1950s Paintings

Vintage American modernist oil painting. Oil on canvas. Framed. No signature found.

Very finely painted 1940 American modernist portrait painting. Oil on canvas. In excellent original condition. Signed. Handsomely framed in a period giltwood molding. Excellent...

Wonderful antique American modernist Sunflower still life painting. Oil on canvas. Framed.

An original abstract expressionist oil painting by American female artist Irene Zevon created and dated in 1955. Signed. Really amazing cubist portrait. Irene Zevon, born in Bro...

Antique American modernist landscape oil painting. Oil on canvas. Framed. Signed verso.

Charmion von Wiegand Pillar of Zen #124, 1959 Gouache on paper painting Hand signed, titled and dated on the front Unique Provenance: Andre Zarre Gallery, with label verso (Estate of renowned gallerist Andre Zarre, ne Andre Sowulewski) Measurements: Framed 26.5 inches vertical by 25.5 horizontal by 2 inches Artwork: 21 inches vertical by 22 inches horizontal Mid century modern, geometric, spiritual abstraction, mystical The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld Gallery since 1998. From March 3 to August 13, 2023, Charmion Von Wiegand was the subject of an acclaimed retrospective at the Kunstmuseum Basel, and she has received major attention in the price, including a June, 2023 ArtNews feature entitled, "Who Was Charmion von Wiegand and Why Is She Important?". Her work was also featured in a solo presentation by Rosenfeld Gallery at the New York Art Show held at the Park Avenue Armory, which also received critical acclaim. Artists Biography - courtesy of Michael Rosenfeld Gallery: Known for her vibrant, geometric paintings that originate a deeply personal language of spiritual enlightenment expressed through a constructivist mode of abstraction, Charmion von Wiegand (1896–1983) was born in Chicago but spent much of her childhood traveling. The daughter of a journalist for Hearst, von Wiegand eventually settled in New York in 1915 to attend Barnard College and Columbia University, where she took classes at the School of Journalism while nurturing a growing interest in art history. In 1925, von Wiegand realized that she wanted to be an artist and set up a studio in Greenwich Village, teaching herself how to paint while pursuing a career as a journalist. In 1929, she secured a position in Moscow as a foreign correspondent for Hearst, the only woman at the desk at the time. In 1932, von Wiegand returned to New York and married Russian émigré Joseph Freeman, who co-founded and edited the leftist journal New Masses. Von Wiegand began writing art criticism for New Masses as well as for other publications, including New Theatre, ARTnews, and Arts Magazine. When the Abstract American Artists (AAA) held their inaugural exhibition, von Wiegand reviewed it. An early champion of abstract art, von Wiegand became close friends with AAA founder Carl Holty. In 1941, Holty introduced von Wiegand to Piet Mondrian, who would have a profound impact on her art. Fascinated by Mondrian’s artistic philosophy, von Wiegand played a key role in the introduction of his work to American audiences, translating many of the Dutch artist’s writings into English and assisting in the composition of his influential article “Toward the True Vision of Reality” (1941). Through her friendship with Mondrian, von Wiegand re-kindled her interest in Theosophy (a religion established in the late 19th century that combines aspects of Hinduism, Buddhism, occultism, and esotericism) and embarked on an extended study of neoplasticism. In her artwork, she incorporated Mondrian’s iconic grid but rejected the constraints of pure neoplasticism and embraced a wide range of influences including surrealism and German expressionism. In 1942, von Wiegand became a member of the AAA, exhibiting regularly with the group and eventually serving as its president from 1951 to 1953. In the late 1940s, sculptor and fellow AAA member Ibram Lassaw gave her a translation of The Secret of the Golden Flower: A Chinese Book of Life, which inspired von Wiegand to immerse herself in a study of Buddhist art. She began incorporating Buddhist motifs such as stupas and mandalas into her paintings, and her spiritual practice steadily intensified throughout the 1950s. In 1953, her husband gifted her a copy of the Taoist I Ching Book of Changes, a guide for divining meaning from randomly derived numbers arranged in a hexagram—a form the artist readily incorporated into her painting. Von Wiegand’s study of Theosophy also intensified over these years, bolstered by her increased access to the religion’s primary sources composed by the religion’s founders and their successors at the New York Theosophical Society’s library. Von Wiegand’s search for the sacred and transcendent ultimately led her to Tibetan Buddhism and, in 1967, von Wiegand met Khyongla Rato Rinpoche, a Gelugpa monk who had recently arrived in New York, who would mentor her spiritual study in the tradition of Mahayana Buddhism until her death. Her travels in the 1960s and 1970s took her to Tibet and India, where she had an audience with the Dalai Lama, who was living in exile in Dharamsala. Many works from these decades incorporate symbols and schematics drawn from Theosophical prismatic color charts, Chinese astrology and tantric yoga. In 1978, she was the subject of a PBS documentary titled The Circle of Charmion von Wiegand, which was scored by Philip Glass. In 1980, von Wiegand was elected to the American Academy of Arts and Letters and in 1982, the Bass Museum of Art in Miami Beach (FL) organized her first retrospective exhibition. She died the following year in New York, bequeathing her estate to Khyongla Rato and the Tibet Center of New York. In 1998, Michael Rosenfeld Gallery became the sole representative of her estate and has presented her work in four solo and multiple group exhibitions. Recent notable exhibitions that have included her work are The Third Mind: American Artists Contemplate Asia (Solomon R. Guggenheim Museum, New York, NY, 2009) and Constructive Spirit: Abstract Art in South and North America (Newark Museum, NJ, 2010). In March 2023, the Kunstmuseum Basel (Switzerland) opened the first comprehensive museum retrospective of von Wiegand’s work in Europe. Von Wiegand’s work is represented in numerous museum collections including the Addison Gallery of American Art, Phillips Academy (Andover, MA); Albright-Knox Art Gallery (Buffalo, NY); Arithmeum, University of Bonn (Germany); Birmingham Museum of Art (Alabama); Blanton Museum of Art, The University of Texas at Austin; Brooklyn Museum (NY); Carnegie Museum of Art (Pittsburgh, PA); The Cleveland Museum of Art (OH); Indianapolis Museum of Art (IN); Fondazione Marguerite Arp (Locarno, Switzerland); Museum of Fine Arts, Boston (Massachusetts); The Metropolitan Museum of Art (New York, NY); The Museum of Modern Art (New York, NY); Newark Museum of Art (New Jersey); Seattle Art Museum (WA); Smithsonian American Art Museum (Washington, DC); Walker Art Center (Minneapolis, MN); Weatherspoon Art Museum, The University of North Carolina at Greensboro; Wellin Museum of Art at Hamilton College (Clinton, NY); Whitney Museum of American Art (New York, NY); and Yale University Art Gallery (New Haven, CT). More about gallerist Andre Zarre A tribute in the New Criterion: Dispatch August 11, 2020 Andre Zarre, 1942–2020 by Dana Gordon On the late New York gallery pioneer. Art should never be aggressively explained; art should be felt. —Andre Zarre, 1977 Often, in the starlit New York cultural mecca, a longtime important figure fades away through the penumbra and dies without notice. Such was the fate of Andre Zarre, the contemporary art dealer, who passed away a few weeks ago. Andy, as he wanted friends to call him, opened his eponymous gallery in 1974 just off Madison Avenue on Sixty-ninth Street. He soon moved it to the omphalos of the art world in that era, 41 East Fifty-seventh Street, the Fuller Building. Over the years he moved to SoHo and then to Chelsea, as fashion and real estate prices pushed the art souk hither and thither. To understand his importance, all you need do is take a look at a list of artists who had solo shows at the Andre Zarre Gallery. This includes such names, from an early generation, as Sonia Delaunay, Nassos Daphnis, Sari Dienes, and Perle Fine. Among a subsequent generation are Pat Lipsky, Jay Milder, Thornton Willis, and Kes Zapkus.1 And this list does not include the many knowns and unknowns who were in his lively group shows. Zarre had a real “eye” and was a champion of abstract art from the moment he founded his gallery—even among the gathering storms of conceptual and political art, which he eschewed. He showed a good deal of figurative art as well. His galleries were always spacious and unpretentious, oriented simply to show the art. In the words of Dee Shapiro, who showed with the Zarre gallery many times, “He had a photographic memory and knew a lot about art and was always interested in the artist’s life.” Reliable biographical information on Zarre is scarce, but he said of his background that he was born in Poland in 1942 and that his parents were a diplomat and a socialite. He left home for the United States at the age of fifteen. During his decades as an art dealer in New York, Zarre did not appear to accumulate wealth, though he acquired a collection and lived on Park Avenue. “He was not personally aggressive in that way. People had to come to him,” Dee Shapiro said. He was honest in his financial dealings with artists, which not all art dealers are. For a long time while running the gallery he had a second job as a supervisor in an airline office and he kept little to no additional staff in the gallery. He supported a brother who remained in Poland. Among artists, Zarre was known to be quite ornery. After my show at his gallery in 1997, I refused to enter it for seventeen years. Then I ran into him in Chelsea and he offered me another show, an opportunity I gladly accepted, but he remained just as disagreeable. He showed the work of many women, probably more than any other gallery, save those devoted to showing only women. Collectors, curators, and writers found him mostly friendly. As Peter Reginato put it, Zarre was a “strange guy but I liked him. I think he was a dealer who was more interested in the art than in making money, but somehow he lasted forty-plus years.” Zarre is not known to have kept extensive or extant records of his gallery’s long history, though these may emerge in time. Scouring the Internet, one may compile a partial list of more than eighty artists who had solo shows at the Andre Zarre Gallery:Nancy Azara, Ellen Banks, Mary Barnes, Tony Bechara, Juan Bernal, Stephanie Bernheim, Randy Bloom, Elena Borstein, Michael Boyd, Fritz Bultman, Ed Buonagurio, Yoan Capote, Sonia Delaunay, Nassos Daphnis, Cathy Diamond, Sari Dienes, Joseph Dolinsky, Beata Drozd, Ronnie Elliot, William Fares, Perle Fine, Lynne Frehm, Ben Georgia, Mikel Glass, Dana Gordon, Juanita Guccione, Fred Gutzeit, Don Hazlitt, Amy Hill, Clinton Hill, Monroe Hodder, Budd Hopkins, Arlan Huang, Richard Hunt, Rhia Hurt, Buffie Johnson, Alexander Kaletski, Robert Kaupelis...

Early, original oil on canvas painting by the well known American abstract expressionist artist, John Little. Signed and dated lower right, 1958. Signed and dated verso. Rose Fried...

San Francisco Bay Area Seascape with Ships in Oil on Cardboard Seascape with large ships by Honora Berg (American, 1897-1985). The ocean is shown in...

Rare and finely painted French modernist abstract painting by Jacques Doucet (1924 - 1994) . Framed. Oil on canvas. Signed. Artist Bio: Jacques Doucet's work is inextricably bo...

Abstracted River Canyon Landscape in Oil on Canvas Dramatic landscape by Honora Berg (American, 1897-1985). Three large cliffs tower over a river, creating a massive canyon. The landscape is represented in colors reminiscent of fauvism - greens, yellows, and magentas. Signed "Honora Berg" at the bottom edge. Acquired with a collection of the artist's work. Initialed and numbered "HB 103" on verso Unframed. This piece is on canvas that has been stretched over cardstock by the artist. Board size: 20.5"H x 25.75"W Honora Berg (American, 1897-1985) was an Abstract Expressionist and Bay Area Figurative School artist who studied at the San Francisco Art Institute with David Park, Elmer Bischoff and James Budd Dixon. Berg's friend Edith Truesdell — David Park's aunt — suggested a move to California in 1951 to study under Park. She exhibited at the 25th Annual Drawing, Print and Sculpture Exhibition at the San Francisco Museum of Modern Art, 1961. Provenance, Estate of Honora Berg - David Carlson Gallery, Larry Miller...

Signed lower right in Kanji 'Sanzo' for Wada Sanzō 和田三造 (Japanese, 1883-1967) and dated 'Year 34' of the Showa Era, 1959 in the Gregorian calendar. Artist, teacher and costume designer, Sanzo Wada worked during a turbulent time in avant-garde Japanese art and cinema. A multi-talented artist who gained early fame as a Western-style oil painter, his career spanned the late Meiji-era through the mid-twentieth century. In addition to numerous prizes and medals for his painting, he received the 1955 Academy Award for costume design for his work in the movie Gates of Hell. He also received awards for his pioneering work on color theory, which he researched and published in the 1920s and is still in use today. Sanzo Wada graduated from the Western-style painting division of Tokyo School of Fine Arts. Studied in Europe 1907-1915; traveled to India and Burma. He was appointed a member of the Imperial Arts Academy in 1927 and taught at Tokyo School of Fine Arts from 1927. According to Shinagawa Kiyoomi, editor-in-chief of the book of paintings in print "Dia Nihon Gyorui Gashuu" by Ohno Bakufu...

Antique American modernist Maine landscape oil painting. Oil on canvas. Signed. Framed. Image size, 40L x 36H.

#5-3305a French Fauvist Style Landscape, on board signed by Thiollier set in a light-blue wood frame.Image size 10.5 H x 13.50 w

Alexandre de Spengler (1893–1973) was a Swiss painter and engraver active in Geneva and Paris. He is known for his land and seascapes, as well as...

French mediterranean provencal painting. Oil on canvas by François Bernard, France, 1940-1950s. Boats in Martigues, Provence. With frame : 61x111 cm - 24x43.7 inches, without frame :...

Antique French impressionist opera scene oil painting. Oil on canvas, lain to board. Framed. No signature found

Work on canvas Illegible monogram

Signed lower left, 'Ventosa' for Jose Ventosa Domenech (Spanish, 1897-1982) and painted circa 1950. A very substantial oil showing a luminous view of the isle of Mallorca with ancient olive groves and mountain cliffs bathed in warm evening light beneath clouded blue skies. A large and rare Mallorcan landscape by this notable Catalan painter. Born in Barcelona, José Ventosa Doménech first attended the San Jorge School of Fine Arts in 1911. He then undertook an extended trip to Brussels where he studied Vanguard painting before returning to Barcelona where he continued his studies with the Realist, Martí Alsina. In 1922, Ventosa worked alongside Eliseu Meifren and Domingo Soler in Ripoll. From 1924, Ventosa exhibited in Barcelona as a member of the "Nou Ambient", the Catalan art...

This elegant pastel painting on paper was created by John Alfred Begg (1903 - 1974). This artwork has a beautiful blue-gray cubist nude study with contrasting black lines. There is no visible signature.  This artwork comes from the artist's estate. Newly reframed in an elegant blue-silver textured wood frame with black matte and acrylic glass protection. Measurements: With frame: 15 in wide (38 cm) x 19.69 in high (50 cm). Opening view: 7.32 in wide (18.5 cm) x 12 in (30.5 cm). (The last two pictures show the piece of art before framing). Biography: John Alfred Begg was born in New Smyrna Beach...

Mid-Century Floral Still Life with Yellow and White Irises Gorgeous mid-century floral still life of a bouquet of Irises painted in 1959, by Pacific Grove and Santa Cruz, Californi...

Francis Mabel Hollams (British, 1877–1963) Bumble, 1957 Oil on wood panel With characteristic precision and affection, Francis Mabel Hollams captures the spirit of a beloved compani...

A vibrant composition or portrait in a constructivist style by artist Lars Englund (born 1933), signed and dated "LED 56" (1956). This is an early work by the artist in which he has ...

3981 Children's fantasy figurative oil painting set in a hand painted oak frame Image size 15.5x19.25"

Jewish Man Playing Viol (3-F) Abraham Straski, Polish (1903–1987) Date: 1952 Oil on Canvas, signed and dated Size: 16 x 11.5 in. (40.64 x 29.21 cm) Frame Si...

Dorothy Dehner Untitled Mid Century Modern abstract sculptural drawing, 1955 Marker and graphite on paper Signed and dated by Dorothy Dehner in black felt tip pen on the front Frame ...

Joseph Solman Figure Study, circa 1959-60 Signed with initials lower left Gouache on Racing Form newspaper Sight 9 x 7 inches Provenance Private Collection, Montecito, California Pr...

Antique impressionist nude woman portrait oil painting. Oil on canvas. Framed.

Staffordshire Bull Terrier: Champion "Fearless Red of Bandits" by Dorothy Alexandra Johnson (1902-1988) unsigned oil painting on canvas, u...

Lafuente - Grape harvester - Oil on canvas Spanish school signed "Lafuente". Oil measures 61x50 cm. Frameless.

Antique American school modernist abstract oil painting. Oil on canvas, circa 1950. Unsgned. Image size 36L x 60H.

Antique American modernist abstract oil painting. Oil on canvas. Framed. Image size, 30L x 24H.

Signed oil on canvas landscape circa 1950 by sought after French post impressionist painter Marcel Dyf. The work depicts a breakfast table with bread laid out and a blue vase filled ...

'Sicilian Farmhouse', oil on canvas, by Yves Brayer (circa 1950s). A dedicated lover of Mediterranean countries and their varied landscapes, this charming and diminutive work by the ...

Vintage American modernist abstract oil painting. Oil on canvas. Signed verso.

Blue Nude, 1953 Oil on canvas Signed and dated upper right Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to tec...

'Provençal Landscape', oil on canvas, by Anna Costa (circa 1950s). This is an exceptional landscape painted by the artist in vibrant colours in an Impressio...

Afternoon Pastorale Gilbert Boyd, Irish/American (1896–1981) Date: circa 1950 Oil on Board, signed Size: 23.5 x 29.5 in. (59.69 x 74.93 cm)

"Still Life of Flowers in a Blue Vase"  Pierre Ambrogiani (France, 1905-1985) Oil on panel Circa 1960 15 3/4 x 20 (20 1/4 x 24 1/2 frame) inches If the artists Diego Velázquez (Spai...

Composition is an original contemporary artwork realized in the mid-20th Century by Mario Asnago. Mixed colored oil painting. Hand signed on the lower margin. Includes frame: 90x5...

Claude Venard (French, 1913 - 1999) Venice Canal, Italy, circa 1950-55 Oil on canvas 24 x 24 inches Signed lower center Provenance: Private Collection, Massachusetts The authenticity of this work has been confirmed by Galerie Felix Vercel. Claude Venard was a notable exponent of the French mid-century post-Cubist movement. He was born to bourgeois parents from Burgogne in Paris, on March 21, 1913. At the age of 17, he enrolled and attended the Ecole des Beaux-Arts, but remained for only two days, not adhering to the school's academic style. Instead, he spent the following six years at the École des Arts Appliqués, taking evening classes and embracing the contemporary Parisian art scene, all the while becoming recognized in its circles. Not able to support himself as an artist, by 1936 he found employment as a restorer at the Louvre, further honing his artistic skills. Paris of the period was dominated by an art trend that strongly favored abstraction. Following a group show at the Galerie Billet-Worms in 1935, art critic Waldemar George declared: "Let's be young again! Painting is not dead… Its course has not stopped. Forces Nouvelles is born." Venard contributed and initially adhered to the strict disciplines of the Forces Nouvelle group. But as with many of his fellow members, he soon abandoned it seeking individual expression. Following WWII, Venard rekindled friendships with past Forces Nouvelles members, joining Pierre Tal-Coat, André Marchand, André Civet...

'Still Life with Grapes', oil on canvas, French School, signed 'Kerlog' (circa 1950s). A naively charming still life with vibrant colours and ha...

"Pilgrimage", a mid century figurative landscape by Carmel, California artist Mary Miller (Klepich) (American, ? - 1957). Presented in a rustic giltwood frame. Signed "Mary Miller" lower right. Titled "Pilgrimage," dated "1952" and signed "Mary Miller" on logo on verso, with Santa Cruz Art League Twenty Third Statewide Art Exhibition Label. Image, 18"H x 24"L. Framed size: 22.5"H x 28.5"W. Mary Miller (Klepich) exhibited in the Twenty-Third Annual Santa Cruz State-Wide Art Exhibition. She and her husband Fred Klepich studied at Bellas Artes, San Miguel de Allende in Mexico. Fred and Mary Owned Carmel Craft Studios, later (SAS) Studio Art Supplies...

Incredible early American modernist still life oil painting. Housed in a great antique giltwood frame. Oil on board.

This captivating 1950s oil on canvas portrait, possibly depicting the French singer Barbara, exudes an air of mystery and existential reflection. While the identity of the subject re...

Trees in Bloom Along the River Landscape in Oil on Heavy Cardstock Bold oil landscape by Honora Berg (American, 1897-1985). Trees with pink and white blooms line the bank of a river. The river is shown in streaks of pink, green, and yellow, reflecting the surrounding landscape. At the far edge of the river, bright green mountains sharply rise from the bank. Acquired with a collection of the artist's work. Stamp from the Larry Miller Fine Art on verso. Unframed. Board size: 14.75"H x 22"W Honora Berg (American, 1897-1985) was an Abstract Expressionist and Bay Area Figurative School artist who studied at the San Francisco Art Institute with David Park, Elmer Bischoff and James Budd Dixon...

Abstract Non Objective Mid 20th Century American Modern Color Field 1950s James Daugherty (1887 – 1974) Abstraction 84-1/2 x 42-1/2 inches Signed and ...

Diana Kurz Untitled, circa 1959 Signed lower right Signature and address on verso Oil on canvas 42 x 38 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938,...

Beautiful mid century plein air figural landscape of Laguna Niguel, California by an unknown artist (American, 20th Century). The morning sun gli...

A very good & large oil on canvas painting by California artist Ben Abril (1923-1995), Southern California, Los Angeles circa 1950. The artist a California native documented the city...

A fine mid 20th Century impressionist harbour scene oil circa 1950's, Signed lower right. oil on canvas 27cmx 46.5cm Painted wood frame 45cmx 64cm Wonderfully painted plein air. Ve...

Bela de Tirefort View from the Docks on the East River, New York, 1958 Signed and dated lower right Oil on canvas 16 x 20 inches Bela de Tirefort was born in Eastern Europe, painted...

Artist: Abraham Straski, Polish (1903 - 1987) Title: Untitled - Polish Rabbi 12F Year: circa 1957 Medium: Oil on Canvas, signed l.r. Image Size: 10.5 x 7 inches Frame Size: 20 x 15 i...

Very impressive mid 20th century cubist abstract. Oil on canvas. Framed.

3950 Mykonos Greece sea view landscape oil painting. Canvas applied to board set in a blue wood frame

Original Painting Undersea Whale Life Mag Published 1953 Illustration Ocean Sea Antonio Petruccelli (1907 – 1994) Underwater Whale Life Illustration published, c. November 7, 1953 1...

3925 Oil on artist board landscape painting Image size 15.5x19.5" Set in a period oak frame

Signed impressionist oil on canvas landscape circa 1950 by sought after French painter Edouard Cortes. The work depicts an evening scene of the Place de la Republique square in Paris France. The ground, bare trees and buildings are covered in a dusting of white snow. The street lights are glowing and the Monument a la Republique is visible in the distance. Signature: Signed lower left Dimensions: Framed: 19"x24" Unframed: 13"x18" Provenance: International Galleries - Chicago c. 1950 This work is included in the Catalogue Raisonne of the painters work "Edouard Cortes (1882-1969) : The Complete Works" Ref: EC001317 A photo certificate of authenticity accompanies the painting Edouard Leon Cortes, the son of the painter Antonio Cortès, was sent to the front during World War I to sketch enemy positions. In civilian life, his base was in Lagny in the former studio of Cavallo-Peduzzi. Although he travelled extensively in France. Notably in Normandy, Brittany, the Champagne region and Savoy painting...

Walter Emerson Baum Manayunk, 1953 Signed and dated lower right; titled and dated on the reverse Oil on board 12 x 14 inches Walter Baum was born December 14, 1884 in Sellersville,...

Black,White,Picasso,abstract Atelier stamp lower right Dora Maar, original name Henrietta Theodora Markovitch (Marković), (born November 22, 1907, Paris, France—died July 16, 1997, ...

This superb British 1950's abstract oil on board painting is by noted Slade School trained contemporary artist Leo Davy. Davy was born in Yorkshire but settled in Cornwall in 1968 an...

Frameless. Pascual Roch Minue (1899-1977), promoter of Spanish impressionism. His work is in several museums, national and international collections. Roch Minue settled in Pollens...

Mid Century Naturaleza Muerta Con Mangoes (Still Life w. Mangoes) by Francisco Dosamantes Substantial and brilliant modernist still-life painting mangoes by Francisco Dosamantes (Mexico, 1911-1986) Exhibition label on verso (circa 1957), "Salon De Plasticas Mexicana - Instituto Nacional De Bellas Artes - Francisco Dosamantes, Naturaleza Muerta Con Mangoes." Image 24"H x 31.5"W. "Francisco Dosamantes was born in Mexico City on October 4, 1911. His father was Daniel Dosamantes who was a builder, interior decorator and painter. Since its founding in 1949, the Hall of Plastic Mexican SPM, has accommodated the most representative work of the national art. Throughout its existence they have been part of hundreds of painters, sculptors, engravers, designers, ceramists and photographers of all tendencies and generations. Jut names: Diego Rivera, David Alfaro Siqueiros, Gerardo Murillo "Dr. Atl" Frida Kahlo, Rufino Tamayo, Francisco Dosamantes, Jorge González Camarena, Leopoldo Mendez...

A beautiful large 1950's French expressionist oil on canvas depicting locals taking an afternoon stroll, by Paris painter André Beaucé. Excellent quality ...

Antique American school signed abstract oil painting. Oil on canvas. Signed. Framed. Image size, 19L x 13H.

Wonderful Spanish landscape of a humble farm in Rota, Cadiz, Spain with horses, a cow with two herons, one of which is on cow's back by San Francisco artist John Sackas (American, 1910-2004), circa 1950s. Signed lower Left "Sackas" and verso Rota Farm House Cadiz" "John Sackas" . Verso has location, attribution and full artist's biography. Presented in gilt-toned carved wood frame. Image size: 14"H x 18"W. Born in New Jersey on May 22, 1910. John Sackas studied at the San Francisco Art Institute (1934), Chouinard Art School in Los Angeles, Corcoran Gallery of Art, and California School of Fine Arts, Jerry...

Bill Condon " Mexico City Square " (1923-1998) Houston Artist Image Size: 14.5 x 20.5 Frame Size: 23 x 29 Medium: Watercolor and Ink Dated 1960 Zocalo #4 Biography Bill Condon (19...

A substantial, mid-century American Abstract oil comprising biomorphic and dimensional forms in shades of coral, jade and straw, shown gathered around a central, rectangular element ...

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed. Signed.

Jacques Bouyssou, French, 1926-1997 “Les Voiles ” Oil on canvas 5 by 6 ½ in. sight & 11 by 10 ½ in. framed signed lower left – also labeled on verso a gem of a small post-im...

'Mountain Landscape', oil on canvas, by Louise-Jeanne Cottard-Fossey (circa 1950s). A very idyllic, verdant scene depicted by this renown French fem...

Impressive early American modernist abstract oil painting. Framed. Oil on board. Signed. Image size, 12H by 10L.

Artist: Nancy Mclaughlin Powell – American (1932-1985) Title: Young Piegan Woman Year: 1958 Medium: Pastel on paper Sight size: 15.5 x 11.5 inches wit...

An original oil painting attributed to Master Painter of the Paris Street Scene, Édouard Leon Cortés (French, 1882 - 1969, ). The painting features Cortés quintessential subject, th...