Wood Paintings

*Frame is included, we will work with you to match the best type of the material and method and suit your interior deco colour scheme; design for you, frame it for you. -We offer you...

In Screen 2025.1, Melisa Taylor Metzger transforms a construction plywood panel into a vibrant, multichromatic composition that merges traditional craft with contemporary abstraction...

Ultra Realist Library Still-Life Books and Candles "Little Devil in the Details" Highly detailed library interior scene and still-life titled "Little Devil in the Detail" by Ken DeWaard (American, 20th-century). This intriguing artists performance in excellence piece, features realistically rendered books, paintings within paintings, candle light, and a devil or gargoyle sculpture. The artist creates a strong mood as well as interesting subject matter in this unique scene. Signed "Dewaard '99" upper right. Displayed in a wood frame. Image size, 13"H x 14"L. Frame: 20"H x 21"W x 2"D After receiving his Bachelor of Arts with honors, Ken began working in a commercial art studio in Chicago. He continued his studies at the American Academy of Art, where he studied with nationally recognized watercolorist, Irving Shapiro. Upon Irving's recommendation Ken joined the acclaimed Palette and Chisel Academy of Fine Art in Chicago, where he soon began studying with Scott Burdick as well as Dan Gerhartz...

Oil on masonite. Sign and dated in oil in lower right corner.

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Diane was an avid competitor in the sport of eventing, an olympic equestrian sport. She represented the United States in the North American Young Rider Championships in 2013 and 2015 bringing home team gold and individual gold. In early 2016, she had her sights set on qualifying for the Rio Olympics...

The series of flowers shows a classical motif with a subtle attention to the subtle movement and rhythm of the flora, with the help of paint, abstract vision and expressive handwriti...

Mid Century Modern, American Abstract Expressionist Painting on masonite This lively abstract painting reads like an interior and still life with lemons on a tabletop in vivid shade...

'View of Notre Dame & the Île de la Cité', Seine, Paris, Thieme Becker, Budapest Signed lower left, 'Frid. J. Bende.' for Friderika Bendéné Kovacsev (Hungarian, 1891-1975), titled, ...

Zoa Ace's (US based) "I'm Late" is an original, handmade mixed media collage on wood that is unframed and ready to hang. About the Artist: "My work is figurative and deals primarily...

This work is part of our exhibition - America Coast to Coast: Artists of the 1940s Untitled (Cubist Portrait), 1945, oil on masonite, signed and dated lower middle, 20 x 16 inches, remnant of exhibition label verso, perhaps exhibited at Murry's solo exhibition at the Los Angeles's Screen Cartoonists' Gallery, July , 1945, presented in its original frame Jerre Murry was a California modernist painter. Born in Columbia, Missouri, Murry studied at the Detroit Academy of Art and worked as an artist for the Detroit News and Detroit Free Press. Murry traveled to the Bahamas, where he was inspired to paint modernist scenes of island life and people. By the early 1930s, Murry had relocated to Los Angeles, where he caught the attention of Synchromist painter Stanton Macdonald Wright, State Supervisor for the Federal Art Project (FAP) in Southern California. MacDonald Wright enrolled Murry into the FAP. Murry’s Gauguin-influenced painting Sun Image was exhibited together with other FAP artists at the Los Angeles County Museum of Art in 1936, and Murry was also included in the FAP exhibit at the Paris Exposition in 1937. Stendahl Galleries in Los Angeles, the Chamber of Commerce Gallery in Santa Barbara, and at the Los Angeles County Museum of Art also showed Murry’s work during the 1930s. Murry created a murals for Los Angeles Water & Power Company, the Boise, Idaho Post Office, and Glendale Junior College. In 1939, Murry's work was exhibited at the Golden Gate International Exposition and the New York World's Fair. He also was included in the All California Exhibition at the Los Angeles County Museum of art that same year. He went on to exhibit in Los Angeles at the Foundation of Western Art's Trends in Southern California Art shows in 1940 and 1941, at Raymond and Raymond Gallery in Hollywood and USC’s Elizabeth Holmes...

Ben Wilson Byzantium, 1975 Oil on Masonite painting Hand signed reverse, Titled, "Byzantium", dated 1975 by the artist and also with estate stamp - in addition to Ben Wilson's hand s...

This is an 3-part painting / construction (assemblage) created from acrylic paint, wood, glass, and found objects. It includes several historic photograph of figures as well as many scenes from Black African American cultural history. Each piece measures 23" x 7.75" x 2.5", and they can be hung close together or far apart, depending on the buyer's preference. All pieces are wired with the appropriate hanging hardware and are ready to install, no additional framing needed. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements of 'real life' collaged and collapsed, as dreams are prone to do. If connections are made, all the better. I feel that life should remind us of our dreams." - Richard J. Watson Richard J. Watson is an icon in the Philadelphia art world. Much of his work relates to his experiences as a Black African American man. He is a graduate of Pennsylvania Academy of the Fine Arts (1968), has taught at his alma mater, and has served in the Exhibitions Department at the African American Museum in Philadelphia since the 1980s. He has been exhibiting his work for decades, and has an extensive bibliography. His work is held in the Petrucci Family Foundation Collection of African American Art; the Pennsylvania Academy of the Fine Arts; the Uniworld Corporation; Sony; the Federal Reserve Bank; the City of Philadelphia; Sprint; the Church of the Advocate; the poet Dr. Sonia Sanchez; and the Woodmere Museum...

Mitzy Renooy Timeless 160 x 120 cm acryllic on canvas Dutch artist Mitzy Renooy, a former camera woman for national television, went to art academy to learn to paint in an own styl...

This marvelous, colorful and light filled work is a desirable work by the painter. It is in an impressionist style carved and leafed frame. Illustrated in the book by the artist "A...

Robertino Fatica was born in 1948 in Cleveland, Ohio. In 1970 he completed a three-year program at the Cooper School of Art in Cleveland. Following that, Fatica served in the U.S. Ar...

Marcia Myers was an American painter best known for her large-scale Color Field abstractions. Emulating the traditional fresco painting techniques of ancient Rome, she used several l...

So Do I, Layered, Stained and Painted Birch Wood Artwork by Texas Artist, Mitch McGee. This female figurative Pop Artwork is 40" Round. She is a Brunette with Green Eyes. The in...

[Bruce Sargeant (1898-1938)] Three Bathers by the Water Signed in red, recto Oil on canvas 96.25 x 67 inches (244.5 x 170.2 cm) $15,000 + $900 framing This work is offered by Cla...

Scott French has over 30 years of painting experience. His work focuses on figures, landscapes, and recently, cocktails. Known for his painterly and expressive style, French uses ric...

This artwork features a vivid abstract expression of Anna, created in a dynamic technique where the balance between form and color is meticulously explored. Painted with oil on plywo...

Venice - Mario De Angeli - Italia 2008 - Oil on canvas cm. 75x150. Mario De Angeli's canvas is an extraordinary work of Italian landscape painting. They are inspired by the landsc...

L'hymne du Roi David (King David's Dream) Oil on wood by Marc Chagall c late 70's Comes with Numbered and Verified Certificate of Authenticity from Comite C...

Brian Mashburn's painting "Barn Owl" crafted in 2023, is an original oil painting that depicts a close up portrait of a barn owl with a foggy landscape in the background. The artwork...

"Four Injections of Light" mixed media painting on canvas in wooden frame by street artist Omar Hassan, who is diabetic. Inspired by the daily insulin injections taken by the artist ...

Wood mixed media work glued onto a white background. Purple, teal and red color tones. Artist signature in the bottom right corner. Artist Biography: Charles Pebworth is known for ...

Original and unique artwork by Hunt Slonem. Oil on wood Painting is framed, as seen in the images. Framed dimension 32.5 x 23.5 inches Signed Verso, titled and dated. Please note th...

Alkyd-oil on Masonite board, 102cm x 83cm, (124cm x 104cm framed). The painting comes directly from the artist. Michael Leonard is most probably most famous for his portrait of HM ...

"Sideways Glance" is an original oil painting on wood by Robert Richter. The artist signed the piece on the back. This artwork features a woman with long red hair glancing behind her over her shoulder. The artist hand-carved the frame to become an integral part of the artwork. 8" x 9" art 15 5/8" x 15 1/2" frame Artist's Statement: "I was born in Milwaukee over half-a-century ago in the year of the horse...

Mid Century landscape featuring an English Cathedral with steeple and pond by Lynn Clark Winans (American, 1897-1982). Signed "Lynn Winans" lower lef...

This is a framed mixed media ink painting (sumi inks, India inks, and walnut inks) on paper in red, black, and earth tones. It is framed in a white painted wood shadowbox frame. Orga...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

French mid 20th century Wood and plaster picture frame Internal measurement (to house painting or mirror): 15 x 21.25 inches Overal outer measurements: 29 x 23 inches Provenance: fro...

HUBLOT NACRE is a small-scale, mixed-media assemblage on wood that captures the raw materiality and ephemeral beauty of the natural world. Created following a trip to the Caribbean, ...

Zoa Ace's (US based) "Pink Power" is an original, handmade mixed media collage that depicts a Barbie Doll in a white gown with a pink lipstick. The piece is a collage on wood and is ...

Pumpkin Spice Excess by Chloe Hedden is a rich, textured exploration of warmth and abundance. Its deep, earthy orange hue recalls the comforting essence of autumn—spiced lattes, cris...

Bright, small abstract expressionist painting of red, white and blue hues by California artist Tom Hamil (American, b. 1928). Signed upper left corner "Hamil". Condition: Excellent. Presented in rustic wooden shadow box frame. Image size: 2.75"H x 6.75"W. Tom Hamil, was born in New York in 1928 and raised primarily in California. After attending the US Naval Academy in Annapolis, he returned to California to begin his formal art training at the California School of Fine Arts in San Francisco (now known as the San Francisco Art Institute). He completed his education at the University of Washington with a Master’s Degrees and Doctorate in Fine Arts and Education. His first solo exhibition was held in 1956. Since then, he has participated in numerous one man shows, group shows, and has been represented in galleries in the US and Mexico. In addition to his painting, Hamil has authored and illustrated a number of books. While at the Naval Academy, he received recognition for his paintings, drawings, and illustrations. Listed among Hamil’s many awards and honors are a Ford Foundation Fellowship and an Award of Excellence from the American Graphics Society. Currently, he lives in Zirahuen, Michoacan, Mexico and Truth or Consequences, New Mexico. Hamil’s statement: “I am a man...

This is one of the most loved and iconic paintings of Shizico Yi to date. -Artist’s lifetime Warranty for this artwork. -Free frame service with selections of fr...

His first name sounds like a concerto. Vivacious, its name is reminiscent of an aperitif or a cyclist. The addition of the two evokes the Italianate. Indomitable and unavoidable. Mor...

This captivating painting features a reclining nude woman set against a beautifully intricate, floral-patterned backdrop. The composition skillfully merges the softness of the human ...

lake, water, calm, green, blue, teal, aqua, dusk, lake, trees, reflection, mountains. Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on can...

Beautiful double-sided painting of a California nocturnal seascape on one side and a Sierra mountain scene on one side on the other by William L. Hughes. Signed "W. L. Hughes" bottom...

Aaron Bohrod, 1907-1992 Lobster Shack, 1938 Oil on masonite 16 x 20 inches Signed and dated ower left: Aaron Bohrod 1938 Bohrod-3 Provenance: Private estate, Rhode Island, 2004 Am...

Rizaldy Celi Jr. (Filipino-Vietnamese, American, born 1983) "Covet" 2023 Oil paint, Wood The artist signed the back of the painting. 'Covet' by Rizaldy Celi Jr. is a striking exploration of figurative disrupted realism, depicted on a 48" x 36" canvas. This provocative piece challenges traditional norms of beauty and desire by juxtaposing a nude woman donning an Oni mask...

Katherine Westphal's oil on board painting titled 'Abstract Landscape' embodies the stylistic qualities of abstract painting. Using a diverse color palette of orange, red, yellow, bl...

Matt acrylic-painted wood relief Éditions Denise Rene Paris Edition n° 37/50, Signed. Presented at the exhibition “Vasarely - Le partage des Formes”, in 2019 at the Centre Pompidou. ...

Fredric Karoly (1898-1987). Etude, 1950. Oil on masonite panel measures 18 x 24 inches. Unframed. Signed, titled, dated on reverse. Good condition with minor paint loss at edges. Biography: An abstract painter, Karoly was born in Hungary and studied painting in Paris, architectural eingineering in Berlin, and emigrated to the U.S. in 1926. He began a successful career as a fashion and fabric designer. In 1948 he was working as a fashion director for Simplicity Patters, when he had a solo exhibition of of his oil paintings, wire montages, dry-pen drawings and abstract photography. Solo Exhibitions: Hugo Gallery (Alexandre Iolas) New York 1948; Gallery Mai. Paris 1949; New Gallery (Eugene Thaw) New York 1950; Museu de Arte, Sao Paulo, Brazil 1951; Miami Museum of Modern Art, Miami, Florida 1959; Loft Gallery, New York City, 1966.Group Exhibitions: Hugo Gallery, New York 1947; Salon des Realities Nouvelles, Paris 1949-1953; Whitney Museum of American Art, New York (Annual) 1951-1953, 1963; Biennale of Sao Paulo, Brazil, 1951; International Independent Exhibition, Tokyo, 1951; Martha Jackson Gallery, New York, 1959; The Butler Institute of Art, Youngstown, Ohio, 1960; Stuttman Gallery, New York, 1960; The Art Institute of Chicago (Annual), 1960; International Watercolor Exhibition, Brookyln Museum, 1961; Westchester Art Museum, White Plains, NY, 1963; Whitney Museum, Annual, NY 1963; Cleveland Art Festival, Park Synagogue, Cleveland, 1963; Whitney Museum, Sculpture Annual, NY, 1964.Works in Institutional Collections: Museu de Arte, San Paulo, Brazil; Museu de Bellas Artes, Buenos Aires, Argentina; New York University, New York; Washington University, St. Louis, Missouri; Finch College, NY; Barnard College, NY; Metropolitan Museum, Whitney Museum and Guggenheim Museum, New York; Museum of Fine Arts, St. Petersburg, FL. Awards: National Council Arts Awards, 1968. Frederic Karoly died on December 15, 1987 at the Inter-Continental Hotel in Manhattan, where he had made his home for many years. Fredric Karoly was born in Budapest in 1893. According to Karoly’s own vitae, his exhibition history began in New York in 1947, when at the age of 54 he took part in a four-person group show at Hugo Gallery. His involvement with visual art however was apparently life long. In a brief introduction to his solo show at Galerie Mai in Paris in June of 1949, Jen Luc de Rudder, reports that Karoly began painting at the age of 12 in Budapest. After several years of studying, then working in London, Paris and Berlin, Karoly emigrated to the United States in 1925 or 1926 (he probably first came to the US on a work visa in 1925). In New York, Karoly worked in women’s fashion as a designer. In 1948 Karoly worked in a manner than was clearly influenced by the work of such European surrealists as Max Ernst, creating spiked automatic bi-chromatic paintings. His style progressed into a progressively more biomorphic vein, similar to explorations by Theodore Stamos, Daphnis, Milton Avery and Mark Rothko around the same period. He was supported with patronage during this period by Mrs. Mimi Baliff, who apparently supported the “Industrial Design Workshop” that she helped open to feature Karoly’s designs in 1948. By the early 1950’s (1951) Karoly started experimenting with the drip and splatter process as well. Drip paintings dominated his process until the late 50’s-early 60’s, when linear compositional elements began to reemerge. By the late 50’s multi-layered drip grid motifs asserted a masque of spatial organization over looser washed fields and splatters of paint that Karoly worked off of. This development was consistent with concurrent explorations into the grid by artist Agnes Martin and others. By the mid-50’s Karoly’s style began another transition into a more surface concerned “Color Field” style of painting. There are elements still reminding one of Abstract Expressionist concerns as such painters as Clifford Still. But the works that began to emerge from Karoly’s studio in 1958 presaged the Morris Lewis fan motifs and Friedl Dzubas’s epic and romantic color spewing expanses of canvas. In 1959 Karoly began experiments using washes of turpentine diluted oil paint directly onto raw linen, and all of these subsequently suffered the consequences of oil oxidation and acidity upon the surfaces. However, many of Karoly’s washes in color field happily occurred on lightly prepared primed canvas surfaces as well. By 1960 Karoly began reintroducing imagistic references to his visual content. There were also various references to Japanese and Zen influences. He experimented with a variety of processes that included mixed media and marbleized surfaces achieved by the intermixture of oil and water mediums. A calligraphic element also enter Karoly’s work in the early 60’s. Then in 1961 glued and assembled objects begin to show up in Karoly’s work in earnest. The influence of early POP artists, particularly Jasper Johns, and Robert Rauschenberg, become apparent. From 1961-63, a series of the assemblage works transition from canvas to the sculptural to pieces obviously intended for full scale installation. Many of these pieces were among the most fragile of his works primarily due to their reliance upon the of gluing of objects such as plastic or paper cups on flexible surfaces of stretched linen or canvas. In the mid-60’s Karoly apparently produced a number of photo-silk screened series of Picasso, De Kooning and other significant artists of his generation. These were executed in a style somewhere between Rauschenberg’s and Roy Lichtenstein’s, primarily because of their reliance upon half tones and Ben-Day dot effects. Then Karoly began a series of paintings conflating his drip and grid styles with super imposed and painted over string. In the late 60’s Karoly embarked upon a series of multi-paneled stretched linen constructions often with slits and fiber optic back-lit elements that were prescient of the work of Dan Flavin and others. It was this body of work that was shown at Hofstra University’s Emily Lowe Gallery, and it was these works that suffered perhaps the most irreparable damage from a steam/water infiltration in a space where they were being stored. The late professional start that Karoly had into the art world was balanced by his long life span and early immersion into the design issues of modernism as it emerged in turn of the century Europe and later evolved in America. He was clearly an artist who subscribed to the ethos of the new in abstraction and was obviously impressionable and in some instances prescient with regard to various trends in abstraction. Several noteworthy and influential collectors and institutions during his 40 years of professional engagement acquired his work. The Whitney Museum of American Art had and may still own a large Karoly canvas from 1960, but this is doubtful as the artist failed to list it on the vitae he filed with MoMA in 1965. His work was recognized and honored by the Whitney with its inclusion in four of their annual survey shows (1951,1953, 1963 and 1964). The artist’s surrealist influenced paintings from 1948-1950 were the focus of a solo exhibition held of his work by the Museo de Art in Sao Paulo and eight years later a ten year survey of his work was the focus of a solo show at the Miami Museum of Modern art. The Sao Paulo Museum in Brazil, and the Museo de Bellas Artes in Buenos Aires, Argentina each acquired Karoly paintings for their collections in the 1950’s. One of Karoly’s surrealist pieces was apparently purchased by Christian Zervos, Picasso’s designated chronicler, who apparently also wrote a piece on Karoly in Cahiers D’Art in 1949. A 60’s piece of Karoly art that is in the New York University’s permanent collection is included in the MoMA Library’s catalog...

David E. Peterson Puzzle #83, 2013 Acrylic, Exotic wood, MDF, UV resin 2 piece set of 60h x 8w x 2d in (30h x 7w x 2d in. and 30h x 8w x 2.5d inches) 152.40h x 20.32w x 5.08d cm Thi...

Arresting and evocative oil abstract titled "Female Priests" by Les (Leslie Luverne) Anderson (American, 1928-2009). Unframed. Signed "Les Anderson" on...

Coronation of Venus, 2021 Oil on Panel with 24k Gold Water-Gilded Frame, 114 x 78 inches “Coronation of Venus,” an ornamentally enriching piece from the studio of Justas and Vilius...

It is rare to see a painting by Vasa Mihich available. These works are carefully worked through and planned with the aid of Computers. Mihich will work through the sequencing of co...

LOOK FOR FREE SHIPPING AT CHECKOUT. ARTIST EXPLANATION OF THE PAINTINGS: In Bloom measures 36" x 36" x 1.5" and is oil on birch panel . Ready to hang with wire on the back. Artist d...

This painting executed in the Byzantine style is a portrait of St. Nicholas. In the Greek Orthodox Church, St. Nicholas served as an archbishop of the early Church. This portrait is...

Jorunn Mulen was inspired by love. A chance encounter in an Italian cafe or an antique photograph at a London flea market can each become a part of my visual capture. Her poetic port...

Scott French has over 30 years of painting experience. His work focuses on figures, landscapes, and recently, cocktails. Known for his painterly and expressive style, French uses ric...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Signed lower right, 'Savo' for Joan Savo (American, 1918-1992) and dated 1960. Additionally signed, verso, on old label and titled, 'City Lights'. Accompanie...

Expressive Mid-Century figural painting of two women and child in pastel hues by Harold Kitner (American, 1921 - 2004). Image, 33"H x 48"W Walnut frame, 34"H x 49"W x 2"D Harold Kitner was born on May 18, 1921 in Cleveland, Ohio and was the son of Isaac and Frieda Kitner. He obtained his MA from Case Western Reserve University in 1947. Kitner was a postgraduate from Cleveland Institute, Ohio University, Cleveland College, Washington and Lee University. He obtained his Doctorate from Kent State University. Exhibition: Harold Kitner - Active / Figure / Exaltation at Kent State School of Art Gallery in Kent, Ohio in 2014. Harold Kitner taught for over 30 years at the Kent State University School of Art. Harold Kitner began teaching art and art history at Kent State University in 1947. During his career, he served as Director and Chairman of the Fine Arts Division. Kitner played a significant role in creating the Art School’s core program, organizing the Kent State Arts Festival, and the Blossom Festival School. He also served as President of the Kent chapter of the American Association of University Professors, and was an art critic for the Akron Beacon Journal. In 1967, Kitner became Kent State University’s first Faculty Ombudsman, officially titled Dean for Faculty Counsel. He held this position until 1974. At the time of the Kent State shootings, Kitner’s position as Ombudsman meant that he was involved in many of the decisions regarding University administration in the weeks and months following the Kent State shootings. Kitner began a partial retirement in 1980, and left Kent to become the director of the Institute of the South Florida Art...