1950s Paintings

Charles Cobelle, French (1902 - 1994) - Paris Bridges 1. Year: circa 1950, Medium: Acrylic on Canvas, signed lower left, Size: 20 x 24 in. (50.8 x 60.96 cm), Frame Size: 30.5 x 34.5 ...

Bob Peak may be the heir to Norman Rockwell in portraying the American Scene. Yet Peak's graphic representations depart from Rockwell's tight academic style. In the present work from...

Antique American modernist abstract oil painting. Oil on canvas. No signature found. Framing is available.

Belgium: Ghent. St Nicholas Church ( Sint Niklaaskerk) by Leonard Machin Rowe (1880-1968) signed lower left watercolour painting on artist's paper, unframed Image: 9.75 x 13.75 inches, sheet 11 x 15 inches Super bustling painting by Leon. Rowe in the centre of Ghent, depicting a busy square full of people on a bright sunny day. A man pushes a wooden cart, whilst others are strolling around the shop-lined streets in front of St Nicholas Church. A bright striped shop window awning...

Guinovart. Josep Guinovart i Bertran (Barcelona 1927-2007) was a painter, draftsman and engraver from Catalonia, Spain. After studying at the School of the Lonja and the Promotion ...

Painted by the noted British Impressionist artist Bernard Fleetwood Walker, this fine oil on panel portrait depicts Pauline and was painted circa 1950. It was exhibited at The Royal Academy the same year. Housed in its original Bourlet exhibition frame, it is a fine example of his work. Signed lower left. Provenance. Exhibited Royal Academy 1950, Memorial Exhibition. Bourlet frame and transportation label verso. Condition. Oil painting on panel, 20 inches by 16 inches and in excellent condition. Housed in its original exhibition Bourlet frame, 27 inches by 23 inches. In very good condition. Bernard Fleetwood-Walker , PPRBSA, (1893-965) was an English artist and teacher of painting. Invariably known as B. Fleetwood-Walker, he was born in Birmingham, United Kingdom, a twin and one of five children. His father William Walker was an electrical engineer and co-inventor of the Walker-Wilkins battery, while his mother Electra Amelia (née Varley) was granddaughter of the 19th century watercolourist Cornelius Varley...

This retablo was purchased by the gallery in Mexico City. I knew the family that sold the retablo to me. It is dated 1853 because the story on the retablo was passed down for generations and a relative of Lourdes painted it in her memory. The description on the ex-voto reads: "Thanks to the Virgen of San Juan de los Lagos that I have a new job with my new bosses. That they like my food and they don't mind what I prepare for them. " It is in excellent condition. It is framed behind conservatorship glass. The framed size is 14" x 15". The class should only be cleaned with ammonia free cleaner. An ex-voto is a votive offering to a saint or to a divinity; the term is usually restricted to Christian examples. It is given in fulfillment of a vow (hence the Latin term, short for ex voto suscepto, "from the vow made") or in gratitude or devotion. Ex-votos are placed in a church or chapel where the worshiper seeks grace or wishes to give thanks. The destinations of pilgrimages often include shrines decorated with ex-votos. Ex-votos can take a wide variety of forms. They are not only intended for the helping figure, but also as a testimony to later visitors of the received help. As such they may include texts explaining a miracle attributed to the helper, or symbols such as a painted or modeled reproduction of a miraculously healed body part, or a directly related item such as a crutch given by a person formerly lame. There are places where a very old tradition of depositing ex-votos existed, such as Abydos in ancient Egypt. Especially in the Latin world, there is a tradition of votive paintings...

Initialed lower right, 'M. W.' for Margaret Wentworth (American, 1914-1999) and dated 1959. Exhibited: Feingarten Galleries, Carmel, California, 1960, and titled on label, verso, 'Ro...

Sport ,Winter sport,Ice-skating, KLARA VLASOVA (Moscow, 1926) MUSEUMS St. Petersburg, State Russian Museum Moscow, Pushkin Museum Moscow, Museum of History and Reconstruction Mo...

Signed and Dated Lower Right Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the ...

Radiant Relections. Abstract Non-Objective 1950s Oil Mid 20th Century American Woman Female Artist. Signed lower right. Provenance: Estate of Foy C. Casper, Norfolk, Virginia (a close personal friend of the artist and a former director of the Irene Rice-Pereira Foundation). Sothebys American art sale October 10, 2008. The canvas measures 50 x 40. The work has been restored, relined and is housed in its original frame, made by the artist's second husband, George Wellington Brown, a marine engineer from Boston. BIO Periera was an American abstract artist, poet, and philosopher who played a significant role in the development of modernism in America. She is known for her work in the Geometric abstraction, Abstract expressionist, and lyrical abstraction genres and her use of the principles of the Bauhaus school. She helped found the Federal Art Project...

Oil on canvas painting by the Italian artist, Jean Calogero. Circa 1950. Signed lower left Overall in museum quality gold leaf frame 17.5 by 15.75 inches. Condition: Good. Provenan...

Leo B. Blake (1887 - 1976) Berkshires Winter landscape, Massachusetts, circa 1952-53 Oil on canvasboard 12 x 16 inches Signed lower right Provenance: Private Collection, Massachuset...

Beautiful impressionist oil painting of blue Japanese irises in a white pitcher in style of Vincent Van Gogh, by an unknown artist. Signed illegibly. Presented in a giltwood frame. F...

PABLO PICASSO Spanish, 1881 - 1973 La famille du saltimbanque (B. 753; M. 249) signed in black ink "Picasso" (lower right) numbered in pencil "5/50" (lower left) lithograph on Arches...

Beautiful mid century still life of a copper teapot and fruit by listed California artist Helen Gleiforst (American, 1903-1997), circa 1950's. The artist...

4037 Impressionist oil on canvas figural painting Set in a custom wood frame image size 14.5x18.5"

Claude WEISBUCH Two Women with Traditional Brittany Dress Original Oil on canvas Signed upper right Signed and Dated (19)54 on the back On canvas 46 x 55 cm at view (c. 18 x 22 in) ...

Charming painting of colorful Gallic "Le Coq Gaulois" roosters by listed California artist Helen Enoch Gleiforst (American,1903-1997), circa 1950. Born in...

Gorgeous mid century modernist abstract combining earth-tones and subtlest metallic silver background by Corban LePell (American, b. 1933), 1955. Signed ...

Medium: Oil on Board Signature: Signed Lower Left Sight Size 27.00" x 23.75;" Framed 34.50" x 37.50" Original cover illustration for The Saturday Evening Post, September 12, 1959. ...

Substantial and period mid century oil painting of California sycamore trees donning full fall color by listed artist Nell Walker Warner (American,...

Antique American modernist cityscape oil painting. Oil on canvas. Framed. Image size, 24L x 18H.

Landscape painting with working man by renowned Danish artist Joergen Boberg (1940-2009) is 11,8in (H) x 11,8 (B) / 30cm (H) x 30cm (B). Signed 'B' and dated '57' in upper left corn...

For Norman Rockwell's Four Seasons calendar series for Brown & Bigelow By the end of World War II, Norman Rockwell was a household name throughout the United States and considered...

Antique American exhibited cubist nude portrait oil painting. Oil and casein on board. Framed. Signed. Exhibition label verso.

Work on paper Brown wooden frame with glass pane 41,5 x 59,5 x 2,5 cm

Blue and green-toned modern abstract figurative portrait painting by Houston, TX artist David Adickes. The work features two men figures standing side by s...

Signed lower left "Di Gesu" for Victor Di Gesu (American, 1914-1988) and dated 1954. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the Chouinard Art School before moving to Paris where he studied with Andre L’Hote...

Artist: Charles Cobelle, French (1902 - 1994) Title: Eiffel Tower with Three French Flags Year: circa 1959 Medium: Acrylic on paper, Signed lower right Size: 24 x 32 in. (60.96 x 81....

This large oil on canvas portrait was painted by Caroline Hutchinson circa 1955. It depicts a lady reclining on a sofa and is painted in an Impressionist palette and manner. A beauti...

Wonderful modernist landscape painting. Francis Kelly was born in 1927 in St. Paul, Minnesota. He received his early education in Chicago and California. He served in the United States Navy from 1944 to 1948 when he entered the Art Center School, Los Angeles. During 1951 in 1952 he lived in Paris, attending the Academie de la Grande, Chaumiere. In 1953 he went to the University of Hawaii, Honolulu, and then to the University of California at Los Angeles, where he was graphic laboratory assistant to John Paul Jones. Awarded a Fulbright Grant in 1955 he came to the Graphic Department of the Central School, London. The St. George's Gallery first introduced his etchings in Britain. In 1958 Kelly was awarded the Stacy Grant for painting. His work has been shown at Royal Academy Exhibitions and he has traveled extensively. In 1966 he was appointed Art organizer for the U.S. Embassy "Festival of Arts in Humanities". His paintings were shown in the exhibition "Five American Artists in Britain". During 1976 he acted in a similar capacity on behalf of Windsor & Newton Ltd., who sponsored an exhibition of American artists commemorating the U.S. Bicentennial. He appeared in the film Science in Art. Kelly has studied painting conservation at the Courtald Institute. In 1967 he was sent to the Italian Art and Archives Rescue Fund to Florence to restore flood damaged paintings. In 1971 his book, Art Restoration, was published by David and Charles and in the U.S. by McGraw-Hill. His second book, The Studio and The Artist was published in 1975. Kelly's work has been shown at 24 museums in Great Britain and numerous galleries. Acquisitions have been made by many public and private collections, universities and educational services. During more than 40 years in Britain he has found a growing affinity with the countryside, observing less the well-known landmarks but rather more the timeless rural lanes and by-ways as yet still unspoiled by building and industry. A member of the group in Brighton preserving Brighton's West Pier, he has produced a series of works recording the ravages of time on this finest of Victorian structures.

Mid 20th Century gouache on paper of a Provençal village or 'hameau' and a 'bastide' or manor house in the landscape signed or titled 'Bodol' and dated bottom right. The style and c...

Antique American modernist signed oil painting. Oil on board. Signed. Framed. Image size, 14L x 18H.

Claude SCHÜRR (1921-2014) Still life with seafood Oil on canvas H. 50 cm; L. 73 cm Signed lower right, titled on the back - 1957 This splendid still life by Claude Schurr produced i...

Mary Abbott Flowers, circa 1950 Signed lower left Pastel on paper 30 x 22 1/4 inches Provenance: Aaron Galleries, Glenview, Illinois Among the early exponents of Abstract Expressio...

Beautiful mid century impressionist mountain landscape of a High Sierra lake in winter by Carmel and Hollywood artist Helen Mae Enoch Gleiforst (American, 1903-1997), c.1950. The dra...

Richard Andres (American, 1927-2013) Blue Wall, c. 1959 oil on canvas signed and titled verso 42 x 60 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the artist you want. John Piper (1903 - 1992) Cartoon for Baptistry Chapel Window, Coventry Cathedral...

Hand signed on the rear, in excellent conditions.

Diana Kurz Thelo #8, circa 1959 Signed lower left Signature and address on verso Oil on canvas 47 x 41 inches Diana Kurz (born 1936) is an Austrian-born feminist painter. In 1938, ...

Antique American modernist abstract oil painting by Adele Becker. Oil on canvas. Framed. Signed.

Signed center right, in the 53 stub, 'Childers' for Robert Childers (American, 1924-1984) and dated 1954. Robert Childers first served in the U.S. Navy for six years after graduating from Medford High School in 1941. Following World War II, he studied at the Philadelphia Museum School of Art where he was the recipient of a gold medal and, upon graduating from the Museum's school, was the recipient of a Cresson scholarship and attended the Pennsylvania Academy of Fine Arts, where he received his Masters degree. Childers continued his education with classes at Fleisher Memorial and performed for two years with the Philadelphia Dance Theater. Following his studies, he worked in fabrics, film production, toys and illustrations for publishers with du Pont in New York City. At the same time he maintained a studio and old twine factory over the Cherry Lane Theater. He lived in Greenwich Village for 19 years before accepting a position developing new products for American Greetings Inc. While there he designed the Hobbie Holly cloth doll...

Abstract Moonlit Landscape, signed and dated "Douvos"

A wonderful mid-century interpretation of prehistoric, Paleolithic cave paintings; done in reddish earth tones and rich in visual texture by Sausalito, California artist Nan Street F...

Work on canvas Molded frame in wood and gilded plaster 64 x 79 x 4.5 cm

This stunning post-cubist and colorist still life oil on board painting is by A. Rigollot (France, 20th Century). Colorist painting is characterized by intense color use, which becom...

A charming and expressive depiction of youth done in a rare to find color palette. The thick paint and brushwork is exactly what Andre Cottavoz is collected for and this work is som...

Landscape is an artwork realized by Alberto Gillani, in 1981. Oil on Canvas. 49 x 69 cm; 79 x 89 cm with frame. Handsigned in the lower margin. Very good conditions

Antique American modernist abstract oil painting. Oil on paper. Framed.

Antique American impressionist street scene oil painting by Kamil Kubik (1930 - 2011) . Oil on canvas. Framed. Signed.

Substantial California oil painting of a Navajo horseman in the New Mexico mountains. Stylistically similar to Constantine Cherkas Navajo Rider painti...

Very finely painted 1940 American modernist portrait painting. Oil on canvas. In excellent original condition. Signed. Handsomely framed in a period giltwood molding. Excellent...

Beautiful portrait of older woman, possibly a Nonna (Grandmother) with Gardenia by Raul (or Raoul) Viviani (Italian, 1883 - 1965), circa 1950. Lovely tex...

Antique American abstract expressionist signed oil painting. Oil on canvas. Signed. Framed. Image size, 26L x 20H.

Sam FRANCIS (1923-1994) THE YELLOW AND WHITE SQUARE Signed, titled and dated 1959 on the reverse Watercolor on paper 11 by 10 in. (27.9 x 25.4 cm.) Executed in 1959 This work is identified with the interim identification number of SF58-133 in consideration for the forthcoming Sam Francis: Catalogue Raisonné of Unique Works on Paper. PROVENANCE Zoe Dusanne...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

Signed, verso, 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and stamped with the artist's estate seal. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los A...