Women Landscape Paintings

George Raab was born in 1866 in Sheboygan, Wisconsin. In 1889, Raab and Herman Keiker opened a photographic studio called Feiker and Raab. Less than a year later, Raab would start up...

Eugène VERBOECKHOVEN Warneton, 1798 – Schaerbeek, 1881 Oil on wood panel 42 x 33.5 cm (58 x 50 cm with the frame) Signed, dated and located lower right “EJ Verboeckhoven / 1826 / à G...

Oil measures 27x22 cm. Frame measures 38x33 cm. Signed Domenech.

This painting depicts an impressionistic scene of Brunch at Tartine in New York City. Figures are seated having Brunch with drinks in hand on this su...

signed by Josine Vignon (French 1922-2022) signed oil painting on canvas, framed (wooden frame) framed: 37 x 26 inches canvas: 36 x 25 inches very good condition provenance: privat...

Title: Historic Miniature Watercolor of Chapel of the Three Kings in Bristol by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2....

This is a beautiful oil painting of an array of flowers in a vase in front of dark background. Reminding us of old master paintings, this is a brand new painting full elegance and ti...

Artist/ School: French School, 20th century Title: Classical Ladies in Landscape Medium: oil painting on canvas, unframed and inscribed verso. canvas: 19.75 x 28.75 inches Prove...

Jim Beckner's (US based) "Street Movement" is an original, handmade oil painting of an urban street with motion blur. About the Artist: Jim Beckner’s art vibrates with the pulse of ...

Lets jump in [2021] Original Seascape Oil on deep edge canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:30cm Sold Unframed Please note that ...

Artist: Lowell Nesbitt (1933-1993) Title: Impossible Series (Horse with Knight) Year: 1983 Medium: Oil on canvas Size: 69 x 99 inches Inscription: Signed, dated by the artist, verso ...

"Yellow Dress" is a contemporary impressionist oil painting. In "Yellow Dress" we are presented with a proper lady, dressed in a flattering summer frock, arms raised behind her head...

Le Pecheur by Claude Marin (French 1914-2001) signed and dated 89 oil on artist card stuck on board, unframed board: 9 x 10.5 inches Inscribed verso Provenance: private collection, P...

Artist/ School: French School, 20th century Title: Mythological Scene with Figures in Classical Landscape Medium: oil painting on board, unframed Size: board: 19.75 x 27 inches ...

Robin Hood and His Merry Men English School, 19th century oil painting on canvas, framed framed: 34 x 39 inches canvas: 25 x 30 inches condition: very good condition and well framed ...

Village Scene signed by Fanch Lel (French b. 1930) Size: 9 x 10.5 inches Oil painting on board, unframed Condition: The painting is in good condition, with minor signs of aging. Prov...

Title: French Watercolor of Monte Carlo Gardens Set Against the Monaco Hills by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper, unframed...

Artist: Alex Kalenyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on canvas Year: 2006 Style: Impressionism Title: Country Life, Size: 31.5" x 35.5" ...

Remembering the magic of everyday life moments in the art of David Teniers: The art of David Teniers the Younger (1610–1690) coincided with the heyday of the Flemish Baroque and captured a great variety of motifs of his time. In this painting of a seemingly simple peasant scene lies keys to understanding both the imaginative mind of Teniers as well as why this time period produced some of the most iconic works in all of art history.  As indicated by the name, Teniers was more or less born into his profession. As the son of David Teniers the elder, himself a painter who studied under Rubens, the younger David received training in art from a very young age and had no less than three brothers who also became painters. Because of his father’s frequent financial failures that even at times saw him imprisoned, David the younger helped to rescue the family from ruin through painting copies of old masters. Essentially, the young Teniers was confronted with painting as both a passion and creative expression as well as a necessity during difficult times, an experience that would shape much of his capacity and sensitivity in his coming life. Despite the hardships, the talent and determination of Teniers was recognized and quickly expanded his possibilities. He had already spent time in France and possibly also England when he was hired by his father’s former teacher Rubens to help with a prestigious commission with mythological paintings, now considered lost, for Philip IV the king Spain. In 1644–54 Teniers was appointed dean of the Antwerp Guild of Saint Luke, manifesting his esteemed position within the artistic community. A few years afterwards he took an important step when relocating to Brussels, where Teniers yet again found new career opportunities that would prove to be very successful. As the keeper of the collections of Archduke Leopold Wilhelm, a role similar to what we now refer to as an art advisor, Teniers purchased hundreds of important artworks that manifested the prominent status of the Archduke’s collection while at the same time providing an unusual access to inspiration and knowledge for Teniers himself. Since he kept on painting during the same time, his creative scope must have seemed almost bewildering in the great variety of images and stories that he surrounded himself with.  Regardless of how glamorous and culturally stimulating the career of Teniers was, he was as open to the charm and existential importance of everyday life as he was to works of great masters and luxurious collectibles. In his impressive repertoire of genres with everything from exquisite royal portraits, interiors, landscapes and history paintings he always added something new and inventive, highlighting the possibilities of art and importance of an experimental and intuitive mind. It is difficult to single out one aspect or genre to summarize his legacy, since it lies much more in the broad virtuosity across many motifs, although he is particularly remembered for farm scenes and meticulously depicted interiors where other paintings and artworks are captured with an astonishing precision. However, the fact that he is still today one of the most known and celebrated names of the Dutch Golden Age is a proof to the magic of his work, which continues to spark dialogue and wonder in the contemporary viewer of his works. The farm boy in the field in this painting, which likely dates to the mature part of his career, is a wonderful entry into the mind of Teniers. In the tightly cropped motif, we see him standing right in the middle of the busy harvest when men, women and everyone capable were sent out in the field to collect the crop that formed the very core of their diet and survival. In the background we see a fresh blue sky interspersed with skillfully painted clouds, some trees reaching their autumnal colours and in the far distance the glimpse of a small church and village. The presence of a church in a landscape, so typical of Dutch art, served both a symbolic and visual function as a representation of faith while at the same time defining scale and distance. In the field, the work is in full action with the farmers spread out in various positions, all in the midst of hard and sweaty labour. While they are portrayed as having nothing else than the work on their mind, our farm boy seems to have his attention directed elsewhere. Standing there with his white, half open shirt, flowy curls and strong, sturdy body; his gaze is directed away, out of the picture and the scythes in his hands. He looks almost smirking, expressed with tremendous subtlety in the slight smile of his lips and big eyes, being just in the middle of losing focus on the work. What is it that steals his attention? What has he seen, or realized, or felt – to break him free of the arduous task of harvesting, if but for a moment? Here starts the wondering and the questions that are the hallmark of a great piece of art. Instead of explicitly locking in the motif in overly clear symbolism Teniers has chosen an open ended, subtle yet striking moment for us to consider. While it of course can be related to numerous other farm scene depictions of this time, and clever usages of gazes and real-life scenes to underscore various moral or symbolic meanings, the painting can be much more of a contemplation than an explanation or illustration. The ordinary nature and understated yet emotionally textured composition of the motif gives greater space for our own reactions and thoughts. Has he seen a pretty farm girl just passing by? Is he fed up with the farm life, joyously dreaming away for a minute, imagining another future? Or is he simply in need of distraction, looking away and ready for anything that can steal his attention? One quality that never seem to have escaped Teniers was that of curiosity. During all of his career he constantly investigated, expanded and experimented with not only the style and technique of painting, but with the vision of art itself. Being credited with more or less introducing farm motifs for a broader audience not only tells us of his ability to understand the demand for different motifs, but the sensitivity to transform seemingly ordinary parts of life into deep aesthetic experiences, far beyond their expected reach. The farm boy in this painting is, of course, exactly that. But with the help of one smirk the entire picture is charged with a different energy, awakening many contrasts and relationships between the calm landscape, the hard work and his own breach of effectivity, holding sharp scythes while thinking or seeing something else. It is no wonder Teniers chose to work with farm scenes as a way of investigating these intricate and delicate plays on expectations and surprises, clarity and ambivalence. It invites us to an appreciation of human everyday life that connects us with the people of 17th century...

Monogrammed to the lower right. Presented in a wooden frame with a painted cove. On board.

Oil on canvas realized by Alberto Gallerati (b. 1945) in 1970s. Hand signed. Very good condition.

Artist: Alex Kalenyuk Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on canvas Year: 2008 Style: Impressionism Title: First Snow, Size: 31.5" x 39.5" x ...

Still Life of Homegrown Vegetables, Oil Painting by Pamela Cawley, British 20th century oil painting on board, unframed board: 20 x 16 inches Stunning original Impressionist oil pa...

Joanna Mrozowska Born in 1976 in Warsaw. Studied in the Department of Painting in the Academy of Fine Arts in Warsaw; she graduated with a Master’s degree in painting, with the cycle...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

Wind & Dust, 2023 acrylic on cardboard 119 H x 79 W cm 46 27/32 H x 31 7/64 W cm The series of painted cardboards by Alexandru Rădvan is about our moments of 'respiro' about the mi...

Leicester Square, London By Max Panks [2021] original Watercolour on Paper Image size: H:24.5 cm x W:16.5 cm Complete Size of Unframed Work: H:29 cm x W:1...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Charming Village Gateway by Fanch Lel (French b. 1930) Size: 18 x 15 inches Oil painting on board, unframed Condition: The painting is in good condition, with minor signs of aging. P...

This expressive oil pastel sketch on paper captures the atmospheric essence of Alcalá de Henares, Spain—the birthplace of Miguel de Cervantes, the legendary author of Don Quixote. Re...

Marie Yvonne Picard-Pangalos [French Title Illegible], 1930 Oil on wood panel 25 1/2 x 19 in. Signed, dated, and inscribed lower left Exhibition label verso According to the 1999 "...

Signed at the bottom right Jean Duquoc is a French artist born in 1937 who lives & works in Belz, Brittany in France. In his work, we can see the skill with which he uses color, mov...

The Paris Park by Claude Marin (French 1914-2001) signed and dated 88 oil on artist card stuck on board, unframed board: 7.75 x 9.5 inches Provenance: private collection, Paris, Fran...

Abel Warshawsky (American, 1883-1962) The Luxembourg Gardens, Paris, 1909 Oil on panel Signed and dated lower right, titled verso 8.5 x 10.5 inches 13.75 x 16 inches, framed Impressionist painter A.G. Warshawsky was active in Cleveland, Paris and Monterey, California. Although Warshawsky is known as a classic Impressionist, he is also known for using a realistic style in his portraiture. Warshawsky was born in 1883 in Sharon, Pennsylvania to Ezekial and Ida Warshawsky, Jewish immigrants from Poland. The family then moved to Cleveland, Ohio. His brother Alexander (Xander) also became an accomplished painter in his own right. Warshawsky graduated from the Cleveland School of Art in 1900, taught by Louis Rorimer...

Signed lower right 'Cheriane' for Cheri-Anne Charles Fargue, (French, born 1900), and dated, verso, 1927. Provenance: Theophile Briant Gallery, Paris, from old label verso. Frame a...

The Country Village by Andre Guillou (French 1925-2017) signed oil on canvas dated 2000 canvas: 20 x 26 inches provenance: private collection, France con...

Paris: Place de la Concorde looking towards Rue Royale by Henri Miloch (1898-1979) signed lower right and dated for 16th September 1948 watercolour and gouache painting on artist's paper, unframed Sheet:: 9.5 x 12.25 inches Very pretty painting by the highly regarded painter, Henri Miloch. It depicts Place de la Concorde with a cyclist making their way through the traffic. The artist was seated immediately by the fountain closest to Hotel de la Marine...

LEBAS Léonie (19th-20th) "Lady at the Flower Market in Paris" Oil on wood panel signed low right Old Frame regilded with gold leaves Dim panel : 16 X...

Represented by George Billis Gallery, NYC & LA -- I think of my work as being like a visual journal- observations and interpretations of people, places and things I experience day t...

Title: French Impressionist Oil Painting of Village Scene with Figures and Buildings By Fanch Lel (French b. 1930) Size: 9.5 x 7.5 inches (height x width) Oil painting on board, unfr...

Childe Hassam 1859-1935 American The Bather Signed and dated “Childe Hassam” (lower right) Oil on canvas Considered by many to be America’s foremost Impressionist painter, Childe Hassam composed his tranquil and intimate oil on canvas The Bather in the early years of the 20th century. The creation of the artwork aligns with a period of Hassam’s career where the artist’s palette was transforming, matching ever closer with the pale and pastel hues of French Impressionists like Claude Monet. Even the subject — a nude woman — represents a greater alignment with the Impressionist project, as artists of the movement and their non-mythological and non-biblical nudes still generated cries of indecency. With Hassam’s signature brushwork and attention to color, The Bather serves as a dream-like vision, serene and sensuous, of a young woman bathing in a lush forest. While the artist's skill for landscape painting is on display, it is Hassam's command of form, light and color that brings this canvas to life. He creates a captivating composition, placing the nude subject in the bottom left of the canvas. The soft, undulating curves of the woman's body in contrapposto and the glow of her fair skin are balanced by the strong verticals and deep earth tones of the tall trees to her right. Hassam delicately frames the nude in the vivid blues of the distant water, building luminous color that further draws the viewer’s eye and results in a somewhat voyeuristic appeal — endowing his nude with both a natural innocence and an intentional sensuality. Born in Dorchester, Massachusetts, Childe Hassam began his artistic career as a freelance illustrator, working for national publications such as Harper’s Weekly, Scribner’s Monthly, and The Century. His first solo exhibition of watercolors took place in Boston in 1883, and he quickly catapulted onto the international scene, winning a bronze medal at the Exposition Universelle in Paris in 1889. The year before the present work was created, he received the Webb Prize from the Society of American Artists for another landscape painted at Gloucester. Hassam would receive numerous other awards throughout his career, most notably the Gold Medal for Distinguished Services to Fine Art from the American Dealers Association. A true master, Hassam depicted a way of life characteristic of both American and French society, and his work elucidates a critical chapter in American art history. Today, his work resides in the Oval Office of the White House and in numerous important museums, including the Metropolitan Museum of Art in New York, the National Gallery of Art in Washington, DC and the Museum of Fine Arts in Boston, among others. This painting will be included in Stuart P. Feld's and Kathleen M. Burnside's forthcoming catalogue raisonné of the artist's work. Circa 1905 Canvas: 24 1/2“ high x 20 18” wide Frame: 35 7/8“ high x 31 1/4” wide x 3 1/4“ deep Provenance: Private Collection of William Young...

Pretty French Balcony, Floral Landscape, Original Oil Painting French School, 20th Century Oil painting on thin card/paper, unframed Card size: 16 x 13 ...

Artist/ School: French Impressionist school, signed lower corner, 20th century Title: The Japanese Bridge, Monet's waterlily pond at Giverny. Medium...

Oil Painting on board realized by Miloslava Vrbova (1909-1991) in the mid-20th century. Good condition, framed.

Restaurant terrace at evening in Montmartre, Paris. Oil on canvas, 46x38 cm

Venetian painter (18th century) - Turkish nobles with parrot and musician. 43.5 x 63.5 cm without frame, 50 x 70 cm with frame. Antique oil painting...

Artist: Ara H. Hakobyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2019 Style: Impressionism Title: Stony Beach Size: 24" x 30" x 0.8'' ...

Giacomo Ceruti, known as Il Pitocchetto (1698-1767) – “Turnip” Medium: Oil on canvas Dimensions: 204 x 124 cm (unframed) Provenance: Private collection This remarkable painting, “T...

Pausing for Thought Paris School, mid 20th century signed oil on canvas, unframed painting: 25 x 20 inches provenance: private collection, Paris condition: very good and sound condition

Alexandre DEFAUX (1826, Bercy - 1900, Melun) Yport, the Amont Cliff Oil on panel H. 59.5 cm; W. 38.5 cm Signed and located lower right A student of Corot, Alexandre Defaux was a fai...

William Eastman (American, 1881-1950) Finsevand Norwegian Glaciers, 1922 Oil on canvas 21 x 18 inches Exhibited: 1923 Cleveland Museum of Art May Show Born in Cleveland in 1881, Wil...

Beyond This Earth explores the unseen realms that transcend the physical world. The painting weaves a cosmic landscape within a figurative image, symbolizing humanity’s connection to...

OIL PAINTING Antique 19th Century British old master in a Gold Gilt Frame Description Good condition Canvas , Professional Cleaned & relined , Frame Is original and in very good ...

A strong modernist oil painting depicted in 1971 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his landscape paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 18 x 21.75 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett, were the winners. In his 1924 naturalization application, he indicated that he was sometimes known as “Michael Posner Baxte.” One of the witnesses to his application was Bernard Karfiol, a Jewish American artist. That’s when Michael may...

Danish oil on board painting of two women making their way home in a coastal landscape, by Poul Møller. The painting is signed PM and dated 76 to the bottom right corner. To the reve...

Sunlit Village Pathway Paul Molinard, early 20th Century French Artist signed oil on board, unframed board : 10.5 x 14.5 inches Inscribed verso with title Provenance: private collec...

Birds on Pond European artist, indistinctly signed late 20th century oil on canvas, framed framed: 21 x 29.75 inches canvas: 19.75 x 28 inches provenance: private collection conditi...

Antique European School "Summer" Oil Painting After Nicolas Lancret c.1900 Original oil on board. Dimensions 37" wide x 21" high Frame dimensions 40....

Bold figurative work by Richard Cronin (American, b. 1952). Two figures are at the edge of the sea, one of which is seated and holding two beach balls. ...

Attributed Charles François Grenier de Lacroix or Charles - François Lacroix de Marseille (1700 - 1782) as signed lower left on the stone “Lacroix”. The scene of the departure of nobles on a ship, somewhere among the Mediterranean landscapes at sunrise. Lacroix's sense of color and attention to detail are particularly impressive: the sea is calm, the sun is rising and as a soft pink hue begins to emerge in the clouds, the morning haze has not yet cleared and the air is clear and clean, large ship...