Plastic Paintings

Artist's Statement: "The first in a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the y...

This is a one of a kind original mixed media (Variety of papers and fibers, detritus, acrylic, plexiglass) abstract painting and drawing by California artist and educator, Kathleen K...

This is a one of a kind original mixed media (Acrylic paint, plexiglass) abstract painting depicting beautiful monarch butterflies composition by Kane-Murrell, titled, "Chanticleer"....

Contemporary pixelated portrait painting of Billy the Kid, an American outlaw and gunfighter of the Old West who was linked to nine murders and who has since been immortalized in var...

"Rising Burst" is created by Heather Hartman to capture the light bursting through an obstruction. This painting is is part of an on-going series that explores the light and landscap...

THE LONG SUMMER captures the patterned light peering through the blinds on a late Summer's afternoon. This painting is is part of an on-going series th...

This work is a secondary continuation to my "Vanilla Extract" series (2002 - ongoing) which examines the practice of racial positioning in contemporary print media. This piece depic...

Artist: Petra McCarthy, British Title: Yellow Abstract Year: circa 2005 Medium: Acrylic on Canvas with Painted Plexiglass Size: 40 x 40 x 3 in. (101.6 x 101.6 x 7.62 cm)

Four precisely configured and circlesin rose, mauve, camel, and dark plum form a contemplative pyramid at the foot of a square light gray ground. The areas between the shapes in this...

Four precisely configured and stacked circles form a contemplative pyramid at the foot of a square neutral ground. The areas between the shapes in this minimalist still life...

Ramsay is a New York-based artist working in abstract painting, drawing, and installation who employs a systematic, mathematical approach to translate nature's shifting colors into g...

Contemporary gold toned abstract painting by Houston based artist Joseph Cohen. The work features a solid gold field that ends in drips off of the bottom edge of the piece. Signed an...

Four precisely configured and stacked circles form a contemplative pyramid at the foot of a square white ground. The areas between the shapes in this minimalist still life acrylic on...

Four precisely configured and painted circles form a contemplative pyramid at the foot of a neutral ground. The areas between the shapes in this minimalist still life acrylic on plex...

Acrylic on polyester resin film - Unframed This work is part of a series whose inspiration comes from Witch Hazel, a deciduous shrub in New York City. It ...

Four precisely configured and stacked circles in rust-brown, black, light brown and sand form a contemplative whole at the foot of a square snow white ground. The areas between the s...

Curated circles of silver, black, tangerine orange, and cherry red define the dove grey ground of this square minimalist acrylic painting on plexiglass. The areas between the shapes are completed with custard yellow and maroon. This work comes framed. Framed dimensions are approximately 20.5 x 20.5 inches. Cantine's work is a poetic and intellectual exploration of a pictorial problem, color as structure which has infinite variations. Cantine was quoted in the Alberta Biennial of Contemporary Art 2000: "For the past 26 years, I have painted essentially the same still life, which began as a pair of apples and its shadow, and evolved under pressure of color into the present imagery." Cantine may be referred to as a post-minimalist, a term coined by Robert Pincus-Witten in 1971 to describe work with a minimalist tendency but that uses modest materials and aims towards a pure formalist aesthetic. David Cantine is a senior Canadian painter who has been exploring the still life for many years. Cantine was born in Jackson...

Four precise circular shapes in red, gold, black and light brown form a contemplative whole at the foot of a square dove gray ground. The areas between the shapes in this minimalist ...

Ramsay is a New York-based artist working in abstract painting, drawing, and installation who employs a systematic, mathematical approach to translate nature's shifting colors into g...

'Gallura ,Sardinia' cira 2003. signed original mixed media. painting: 27cmx 27cm glazed oak wood frame : 50cm x 58cm. An Archetypal understanding of the artist's experiences of t...

Pop and Contemporary Pop / Text / Illustration / Mixed-Media / Pastel Colors / Animals / Sports/Athletics / Bright and Vivid Colors / Figurative Art / Outsider Art / Pop Art / Surrealism From Macauley Norman's solo exhibition, CRYPTIC CLUTTER, "Entertain" is a pop surrealist piece made with acrylic and a PLA plastic filament drawing affixed to wood panel. The 3D piece features a skull, a cowboy riding a horse, a fly and a Teenage Mutant Ninja Turtle...

Mixed-Media / Pop and Contemporary Pop / Pastel Colors / Human Figure / Surrealistic / Figurative Art / Outsider Art / Pop Art / Surrealism / Illustration / Animals / Sports/Athletics / Representations of Everyday Objects / Bright and Vivid Colors / Martial Arts / Horse / Nude / Flamingo From Macauley Norman...

An original oil on mylar by American contemporary artist Robert Fleming from the artist's Support Series. The work is 36" (h) x 40" (w) unframed.

I. 2011-2013. Paper, plastic glass, oil, 90x68cm

Six Masks 69 X 64 Mixed media The masks attached to the canvas are made of plastic and create an inquisative dimension. Painters who have tackled the genre of Still Life are awe ins...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 30" x 40" x 2". It is acrylic on panel, charcoal, mulberry paper, g...

This two panel stretched and dyed rubber piece was created by American contemporary artist John Drummer in the early 2000's. This work was featured in the exhibition "Jack Drummer" organized by BT&C Gallery and which coincided with the Burchfield Penney Art Center's exhibition "The Effects of Time". This is currently the only work available for acquisition. The Burchfield Penney exhibition that featured these rare pieces was voted one of the best 10 exhibitions that year in ArtForum's 2016 Top Ten by Matthew Higgs, who would later curate an exhibition of Drummers work for White Columns gallery that was reviewed by Art in America in 2017. John E. (aka “Jack”) Drummer (1935-2013) was an itinerant and mercurial figure. Self-taught as an artist, his earliest works from the late 1950s and early 1960s were included in several key exhibitions in Buffalo and New York City, including the first of Allan Kaprow’s legendary ‘New Forms, New Media’ exhibitions that he curated for Martha Jackson’s gallery in 1960. Drummer’s 1962 solo exhibition at the Gordon Gallery, New York received a rapturous review from critic Brian O’Doherty in The New York Times, who praised Drummer for his ability to “make something out of nothing”, describing his work from this time as “screens for the imagination,” a notion that could equally be applied to his later works on view at White Columns in a 2017 solo exhibition. Despite this early success, Drummer would soon leave New York City, returning initially to Buffalo, before moving to New Orleans and then California, before eventually settling in Hawaii. Very little of Drummer’s early work has survived, including almost none of the 300-odd, often large-scale, styrofoam-based sculptures he produced in Hawaii. On returning to his home-town of Buffalo in the early 1980s, Drummer would embark on an extraordinary body of work that would preoccupy him for the next two decades. Drummer’s late work is clearly related to, and expands upon, the histories of minimal, post-minimal and process-orientated art. His approach is empathetic with that of the Italian Arte Povera artists, sharing their interest and investment in ‘poor’ and quotidian materials. Working almost exclusively with ‘found’ materials, and specifically materials that had previously been employed and subsequently discarded in industrial and manufacturing processes, Drummer’s work of the 1980s-early 2000s was largely overlooked and unexhibited during his lifetime. Drummer’s late works employ the rubber ‘blankets’ – used in offset printing to remove excess ink during the printing process – as supports. These ‘ready-made’ supports often revealed aspects of their ‘histories’: their surfaces are typically marked with ghostly images and texts resulting from the printing process. Drummer would then work directly onto and into these ‘pre-prepared’ supports. Drummer’s late works often incorporate impressions taken directly from the surfaces of walls, floors, and fencing, etc. – ‘images’ created by laying the rubber sheets face down onto a desired surface, and then applying pressure from the back of the sheet to create a subsequent negative impression or image of that surface, likely a physically demanding process, akin to making a ‘brass rubbing...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 36" x 48" x 2". It is acrylic on canvas, glass beads, Japanese pape...

"Feeling Good" is an explosion of colour and dynamic movement. This abstract composition features sweeping pallet strokes in vibrant blue, red, purple, and ochre hues that cascade ac...

Acrylic paint on polystyrene. An unusual choice of material that gives the piece depth. Vibrant colours swirl through the painting and draw the eye into the intricate patterns that c...

John McCaw's (US based) "Red Carpet" (2023) is a beautiful original abstract oil painting. John McCaw (b. 1967), the eldest son of American expressionist Dan McCaw and brother to pa...

Acrylic latex

Kim Jae Il's process of expression is hiding and burrowing to make the image and appearance visible. His forms differ with every work displaying themselves by perspective and sculptu...

"Sign (black)" is an artwork created by Gianluca Patti in 2019. This piece is the part of the Floating Series, which Patti created in 2019. Made using n...

This artwork is a masterful exploration of texture and color, presenting a striking square canvas dominated by shades of blue. The surface features a meticulously crafted mosaic of t...

Time Collides (Abstract Painting) Acrylic on polyester resin film - Unframed. This work is part of a series titled Year of Color and is about time-keeping. Debra Ramsay captured ti...

Charcoal/ash/soot/acrylic on gallery wrapped canvas with sides finished black Natasha Miller is a self taught artist who was born and raised on Vancouver Island but now lives on a tiny island in the Bay of Fundy. Natasha has pioneered and specializes in a unique painting technique where she creates black and white silhouette seascapes and landscapes using a homemade maple charcoal\ash\soot compound from her mobile Italian wood fired pizza oven (Eco pizza art...

VIEW is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the...

Acrylic on acrylic panel (plexi) - Unframed. This work on plexiglass is part of an ongoing series titled Hue[s]pace, it comes with a cleat system for hanging. Hue[s]pace continues...

This painting is a small framed early work by Heather Hartman. The majority of the canvas is overcast with ivory and grey cloud cover. In the lover left-hand quadrant of the painting...

Love Affair 6 (Abstract drawing) Colour pencil on two layers of Mylar — Unframed. Love Affairs" is a series of drawings on two layers of thin, translucent paper resembling ice. Each...

Love Affair 9 (Abstract drawing) Colour pencil on two layers of Mylar — Unframed. Love Affairs" is a series of drawings on two layers of thin, translucent paper resembling ice. Each...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 10" x 10" x 2". It is made with acrylic, paper and overlayed with p...

"The Other Side Tomorrow" by Christopher Owen Nelson Reverse Painted Carved Acrylic, One-of-a-Kind 12x18x2", no frame needed - comes with custom metal b...

Paul Gallaud is a French visual artist born in 1984 who lives and works in Croix, near Lille, France. After graduating with a BAC STI Applied Arts at the Institut Saint Luc in Tourna...

Translated title: "Words inside". Acrylic on canvas.

Translated title: "What an effort, what a mystery, what a delight (tribute to Marilyn Monroe)" Acrylic on canvas.

Polymer and spray paint on canvas supported by polycarbonate & canvas key frame Unique & hand signed work Gérard Pairé is a French autodidact artist born...

The face of a young woman is featured in this oil painting on mylar, mounted on panel that is 12 x 12 inches. Professionally framed in burnished gold leaf over wood with an outer dim...

Gold and alabaster-esque blue oil painting, 'Remake' featuring a statue from antiquity, in oil on mylar, mounted to panel; from Russian American visual artist, Elena Zolotnitsky, who...

Sett , 2019 Perspex, encaustic wax & oil colour on deep-fame board 600 x 600 mm

Dextra Dolores 2019 Metal, rust, plastic, encaustic wax & oil colour on deep-fame board 600 x 600 mm

"Backcountry" by Christopher Owen Nelson Reverse Painted Carved Acrylic, One-of-a-Kind 18x24x~2", no frame needed - comes with custom metal bracket mount that is virtually unseen. "...

CHROMASEEDS is a multilayered composition created with paper and tyvek cut-outs painted with oil, acrylic, and gouache, sealed with polyester mesh layers. The plants represented in the piece are Gaillardia flowers, commonly known as blanket flowers, native to North America and often bred for their decorative, ornamental shape. In her creative process, Hartman anthropomorphizes the flowers, paying attention to their dance-like growth movement. Here, their shadows dance in the prismatic light of the rainbow, while the wind catches their seeds, cultivating the garden. The vibrant, rainbow light was achieved by painting a prismatic shape on tyvec and black paper, creating a reverse silhouette...

"Window IV" captures the sun peering in behind sheer curtains. This painting is is part of an on-going series that explores the light and landscape in T...

Shared Color (Abstract Painting) Acrylic on acrylic panel - Unframed 2 panels are 9 inches square and the middle panel is 14 x 8 inches. They hang from a cleat system which makes ...

Mary Borgman’s work captivates the viewer in several ways. First is their scale. They hang like medieval tapestries, with figures standing as tall as eight feet. There is also their texture – created by using charcoal on Mylar, and the results are richly gestural, with distinct charcoal strokes and eraser marks animating the figure and ground alike. With a flat surface, she creates volume and life. And perhaps the most powerful of all, the viewer is caught be the gazes of the models, who stare forcefully out of the picture. They seem to be examining us every bit as much as we are examining them. These larger-than-life portraits stem from chance encounters that grow into meaningful connections between the artist and her subject. Most are strangers that she approaches on the street. They capture her attention with expressive eyes that show experience and wisdom, distinctive shapes and a casual body language. “I try to honor the people I am drawing by centering them in the format and shooting from slightly below their eye level. I choose an expression that exudes intelligence, self-awareness and complexity. I try to convey their humanness. I want the viewer to feel this person might be someone interesting to know”, says Borgman of her subjects. The intensity with which she conveys the eyes may stem from her many years of communicating in sign language, which is based on sustained eye contact. Borgman loves the directness of drawing. It is immediate, there is no lag time. There is no time waiting for the paint to dry. She works solely in charcoal which she can manipulate to achieve varying degrees of darkness and opacity. It is messy and the artist loves that. Mary Borgman Portrait of Matt Latham charcoal on mylar 60h x 40w in 152.40h x 101.60w cm MBG011 FRAMED DIMENSIONS 62h x 42w x 2.25d in 157.48h x 106.68w x 5.71d cm [This work is custom framed in shadow box style with non-reflective Tru-Vue Museum Glass] Mary Borgman b. October 4, 1959 St. Louis, MO SELECTED EXHIBITIONS 2017 Grand Opening: Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2013 SOFA Chicago 2013, Ann Nathan Gallery, Navy Pier, Chicago, IL Portraiture Now: Drawing on the Edge, National Portrait Gallery, Arkansas Art Center, Little Rock, AR 2012 Portraiture Now: Drawing on the Edge, National Portrait Gallery, Washington D.C. SOFA Chicago 2012, Ann Nathan Gallery, Navy Pier, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2011 Gallery Group Ann Nathan Gallery, Chicago, IL SOFA NY, Ann Nathan Gallery, New York, NY 2010 SOFA Chicago 2010: Special Installation at SOFA Café, Navy Pier, Chicago, IL What’s the Buzz on the Playground: Art of Today from St. Louis curated by Mary Sprague...

Big Blue Melt 14 (Abstract drawing) Pigment, Color Pencil and Ice on Mylar. Unframed. Big Blue Melt are works that have been created with pigment pencils and ice. Peerna starts th...

Om Swami - Shoorpakarna Acrylic on Canvas Fiber Glass, H 22 x W 24 x D 12 inches, 2020 Born : 1974 Om Swami is a Mumbai based artist who has studied at the ...

WHIRL II captures the soft patterned shadow of the leaves. This painting is is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an image...