Wood Landscape Paintings

A bustling street scene of everyday life in front of the famed Marché in Cap-Haïtien is rendered in Sénèque This is a relatively early work by Obin's signature brightly colored and f...

Fury IV is a unique oil on wood painting by contemporary artist Joachim van der Vlugt, dimensions are 60 × 44 cm (23.6 × 17.3 in). The artwork is signed, sold unframed and comes with...

Selvas Negras n°10 is a unique pencil on wood painting by contemporary artist Calo Carratalá, dimensions are 203 × 213 cm (79.9 × 83.9 in). The artwork is signed, sold unframed and ...

Aaron Bohrod, 1907-1992 Lobster Shack, 1938 Oil on masonite 16 x 20 inches Signed and dated ower left: Aaron Bohrod 1938 Bohrod-3 Provenance: Private estate, Rhode Island, 2004 Am...

Early 20th Century Pebble Beach Surf Seascape by Abel Warshawsky Significant and period early 20th century Plein Air seascape painting of crashing surf at Pebble Beach by listed Ca...

Original acrylic painting on Masonite with artist’s painted wood frame, 1985. Size: 31 x 37 inches. Inscription: Signed, recto; titled, and double signed and dated, verso. Provenance...

Original acrylic painting on Masonite with artist’s painted wood frame, 1985. Size: 37 x 31 inches. Inscription: Signed, recto; titled, and double signed and dated, verso. Provenance...

Wonderful mid century landscape and figurative of farmers guide a cart pulled by cows along a dirt path, a majestic mountain is their backdrop; a scene from South Africa. Signed "V...

This is an unframed original painting on birch panel. Unpainted edges. "Landscape provides Gregory Hardy with an inexhaustible source of mystery. His paintings are not representati...

This is an unframed original painting on birch panel. Unpainted edges. "Landscape provides Gregory Hardy with an inexhaustible source of mystery. His paintings are not representati...

This is an unframed original painting on birch panel. Unpainted edges. "Landscape provides Gregory Hardy with an inexhaustible source of mystery. His paintings are not representati...

This is an unframed original painting on birch panel. Unpainted edges. "Landscape provides Gregory Hardy with an inexhaustible source of mystery. His paintings are not representati...

*Dimensions include the frame This artwork, indicative of the Barbizon School around 1855, presents a serene and contemplative scene deeply rooted in the naturalism that the Barbiz...

This series by the multidisciplinary artist TUSET (1997, A Coruña, Spain) titled "Land paintings (or what painting is not)", is a series of paintings that the artist had buried for a...

This series by the multidisciplinary artist TUSET (1997, A Coruña, Spain) titled "Land paintings (or what painting is not)", is a series of paintings that the artist had buried for a...

This series by the multidisciplinary artist TUSET (1997, A Coruña, Spain) titled "Land paintings (or what painting is not)", is a series of paintings that the artist had buried for a...

This series by the multidisciplinary artist TUSET (1997, A Coruña, Spain) titled "Land paintings (or what painting is not)", is a series of paintings that the artist had buried for a...

This series by the multidisciplinary artist TUSET (1997, A Coruña, Spain) titled "Land paintings (or what painting is not)", is a series of paintings that the artist had buried for a...

"One Last Wave" is a captivating piece painted on a 40 x 50 cm wooden panel, capturing the moment when the day gently transitions into the early evening. On this natural surface, you...

WIth a passion for restoring historic houses, one of Slonem's properties is in Lousiana, where he now spends a lot of his time painting and picking up inspiration for his pallet. Thi...

Mid Century Modern Abstracted Landscape in Oil on Masonite Bold abstracted landscape by Ray Oakvick (American, 1917-1993). Streaks of reddish brown and white create an abstracted la...

Birger Sandzen (1871-1954) Kansas / Colorado Artist Image Size: 40.5 x 48 Frame Size: 49.5 x 57 Hand carved gold leaf frame. Medium: Oil "The Flint Hills" Has his daughter's name on the verso. This painting was donated to Bethany college by Birger's Daughter. The college owned it for many years and then about 8 years ago it was sent to auction. It sold to an art dealer from Santa Fe, it was acquired from a gallery by a friend of mine who has owned it since that time. Biography Birger Sandzen (1871-1954) Born Blidsberg, Sweden, Feb. 5, 1871; died Lindsborg, June 19, 1954. Painter, specialized in landscapes. Etcher. Engraver. Lithographer. Teacher. Attended the College and Academy of Skara as a pupil of Olof Erlandsson. After graduation from Skara College, Sandzén spent a semester at Lund University attending art history lectures and continuing the study of French. Following Lund University he went to the technical high school at Stockholm, where he studied perspective and form drawing. Sandzén joined a group of young artists and they rented a studio at Anders Zorn's suggestion. They received instruction from Zorn as well as Richard Bergh, a well-known portrait painter and Per Hasselberg, one of Sweden's best sculptors. Sandzén then went to Paris to study with Aman Jean, where he began to associate with American students in the French studies. On returning home in 1894, a family friend sent Sandzén a booklet about Bethany College, Lindsborg and the town called "Little Sweden." Sandzén moved to Lindsborg in 1894 to teach French, voice, art history, drawing and painting at Bethany College where he remained on the faculty until 1946. He first painted in the Colorado Springs, CO area in 1916, and became a frequent visitor to Santa Fe and Taos, NM beginning in 1918. Sandzén spent the summers of 1923-24 teaching at the Broadmoor Academy in Colorado Springs (presently the Colorado Springs Fine Arts Center). Sandzén also taught at Chappell House (the forerunner to the Denver Art Museum), Utah State Agricultural College, Stephens College, the University of Michigan, and the 188 Kansas City Art Institute. Sandzén's style of painting is unusual in its thick and heavy application of impasto in bold and bright color combinations, interpreting the landscape of the western United States. He is known for very colorful renderings of mountain lakes with boulders, cypress and aspen trees and moonrises along waterways. Sandzén was an important advocate for art in the region, spending time talking to people about art, organizing exhibitions and establishing art clubs. He donated artwork to the local art club to help raise money for the purchasing of art books for the library, the financing of exhibitions, and the occasional awarding of a scholarship. He painted murals for the Halstead Post Office, Where Kit Carson Camped, in 1941, for the Lindsborg Post Office, Smoky River, in 1938, and for the Belleville Post Office, Kansas Stream, in 1939. He illustrated three books, With Brush and Pencil (1905), In the Mountains, (1925), The Smoky Valley, (1922). SOURCES: Susan Craig, "Biographical Dictionary of Kansas Artists (active before 1945)" Lindquist, Emory Kempton. Birger Sandzén: An Illustrated Biography. (Lawrence University Press of Kansas, 1993); American Magazine of Art, (Jan. 1927); International Studio ( Apr. 1923); Kansas Teacher (Nov. 1927); Greenough, Charles P. The Graphic Work of Birger Sandzén. (Lindsborg : Bethany College, 1952); Fielding, Mantle. Mantle Fielding’s Dictionary of American Painters, Sculptors and Engravers, with an Addendum containing Corrections and Additional Material on the Original Entries. Compiled by James F. Carr. New York: James F. Carr Publ., 1965.; Newlin, Gertrude Dix (Development of Art in Kansas. Typed Manuscript, 1951); Sain, Lydia. Kansas Artists, compiled by Lydia Sain from 1932 to 1948. Typed Manuscript, 1948.; WW26-27; American Art Annual. New York: American Federation of Arts, 1898-194727; Who’s Who in American Art. New York: American Federation of Arts, 1936- v.1=1936-37 v.3= 1941-42 v.2=1938-39 v.4=1940-47. 1, 2, 3, 4; Reinbach, Edna, comp. “Kansas Art and Artists”, in Collections of the Kansas State Historical Society. v. 17, 1928. p. 571-585.; A &C KS por il.; Dunbier, Paul. The Dunbier Value Guide; Over 1200 Painters in the Western U.S. Before 1920. Scottsdale: Altamira Press, 1981.; Dawdy, Doris Ostrander. Artists of the American West: A Biographical Dictionary. Chicago: Swallow Press, 1974. Wiebe, Joanna K. “Kansans Cared About their New Deal Art”, in Wichita Eagle Beacon, May 21, 1972. p.1E & 7E-----. “Local Legends Live in Art”, in Wichita Eagle Beacon, May 22, 1972. p.1A & 3A-----. “Age Enhances Fort Scott Mural”, in Wichita Eagle Beacon, May 23, 1972. p.1A & 8A-----. “Halstead Legend Perpetuated”, in Wichita Eagle Beacon, May 24, 1972. p.1A & 16A -----. “Scenics, Murals and Lithographs Included in Kansas New Deal Art”, in Wichita Eagle Beacon, May 25, 1972. p.15A.; Samuels, Peggy. Illustrated Biographical Encyclopedia of Artists of the American West. Garden City, NY: Doubleday & Co., 1976.; Snow, Florence. “Kansas Art and Artists”, in Kansas Teacher Aug-Sept. 1927, p.18-19; Oct. 1927, p.10, 12; Nov. 1927, p.11-12; Dec. 1927, p.7-8; Jan. 1928, p. 14-15; Feb. 1928, p.20-21; Mar. 1928, p.10-12; Apr. 1928, p. 16-17; May 1928, p.14, 16; June-July 1928, p.13-14.; American Art Annual. New York: American Federation of Arts, 1898-194724/12/18/20/22; KAC; Dawdy 2: Dawdy, Doris Ostrander. Artists of the American West: A Biographical Dictionary. Volume 2. Chicago: Swallow Press, 1981.; Annual Exhibition of the Artists of Kansas City and Vicinity (Kansas City Art Institute, 1915-21) 1915, 1917, 1920-21; Midwestern Artists’ Exhibition (Kansas City: Kansas City Art Institute, 1920-1942 Mines, Cynthia. For the Sake of Art: The Story of an Art Movement in Kansas. s.l. Mines, 1979.) 1922-23, 1925. 1929-33, 1935-40; Beach; Porter, Dean A, Teresa Hayes Ebie, Suzan Campbell. Taos Artists and Their Patrons, 1898-1950. South Bend, IN: Snite Museum of Art, 1999.; Bruner, Ronald Irwin. New Deal Art Workers in Colorado, Kansas and Nebraska. Thesis. University of Denver, 1979.; 100 Years of Art...

Ralph Chapotean (Haitian, 1954-Active) Surrealist landscape Oil on Massanet 16 x 24 unframed, 17.5 x 25.5 framed

original impressionist oil canvas painting. framed Sola PUIG, Joan (Barcelona 1950 ) Joan SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air...

Sunset Seaside Landscape with Lush Blooming Flowers Signed Lower Right Oil on masonite Minor distress marks on frame 8 x 10 unframed, 15 x 17.25 framed

This piece titled "Kyoto Botanical Garden" is an original painting by Lisa Congdon and is made from acrylic on wood. This piece measures 36"h x 24"w unframed. Lisa Congdon is an internationally known fine artist, illustrator, and bestselling author. She makes art for clients around the globe, including Target, Amazon, Google, Schwinn, Madewell, Rumpl, The Library of Congress, Brooks Running, Warby Parker...

*Dimensions include the frame This evocative late 19th to early 20th-century artwork by French artist R. Parret captures the quiet solemnity of a wintry dusk. The painting's small ...

Green Nocturne (Charcoal Landscape Drawing with sky tinged in acrylics. 8 x 10 inches Charcoal and Acrylic on Two Rives Paper mounted on wood panel by Sue Bryan This mixed-media wor...

20th century landscape painting with Cattle on Redwood board Signature indecipherable 14.25 x 36

Idyllic landscape with myhological story of Cephalus and Procris Early 17th century Italian school Workshop Of Paul Bril (Antwerp, 1554 - Roma, 1626) Oil on poplar panel: H. 28 cm (1...

’The Quiet Place' is an impressive painting inspired by the North Norfolk Broads near to where Rachael lives. Rachael Dalzell’s paintings are colourful and expressive. Her free and...

’Floating Dreams' is an impressive painting inspired by the North Norfolk Broads and beautiful countryside near to where Rachael lives. Rachael Dalzell’s paintings are colourful and...

’The Hidden Boat House' is an impressive painting inspired by the North Norfolk Broads near to where Rachael lives. Rachael Dalzell’s paintings are colourful and expressive. Her fr...

This abstract work by Chicago artist Patrick Fitzgerald is one of a series of “track paintings” that materialize the imagined tracks navigated by his miniature soap-box car sculpture...

Sunset Through the Trees - Landscape in Oil on Canvas Lively landscape with a bright sunset by an unknown artist (20th Century). The viewer stands at the edge of a marsh or lake, wi...

Mid-century large framed painting of two twin trees in warm earthy tones and textured details. The work is first sculpted in plaster and then painted. It has an illegible signature.

Ascension Day in Venice 17th century Antwerp School Louis de Caullery (1582-1621) Oil on oak panel Dimensions: h. 12.8 in, w. 23.03 in (h. 32,5 cm, w. 58,5 c...

Rest during the Flight into Egypt - The Virgin and Child with St. John the Baptist and the angels in a Landscape. Attributed to Pieter Van Avont (1600-1652) 17th century Antwerp School, circa 1630 Oil on oak panel, Dimensions: h. 38 cm, w. 50 cm (14.96 in x 19.68 in) Flemish style frame in ebonized and moulded wood Framed: h. 56 cm, w. 68.5 cm (22.04 in. x 26.97 in.) In the heart of a lush wooded landscape, the Virgin with Jesus rests in a green clearing accompanied by Saint John the Baptist and the cherubs. Seated to the left of the composition, the Virgin Mary holds the Child on her lap; the little Saint John the Baptist wearing the camel-skin tunic (his attribute) stands before Jesus to exchange a few caresses. On the right, the couple of cherubs are playing with the lamb of Saint John the Baptist, bringing a jovial character to the scene. A pair of gardening putti on the left pick flowers to bring bouquets to the Virgin and Jesus. Spring flowers such as tulips, daffodils and anemones that grow abundantly around them and enrich the composition with their shimmering colors. A lush rose bush blooms to the left of the figures offering delicate roses. (The rose is the flower associated with the Virgin Mary, who is the "mystical rose," the one that does not bear the "thorn of sin") At the feet of the Virgin are bunches of grapes (symbol of the future passion of Christ) as well as apples (symbol of the original fall of Man but also of the Redemption in Christ) In the foreground we find a wicker basket filled in profusion with beautiful flowers and guinea pigs nibbling on the blades of grass. In a cleverly arranged disorder, these elements of the still life with their strong symbolic power accentuate the religious theme, but are also an opportunity for the artist to demonstrate his know-how in the still life genre that is gaining momentum in Antwerp. The landscape behind the figures consists of a large tree with a twisted trunk and a luminous opening to the horizon placed on the right. We see Saint Joseph arriving with a donkey, a small reminder from the artist that the composition is associated with the episode of Rest during the flight into Egypt. The calm expanse of this bucolic forest opening onto the luminous distance, with its profusion of symbolic flowers and fruits, is particularly suited to this sacred scene. The theme of Jesus' sacrifice and his tragic fate is mitigated by cherubs who play with innocence and carelessness in the face of the fragility of life symbolized by cut flowers. The great mastery of the painter is manifested by the finesse of the drawing enhanced by the delicacy in the application of the brushstrokes bringing a multitude of details. The richness of the whole is exacerbated thanks to the choice of colours, this varied palette is an undeniable asset of our work. The virtuosity of our artist lies in his versatility, as much concerned with the success of the landscape and flowers as with the modelling of his figures. The cherubs with their naked bodies are gracefully illuminated by warm colours with subtle shadows, while the still life is rendered with astonishing realism, both in the precision of the drawing and in the countless shades of the flowers. There are several compositions similar to ours, of which below are the closest versions: • Sale, Jean-Claude Anaf et Associés, Lyon, 08/02/1998, attributed to Pieter Van Avont, oil on panel, h. 48 cm, l. 71 cm (recorded on RKD n° 31451). Comment: identical composition, only St Joseph with the donkey is different) • Christie's New York sale, 29/01/1998, Pieter Van Avont, oil on copper, h. 23.8 cm, w. 24.8 cm • Dorotheum sale, Vienna, 25/04/2017, Pieter Van Avont and Jan Breughel II, oil on copper, h .26 cm, w. 39 cm • Hermitage Museum, Saint Petersburg, Russia, Pieter Van Avont, oil on panel, h. 50.5 cm, w. 71.7 cm Peter van Avont, Flemish painter (Mechelen, 1600 - Antwerp. 1652) Born in Mechelen, he is mentioned in 1620 as a member of the painters' guild of his hometown. He left in 1 622 for Antwerp, where he was also a member of the guild. He collaborated with many painters, including Jan Brueguel the Younger, David Vinckboons, Lucas van Uden...

We are delighted to present a significant piece from the Dutch School, most likely dating back to the late 17th century. This captivating painting showcases the dynamic force of nature with three ships vigorously navigating through stormy waters. The foreground is a scene of nautical struggle, as figures are depicted working intensely with the sails, steering, and bracing against the tumultuous sea. In the serene background, the silhouette of a quaint town emerges, with spires from churches and the outlines of various buildings is visible. This juxtaposition of the calm town against the chaotic foreground serves as a powerful reminder of the unpredictability of life and nature. Dominating the canvas, the sky occupies two-thirds of the painting, filled with brooding clouds that occasionally break to reveal patches of blue. The presence of birds adds a dynamic element to the otherwise ominous atmosphere. While the artist remains unknown, the work is quintessentially Dutch in its execution, with meticulous attention to detail and a profound understanding of maritime life. The painting's oval shape is quite distinctive and is complemented by a suitably antique octagonal black frame, which adds to its historical charm. This piece is a testament to the mastery of Dutch maritime painting...

Oil on panel by Alfred SAVIGNOL (1877-), Beginning of the 20th century, France. Port of Villefranche-sur-Mer (between Nice and Monaco). With frame: 68x 56 cm - 26.8x22 inches ; with...

‘Calm and quiet amongst the trees’ is an impressive painting inspired by the North Norfolk Broads near to where Rachael lives. Rachael Dalzell’s paintings are colourful and expressi...

Very well executed oil on masonite painting of a sunset in Topeka, Kansas by the American artist, Pauline Haynes Shirer. Signed lower right. Circa 1950. Condition is excellent. R...

Colliers Magazine 1947 American Scene Social Realism Modern Families in the Snow Katherine Wiggins (American 20th Century) "The Shrimp" 20 x 24 inches Egg tempera on masonite. c. 1...

French mid 20th century Wood and plaster Internal measurement (to house painting or mirror): 25.5 x 21 inches Overal outer measurements: 29.5 x 25 inches Provenance: from a collecti...

Introducing a beautiful acrylic painting on masonite by the Danish artist, Anette Holmberg. Anette Holmberg (1969-) is a visual artist from Denmark (Scandinavia) with a master's de...

Édouard Brun's medium-sized oil on wood painting is a captivating representation of the French Impressionist movement. The artwork portrays a serene winter landscape, dominated by sn...

Uphill No. 1 is an grassy landscape painting by California artist Ferdinanda Florence. It is acrylic on wood. It is 8.5 x 9.5x 2. It is filled with blues, green and browns. A la...

*The dimensions include the frame Bill Franks' 1997 oil on wood painting offers an evocative portrayal of the Seine in Paris. Through vibrant strokes, Franks captures the river's shimmering surface, reflecting the hues of the sky and the surrounding architecture. A solitary boat leisurely glides through the water, adding a sense of movement and life to the serene scene. The artist masterfully represents the Seine's banks, with trees exhibiting autumnal golden-yellow foliage, leaning towards the river as if whispering secrets to its depths. The iconic Parisian bridge arches gracefully across the canvas, with its stone pillars grounding the composition. Silhouettes of people can be seen, perhaps enjoying a leisurely stroll, their presence underscoring the city's everlasting charm. Through a harmonious blend of color and light, Franks encapsulates a timeless moment, exuding the essence of a Parisian afternoon by the Seine.

Paul Baroin's 1884 oil on wood painting is a captivating portrayal of a serene landscape, drawing viewers into an atmosphere of tranquil reflection. Set amidst the backdrop of fading...

This captivating oil on canvas by Pierre Plouhinec, dated around 1950, embodies the essence of Impressionism. Plouhinec's brushwork, vibrant and seemingly spontaneous, captures the f...

Dick Beyer "driftwood Caravan" serene surrealist beach scene with driftwood sculpture. Oil on master night. 15.25 x 26.75 on frames, 17.25 x 28.5.

Along the fence. Plywood, oil, 14x14 cm

Mid century Italian abstract, titled “Lake Garda” Signed indistinctly Oil on masonite 26 x 27.25 framed 21.5 x 22.5 unframed

Paul Lauritz Born 1889, Norway died 1971 Los Angeles Oil on wood Mountain scape and river 32“ x 37.25 framed 25 x 30.5 unframed

Mid century European abstract street scene with figures Oil on masonite Find indistinctively upper right 15.75 x 19.5, framed 20.75×24.75

A major work by Noche Crist (1909- 2004). Noche Crist was an American artist born in Romania. Painting is casein paint and plaster on board, which allows for wonderful color and text...

Cathedral with Green Domes in Acrylic on Masonite The front of a large cathedral by an unknown central California coast artist Maria Pavao Hadsell (Portugal/American, 20th Century)....