Wood Paintings

This contemporary abstract mixed media composition consists of predominantly blue geometric shapes. Lucy Maki’s masterful paintings have evolved over decades to embrace a variety of...

This architectural wall-hanging artwork titled "In Isolation Series II" is an original artwork by Seth Clark made of collage, charcoal, pastel, graphite, and acrylic on wood. This pi...

Ryan Thomas Monahan hails from Yorkville, Illinois. Utilizing a combination of physical and imaginative exploration Ryan creates miniaturized three dimensional portraits of urban lan...

"Composition with Blue Gentians and Chrysanthemums" Jean Fournet (French 1878-?) Oil on canvas on wood panel 13 1/2 x 11 1/2 frame size Signed front and back In this small floral s...

Seated Woman Abstract Expressionism Painting, Oil on Masonite, Signed Figurative abstract painting by San Jose, California area artist Daniel David Fuentes (American, 20th Century). ...

In this evocative winter landscape, painted in 1941, Swedish artist Olof Walfrid Nilsson captures the serenity and quiet grandeur of a frozen lake bathed in gentle afternoon light. E...

Gilt Picture Frame With Decorative Corner Mounts European, late 20th century giltwood picture frame with decorative applied corner and centre mounts Overall outer size: 26.75 x 20 in...

This 18th-century painting, attributed to Christian Wilhelm Ernst Dietrich (1712–1774), depicts a rustic inn interior, a subject frequently explored by Dutch and German genre painter...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

"Don't Cry Long" is a self-portrait of the artist and an unusual one at that in which the artist portrays herself shedding tears. Perhaps it is an expression of some grief experienced by Ms. Woodlock, but it also admonishes her to not "Cry Long" while at the same time poking fun because of her elongated face and the one lone "long" tear tracing a pattern down her face. In addition to self-portraits, Ethelyn painted commissioned portraits. In this painting her head is cocked and her famous bangs hang down her forehead. Compare two self-portraits, “Up From Under”, and “M’Eyes" to "Don't Cry Long." The major differences are the close facial view and the brilliant blood red paint that fills the entire canvas. This painting is included in the book, "Dreams Have Wings: An Artist's Journey into Magic and Mystery" printed in the United States, 1985. She describes "Don't Cry Long" as showing how funny looking we are, if we cry too long. Ethelyn Woodlock...

French mid 20th century Montparnasse style picture frame Wood and plaster Internal measurement (to house painting or mirror): 18 x 36 inches Overal outer measurements: 26 x 44 inches Provenance: from a collection in Paris Condition: all old picture frames...

Katherine Bello Bits of Magenta Mixed Media on Board 20235 Size: 12 x 12 inches (30.48 x 30.48cm) Framed: 13 x 13 x 1.25 inches (33.02 x 33.02 x 3.175cm) Signed and titled by hand CO...

Floating I 2023 acrylic on wood panel disc with backing for hanging away from the wall. by Christian Möller diameter 51cm  x 5 cm depth unique work Christian’s works often conc...

Jean Krillé’s paintings are known for their expressive use of color and dynamic, abstract forms, blending realism with abstraction in his depictions of nature. His landscapes often f...

"Back Road" California Redwoods Santa Cruz County original Oil Painting Oil painting of the California Redwoods by Gorman Woody (American, 1907-2000). the scene is a country road ...

California Hills and Water Landscape Painting, Signed Skillfully rendered landscape of rolling hills, trees, and a water source by A. Meyer. This atmospheric piece utilizes layers o...

“Barnaby Fitzgerald’s outrageously gorgeous paintings are a guilty pleasure - yet the guilt is unnecessary, for they do not cloy or fatten us. They are as intellectually challenging ...

VITUS 2022 Paris, France A bold and graphic painting done with acrylic on a paneled antique door. A beautiful patina and dimensional shape of the door acts as a backdrop. The piece features black and white abstract shapes...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Flowing Sound #10 is a unique painting by contemporary artist Maho Maeda. This painting is made with acrylic, coloured pencil and ink on cotton canvas and carved wood, dimensions are...

Steven Harvey (Australian, born 1965) 1998 Mixed media painting on board Dimensions: 19-3/4 x 12 inches Hand signed, dated, and titled verso Provenance: Important Australian Art f...

This is an unframed original painting on birch panel. Unpainted edges. "Landscape provides Gregory Hardy with an inexhaustible source of mystery. His paintings are not representati...

Frank Chabry (1916-1979) was a 20th-century artist whose career spanned several transformative decades in the art world. His work likely reflects the arti...

Title: Free Spirit Painting Animal Horse Abstract Nature Floral Unique Original Bold Delight Invest Mixed Media One-of-a-kind This strikingly beautiful artwork by Karnish, depicts...

Title: Let the Light Shine Through Floral Abstract Still-life Painting Contemporary Expressionist Invest Abundance Flowers Vase In this piece, I captured abundance and an experienc...

Double-sided Latin American Post War Geometric Abstract Dynamic abstract pieces by Ernesto Butterlin, aka Linares, (Mexican, German b. 1917 d. 1964.), 1946.The use of shape and lig...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Channeling the Midwest and Western landscapes as sources for his mood-rich paintings, Bogosian has developed an extensive and breathtaking body of work. According to Bogosian, “My wo...

MAURICE POZZETTO-French Primitive-Original Signed Oil-Corniche Harbor Marseille Maurice Pozzetto (1911-?) 20th Century French Primitive artist best known for paintings Original ...

A large, picturesque, 1940s American Scene landscape painting of a country farm with barn and silo by notable Chicago Modern artist, Francis Chapin. Painting likely depicts a countr...

Mid Century Modern, American Abstract Expressionist Painting on artist board. This wonderful work combines delicate shades of pink and blue and comes house in a contemporary natural...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

Fredric Karoly (1898-1987). Etude III, 1950. Oil on masonite panel measures 18 x 24 inches. Unframed. Signed, titled, dated on reverse. Good condition with minor paint loss at edges. Biography: An abstract painter, Karoly was born in Hungary and studied painting in Paris, architectural eingineering in Berlin, and emigrated to the U.S. in 1926. He began a successful career as a fashion and fabric designer. In 1948 he was working as a fashion director for Simplicity Patters, when he had a solo exhibition of of his oil paintings, wire montages, dry-pen drawings and abstract photography. Solo Exhibitions: Hugo Gallery (Alexandre Iolas) New York 1948; Gallery Mai. Paris 1949; New Gallery (Eugene Thaw) New York 1950; Museu de Arte, Sao Paulo, Brazil 1951; Miami Museum of Modern Art, Miami, Florida 1959; Loft Gallery, New York City, 1966.Group Exhibitions: Hugo Gallery, New York 1947; Salon des Realities Nouvelles, Paris 1949-1953; Whitney Museum of American Art, New York (Annual) 1951-1953, 1963; Biennale of Sao Paulo, Brazil, 1951; International Independent Exhibition, Tokyo, 1951; Martha Jackson Gallery, New York, 1959; The Butler Institute of Art, Youngstown, Ohio, 1960; Stuttman Gallery, New York, 1960; The Art Institute of Chicago (Annual), 1960; International Watercolor Exhibition, Brookyln Museum, 1961; Westchester Art Museum, White Plains, NY, 1963; Whitney Museum, Annual, NY 1963; Cleveland Art Festival, Park Synagogue, Cleveland, 1963; Whitney Museum, Sculpture Annual, NY, 1964.Works in Institutional Collections: Museu de Arte, San Paulo, Brazil; Museu de Bellas Artes, Buenos Aires, Argentina; New York University, New York; Washington University, St. Louis, Missouri; Finch College, NY; Barnard College, NY; Metropolitan Museum, Whitney Museum and Guggenheim Museum, New York; Museum of Fine Arts, St. Petersburg, FL. Awards: National Council Arts Awards, 1968. Frederic Karoly died on December 15, 1987 at the Inter-Continental Hotel in Manhattan, where he had made his home for many years. Fredric Karoly was born in Budapest in 1893. According to Karoly’s own vitae, his exhibition history began in New York in 1947, when at the age of 54 he took part in a four-person group show at Hugo Gallery. His involvement with visual art however was apparently life long. In a brief introduction to his solo show at Galerie Mai in Paris in June of 1949, Jen Luc de Rudder, reports that Karoly began painting at the age of 12 in Budapest. After several years of studying, then working in London, Paris and Berlin, Karoly emigrated to the United States in 1925 or 1926 (he probably first came to the US on a work visa in 1925). In New York, Karoly worked in women’s fashion as a designer. In 1948 Karoly worked in a manner than was clearly influenced by the work of such European surrealists as Max Ernst, creating spiked automatic bi-chromatic paintings. His style progressed into a progressively more biomorphic vein, similar to explorations by Theodore Stamos, Daphnis, Milton Avery and Mark Rothko around the same period. He was supported with patronage during this period by Mrs. Mimi Baliff, who apparently supported the “Industrial Design Workshop” that she helped open to feature Karoly’s designs in 1948. By the early 1950’s (1951) Karoly started experimenting with the drip and splatter process as well. Drip paintings dominated his process until the late 50’s-early 60’s, when linear compositional elements began to reemerge. By the late 50’s multi-layered drip grid motifs asserted a masque of spatial organization over looser washed fields and splatters of paint that Karoly worked off of. This development was consistent with concurrent explorations into the grid by artist Agnes Martin and others. By the mid-50’s Karoly’s style began another transition into a more surface concerned “Color Field” style of painting. There are elements still reminding one of Abstract Expressionist concerns as such painters as Clifford Still. But the works that began to emerge from Karoly’s studio in 1958 presaged the Morris Lewis fan motifs and Friedl Dzubas’s epic and romantic color spewing expanses of canvas. In 1959 Karoly began experiments using washes of turpentine diluted oil paint directly onto raw linen, and all of these subsequently suffered the consequences of oil oxidation and acidity upon the surfaces. However, many of Karoly’s washes in color field happily occurred on lightly prepared primed canvas surfaces as well. By 1960 Karoly began reintroducing imagistic references to his visual content. There were also various references to Japanese and Zen influences. He experimented with a variety of processes that included mixed media and marbleized surfaces achieved by the intermixture of oil and water mediums. A calligraphic element also enter Karoly’s work in the early 60’s. Then in 1961 glued and assembled objects begin to show up in Karoly’s work in earnest. The influence of early POP artists, particularly Jasper Johns, and Robert Rauschenberg, become apparent. From 1961-63, a series of the assemblage works transition from canvas to the sculptural to pieces obviously intended for full scale installation. Many of these pieces were among the most fragile of his works primarily due to their reliance upon the of gluing of objects such as plastic or paper cups on flexible surfaces of stretched linen or canvas. In the mid-60’s Karoly apparently produced a number of photo-silk screened series of Picasso, De Kooning and other significant artists of his generation. These were executed in a style somewhere between Rauschenberg’s and Roy Lichtenstein’s, primarily because of their reliance upon half tones and Ben-Day dot effects. Then Karoly began a series of paintings conflating his drip and grid styles with super imposed and painted over string. In the late 60’s Karoly embarked upon a series of multi-paneled stretched linen constructions often with slits and fiber optic back-lit elements that were prescient of the work of Dan Flavin and others. It was this body of work that was shown at Hofstra University’s Emily Lowe Gallery, and it was these works that suffered perhaps the most irreparable damage from a steam/water infiltration in a space where they were being stored. The late professional start that Karoly had into the art world was balanced by his long life span and early immersion into the design issues of modernism as it emerged in turn of the century Europe and later evolved in America. He was clearly an artist who subscribed to the ethos of the new in abstraction and was obviously impressionable and in some instances prescient with regard to various trends in abstraction. Several noteworthy and influential collectors and institutions during his 40 years of professional engagement acquired his work. The Whitney Museum of American Art had and may still own a large Karoly canvas from 1960, but this is doubtful as the artist failed to list it on the vitae he filed with MoMA in 1965. His work was recognized and honored by the Whitney with its inclusion in four of their annual survey shows (1951,1953, 1963 and 1964). The artist’s surrealist influenced paintings from 1948-1950 were the focus of a solo exhibition held of his work by the Museo de Art in Sao Paulo and eight years later a ten year survey of his work was the focus of a solo show at the Miami Museum of Modern art. The Sao Paulo Museum in Brazil, and the Museo de Bellas Artes in Buenos Aires, Argentina each acquired Karoly paintings for their collections in the 1950’s. One of Karoly’s surrealist pieces was apparently purchased by Christian Zervos, Picasso’s designated chronicler, who apparently also wrote a piece on Karoly in Cahiers D’Art in 1949. A 60’s piece of Karoly art that is in the New York University’s permanent collection is included in the MoMA Library’s catalog...

[Bruce Sargeant (1898-1938)] Two Cyclists and One Runner n.d. Signed in red, u.l. Oil on canvas mounted to Masonite 35.75 x 58 inches This work is offered by ClampArt in New York...

Signed lower right: Johan Arsenius and dated 1858 or 1853, attributed Johan Georg Arsenius (1818 - 1903), was a Swedish military man, painter and draftsman. Up for sale is important ...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Venice - Mario De Angeli - Italia 2008 - Oil on canvas cm. 60x120. Mario De Angeli's canvas is an extraordinary work of Italian landscape painting. They are inspired by the landsc...

Robertson focuses on creating paintings that move beyond portraying reality. Driven by a synthesis of gestural brushstrokes and expressive smears, he offers viewers a liminal space o...

Oil on panel by Alfred SAVIGNOL (1877-), Beginning of the 20th century, France. Port of Villefranche-sur-Mer (between Nice and Monaco). With frame: 68x 56 cm - 26.8x22 inches ; with...

original impressionist acrylic painting. SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, smell and the pure scent of his environment. He d...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

This piece, titled "Wanderer Study 3" is an original artwork by Seth Clark as part of his newest solo exhibition, "Passing Through". made of collage, charcoal, pastel, acrylic, and g...

Edwin Kosarek (b.1929). Reclining Nude, 1952. Oil on wood panel, 17 x 48 inches. Signed and dated on verso. Edwin Kosarek Born: 1929 Studied: The Cit...

Icon of Our Lady of Jerusalem. Egg tempera on gesso and over a wooden board. Dimensions in centimeters: 42 x 34 x 2 cm / In inches: 16.54 x 13-39 x 0-79 " Author: Oliver Samsinger...

Katherine Westphal's oil on board painting titled 'Abstract Landscape' embodies the stylistic qualities of abstract painting. Using a diverse color palette of orange, red, yellow, bl...

Robert Azensky Fine Art is proud to present Early 20th Century Oil Painting Palo Alto, California Foothills Landscape Painting circle of Bruce ...

This charming British oil painting by David Charles Jenkins (1867-1916) captures a serene countryside landscape bathed in the gentle glow of sunset. The composition leads the eye alo...

A Vibrant, Colorful 1950s Mid-Century Modern Painting of Martha's Vineyard by Famed Chicago Artist, Francis Chapin (Am. 1899-1965). Titled "Tree in Tisbury", the painting depicts a ...

Artist: Donald Roy Purdy, American (1924 - ) Title: Rabbi with Torah Year: circa 1970 Medium: Oil on Masonite, signed l.r. Size: 30 x 22.5 in. (76.2 x 57.15 cm) Frame Size: 38 x 31 i...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

This artwork is a striking still life composition, characterized by its vivid and harmonious interplay of colors and textures. At its center, a lush, vibrant chrysanthemum blossoms w...

Late 20th Century Oil Painting of Chesapeake Bay with Sailing Boats by Q. B. Powell Striking vintage palette-knife painting of a quiet Chesapeake Bay harbor by regional artist Q. B....

Mid 20th Century French Wooden Picture Frame wooden picture frame with painted inner slip Overall size: 28.5 x 22 inches Internal rebate / sight size: 22 x 15.25 inches good decorati...

French Still Life With Flowers Bouquet Oil on masonite, signed, original vintage frame. Edith Faucon was born on May 24 in 1919 in Carentan France. She owes her artistic training f...

Untitled, c. 1940s, oil on Masonite, signed lower right, 19 ¾ x 25 ¾ inches Ava Vorhaus Gabriel was a New York-based painter, lithographer, and designer. Born in Larchmont, Gabriel ...

ELÉA OSSIFIED 2022 An abstracted portrait with detail of lying roses mimics thoughts caught in time, while capturing the complex notion of aging and beauty. A soft and calming paint...

A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...

A historically significant 1942 American modernist oil painting by Martyl Schweig Langsdorf depicting Victor, Colorado, a high-altitude mining ghost town nestled within the Rocky Mountains. The composition captures the stark beauty and atmospheric stillness of a fading Western settlement, where abandoned structures, rugged terrain, and expansive mountain forms merge into a powerful narrative landscape. Painted in oil on masonite, the work features Schweig’s expressive plein-air brushwork and a richly grounded palette of deep greens, muted golds, earthy browns, and atmospheric grays. The paint handling is both fluid and structured, emphasizing light, elevation, and the emotional weight of the post–Gold Rush landscape rather than strict topographical accuracy. This early American modernist Western painting carries strong narrative presence while remaining visually balanced, making it highly effective in both traditional interiors and more contemporary, curated environments. Created in 1942 during Schweig’s Colorado painting trips with fellow artist Adolph Dehn...