Landscape of the Valley" Oil on canvas signed low right Frame gilded with leaves Dim canvas : 91 X 150 cm Dim frame : 110 X 172 cm DELAHOGUE Eu...

Gorgeous early 20th Century Palm Springs landscape by Edward Marion Langley (American, 1870-1949), 1913. Signed lower right corner. Titled "Palm Springs" and dated "'13" on verso. Unframed. Condition: Very Good; Previous restoration included relining; newly cleaned and retouched. Image size: 18"H x 22"W. Born in London, England on March 27, 1870. When quite young Langley was abandoned by his parents in Australia. Making his way to Canada, he traveled alone by canoe down to the Gulf of Mexico. In Chicago he worked with Wm Selig in developing the motion picture camera and became a U.S. citizen in 1904. Before that he had played trumpet in the Illinois State Guard for many years. Sometime before 1917 he came to Hollywood, CA with Selig where they produced the pioneer epic, 'The Spoilers." A few years later Langley became art director for the Fairbanks Studio on such films as "Thief of Bagdad...

Dick Beer (b. London 1893 - d. Stockholm 1938) Saint Cloud, 1912 oil on board board dimensions 40.5 x 32.5 cm frame 51.5 x 43.5 cm signed Dick Beer painted 1912 Exhibited: The Swedish-French Art Gallery, Memorial Exhibition, Catalog nr 5, 1942 Provenance: A private collection, Sweden Dick Beer (1893-1938) Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström...

Paris, Seine. 1918/19, oil on cardboard, 38x52 cm Signature located in bottom right corner Belay The certificate: M. Roland Souef at November 23, 2011 Pierre Savigny de Belay...

Early 20th Century Original Impressionist Landscape Painting of German Forest Interior A fine example of a German impressionist landscape of autumnal forest interior by Elisabeth v...

Sorting the Catch John C Gray (Scottish, 1880-1951) oil on canvas, framed signed and dated 1914 framed: 18 x 22 inches canvas: 13 x 16 inches provenance: private collection, Scotland...

Signed lower right, 'Emerson' for William C. Emerson (American, 1865-1937) and dated 1910. Original card board, verso, was additionally signed 'W. C. Emerson' and titled, 'The Dance' (images included were taken prior to lay down). Displayed in a period, carved and giltwood frame; framed dimensions: 27.75 x 33.75 x 1.5 inches. Born in London, England, William Emerson...

Work on wood sold with frame Total size with frame 33x39 cm Signed Guillaume G. ROGER is an artist born in 1867 and died in 1943. His works have been sold at public auction 120 ti...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John...

William Lee-Hankey, R.E., R.W.S., R.O.I. 1869-1952. Chartres Cathedral. Oil on canvas. 27 x 25. Signed, lower left. Price on the strecther, verso: $1000000. Provenance: Woodrugg Brot...

Alice R. Comins American, 1861-1943 The Valley, York Maine Oil on canvas 20 by 26 in. W/frame 27 by 33 in. Signed lower right and dated 1913 & titled on r...

Elisée MACLET (1881-1962) Normandy : The Old Roman Church, c. 1915 Original oil on panel Signed bottom left On board 50 x 65 cm (c. 20 x 26 in) Presented in a golden frame, 69 x 8...

An early twentieth-century, American School oil study of a two-masted, clinker-built schooner undergoing repair in dry dock. Unsigned and painted circa 1925.

This painting is characterized by a cool, turquoise sky that contrasts against snow-covered hills and trees. The artist Harald Gallén has painted the snow in flowing, almost sculptur...

Work on canvas This work of art reveals a captivating alpine landscape, where the viewer is transported to the heart of a serene mountain village. The winding path, bordered by a si...

Frank Nelson Wilcox (American, 1887-1964) Frosty Dawn, Upstate New York, c. 1916 Watercolor and gouache on board Signed lower right 21 x 30 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters". In 1906 Wilcox enrolled from the Cleveland School of Art...

Oil Painting Pair by Sidney Pike "Eventide" and "In the Highlands" 1858 - 1923 London landscape painter and one of the first Christmas card illustrators. Settled in Hastings, repres...

Work on canvas board Golden wooden frame 47 x 56.5 x 3.5 cm This captivating work depicts a bucolic landscape where nature spreads out in a gentle symphony of greens and blues. In ...

View in Summer of Napoli, Italy Well executed pleinair painting of a hill over looking the Bay of Napoli, Italy. done at the turn of the century in ...

Oil on canvas laid down on fiberboard by the American artist, Albert Lorey Groll. Signed lower left and in pencil lower right. Signed verso as well. Condition is good. Circa 1910. Sa...

Work on canvas

Clara Deike (American, 1881-1964) Hillside and Stream, 1916 Gouache on paper Signed and dated lower right 22 x 18 inches 25.5 x 21.5 inches, framed A graduate of the Cleveland Schoo...

Dick Beer (b. London 1893 - d. Stockholm 1938) A French City, 1919 (Fransk stad) oil on canvas canvas dimensions 82x66 cm frame 94x78.5 cm signed Dick ...

Frederick Dickinson Williams Fishing in Autumn, 1914 Signed and dated lower left Oil on board 9 1/4 x 6 7/8 inches Frederick Dickinson W...

Figurative landscape of Wood Fairies kissing in a forest by Carl F. Ruhnau (German, c.1876-1940). Signed “C. Ruhnau” in the bottom right corner. Signed and ...

Provenance Consigned to the gallery by private collectors Description In Jean Mannheim’s "Pathway to the Church" a lone figure walks up a narrow dirt path through a field lined with...

Work on canvas Golden wooden frame 86 x 73 x 6 cm

Early 20th Century Original Autumnal Landscape of Old Water Mill in Oil on Linen Wonderful antique landscape of water mill during autumn season. Smoke billowing from the mill adds t...

The S.S. San Jose shown making way in medium water. This early refrigerated freighter, built in 1904, was designed to transport bananas between the Caribbean and the American mainlan...

Oil on canvas with frame Total size with frame 56x48x5 cm

Signed lower right: 'V. Qvistorff' for Victor Qvistorff (Danish, 1883-1953) and painted circa 1915. Born in Bredegaarde, Denmark, Victor Qvistorff first studied with Hans Andersen Brendekilde. Qvistorff then became a successful business-man and painted only part-time until 1931 when he dedicated himself full-time to his art. Although the author of a notable series of nude studies of his long-time model, Sally Philipsen, Qvistorff is known primarily for his marine scenes- particularly the jewel-like views of Copenhagen harbor...

Mary Bradish Titcomb Village Green Signed lower left Oil on canvas 24 x 20 inches A native of Windham, New Hampshire, upon graduation from high school, Titcomb studied at the Massachusetts Normal Art School, before accepting a position as a drawing teacher in the public schools of Brockton, Massachusetts, where she remained for fourteen years before resigning, in 1889, to study painting at the School of the Museum of Fine Arts, Boston. Her instructors there included Edmund Charles Tarbell, Philip Leslie Hale, and Frank Weston Benson. In the 1890s she went to Paris to study with Jules Joseph Lefebvre and to travel. She then returned to Boston, taking studio space at the Harcourt Studios, where all three of her teachers kept space. In 1895 she became a member of the Copley Society and began exhibiting locally; from 1904 to 1927 she showed work in 29 exhibits at the Pennsylvania Academy of the Fine Arts. She began signing her name as "M. Bradish Titcomb" in 1905 to avoid prejudice against her gender. The same year saw her making a sketching trip to the artists' colony at Old Lyme, Connecticut, a center for the American Impressionists; this trip seems to have cemented her interest in the style. In 1915, Titcomb's Portrait of Geraldine J. – the mother of actress Jane Russell – was shown at the Corcoran Gallery of Art and purchased by President Woodrow Wilson; another portrait, of Frank P. Sibley, was reproduced in the Boston Globe. During this period her work was shown in a traveling exhibition with that of Cecilia Beaux, Lydia Field Emmet, Jean MacLane...

Early 20th Century oil painting of The First Church of Christ Scientist Boston, Massachusetts by Henrietta Dunn Mears (American,1877-1970), 1917. Presented in a giltwood frame. Sign...

Work on canvas

Piccola pittura a olio ,luminoso paesaggio della Bretagna francese, molto luminoso,splendida cornice

English Impressionist landscape/Town scene of a Cornish town, possibly Newlyn. An Australian by birth, Richard Hayley Lever left his native Adelaide at the age of 17 to train as an ...

Alfred Banner was an English landscape and figure painter. He often worked in a late Victorian style, with his compositions being young children enjoyi...

Robert Jenkins Onderdonk (1852 - 1917) San Antonio Artist Toluca, Mexico painting. Mexican Street Scene Image Size: 11 x 8 Frame Size: 15 x 12 Medium: Oil "Toluca, Mexico" Circa 1912 This piece was painted in 1912 when Robert & his wife went to visit his son who was working in Mexico City at that time. Robert Onderdonk is considered the "Dean" of Texas Painters. Robert Jenkins Onderdonk (1852 - 1917) Robert Jenkins Onderdonk is noted for his landscape and portrait paintings and also for his fine art teaching. Onderdonk was born in Catonsville, Maryland in 1852. He was the father of Robert Julian Onderdonk and Eleanor Rogers Onderdonk, also distinguished Texas artists. He received an academic education at the College of St. James, Catonsville, followed by studies at the National Academy of Design in 1872 under the instruction of Lemuel Everett Wilmarth. In 1875, Onderdonk attended Art Students League of New York and received instruction from Walter Shirlaw, James Carroll Beckwith and William Merritt Chase. Onderdonk moved to San Antonio, Texas in 1878 where he made a living teaching and selling his paintings. In 1889 he moved to Dallas, where he painted several portraits for the Huburt Portrait Company, followed by employment with the Art Students League of Dallas. In 1896, Onderdonk returned to San Antonio, Texas where he continued to paint until his death in 1917. Onderdonk was a member of the Allied Artists of America; Salmagundi Club, New York, and the San Antonio Art League. Exhibitions included the Annual Exhibition of the State Fair of Texas, Dallas; Dallas Art Association; Louisiana Purchase Exposition, St. Louis; Annual Texas Artists Exhibition, Fort Worth; Annual Exhibition, National Academy of Design, New York, and the San Antonio Art League. Source: John and Deborah Powers, "Texas Painters, Sculptors, and Graphic Artists" Robert Jenkins Onderdonk was born at St. Timothy's Hall, Catonsville Maryland, in 1852. He had a very thorough academic education and was always sketching family members, classmates and landscapes on the back of his school books. This sketching ethic was a process he subscribed to his entire life, always carrying a sketch book with him where ever he went, like a camera of today. Deciding to make art his profession, Robert moved to New York. He was not only a part of the academic beginnings of American art while studying in New York at the renowned National Academy of Design in 1870, but also one of the first student members, under the instruction of Lemuel Everett Wilmarth, at the Arts Students League. At the League, Robert also studied and honed his craft with other teachers including Walter Shirlaw, William Merritt Chase and James Carroll Beckwith. Some of his classmates included: George Inness, Jr., Frederick Stuart Church, John Henry Twachtman and a Texan from San Antonio named Edward Grenet. Robert was lured to Texas in 1879 by his childhood friend and rancher, William Negely and by stories he read in the tabloids of the day that touted Texas as the "Promised Land." Robert found the light, people and atmosphere of San Antonio agreeable and quickly settled in. He soon met a fellow Texas artist, Emily Gould, whom he married in 1881. They lived with her parents in a house called "Bella Vista" throughout their lives. The house was two miles north of town, had a wonderful view of the city and still stands today. Here Robert lived and taught art classes, painted portrait commissions, landscapes, still lifes and supported his family. Some of his students, who later became well-known Texas artists, were Mary Bonner, Seymour Thomas, Edward D. Eisenlohr, and Rolla Taylor. Robert worked hard and encouraged his students to do their best. Robert was part of and organized several of the first art clubs in Texas, further helping to develop an interest in Texas art in the State and nationwide, but also giving Texas and American artists places to display their works, win awards and achieve much needed recognition. He helped organize "The Brass Mug Club," a revered group of San Antonio artists that met on Sundays to enjoy friendship and go into the Texas Hill Country and paint. Members included Julian Onderdonk (Robert's son), José Arpa, Leo Cotton, Rolla Taylor, Tom Brown and Ernst Raba. In 1912, Robert and Julian were involved in the organization of the San Antonio Art League, the first important art organization in Texas with the mission to establish a free public gallery in San Antonio with exhibitions, lectures and classes in art. Later, larger exhibitions that needed more room due to the extreme popularity of the League and its awards were held at the Witte Museum in San Antonio. While living in Dallas from 1889 to 1895, and in order to obtain commissions, Robert organized the first Dallas art school, the Dallas Arts Students League, where he was president and instructor. In 1905, Robert was chosen to select artists from New York and Texas to be represented and judged at the Dallas Fair, which later became the State Fair of Texas. In 1901, Robert was commissioned by well-known Texas historian and writer, James T. DeShields, to paint a large historic painting of the Alamo battle. He used his family, friends and fellow artists for this painting, including his son. Robert even put himself in the painting, as one of the Alamo Defenders, taking a mortal shot from the enemy and falling backwards. The painting took three years to complete. The Fall of The Alamo was first exhibited at the St. Louis Worlds Fair in 1904. Among Robert's important commissions were the illustrations he provided for feared Texas gunfighter John Wesley Hardin's autobiography, The Life of John Wesley Hardin, published in 1896. This was a courageous task by Onderdonk considering that Hardin, who had killed over forty men, was the fastest gun in the West, East, North or South. When Robert Jenkins Onderdonk died in 1917 at the age of sixty-five at his home in San Antonio, he was known as the dean of Texas artists. His contributions to Texas art and the early artists of Texas were well-known and well-respected. Written by Peter C. Rainone, as published in American Art Review, June 2008 Robert Onderdonk was educated at the College of St. James in Maryland where his father was headmaster. At 20, he studied for two years at the National Academy of Design, under Wilmarth, then at the Art Students League under Shirlaw and Beckwith. He was the private pupil of A H Warren, a tonalist painter known as "the Corot of America." In 1878, he concluded his art studies with William Merritt Chase. To earn funds for a European trip he never made, Onderdonk was persuaded to establish his studio in San Antonio in 1878. By 1881 he was married, living near Pedro Spring, and taking the mule car to his studio in the city. He always carried with him a wood panel such as the top of a cigar box so he could paint small scenes. For his studio classes he charged $3 per month. He moved to Dallas in 1889, when offered $100 a month to teach. After his father-in-law died in 1896, he returned to San Antonio where he remained except for a trip to St. Louis in 1899 to try commercial painting on tile. Not ambitious, not robust, not careful in signing his paintings, he received commissions for hundreds of portraits without being able to earn a suitable living. Even his epic "Davy...

Fine impressionist painting by Franco-American Paul Custis Dougherty. The piece is titled on an exhibition label verso "The Bridge Winter". Also, in pencil on the stretchers the lo...

Rocky Inlet (France) Oil on canvas, relined, c. 1915 Signed: K A Buehr, lower right (see photo) Created during the artist's time in Giverny and Normandy Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibitiion at the North Franklin Street Gallery. Provenance: Gift of the artist to his wife, Mary Hess Buehr The artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Gallery Condition: Craquelure to the paint surface (normal with aging of 100 years) Relined Canvas size: 11 1/8 x 14 1/4 inches Frame size: 16 x 19 inches “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...

Date: 1918 Medium: Grisaille Gouache on Illustration Board Dimensions: 15.75" x 22.38" Signature: Signed Lower Right

Antique original historical modernist landscape oil painting by Lee Roland Warthen (1893 - 1949) . Oil on canvas, circa 1912. Signed and titled on verso. Image size, 18L x 14H. H...

Oil on board. Framed. Great quality!

Beautiful large scale landscape of Yosemite with Half Dome and El Capitan above the Merced River by William Lemos (American, 1861-1942). Rendered in cool grays and blues, Half Dome r...

Signed lower left: Iosif Evstafievich Krachkovsky (1854 - 1914), and dated lower right - 1910. Summer View Of Well pole or Shadoof / sweep somewhere in Ukraine (due the specific wicker fences design). A hot summer day that causes thirst, water quenches it. Water, a symbol of life at all times. The well depicted in this painting. source of water and hence the source of life. Symbolism and philosophical overtones in this painting is the main message of the artist to us... Oil painting on canvas pasted on cardboard, framed, early 20th century. Size app.: 45 x 33 cm (roughly 17.7 x 12.99 in), framed by 56 x 44 cm (roughly 22.04 x 17.32 in). Very Good condition, age wear, canvas pasted on cardboard. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker than on our pictures, appearance also depends on sufficient light in your room. I. E. Krachkovsky - Polish-Russian landscape painter...

A gorgeously colored summer landscape by Important American Impressionist, Frank V Dumond. Fresh in color and elegant in the tonally complimentary French frame with silk liner. Atm...

Inlet and windmill, a watercolor painting by William Walker Alexander (Canadian, 1870-1948). Presented a giltwood frame. Signed "W.W Alexander" lower right. Inner mat has minor wear ...

Original Oil on Canvas by Giovanni Giani, realized by the artist in 1911. Signed and date lower left "G. Giani 1911". Very good conditions.

This wonderful Post Impressionist exhibited horses portrait oil painting is by noted British artist Edgar Downs. Painted in 1912 it was exhibited the same year at the Royal Academy London. The painting is of two magnificent horses, one white one brown, waiting patiently while a man leans over to open the gate. Beyond is a canopy of trees. The impressionist brushwork and strong impasto create a light which is vibrant and colourful. This is an excellent example of Downs' work and one can see his infinity with the natural world. Signed and date lower right. Provenance. Exhibited at the Royal Academy London 1912 no. 789. Condition. Oil on canvas, image size is 36 inches by 30 inches and in good condition. Frame. Housed in a complementary frame 44 inches by 38 inches and in good condition. Edgar Downs, ROI, (1876–1963) was a British painter, known for painting agricultural scenes. Downs was born on 12 October 1876 at Claughton, Birkenhead, the son of William Downs. He was educated at Birkenhead School and the Academy of Fine Arts, Munich, and received a silver medal there. He exhibited paintings called Our Daily Bread and The Edge of the Bog at the Royal Academy in 1911, when his address was given as 12 Bedford Gardens, Kensington, London. His other addresses included Arun House at Clymping, West Sussex, and latterly Mudeford, Hampshire where he died. During World War I, he served as a war artist, including spells at Gallipoli in 1915 and Salonica in 1916. He was assigned to the 1st County of London Yeomanry in July 1918. One of his paintings made at this time hangs in the Headquarters of the Inns of Court & City Yeomanry. Two of his works, Gathering Kelp (1914) and Cattle Ploughing in an Open Landscape (c. 1914), are in the collection of Fordingbridge Town Council at Fordingbridge Town Hall. He was a member of the Royal Institute of Oil Painters ("ROI"), the London Sketch...

To see our other views of Public Schools, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Nora Davison...

This atmospheric British Edwardian oil painting is by noted Welsh artist Alan Stepney Gulston. Painted circa 1910 it is a sunny Pembrokeshire coastal view from the high vantage point...

A Post-Impressionist oil of a wooden wharf with a large sailing boat moored and dockhands working with a view beyond towards a coastal town with wooden-f...

Sidney Pike 1858 - 1923 London landscape painter and one of the first Christmas card illustrators. Settled in Hastings and represented in many south coast Museums. Signed and dated ...

An original antique impressionist oil painting by American artist George Renouard.