Glenn A. Green Art

Series: Departure of Mounds Bogumił Książek was educated at the Cracow’s Academy of Fine Arts (1995-2000). 2003 -2009 he lived and worked in Florence...

SOME SURMOUNT 2024 Paris, France This charming painting on canvas visually represents the notion of being unshackled from a burden, and an ascension from a darker place. A black, e...

"JAMÓN JAMÓN I (Reliquary Generalife)", 2019, sold in the frame shown, is one in a series of ceramic sculptures by artist Andrew Cornell Robinson...

Introducing "Wilderness" a mesmerizing large painting by (half Danish and half British) contemporary artist Sophie Pollock. With its dimensions of 120cm x 90cm (47.2in x 35.4in), thi...

Galvanized Steel, Glass Tile & Mortar California born and educated sculptor Matt Gil graduated from San Jose State University, and his work has been widely exhibited throughout Cali...

Presented is a one-of-a-kind single edition sculpture by female sculptor artist Sherry Rossini. Hand carved by the artist from alabaster stone that was ...

Midnight blue and orange 24” original contemporary waterscape painting. A hint if olive green. Water art. Wall art inspired by nature.

"Ghosts of the Gardens" is a mysterious and captivating abstract painting, evoking the untamed beauty of wild gardens and chaotic floral motifs with its energetic and loose movement....

"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...

Orange and blue contemporary landscape original wall art.

This is a beautiful and tranquil acrylic painting on canvas. At a first glimpse, the painting looks subtle, but multiple soft and fine nuances, forms, and textures appear when you near in. The painting evokes a feeling of Nordic minimalism. The painting is made by Danish artist Anette Holmberg...

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surface of the sky with the rough texture of earth or grass. I paint symmetrical reflections in water and rhythmic repetitions of trees. Even an ordinary, seemingly uninteresting fragment of the suburban landscape hides a beauty that I want to see and then transfer to the canvas. I am inspired by nature because it contains a hidden secret of existence. For me, painting it is a reflection on life and passing away. It is an attempt to capture the imperceptible essence, to paint what cannot be seen. I think that my paintings can be a respite, an antidote for a man tired of technology, constant rush, hustle and bustle of the city. Grzegorz Wójcik...