19th Century Landscape Paintings

Richard FAXON (1816 - 1875) Rochefort Harbour with Galleons Oil on canvas signed low right New golden frame Size canvas 73 X 50 cm Size frame 69 X 95 cm FAXON Richard (1816-1875) ...

Eugene Galien Laloue (French, 1854-1941) Large oils on canvas landscape painting of the outskirts of Paris on the Seine River with figures and bui...

Thomas Creswick R.A. 1811 - 1869, was an English landscape painter and illustrator. Creswick was one of the leading members of the Birmingham School of landscape painters and exhibit...

Jasper Francis Cropsey paints a view out from the Palisades onto the Hudson River in his artwork entitled, “Under the Palisades.”

Cheerful winter landscape with children playing and sledding. Signed lower left. Age-related condition. Dimensions with frame: 48 cm x 58.5 c...

James Craig Nicoll paints figures obscured by tall grass on a small island off a coast lined with bare trees observing a flock of waterfowl in his oil painting, “Duck Hunting Scene.”

Clement Drew grew up in Kingston, Massachusetts, a coastal New England town. Early on he settled into a career as a marine painter. He augmented his income by working in a number of ...

This harsh winter scene depicts a horse-drawn sleigh paused in a remote snow-covered landscape. The man looks to be lost as he makes his three horses stand while deciding their next ...

Large Victorian coastal marine painting by Edward William Cooke, R.A. English, 1842 Frame: height 92cm, width 128cm, depth 6.5cm Canvas: height 77cm, width 122cm This superb marine ...

Lonely Figure In A Mountain Landscape, titled "Dinas Braun Neath", 19th Century Francis DANBY (1793-1861) sales to $190,000 19th Century British landscape...

Clement Drew grew up in Kingston, Massachusetts, a coastal New England town. Early on he settled into a career as a marine painter. He augmented his income by working in a number of ...

In his oil painting titled, “Wooded Landscape with Boulders,” John Frederick Kensett depicts a rocky outcropping in a dense forest, with the slope of a mountain behind.

Louis Smets Dutch, (act. 1852-1896) A Winter’s Day Oil on canvas, signed Image size: 23.5 inches x 32.5 inches Size including frame: 30.5 inches x 39.5 in...

'The Bird Cage', Louis XV, Fêtes Galantes, Mme. de Pompadour, Rococo, Allegory ---------- 'Les Amours du Bocage' (The Bird Cage). Painted after the original work (1735) by Nicolas La...

Signed and localized on the verso : "Vedute di parte dalla Piazza dif.a alla Loggetta e cam panil parte della Zecca ed in lontan Proc.e vechie e parte della chiesa punto preso vic...

19th century Impressionist oil painting of two women in a park. Oil on canvas, circa 1900. Signed illegibly lower left. Displayed in giltwood...

This is a stunning artwork entitled a ‘Landscape with Highland Cattle’. It is circa 20th Century and is an original oil on canvas painting by the English Artist William Perring Holly...

19th Century Dutch

Antique American important and historic drawing by John Avery, Ink on paper. Provenance from Kennedy Gallery. Framed. Measuring 19 by 23 inches overall and 12 by 15.5 drawing alone. ...

Provenance: Robert Hollberton, Antigua, ca. 1841 Private Collection, New York The present painting depicts Old St. John’s Cathedral on the island of Antigua. The church was erected in the 1720s on the designs of the architect Robert Cullen. It measured 130 feet by 50 feet with north and south porches 23 x 20 ½ feet. The tower, 50 feet high with its cupola, was added in 1789. The church was elevated to the status of a cathedral, but disaster struck in the form of an earthquake that destroyed the building on 8 February 1843. A memorandum of that date relates the event: “On Wednesday, 8th February, 1843, this island was visited by a most terrific and destructive earthquake. At twenty minutes before eleven o’clock in the forenoon, while the bell was ringing for prayers, and the venerable Robert Holberton was in the vestry-room, awaiting the arrival of persons to have their marriage solemnized, before the commencement of the morning service, the whole edifice, from one end to the other, was suddenly and violently agitated. Every one within the church, after the first shock, was compelled to escape for his life. The tower was rent from the top to the bottom; the north dial of the clock precipitated to the ground with a dreadful crash; the east parapet wall of the tower thrown upon the roof of the church; almost the whole of the north-west wall by the north gallery fell out in a mass; the north-east wall was protruded beyond the perpendicular; the altar-piece, the public monument erected to the memory of lord Lavington, and the private monuments, hearing the names of Kelsick, Warner, Otley, and Atkinson, fell down piecemeal inside; a large portion of the top of the east wall fell, and the whole of the south-east wall was precipitated into the churchyard, carrying along with it two of the cast-iron windows, while the other six remained projecting from the walls in which they had been originally inserted; a large pile of heavy cut stones and masses of brick fell down at the south and at the north doors; seven of the large frontpipes of the organ were thrown out by the violence of the shock, and many of the metal and wooden pipes within displaced; the massive basin of the font was tossed from the pedestal on which it rested, and pitched upon the pavement beneath uninjured. Thus, within the space of three minutes, this church was reduced to a pile of crumbling ruins; the walls that were left standing being rent in every part, the main roof only remaining sound, being supported by the hard wood pillars.” The entrance from the southern side into the cathedral, which was erected in 1789, included two imposing statues, one of Saint John the Divine and the other of Saint John the Baptist in flowing robes. It is said that these statues were confiscated by the British Navy from the French ship HMS Temple in Martinique waters in 1756 during the Seven Years’ War and moved to the church. The statues are still in situ and can be seen today, much as they appeared in Bisbee’s painting, but with the new cathedral in the background (Fig. 1). Little is known of the career of Ezra Bisbee. He was born in Sag Harbor, New York in 1808 and appears to have had a career as a political cartoonist and a printmaker. His handsome Portrait of President Andrew Jackson is dated 1833, and several political lithographs...

Gustave de Breanski, brother of artist Alfred de Breanski, is renowned for his oil paintings on canvas of 19th century British maritime scenes with choppy waters, moody skies, boats ...

Antique European street scene oil painting. Oil on panel. Framed. Measuring 14 by 19 inches overall and 10 by 14 painting alone. In excellent original condition. Handsomely framed ...

It was Henry Cross's portraits of horses belonging to the prominent breeders and trainers of the second half of the nineteenth century that won the artist renown as an animal painter. Born and raised in upstate New York, Cross's proficiency in both drafting and caricature was revealed while he was still a student at the Binghamton Academy, New York. In 1852, when he was only fifteen years old, Cross joined a traveling circus that took him to Minneapolis, Minnesota, and to the first of many Indian encampments that he would draw upon for subject matter throughout his career. Biographers differ as to the year Cross left for Europe, however, he was in Paris from 1852 to 1853 or 1854, where he studied with Rosa Bonheur, a highly esteemed French painter of horses. Upon Cross's return to the United States he was commissioned to paint the studs of wealthy horsemen, including those of Commodore Cornelius Vanderbilt, Robert Bonner, the owner-publisher of The New York Ledger, and "Copper King" Marcus Daly, whose 18,000 acre stock farm was reputed to be the greatest and most valuable horse ranch in the world. Although Cross received the highest pay of any equine artist of his day (up to $35,000. for one order, according to The Horse Review of April 10, 1918, p. 328), he frequently joined traveling circuses and painted the locales where they visited. He also painted portraits of notable contemporaries, such as President Abraham Lincoln, ex-president Ulysses S. Grant, King Edward VII of England, W. F. "Buffalo Bill...

This beautiful oil-on-panel painting of a tranquil waterfront farm that is over 120 years old is by the Belgian painter Louis Dubois (1830–1880). Dubois...

Oil on canvas Canvas size: 18 x 26 inches Framed size: 22.5 x 30.5 inches Signed lower right

Louis Jean LOTTIER (La Haye-du-Puits, 1807 – Mont-Saint-Père, 1892) View of Cairo, Egypt Oil on cardboard Annotated on the back: Offered by L. Lottier / to Mr. Ch. Ginoux / 1852 / ...

Oil Painting by Henry Robinson Hall "Moorland Rovers, Loch Lomond" 1859 - 1927 Popular painter of Highland cattle he exhibited at the Royal Academ...

Jean Adolphe Boucé (1818 - 1875) - Deer Hunting. 33.5 x 43 cm without frame, 38.5 x 48 cm with frame. Oil on paper applied on canvas, in a contemporary 19th century frame. - Work ...

Signed with initials in carriage: CHC

Signed and dated lower left: Theo Wendel 84

A fine landscape along a brook by American artist Robert Ward Van Boskerck (1855-1932). Boskerck was an Impressionist landscape painter who preferred quiet scenes drawn from his domestic and foreign travels. He graduated in 1877 from the The School of Mines...

John Holland Snr British, (1830-1886) Braintree Fair, Essex Oil on canvas, signed Image size: 13.25 inches x 20.5 inches Size including frame: 19 inches x 26.25 inches Provenance: Frost & Reed A lively painting of an annual town fair near Braintree, Essex by John Holland Snr. The middle of the scene shows a crowd of figures dancing on the green next to the Kings Head Inn whilst others watch on. In the foreground, people can be seen conversing with sellers and other visitors. John Holland Senior was a painter of landscapes and coastal scenes who was born in Nottingham around 1830. He was the son of a painter and brother to Samuel Holland also a painter and sign writer. He was also uncle to his namesake John Holland (1857-1920) whom he taught to work in charcoal and Samuel S. Holland, both of whom were artists. By 1861, he had become a full time artist exhibiting at Suffolk Street from around this time until 1879, at the British Institution between 1865-1866 as well as exhibiting locally in Nottingham. He never married and lived for many years with his father, brother and his family at Vernon Street, Nottingham. Around 1867, he moved to Hebden Bridge in West Yorkshire where he exhibited locally. He would also often travel around the British countryside and coast to paint. He spent a few years in West Yorkshire but by 1871 had moved back to live with his family in Nottingham. However, he spent his final years living at Trebray Lodge, Tintagel, Cornwall where he died on 7 February 1886. A number of his works are held by the Buxton Museum, Calderdale Metropolitan Borough Council, Nottingham Art Gallery and the Williamson Art Gallery. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears a label for Frost & Reed, a well-known fine Art Gallery, frame maker and fine art publisher founded in Bristol in 1808 by William Hill. The business was bought by John Frost in 1859 who ran it until his death in 1875. His nephew Walter Frost took over the business and in 1881 brought in William Reed...

Signed lower right. An itinerant portrait, miniature, and landscape painter, Ambrose Andrews had a wide-ranging career geographically that saw him in many regions including New York (1829-31), Connecticut (1837), Texas (1837-1841) and Louisiana (1841-42). After 1844, he was active in St. Louis, New York City, Buffalo, New York, Vermont and Canada. He was born in West Stockbridge, Massachusetts, and in 1824, attended the National Academy of Design. Andrews exhibited paintings at the Republic of Texas Capitol...

Bocca Tigris, Chinese Export Trade, circa 1850 Qing Dynasty - one of a set of three Large circa 1850 Qing Dynasty view of Bocca Tigris, oil on canvas. Important early and excellent...

A fine impressionist coastal painting with boats in the harbor and a cabbage garden in the foreground by French artist Louis Abel-Truchet (1857-1918). Louis Abel-Truchet was born in ...

Signed and indistinctly dated lower right: William F. de Haas; on verso: South Coast of Block island

Louis Aston Knight, was the son of the American expatriate artist, Daniel Ridgway Knight. Born in Paris in 1873, Louis, unlike his father, had the privilege to be brought up in a home where he was surrounded by art and music. Raised and educated in Europe, Louis attended the Chigwell School in England for his Liberal Arts Education and began his artistic training, under the guidance of his father. Later he studied formally with the great French Romantic painters, Robert-Fleury and Jules Lefebvre. In 1894 Aston Knight debuted at the Paris Salon, starting a highly acclaimed career. Among his many awards, he won a Bronze medal at the Paris Exposition Universelle in 1900, an honorable mention at the Paris Salon in 1901, a gold medal in Lyon in 1903, a gold medal in Geneva and in Nantes in 1904 and Gold medals at the Paris Salon in both 1905 and 1906, earning him the title Hors concours as the first American to win two gold medals at the Salon in two consecutive years. Knight, was also made a Knight of the Legion of Honor in 1924 becoming an Officer in 1928 and eventually a Commander in 1934. Louis Aston Knight is most famous for his French landscapes executed in and around his home in Beaumont-le-Roger. Aston looked up to Claude Monet, and visited him from time to time at his home in Giverny. He was particularly impressed with Monet's gardens, and strove to cultivate a garden as beautiful as the master's. Knight also awarded prizes each year to the neighboring peasants who kept the nicest gardens. This ensured him of good models for his cottage landscape paintings. Gradually Aston Knight became well known in the New York art scene and traveled to the United States many times – painting scenes in New York, Florida and California. In 1911, Knoedler and Co. held an exhibition of his landscapes of the U.S.A. and France. His exhibition at the Levy Gallery in New York, in 1931 attracted much attention. In fact, "Art News" critiqued the show (26 December issue) and described his fame and plein-air approach: A group of new landscapes by Aston Knight, the popular painter of the Normandy Riverscape, is the Holiday attraction at the Levy Gallery. Mr. Knight sticks closely to his well established formula, doubtless due to the tremendous acclaim acquired in his earlier years when Hopkinson Smith...

Philip Wilson Steer: 1860-1942. Very well listed British painter with auction results over a million dollars. He was described by other artists and critics of the time as the greates...

This lovely British 19th century landscape oil painting is by noted artist Frederick Waters Watts. Painted circa 1840, the composition is a drover with cattle watering in an extensiv...

Peaceful Coastal Horizon Simone Forge 1930's French Impressionist oil on board unframed board: 8.75 x 10.5 inches Provenance: Private collection Condition: Great condition For mor...

Schelfhout Andreas Dutch Painter The Hague 1787 – 1870 Summer Landscape by a Ruin Signature: Attributed to Schelfhout Andreas Medium: Oil on oak panel Dimensions: Image size 32 x 36...

Signed LR Known for his marine, history, and portrait paintings, Franklin Briscoe was born in Baltimore, Maryland and at age four moved with his family to Philadelphia where he later became a student of Edward Moran and where eventually he settled his studio. Briscoe made extended ocean voyages, including trips to Europe where he saw much painting in galleries, and from these adventures and observations developed his landmark paintings of the ocean and ships in all kinds of weather conditions. In 1885, he painted an historical mural that was in ten panels, a total of 230 feet long, and 13 feet tall--"The Battle of Gettysburg...

Monogrammed lower left: ATBricher

Robert John Hammond British, (1853-1911) Stepping Stones Oil on canvas, signed & dated 1900 Image size: 20.75 inches x 13.75 inches Size including frame: 30.5 inches x 23.5 inches A pretty painting of figures crossing stepping stones over a river by Robert John Hammond. Behind the figures a path leads towards two cottages at the foot of a mountainous landscape. The landscape is similar to that of North Wales, a location which Hammond returned to a number of times. Robert John Hammond was a landscape painter born in Blackfriars, London in 1853. By the time he was 18 he had moved to Sutton Coldfield where he initially became an apprentice watchmaker before becoming a full time artist. In 1871, he married Lucy Banner, the sister of the artist Alfred Banner...

Giovanni Costa (Rome 1826 - Marina di Pisa 1903), Capri Oil on canvas 27 x 53 cm signed at bottom center.

"The Farmyard" by John Frederick Herring is a well-known piece by the 19th-century English artist, famous for his depictions of animals and rural scenes. In "The Farmyard," Herring ...

View Of Florence At Sunset From The San Miniato Church, 19th Century by JAMES BAKER PYNE (1800-1870) Fine large 19th Century view of Florence at sunset f...

Frank Walters (British, late 19th century) - Highland Cattle at the Lake. 51.5 x 76.5 cm without frame, 57 x 82 cm with frame. Antique oil painting on canvas, in a gilded wooden fr...

"Rocky Seascape" by Lemuel D. Eldred is a captivating painting that masterfully captures the raw beauty and power of the sea. Eldred, an accomplished 19th-century American marine art...

Low Tide Boats Simone Forge 1930's French Impressionist oil on board unframed board: 13 x 16 inches Provenance: private collection Condition: great condition For more any more in...

A charming scene depicting a busy barge in Bruges, Belgium. Signed and titled. Presented in a gilt frame. On canvas.

Artist/ School: Robert John Hammond (British, exhibited 1882-1911), signed lower front corner. Hammond was a painter of landscapes, animals and rural scenes. Hammond was thought to ...

Born in Frankfurt, Burnitz graduated from the University of Berlin in 1847 as a lawyer. After graduation, Burnitz traveled and painted for five years in Italy. Abandoning his law career, Burnitz traveled to Paris where he was introduced to the ideas of the Barbizon School by lithographer Karl Bodner. Studying under Emile Lambinet...

Oil on board, signed bottom left Image size: 6 1/2 x 9 1/4 inches (16.5 x 23.5 cm) Contemporary hand made frame A painter in oils of both landscapes and the sea. Not a lot is known...

Oil painting, 19th century, idyllic farmhouse with water wheel. Illegibly signed and dated lower left. The frame has various damages in places. Dimensio...

Oil Painting by Edward Charles Williams "Droving Home on a Winters Eve" Edward Charles Williams 1807 - 1881 Rural landscape artist from the Williams family eldest son of Edward 'Old'...

George Taylor's "Feeding the Chickens" is a delightful impressionist landscape that captures the serene beauty of rural life with a gentle, luminous palette. This charming painting p...

This late 19th-century maritime painting by George Stainton captures the dramatic return of a fishing boat to harbor, skillfully portraying the power of the sea and the resilience of...