Early 19th Century Paintings

Arch of Constantine, Rome Oil on canvas 21.7 x 29.5 cm Without frame

White and Pink Peonies in Vase Charles Swyncop Brussels 1895 – 1970 Belgian Painter Signature: Signed top left Medium: Oil on canvas Dimensions: Image size 46 x 38 cm, frame size 64 x 56 cm Biography: Swyncop Charles was born in Brussels in 1895. Charles was a painter of landscapes, city views, seascapes, still lifes, flowers, children, genre scenes, figures (often Spanish beauties) and portraits. He was also illustrator and lithographer. Younger brother and pupil of Philippe Swyncop. He studied at the Academy of Brussels (1908-1917 and 1919-1920) with as teachers, J. Delville, H. Richir and Alfred Bastien. He also travelled to Rome and Venice. In Rome he studied iconography and the study of the great masters. Also found, like his brother, inspiration in Spain. Like his brother, he painted in a lighter genre. But, unlike his brother, he used subtle, spontaneous brushstrokes such as the French Fauvists. His colourful sea views are reminiscent of the works of Henri Matisse and André Derain. In 1920 Swyncop assisted his teacher Alfred Bastien with the panoramic painting “Panorama de l’Yser”. Other assistant painters were Charles Léonard and Jef Bonheur, also former pupils of Bastien. The work was done in what later became the mosque of the Cinquantenaire Park. From 1924 onwards, it was given a suitable panoramic building in Ostend. The canvas was severely damaged during the Second World War. Charles Swyncop took part in a group exhibition at ‘Maison d’Art Moderne’ in Brussels in 1920 together with Jean Colin, Philippe Swyncop, Arthur Navez, Samuel Milbauer, L. Bisschops, J. Payro and Jean-Jacques Gailliard. He received an honourable mention (third prize) on the Prize of Rome in 1920. In the years 1922-1923 he made study trips to Spain and Italy. There he made portraits of the local population. He regularly returned to Spain. Commissioned by the Ministry of Colonies, he painted decorative panels for the 1930 World Fair in Antwerp. Swyncop was a member of the group ‘La Lierre’ and took part in the annual exhibitions. Other members of ‘La Lierre’ included Alfred Bastien, Julius Brouwers, Louis Clesse, Henri De Clerck...

Pietro Della Valle (Livorno, 1819 - Florence, 1880) Landscape with shepherdesses and fisherman, 1846 Oil on canvas, 34 x 50 cm Framed, 64 x 69 cm Pietro Della Valle (Leghorn 181...

Salvatore Candido (Naples 1798 - 1869), Old coastal road Marinella, on the right the Forte del Carmine Oil painting on paper pasted on board 20 x 29 cm, unsigned.

Chapelle de l’Oratoire, Avignon, circa 1900 by RICHARD JACK, RA, RI, RP, ARCA (1866-1952) to £100,000 Fine Large circa 1900 view of Chapelle de l’Oratoire, Avignon, oil on panel by...

Richard Hilder (1813-1852) Pastoral Landscape Oil on Panel 10 X 16 inches, Framed Provenance: Important Private Collection Richard H. Hilder was a landscape painter and occasional ...

Oil painting of a garden scene from ‘The Heart of Midlothian’ by Leslie English, c. 1830 Canvas: Height 30cm, width 25cm Frame: Height 38.5cm, width 32.5cm, depth 3cm This beautiful...

This landscape of a river with Italian vistas was painted in 1911 by William Chadwick. This was an American artist born in England and lived in Massachusetts. He is famous for his Am...

Measurements with frame: 87 x 69 cm In this tempera dated between the second and third decade of the 19th century we find an iconographic design with a sacred character by neoclassic...

Pastel by Charles Vasnier, a french painter, born at Caen. (1873-1961) His works are exposed at the caen Museum of Arts. With frame it measures: 74x62 cm.

The Wrestlers, dated 1962 signed EE dates 1962 - Large 1962 British Figurative School portrait of two male wrestlers, oil on board. Good quality and ...

In The Garden, 19th Century circle of Robert Reid (1862-1929) American Impressionist & Mural Artist 19th Century American Impressionist portrait of a gir...

Portrait of A lady In Riding Attire, 19th Century by William Powell Frith RA (British 1819-1909) Large 19th Century portrait of a lady wearing ...

Neapolitan gouaches appeared in the eighteenth century when tourism in the Naples area was developing: the discoveries of Herculaneum and Pompeii made this city a mandatory stop on the Grand Tour, the journey made by wealthy Europeans to complete their education. Generally small in size for ease of transport and affordable in price, these gouaches were the ideal travel souvenir that these tourists of the early days were bringing back to capture the idyllic landscapes they had discovered during their journey and to share them with family and friends upon their return at home. The Bay of Naples and the eruptions of Vesuvius are the favourite themes of these views. Here we have a view of the Ovo Castle, which was rebuilt on the island of Partenope, in the middle of the Bay of Naples and about a hundred metres from the shore by the Normans in the 12th century on antique ruins...

Follower of Claude Joseph Vernet (Early 19th Century)

Richard Hilder (1813-1852) Pair of Landscapes Oil on Panel 9 1/4 X 11 3/4 inches, Framed Provenance: Important Private Collection Richard H. Hilder was a landscape painter and oc...

ISSACHAR RYBACK 1897-1935 Yelizavetgrad 1897-1935 Paris (Ukrainian /Russian /French) Title: Fields of Kherson Technique: Original Signed Oil painting on board size: 32 x 6...

Charming watercolor of an intimate family scene in beautiful painted period frame. Signed in the lower right-hand corner.

This extraordinary Italian gouache and oil on canvas brings two of the most popular characters from Greek mythology vividly the life - the nymph and the satyr. Both creatures are famed for their carefree natures and lascivious temperaments, and tales abound of satyrs pursing nubile nymphs in order to rape or seduce them, usually with little success. One such narrative humorously unfolds in the present piece, which depicts an indignant satyr captured by three nymphs with a golden net. The relationship between these two mythological creatures was a popular one for artists throughout the 18th and 19th centuries, though its origins stretch back to antiquity. Both satyrs and nymphs...