1950s Paintings

Oil on canvas Grey wooden frame 93 x 70 x 6 cm

"Shovel Handles" is an original 1953 semi-abstract modernist oil painting on board by renowned Denver artist Paul K. Smith (1893-1977). This captivating piece showcases Smith’s signa...

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Image dimensions: 20.5 x 25 cm. Optique is an original artwork realized by the French artist Esy Beluzzi in 1956. Original tempera on paper. Hand-signed an dated in pencil on the lower right corner: Esy 56. Excellent conditions. Very colored and beautiful artwork representing a big eye inside a black circle. The figure is on a colored background with white pois. In the center of the composition we read "Leroy Verres de contact Optique" written on a colored tape. The work is for sure an advertising of the time that Esy Beluzzi realized for a contact lens...

This stunning Scottish Abstract Expressionist oil painting is by noted Scottish artist William Gear. It was painted in 1959, just after Gear moved to Eastbourne. While contemporaries...

Alma Davies Untitled, 1954 Oil on canvas 40 x 25 7/8 in. Signed verso: Alma Davies (illegible inscription) Dated verso: 3/5/54 Inscribed on stretcher bar: Student of Raphael Soyer W...

Original oil on canvas painting of the Arc de Triomphe du Carrousel in Paris. Circa 1955. Signed by the artist lower right. Condition is excellent; recently professionally cleaned. No restorations. Original wood, gesso and gold frame. Overall framed measurements are 13 by 15.5 inches. Provenance: A Long Island, New York collector. Charles Blondin was a French impressionist painter and print maker known for his depictions of Paris during different seasons. Born in 1913 in France his most active period dates from c. 1928 to the 1950s. The Paris Etching Society...

Mid Century Abstract Expressionist Painting of Yosemite's Half Dome 1950's abstract expressionist painting of Yosemite's iconic Half Dome by San...

Signed lower right, 'Sanchez Palacio' (Latin-American, 20th Century) and dated 1950.

Here for your consideration is a mid century modern oil painting on masonite by the well known Russian/American artist, Nahum Tschacbasov. The painting depicts an old man with a long wispy beard holding a group of birds. Signed lower right and dated 1954. Presently unframed. Condition is very good. Provenance: The estate of the artist Nahum Tschacbasov. Nahum Tschacbasov Biography : Russian-American artist Nahum Tschacbasov (1899-1984) is known for his cubo-surrealistic works which feature a strong psychological element. Some of his work bears a resemblance to work of another Russian-American artist--David Burliuk. He was somewhat of a late starter, moving to Paris in 1932 to study under Adolph Gottlieb, Marcel Gromaire and Fernand Leger. He had his first exhibition in Paris in 1934. He then returned to the US where he joined Rothko and Gottlieb at the Galery Seccession. He was one of the co-founders of The Ten, a group of social conscious abstract painters which included Rothko, Gottlieb, Joseph Solman and Ilya Bolotowsky, among others. In 1944, he began to work at Stanley Hayter's Atelier 17, a center for surrealistic ideas. Between 1936 and 1943, he had five one-man exhibitions at the ACA Galleries and participated in five group shows. He also exhibited at the Whitney, the Pennsylvania Academy of Fine Arts, the Knox Albright Museum, the Chicago Institute of Fine Art and Corcoran, among others. His work can be found in the permanent collections of the Met, the Whitney, the Brooklyn Museum and the Jewish Museum. Tschacbasov has been the subject of two recent retrospective at Fletcher Gallery, Woodstock, NY and Arthur...

Artist: William Harnden, American (1920 - 1983) Title: Concert Medium: Oil on Masonite, signed Image Size: 15.5 x 20 inches Frame Size: 22.5 x 27 inches

Presenting a mid century mixed media painting by American artist Robert McIntosh, "Cubist Nude in Green:, an original oil and collage on panel, ...

The hunter is a modern artwork realized by a european artist in 1952. Mixed colored oil on plywood. Includes frame:34.5 x 3 x 26.5 Monogrammed "GV" and datet 1952 on the lower lef...

A mid-century oil painting of red and blush pink rose blossoms contrasted against an olive-mauve background. An exceptionally sensitive botanical study by an unknown hand.

An interesting, American School Mid-century tempera painting showing a view of a seated clown rehearsing his dogs for a dance routine while a bareback rider in costume observes in th...

Signed lower right, 'Agostinelli' for Mario Agostinelli (Peruvian-American, 1915-2000) and dated 1956; additionally titled, lower left, 'Rue Royale, Paris'. Displayed in a substantial, hand-carved and water-gilded frame. Framed dimensions: 18.25 H x 1.5 D x 22.5 W inches A delicately painted oil showing a view of the Paris Opera House, as seen from the Rue Royale, with numerous pedestrians and vehicles moving beneath a lilac, evening sky. Born in Peru, Mario Agostinelli studied in Argentina, Brazil, France and Italy. Over the course of a long career, he exhibited widely and with success including at the Allied Artists of America, the National Academy of Design, the Butler Institute of Art, the California Academy of Fine Arts, Knickerbocker Artists and, in the 1970s, at New York's Berlin Gallery. Agostinelli was the recipient of numerous prizes and juried awards including the Samuel Morse...

#5-2825 A circa 1950's oil on wood panel,displayed in a off-white wood frame.Artist unknown

Large watercolor and mixed media work Original frame. “Keith Finch was born in Holyoke, Colorado in 1920 but has lived in Los Angeles, where he attended the elementary grades and h...

Signed lower right, 'Vivian R. Huebler' for Vivian Ruth Lewis Huebler (American, 1890-1975); additionally signed, verso, with artist address and painted circa 1955. Vivian Huebler...

Signed lower right, "Derk Smit" (American, 1889-1985) and painted circa 1950. An Impressionist oil landscape showing riverside, autumnal trees with scarlet, rust and ochre foliage ...

An original oil painting by Egyptian Born French Artist, Raymond Abner (1919 - 1999) entitled "Espace en Gris". Abner rubbed shoulders with the top arti...

Here for your consideration is a beautiful original oil painting of two ballerina’s waiting to come on stage by the French artist Dietz Edward. Exquisitely executed by a master arti...

Arctic Light-Orange Sun Unsigned Gouache on Japanese fibrous paper Series: Tundra Paintings Exhibited: Karl Zerbe, Gouaches of the Artic Nordness Gallery, (Madison Avenue, NY) Feb 3 through Feb 23, 1958 Cat. No. 12 (label with work, see photo...

Pitcher Crystal is an original modern artwork realized by Antonio Scordia in 1955. Oil painting on canvas. Hand signed and dated on the lower margin. Titled, signed and dated on t...

Artist: Charles Cobelle, French (1902 - 1994) Title: Two Women by the Shore Medium: Oil on Canvas, signed Size: 36 x 24 in. (91.44 x 60.96 cm) Frame Size: 42 x 30 inches

Winter in the village. oil on canvas and cardboard, 34x45 cm Winter landscape with old barn Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National...

This vibrant colourful Scottish Post Impressionist oil painting is by noted Slade School artist and former Director of the Glasgow School of Art Sir Harry Jefferson Barnes. Painted i...

Artist: Alexandre Sacha Garbell, French (1903 - 1970) Title: St. Maxime Year: circa 1958 Medium: Gouache on Paper, signed Image Size: 4 x 7 inches Frame Size: 12.5 x 15.25 inches

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. A loose study of a woman seated in a dress, resting her chin on her hand and recli...

Painted circa 1950 by Karl Larsen (Danish, 1897-1977) and with certification and seal of of authenticity stamped verso. From 1917, Karl Larsen participated in numerous exhibitions i...

Badri Narayan - Ganapati - 10.25 x 8.5 inches ( unframed size) - 20.25 x 18.5 inches ( Framed ) Condition: A very small tear on the top le...

Still life of roses is an artwork of mid-20th made by an unknown artist. Oil on canvas, monogrammed H.v.D. and dated (19)57 lower left. 36 x 30 cm, framed 45 x 38 cm. Very good c...

1950's Mid Century modern oil portrait of a nude black woman seated on a chair The artist was a portrait and figure painter active during the 1950s-1...

Vintage American modernist oil painting by Morris M. Shulman (1912 - 1978). Oil on board, circa 1955. Housed in a vintage frame. Signed. Image size, 28 by 20.

The original poster project in gouache by Y. Adam for the Jamboree International in London in 1953 stands as a vivid testament to the spirit of camaraderie and international collabor...

A large oil on Masonite painting of a street scene in Martha’s Vineyard, with the Old Whaler's Church in the background by artist Francis Chapin. Artwork size: 24" x 36". Framed s...

Nude study by Honora Berg (American, 1897-1985). Image, 26"H x 20"W on artsits cardboard. Signed/stamped "Estate of Honora Berg" on verso, from a collection of her works. Berg studied at the San Francisco Art Institute with David Park, Elmer Bischoff, and James Budd Dixon. Berg's friend Edith Truesdell...

Castle Doorway is an original modern artwork realized in the half of the XX Century by Giuseppe Scognamiglio (Neaples, 1901 - Neaples, 1985). Original oil on cardboard. Hand-sign...

Pierre MONTHEILLET (1923-2011) Composition in green and yellow Mixed media on paper - monotype Signed and dedicated “pour mes amis Sallaz” lower right Dimensions of the work: 28.5 x ...

In the evening, 1950-ties, cardboard, oil, 46,5х34 cm Anatoly Lebedev (1935-2014)

An original oil on board painting by American modernist John W. Hatch. This incredible cubist painting was created in the 1950's. Estate stamped on the reverse. The painting comes housed in a modern black frame presentation. John Woodsum Hatch 1919-1998 During his fifty-year career as an artist, John Woodsum Hatch explored the people, the landscape, and the seascape around him. From his extensive travels to his years in New Hampshire, he developed a body of work that captures a sense of place. Through watercolor, ink and sand, he depicted the grandeur of the White Mountains. The crisp light and distinct topography of the Isles of Shoals and Great Bay Estuary are precisely and clearly documented in acrylic and tempera paintings. His ability to convey the sheer scale and longevity of the mountains and sea, and by comparison the fleeting nature of human life, conveys in a not-so-subtle way that the natural environment is to be revered and preserved. Hatch took his first teaching job at the University of New Hampshire in 1949, the same year he graduated from Yale University. He never left. A former student, Sam Cady, described his contributions: “He was a wonderful mix of jokester and sage. A teacher who obviously loved people, loved teaching, and had a great gift for it.” After retiring in 1985, he was made an honorary Professor Emeritus at UNH. Hatch contributed to New Hampshire's cultural life in three areas: his teaching, his art, and his community service. His effectiveness in these three areas can be traced his commitment to give something of himself to help others. Many artists teach by necessity and resent it as a drain on their creative energies but Hatch found his greatest fulfillment from a combination of teaching, making art, and being deeply involved with his community as an art historian and as an environmentalist. Hatch’s work can be seen in numerous public collections, including: the Addison Gallery of American Art; DeCordova Museum; Pennsylvania Academy of Fine Arts; State of New Hampshire's Living Treasures Collection, and the Portland Museum of Art in Maine. John Woodsum Hatch, New Hampshire's 1997 Living Treasure Award recipient, died on August 6, 1998, at the age of 78. Hatch was a draftsman, an artist and a muralist. His works can be found in public and private collections throughout the region. He exhibited at the New Hampshire Art...

An interesting and colourful classic 1950s English Interior. Jack Griffin was an English painter of interiors, landscapes and riverside scenes. He mostly painted in England, but was ...

A modern surreal oil painting on linen depicting a vase with one yellow flower and a mysterious almost figural black design. This midcentury work is unsigned and comes housed in a pe...

Mid Twentieth Century Still Life of Roses in a Vase. Large Signed and Framed Oil Painting on canvas, mounted on stretchers. George Leslie Reekie British 1911 - 1969 This is a very a...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 25 1/4 x 32 1/4 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...

Antique American modernist oil painting. Oil on board, circa 1950. Housed in a vintage frame. Image size, 24L x 18H. Signed.

A Colorful 1956 Gouache Titled "Sunday in Torromolinos, Spain" by Samuel Butnik. Artwork size: 18" x 25". Archivally matted to: 24" x 30". Biography...

The circa 1950 gouache presents a scene of wine tasting, likely intended as a poster project. It captures a group engaged in conversation and enjoyment, reflecting the conviviality o...

This is a Happy New Year Card Signed by Virgilio Guzzi, to Silvio Perina, the director of the C.I.M, Roman warehouses, during the Seventies. Rome, Febr...

Signed lower right Agnes Hart was born in Meridan, Connecticut. She studied at the Ringling School of Art in Sarasota, Florida; at Iowa State University with Josef Presser, Paul Burlin and Lucile...

Portrait of a Man in a Polka Dot Clown Suit - Oil on Canvas Portrait of a man in a white and red polka dot suit by a Joan Tidwell (American, 1930-2005...

Antique American modernist oil painting by Victor De Pauw (1902 - 1971). Oil on board, circa 1950. Framing available. Image size, 24L x 27H. Signed.

Untitled Geometric Abstraction, an original oil on masonite by Juliette Steele, is a piece for the true collector. Steele's use of color and patterns immediately captivates the viewer, reminding us of works by other pioneer abstractionists, such as Piet Mondrian and Wassily Kandinsky. Steele's puzzle-like, discontinuous sections draw you across and into the work. This masterful original artwork comes with a minimalist frame and would make a great addition to an art collection, enhancing most any home, and perfect for those who have an affinity for abstracts, contemporary paintings, and color-rich works of art. Artist: JULIETTE STEELE (1909-1980) Title: UNTITLED GEOMETRIC ABSTRACTION Medium & Surface: ORIGINAL OIL ON MASONITE (framed) Signed: HAND SIGNED AND DATED BY ARTIST ON VERSO Year Created: CIRCA 1950 Country of Creation: UNITED STATES Image Area Dimensions: 22 x 28 INCHES Frame Dimensions:* 23 x 29 x 1.875 INCHES *This work of art is being sold framed. If you would like to change the frame to better match your style or environment, please contact us for Custom Archival Framing options. Additional Info: HIGHLY COLLECTIBLE WORK BY JULIETTE STEELE IN GREAT CONDITION CONSISTENT WITH AGE. THIS IS AN EXCEPTIONAL EXAMPLE OF THE ARTIST'S STYLE AND TECHNIQUE. THE FRAME IS A MINIMALIST WOOD FRAME WITH VERY MINOR SIGNS OF WEAR CONSISTENT WITH AGE. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Juliette Steele, an American artist, was an accomplished printmaker, painter and teacher. Steele was part of the Geometric Abstraction and Abstract Expressionism movements. Her peers included Jackson Pollock, Mark Rothko, Hans Hofmann, Willem de Kooning, Franz Kline, and Clyfford Still. Steele was born in 1909 in Union City, New Jersey. In the late 1920s, she moved to New York to study art and fashion design at the Traphagen School of Design. A decade later, she moved to San Francisco with husband Edward Steele, and earned a Bachelor of Art degree from San Francisco State College. In the 1940s, Steele found inspiration from the new city, and produced a series of lithographs depicting San Francisco landmarks. At the same time, she earned a Master of Fine Arts from Stanford University, and continued her studies at the California School of Fine Arts in San Francisco. Here, she studied with Ray Bertrand and Clay Spohn...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 21 1/4 x 29 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...

Hank Laventhol (1927–2001) was an American painter and master print maker. He worked in painting, graphics, sculpture and photography. Associated with ...

Vibrant mid century autumnal landscape of a path surrounded by colorful trees by an unknown artist (American, 20th Century). Unsigned. Unframed. Image size: 18"H x 24"W.

Artist: Gladys Rockmore Davis, American (1901 - 1967) Title: Young Ballerina Year: circa 1950 Medium: Oil on Canvas, signed 'GRD' l.r. Size: 18 x 1...

Artist: Gordon Muck – American (1926-1994) Title: Untitled Year: 1957 Medium: Oil on Board Sight size: 11 x 15.5 inches. Sheet size: 11.5 x 16 inches Fram...