MATTEO BULTRINI Art

The large scale paintings of Bruce Rubenstein merge the creative attitudes of the two distinct art hot spots of New York and Los Angeles. Rubenstein's work has a rigid edge and strong composition, but maintains organic shapes and soft colors as well. His works have character that brightens a space. His paintings pull from abstract expressionism and cubism, but maintain a contemporary edge that strikes the viewer. His work seems collectively new and timeless at once. This large one-of-a-kind 39 inch high by 57 inch wide and 1 inch deep artwork is a mixed media composition layered with acrylic paint, oil pastel, and charcoal on canvas. It is stretched, wired and ready to hang. The sides of the artwork are painted as a continuation of the artwork, eliminating the need for framing and creating a cohesive, finished look. It is signed by the artist on the front and back of the artwork. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. Provenance: Artspace Warehouse. A certificate of authenticity issued by the art gallery is included. Bruce Rubenstein specializes in large-scale artworks, using huge canvases to tell his stories. Born and raised in New York, he moved to Los Angeles in 1985. His mixed media artworks defy categorization, blending abstract forms and organic shapes with subtle hints of figures and symbols. Adrien Brody and Mickey Rourke are among Rubenstein’s collectors. Bruce Rubenstein’s artistic influences include artists from Joan Miró and Jean Arp to Gerhard Richter and Pablo Picasso. “He is an artist, and that means someone who cannot restrain the flow of ideas,” says author David Rodgers. “He is someone who they just burst out of, who cannot help but communicate, and who sees no reason to stop. He’s a man not limited by media to communicate the stories that he needs to (and must) tell, through any medium he feels necessary.” His works are represented by Artspace Warehouse Los Angeles and have been exhibited and collected worldwide, including exhibitions in Austria and Israel. SOLO EXHIBITIONS 2011 Stark Kikuchi Gallery, Venice, CA 2010 Stark Kikuchi Gallery, Venice, CA 2009 Stark Kikuchi Gallery, Venice, CA 2008 Stark Kikuchi Gallery, Venice, CA 2007 MOCA (Hot Springs Museum of Contemporary Art) 2004 The Hunter Gallery. Hollywood, CA 2002 Stark Kikuchi Gallery, Venice, CA 2001 Designer Services Group, Culver City, CA 1997 L.A. Lofts, Hollywood, CA 1995 Gallerie Tatou, Beverly Hills, CA 1994 Todd Gordon Gallery, Los Angeles, CA 1993 Todd Gordon Gallery, Los Angeles, CA 1992 Market Street Gallery, Venice, CA GROUP EXHIBITIONS 2018 Artspace Warehouse, Los Angeles, CA 2017 Shockboxx Gallery, Hermosa Beach, CA 2017 The Dina Collection, Beverly Hills, CA 2016 Group Show, St. Peter in der Au, Austria 2015 Henry Fonda Theatre, Hollywood, CA 2015 Veterans Memorial Bldg., Park City...

Aquatec and mixed media on canvas. Signed and dated verso. 53 x 57.5 in. 54 x 58.5 in. (framed) Custom framed in hickory. Deborah Feldman Cuyler was born in New York in 1935. She ...

Contemporary Mexican Art, Painting Los Sueños de Carbon, 2018 Graphite on canvas

An original signed framed abstract expressionist painting by mid-century modern Chicago woman artist, Margo Hoff (1910-2008), "Stone Quarry" was created using acrylic, crayon and paper collage on board in shades of purple, blue, brown, white and black. Presented in a custom frame, outer dimensions measure 48 ½ x 40 ½ x 1 ¾ inches. Image size is 48 x 40 inches. Provenance: Estate of the artist, Margo Hoff About the Artist: A prolific artist, Margo Hoff’s exquisite style evolved throughout her career yet was always rooted in the events, people, and places in her life. The human experience was her soul focus, expressed through her eyes alone. Born in 1910 in Tulsa, Oklahoma, Hoff began creating white-clay animals at a young age, giving them to her friends and family. At eleven she contracted typhoid fever and was bedridden for a summer. During her convalescence, she drew and made cutouts, and it was during this time that her bold, artistic imagination came alive. She began formal art training in high school and continued her education at the University of Oklahoma, Tulsa. In 1933 she moved to Chicago and attended the National Academy of Art and the School of the Art Institute of Chicago. Between 1933 and 1960—her Chicago years—Hoff’s works was deeply rooted in a figurative, regionalist style. She often used elements of magical realism, and many of her paintings have dreamlike qualities. As a child she learned about color by grinding down rocks, plants, and berries. Her color pallet during the Chicago years is indicative of her early-life color experimentation as she consistently used warm, earth tones in her work. Hoff was a born adventurer and traveled extensively. She lived, worked, taught, and painted in Europe, Mexico, Beirut, Lebanon, Uganda, Brazil, and China. She also showed at the Denver Art Museum’s Annual Western Exhibitions in 1952-54, 56, and 57. In 1957 she showed along side Colorado modernist Vance Kirkland at the Denver Art Museum’s exhibition, Man's Conquest of Space. What was once a focus on the representational, her work began to change after 1957 when she saw Sputnik in its orbit around Earth. At that moment, feet firmly placed on the ground, she was able to imagine herself in space, looking down from the cosmos, and what she saw was an abstracted world. She then had the opportunity to peer into an electron microscope where once again she was looking down into what seemed to be a realm of pure abstraction. These two events profoundly changed her perspective and she began to move from figural painting to abstract, geometric collage. In 1960, Hoff moved to New York City and she began creating collages. Placing the canvas on the ground, and working from all sides, she used strips of painted paper and tissue—and later painted pieces of canvas—glued onto the canvas surface, building layer upon layer, shape against shape, “action of color next to stillness of color.” She believed these simplified, abstracted forms held the spirit of the subject in the same way poetry reduces words to their essence. These pieces range from aerial cityscapes, to dancers in motions, to flora...

Each panel is 48h x 15w x 1.5deep. For shipping it is 48 x 15 x 6. The gallery offers a discounted shipping rate that is below to the Continental USA. Outside USA can also be quoted. The sides are gallery wrapped in black so there is no need to frame. The work has been reduced from the original cost of $8600. It is shown as four panels 2 inches apart but the gallery has installed 4 panels in one room or in separate rooms. They can be hung vertical or horizontal. Joan Bohn...

Sueños Morados, 2018 Contemporary Mexican Art, Abstract Painting Mixed media on canvas Signed and dated About the artist Cuauhtemoc´s work is the meeting point of the inevitable and...

Highly textured abstract composition by Rose Herzog (American, mid-20th Century). This piece includes the use of tissue paper, fibers, and other materials to create raised, textured ...

Acrylic and mixed media on paper - Unframed Werfel employs expressive, lyrical gestures that create bursts of movement and energy. Her color choices create a range of tones from the...

Colorful and dynamic abstract composition by Ross H. Pollette, who also paints under the pseudonyms 'Max West' (American, b. 1948). Pollette has used oil, ink, and collage in this p...

Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...

'Square of Sublimity IV' from Irene Zweig, where intellect, science, mathematics and order are at play in shades of yellow, green, and rust in the abstract mixed media painting that ...

This sculpture light is a captivating addition to the Art + Light series, where the interplay of light and art creates a unique and fascinating effect. The wooden cube is covered wit...