19th Century Landscape Paintings

F. Walters (British, 19th Century) Cottage Landscape with Figures and Pond Oil on canvas, signed lower left English School, circa 1880 Presented in an ornate 19th-century carved and gilded frame This serene and expansive rural landscape by 19th-century British artist F. Walters captures the gentle charm of the English country...

English school, 18th Century Figures at a mill Gouache on paper 4.5/8 x 7.1/2 in. (11.8 x 19 cm.)

Signed and dated. Dimensions are without frame. Including certificate of authenticity. Frame has slight damage in places.

Charles Francis De Klyn was born in Westchester County, New York, in 1865. A landscape, marine, portrait and figure painter, De Klyn studied in New York and Paris from 1886 to 1891, then taught at the Cleveland Art Club and the Cleveland School of Art. In 1893, he was one of the founders of the Cleveland Brush and Palette Club, and he exhibited at the National Academy of Design in 1894 and 1895. He was also a member of the Society of Western Artists. "A Fontainebleu" by Charles Francis De Klyn is a beautifully rendered Barbizon oil...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 26.25 INCHES X 37.25 INCHES** Frederick Henry Howard Harris British, (1829-1901) Volunteer Rifl...

19th‑Century Original Oil Painting by William Dalglish (1860–1909) Nomads by the Coast – Tranquil Landscape Scene Up for sale is an original 19th‑century oil painting on canvas by W...

Charles M.C Kinley (late 19th/ early twentieth century) signed oil painting on canvas, framed framed: 23 x 33 inches canvas: 20 x 30 inches provenance: private collection, England c...

Narcisse Diaz de la Peña Nymphs in a Landscape Estate sale seal lower left Oil on board 9 1/4 x 11 1/4 inches Narcisse Diaz de la Peña was born in 1808 in...

Oil on canvas 130.5 x 97 cm Signed and dated lower right: A Marinier 1889 Alfred Hippolyte Marinier was born in Orsay in 1833. A student of Jules Noël and Henri Marie Beyle, he ex...

A fine & large antique maritime oil painting of the war ship HMS Britannia, by Robert Strickland Thomas (1787-1853), the painting circa 1835. The painting depicts HMS Britannia broadside with several other war ships of the British fleet, most likely returning from the Mediterranean. In the foreground are several small boats with sailors variously occupied attending to them. A yacht with a crowded deck is visible on the left. In the center foreground there is a barrel or possibly a buoy in the water, a device commonly employed in some of Thomas's paintings. To the verso is an old auction label from the 1920s and another partial label, there are also some annotations on the stretcher with details of photographic images of the painting. There is also an old label of ownership "Mrs. Strange 6 Elvaston Place", this address was a large Georgian house in the prestigious London borough of South Kensington. The painting is in very good condition, this investment quality antique maritime painting...

Louis Smets Dutch, (act. 1852-1896) A Winter’s Day Oil on canvas, signed Image size: 23.5 inches x 32.5 inches Size including frame: 30.5 inches x 39.5 in...

This Hudson River School autumn landscape is done by the famed artist David Johnson. He studied at the national Academy of Design in New York. He was best known for the development o...

This oil is a classic example of Jacobsen's work from his best period done way before 1900. In these oils the water is done with great sense of naturalism, due to his constant experiences at the harbors in New York and New Jersey. It is his best work when the sails are up and the steam stacks are in full blast. An unusual note is that this painting is on its original canvas and is in extraordinary condition. Most Jacobsens have endured rounds of restoration which makes this painting's condition special. This was a commissioned piece from the Captain of the flagship, Prince Frederik Hendrick, a great king during the Dutch golden age in the 17th century. The Captain was very proud of this vessel, and upon the safe entrance into the New York port, hired Jacobsen to commemorate this voyage. Provenance: Reference: Antonio Jacobsen - The Checklist: Paintings and Sketches by Antonio N.G. Jacobsen (1850-1921) by Harold S. Sniffen (N.Y. and Newport News...

Oil on panel Panel size: 17 x 14 inches Framed size: 22.75 x 20 inches Signed lower left

David Bates British, (1840-1921) Early Morning on the Glaslyn Oil on canvas, signed & dated 1895, further inscribed verso Image size: 23.25 inches x 35.25 inches Size including fra...

John Henry Hill was a distinguished landscape painter and engraver of the American Pre-Raphaelite tradition. A lifelong resident of West Nyack, New York, John Henry Hill was influenc...

Oil Painting by William Howard "St Angers Bridge on the Rhine" 1879 - 1845 Painter of atmospheric Britain and Continental townscapes represente...

Carle John Blenner (1862 - 1952) Pont Neuf, Seine, Paris, France, 1887 Oil on canvas 15 x 22 inches Signed and dated lower right; titled lower left ...

Oil Painting by Sidney Pike "A Woodland Stream" 1858 - 1923 London landscape painter and one of the first Christmas card illustrators. Settled in Hasti...

Oil Painting by Frank Walton "A Surrey Heathland" PROI, RBA, RI 1840 1928 Highland regarded London landscape painter, prolific exhibitor member and President of the Royal Institute i...

Charles Louis Émilien DESPREZ (Maisons-Alfort, 1818 – Paris, 1898) View taken near Ajaccio Oil on paper mounted on canvas Signed below, located and dated lower right 34 x 53 cm wit...

Notes: This painting was reviewed via digital photographs by Max and Dr. Christoph Andreas who confirmed it authenticity. They commented that the painting would benefit from removal of the discolored varnish. Provenance: Provenance: Christie's New York, 19th Century European Paintings, Drawings, Watercolors, and Sculpture, February 23, 1989, Lot 125. Private Collection, Boston MA, Skinner Auction, Nov 2021 Arab Horsemen" by Adolf Schreyer captures the grace and power of Arab horsemen in a vibrant Middle Eastern setting. Schreyer, a renowned artist of the 19th century, adeptly portrays equestrian scenes with exceptional skill and detail. The painting showcases a group of horsemen galloping through a desert landscape, evoking a sense of freedom and adventure. Schreyer's meticulous attention to detail brings the scene to life, with sunlight reflecting off the horses' coats and dust rising beneath their hooves. Beyond its visual appeal, the artwork holds cultural significance, bridging the gap between cultures and inviting appreciation of Arabian heritage. Schreyer's experiences in North Africa, Turkey, and Syria inform his captivating depictions. "Arab Horsemen" is highly regarded in both America and France, where Schreyer's works found admiration among collectors and his association with the Barbizon School solidified his reputation. Owning this artwork not only adds beauty but also connects to a pivotal period in art history, showcasing Schreyer's artistic brilliance and cross-cultural appreciation. Experience the timeless allure of "Arab Horsemen" and embrace the spirit of the Middle East. Frame Size: Width: 36″ x Hight: 24.75″ Frame Thickness: 6.50″ Picture Size: Width: 24″ x 12.75″ Description: Introducing “Arab Horsemen” by Adolf Schreyer: A Captivating Blend of Artistry and Cultural Significance Capture the essence of the vibrant Middle Eastern culture with “Arab Horsemen,” a masterpiece by the renowned artist Adolf Schreyer. This captivating painting takes you on a journey through time, allowing you to witness the grace, power, and elegance of Arab horsemen in their natural element. Adolf Schreyer, a celebrated artist of the 19th century, gained immense popularity and admiration for his exceptional ability to depict equestrian scenes with unparalleled skill and detail. Born in Frankfurt, Germany in 1828, Schreyer developed a profound fascination for the Orientalist movement, which celebrated the exoticism and allure of the Middle East. “Arab Horsemen” exemplifies Schreyer’s signature style, highlighting his mastery of capturing the energy and spirit of his subjects. The painting portrays a group of Arab horsemen galloping across a vast desert landscape, their silhouettes evoking a sense of freedom and adventure. Schreyer’s meticulous attention to detail is evident in every brushstroke, as he adeptly captures the shimmering sunlight bouncing off the horses’ coats and the billowing dust beneath their hooves. What sets Schreyer apart is his ability to transcend mere representation and infuse his artworks with a profound cultural significance. His depictions of Arab horsemen are not only visually stunning but also serve as a bridge between cultures, inviting viewers to explore and appreciate the richness of Arabian heritage. The artist’s fascination with the Middle East stems from his experiences traveling through North Africa, Turkey, and Syria, immersing himself in the sights, sounds, and traditions of these enchanting lands. “Arab Horsemen” holds a special place in the hearts of art enthusiasts in both America and France. Schreyer’s works found great admiration and recognition in these countries during his lifetime and continue to captivate audiences to this day. In America, his paintings were sought after by collectors who were drawn to the romanticism and exoticism of the Orient. In France, Schreyer’s association with the Barbizon School, a group of artists who favored realistic depictions of rural life, further solidified his reputation as a respected painter. Owning a piece by Adolf Schreyer, especially “Arab Horsemen,” is not merely acquiring a beautiful artwork but also an opportunity to possess a tangible link to a pivotal period in art history. Schreyer’s ability to seamlessly blend artistic brilliance with cross-cultural appreciation makes this painting an invaluable addition to any collection. Experience the timeless allure of “Arab Horsemen” and let the spirit of the Middle East gallop into your life. Collections holding paintings by Adolf Schreyer include the Collections: Schwerin Gallery Count Mensdorff-Pouilly Collection Raven Gallery, Berlin Rockefeller Family Collection Vanderbilt Family Collection John Jacob Astor Collection William Backhouse Astor, Sr. Collection August Belmont Collection William Walters Collection...

Monogrammed lower left: ATBRICHER

Plumot André Antwerp, Belgium 1829 – 1906 Belgian Painter Shepherds Couple with Herd in a River Landscape Signature: Signed bottom left and dated 1877 Medium: Oil on canvas Dimensions: Image size 58,50 x 104,50 cm Biography: Plumot André (Plumot Andre) was born on February 10, 1829 in Antwerp, Belgium. He was a painter of genre scenes, interiors, animals, children and figures. In general, he painted interiors in 16th-17th century style. He was a student at the Academy of Fine Arts of Antwerp under master teacher and artist H. Van der Poorten. For a short time, he worked in N. de Keyser...

Val Duchesse Castle (Dutch: Kasteel Hertoginnedal) is located in the municipality of Auderghem, in the south of Brussels (Belgium), on the edge of the Soignes Forest. The Val Duchess...

Bathed in the warm glow of the setting sun, Ships at Sunset by Otis S. Weber captures a tranquil maritime scene where vessels drift across calm waters, their sails catching the fadin...

Loch Tay, Perthshire Scottish School, late 19th century indistinctly signed oil painting on canvas, framed framed: 11.5 x 17 inches canvas: 10 x 16inches prov...

Estate stamp on verso; on stretcher bar: SEP 9th 1855

Victorian Landscape painting of Cattle watering at Dovedale in the Peak District England by one of the best known painters Alfred De Breanski Senior. Alfred de Breanski Snr...

Oil painting of a river landscape with figures in a boat rowing along the foreground. The work is painted on board. It is framed in a decorative frame. Dimensions without frame: H 24 in x W 36 in. Artist Biography: William Joseph Shayer, senior was a self-taught artist, who began by painting decorations on rush-bottom chairs. He moved on to painting carriages in the town of Guildford, after which he started doing heraldic painting...

Friedrich Wilhelm Karl Kuhnert, around 1900, Majestically striding lion Decorative painting by the well-known artist Wilhelm Kuhnert. Representation of a striding lion in the African savannah...

GOVERT VAN EMMERIK (1808-1882) View on the Governor’s Palace in Paramaribo, Surinam Signed and dated 1856 Oil on canvas, 70 x 90 cm In large gilt...

Antique American sunset seascape oil painting. Oil on board. Signed. Framed. Measuring: 18 by 24 inches overall, and 12.25 by 18 painting alone.. In excellent original condition. Ha...

Drottningholm Royal Palace, Stockholm, Sweden, 19th Century European School Architectural Study Large 19th Century European School architectural study of Drottningholm Royal Palace...

Crossing the Bridge Scottish School, late 19th century signed lower corner oil painting on canvas, framed framed: 9 x 13 inches canvas: 7 x 11 inches provenance: private collection, ...

Westminster Abbey, London, 19th Century after CANALETTO (1697-1768) Large 19th Century view of Westminster Abbey oil on canvas. Excellent quality and condition architectural view ...

Ashley John is proud to offer this artwork by: J Alden Weir (1852 - 1919) Born in West Point, New York Julian Alden Weir received his first art training from his father, Robert W. Weir, who was a professor of drawing at the United States Military Academy. The younger Weir continued his studies in New York at the National Academy of Design and in Paris at the Ecole des Beaux-Arts where he worked under the important academic teacher Jean-Léon Gérôme beginning in 1873. Traveling to Holland and Spain during his student years, Weir was inspired by the work of Hals and Velasquez. However, the major influence on his early career was the French painter Jules Bastien-Lepage, who was well known for his realistic depictions of Breton peasants in the outdoor landscape. On his return to New York in the fall of 1877, Weir supported himself by teaching at the Cooper Union Women's Art School and at the Art Students League. He was also active in avant-garde artist organizations that began in the late 1870s, helping to found the Society of American Artists and participating in Tile Club...

Alexis de Leeuw was born in the Belgian town of Bruges in 1848, he painted accomplished winter scenes capturing light with great accuracy. Alexis de Leeuw died at the young age of th...

A fine impressionist coastal painting with boats in the harbor and a cabbage garden in the foreground by French artist Louis Abel-Truchet (1857-1918). Louis Abel-Truchet was born in ...

This atmospheric watercolour by Frank Walton, dated 1867 and signed lower left, reflects the artist’s technical skill and sensitivity in capturing the British countryside. Depicting ...

Signed illegibly lower right

Willem De Klerk 1800 – Dordrecht – 1876 Dutch Painter 'A winter landscape with an ox-cart on a wooded road near a village' Signature: signed lower left ‘W. de Klerk f’ Medium: oi...

Jacob Eduard Van Heemskerck Van Beest (1828-1894) “Avondgebed; Maleidische tripang visschers onder de hoge kust van Celebes” (Ev...

Arthur Walker Redgate British, (1860-1906) The Harvesters Oil on canvas, signed Image size: 19.25 inches x 29.25 inches Size including frame: 27 inches x 37 inches A pleasing lands...

Henry John Kinnaird British, (1861-1929) View near Cooksbridge, Sussex Oil on canvas, signed & further inscribed verso Image size: 15.5 inches x 23.5 inches Size including frame: 23 inches x 31 inches A pleasing landscape scene of a harvest near Cooksbridge, Sussex by Henry John Kinnaird. Figures are shown harvesting a crop in the foreground; whilst in the field beyond others stack sheaves onto a hay cart. A cottage and other buildings can be seen nestled amongst trees to the right. Cooksbridge is a village situated in the parish of Hamsey in Sussex a short distance from Lewes. It sits on the edge of the South Downs National Park, England’s newest national park which was designated in 2010. Henry John Kinnaird was a landscape artist born on 7 June, 1861 at Old Church, St Pancras in London. He was the eldest son of Francis Henry Kinnaird (1836-1916), who was an artist and his wife Charlotte née Lee. His brother Francis Joseph ‘Wiggs’ Kinnaird (1875-1915) also became an artist. Both were probably tutored by their father as their style and subject matter are similar, but Henry is also known to have taught his brother art. He spent his time on painting trips around the country and visited areas such as Buxton in Derbyshire where he met his future wife. He made his debut at the Royal Society of British Artists in 1880 from his parents address at 98 Brecknock Road, Islington with a work entitled ‘In the Green Woods, near Buxton’. By the time of his marriage to Alice Mary Leyland on 6 Feb, 1883 at Buxton he had established himself as a full time artist. The couple spent their early married life at 38 Leighton Road, Camden and had 2 children together. In 1886, he began exhibiting at the Royal Academy where he continued to show his work over the years. He moved to Chingford, Essex around 1887 where he was inspired by the views in his locality. Kinnaird painted in both oils and watercolours in a broad, naturalistic style similar to John Horace Hooper. Many of his works are of harvest scenes such as this fine example. After the death of his wife Alice in 1890, he married Mary Helen Cooke on 6 September, 1892. The couple went on to have 2 children. By 1901, he had relocated with his family to Worthing in Sussex where he lived at Rusholme on Homefield Road. After staying there for a few more years he moved to Elm Croft, Burpham, Arundel before moving to Ringmer near Lewes in Sussex. He spent the final years of his life living at The Old Cottage in Ringmer, where he died on 26 April, 1929. An example of his work is held by Chelmsford Museum. Presentation: The work is housed in a new English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having just been professionally cleaned, restored and revarnished. © Benton Fine Art

Dutch School, Feeding the Chickens, Oil on Board, 19th century, unsigned, giltwood frame. Image: 12" H x 9.5" W; frame: 19" H x 16" W.

Maud Earl (1863-1943) A collie standing in a landscape, a country house beyond signed and dated 'Maud Earl/ 1899.' (lower right) Oil on canvas Canvas Size 30 x 40 in Framed Size 40 x...

Monogramed and dated lower right: JF.K. / ‘64.

Oil Painting Pair by George Harris "The old Miners Bridge" Born in Collumpton 1855 younger brother of Henry Harris with whom he shared a studio in Bristol. member of the Bristol savage...

Charles Lewis Fussell (American, 1840–1909) Trees in a Meadow Oil on canvas, 12 1/4 x 7 3/4 inches FRAMED: 18 x 13 1/2 inches (approx.) Fussell probably painted this work sometime b...

J. Charnock “Upper Airedale, Yorkshire” Oil on board, signed lower right English, circa 1890 Presented in a richly carved and gilded period frame This idyllic pastoral scene by the ...

"Passing Clouds" British School, late 19th century indistinctly signed oil painting on board, framed framed: 14 x 18 inches board: 10 x 13.5 inches Provenance: Private collection, U...

Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...

Oil on canvas Canvas size: 16 x 26 inches Framed size: 22.5 x 33 inches Signed lower right

Seascape by famous artist of the period, this fine oil painting on canvas shows us soft hues in skies and waters, with a white-sailed ship in the center. One of Shayer’s more beauti...

Victor Huguet, a distinguished 19th-century French artist known for his contributions to the Orientalist art movement, crafted a captivating pair of paintings that beckon viewers int...

Louis-Camille d'Olivier, A painter of history and portraits, he returned to the Ecole des Beaux-Arts in 1850 and appeared at the Salon de Paris between ...

John Edmund Califano, an American artist born in the late 19th century, was known for his remarkable skills in capturing the beauty of everyday life through his paintings. Califano'...

William E Harris British, (1854-1930) *Sutton Park Oil on canvas, signed & dated 1884, inscribed verso Image size: 9.5 inches x 15.5 inches Size incl...

Signed lower right: W Bradford