Early 19th Century Paintings

Autumn Landscape Simone Forge 1930's French Impressionist oil on board unframed board: 9.5 x 7.5 inches Provenance: private collection Condition: great condition For more any more...

Curving Coastal Simone Forge 1930's French Impressionist signed oil on board unframed board: 13 x 16 inches Provenance: private collection Condition: great condition For more any...

Industrial Landscape Simone Forge 1930's French Impressionist oil on canvas unframed canvas: 15 x 18 inches Provenance: private collection Condition: great condition For more any m...

Artist/ School: English School, early 1800's period, with frame plaque and inscription connecting to Ladbrooke. Title: Norfolk Lane Medium: oil on wood, framed Framed: 20 x 17 i...

Docked Boats Simone Forge 1930's French Impressionist oil on board unframed board: 13 x 16 inches Provenance: private collection Condition: great condition For more any more info...

Fishing Boats Lined Along the Shore Simone Forge 1930's French Impressionist signed oil on board unframed board: 13 x 16 inches inscribed verso Provenance: private collection Condit...

Alphons Leopold Mielich (1863–1929) – Orientalist Scene Artist: Alphons Leopold Mielich Period: Late 19th – Early 20th Century Medium: Oil on Panel Dimensions: Framed: 35 x 31 cm Ar...

View Through Archway to Tower and Garden Simone Forge 1930's French Impressionist oil on board unframed board: 16 x 13 inches Provenance: private collection Condition: great condit...

Charming watercolor of an intimate family scene in beautiful painted period frame. Signed in the lower right-hand corner.

Palace with Vignettes of Scenes of Royal Court Life Early 19th century Rajput School Gouache on heavy paper, mounted to gold flecked support board c. 1820 Unsigned as usual Inscribed...

A charming depiction of Saint Barbara, a Christian martyr and a symbol of courage and devotion in the face of adversity. She is also the patron saint of armourers, artillerymen, mili...

This fine portrait oil painting is attributed to the circle of Joshua Reynolds. Painted circa 1800 it is a half portrait of a fine young man in a crimson velvet coat. The detail in h...

Badri Narayan The Flower Water colour on Paper 8 x 8 inches 20.3 x 20.3 cm 8th April 1993 ( Framed & Delivered ) This work features in the Book on Badrinarayan Written by Ms. ...

SALE ONE WEEK ONLY This exceptional painting of a smoking peasant carrying a scythe with his daughter or wife in a rustic setting was created by the rare and difficult technique of reverse glass painting. The original painting that this reverse glass painting is reproducing is by Thomas Barker of Bath...

Philippe BUDELOT 1770 - 1841 Oil on canvas 32 x 41 cm (47 x 56 cm with frame) Nice Empire period frame Beautiful landscape painting from the French neo-classical school. The finess...

Pietro Della Valle (Livorno, 1819 - Florence, 1880) Landscape with shepherdesses and fisherman, 1846 Oil on canvas, 34 x 50 cm Framed, 64 x 69 cm Pietro Della Valle (Leghorn 181...

Joséphine Henriette, known as Jenny des ROYS d’ESCHANDELYS, born HOCHE (Thionville, 1796 – Paris, 1867) Neoclassical landscape Oil on canvas Signed lower left 20 x 30.5 cm 1821 Th...

A very attractive view of a rural lane in Pirbright by this highly collectable artist who was a contemporary and friend of John Constable. Dr William Crotch (1775-1847) Mr Pear's House at Pirbright from the Turnpike Signed with initials on reverse and inscribed as title and additionally " Thunder about/ 1 pm" watercolour and pencil 4 x 6½ inches without frame 11 x 13 inches with frame William Crotch (5 July 1775 – 29 December 1847) was an English composer and organist. According to the British musicologist Nicholas Temperley, Crotch was "a child prodigy without parallel in the history of music", and was certainly the most distinguished English musician in his day. Crotch was a professional musician, becoming the first Principal of the Royal Academy of Music...

Jean-Jacques CHAMPIN (Sceaux, 1796 – Paris, 1860) View of the Basilica of Saint-Denis from the Montmartre Cemetery Oil on paper mounted on canvas Signed lower right 15 x 27 cm Arou...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." James Redaway (1797 - 1858) Eton from the Locks Hand-coloured engraving 27 x 2...

A wonderful Oval oil on canvas portrait of a little girl. Very much in the style of Jean-Baptiste Greuze.

Work on canvas

Attributed to Jeanne Élisabeth CHAUDET (Paris, 1761 – Paris, 1832) Cupid holding his arrow Oil on oval canvas Not signed 33 x 26.5 cm Élisabeth Chaudet, born Gabiou in Paris on Ja...

Jan Kobell the Elder Delfshaven (Rotterdam), 1756 – 1833 Landscape with Ruins, Bridge, and River Oil on cardboard 35 x 44 cm (49.5 x 60.5 cm with frame) Signed lower left "JK f." Ver...

Work on canvas

ATELIER DI LOUIS LEOPOLD ROBERT (La Chaux-de-Fonds, 13 maggio 1794 – Venezia, 20 marzo 1835) Le retour de la fête de la Madone de l'Arc, près de Naples, oil on canvas 140 x 100 cm....

Early American oil portrait on canvas of a man seating wearing a suit holding a book. The painting has a signature in the bottom right corner as seen in the photographs. The painting's style is similar to American artist, William Matthew Prior, John Stanley, and John Brewster...

Work on wood Plaster and wood frame in gilded empire style 44 x 50.7 x 6 cm

The Wrestlers, dated 1962 signed EE dates 1962 - Large 1962 British Figurative School portrait of two male wrestlers, oil on board. Good quality and ...

JOHN HOPPNER R.A. (British, 1758–1810), "Countess Margaret Spencer," oil on canvas, canvas (relined): 36" x 28", overall (framed): 35" x 43". John Hoppner, R.A. plaque mounted cente...

J. Lewis (fl. 1801-1808) Eton College from the River Oil on canvas 41 x 62 cm Signed lower left. While not a prolific artist, Lewis was noted for his vi...

A fine watercolor by Thomas Miles Richardson senior, (1784-1848). A view of a Swiss lake and Alps with the Matterhorn mountain. One of the fine En...

Leonardo Roda (Racconigi, 1868 - Turin, 1933) When the day is over Oil on canvas, 120 x 170 cm Framed, 151 x 201 cm Signed at lower right: "L.Roda" The majestic canvas under con...

William Redmore Bigg (English, 1755-1828) The Reprimand Oil on panel, 18 1/2 x 24 inches FRAMED: 30 x 24 inches This rural interior is typical of the anecdotal scenes of village li...

Rendered Bridge Scene Simone Forge 1930's French Impressionist oil on canvas unframed canvas: 13 x 18 inches Provenance: private collection Condition: great condition For more any ...

Eugène VERBOECKHOVEN Warneton, 1798 – Schaerbeek, 1881 Oil on wood panel 42 x 33.5 cm (58 x 50 cm with the frame) Signed, dated and located lower right “EJ Verboeckhoven / 1826 / à G...

Titled on lower center. Image 36.4x49 - 14.33 x 19.29 in. / Frame 54.7 x 66.5 - 21.54 x 26.18 in. Beautiful 19th century representation of the Gulf and the Bay of Pozzuoli near Nap...

Entourage of Jacques SABLET Woman in mourning in a stormy mountain landscape Oil on canvas H. 60 cm; W. 84.5 cm Around 1805 More than a landscape, our painting is a psychological wo...

Italian school from the beginning of the 19th century ? Oil on canvas (2) 99 x 65 cm (103 x 78 cm with the frame) Old frames with gadroons and palmette decoration Very good condition...

Beautiful, early 19th century, oil on canvas painting of a French noble boy in a luxurious, two-piece, velvet suit trimmed in intricate lace, and a pair of striking, crimson stocking...

Arched Cloister with Gothic Vaults and Garden Simone Forge, 1930's French Impressionist oil on board unframed board: 16 x 13 inches Provenance: private collection Condition: great c...

Original Title: Veduta del Tempio Esastilo Perittero dalla Parte di Ponente Tempera painting on paper, cm 34x46.5, including coeval gilded frame, cm 42.7x1.6x54.3 Wonderful View of...

Chapelle de l’Oratoire, Avignon, circa 1900 by RICHARD JACK, RA, RI, RP, ARCA (1866-1952) to £100,000 Fine Large circa 1900 view of Chapelle de l’Oratoire, Avignon, oil on panel by...

Pumpkin patch oil on canvas No visible signature 16 x 24 on framed, 19.75 x 27.75 framed

Original Chinese Export School gouache.

This early 19th-century French School portrait of President George Washington, rendered in pastel and graphite on paper, exemplifies the European admiration for the American leader. ...

Abraham Johannes Romswinckel (1810-1856) Self-portrait in Indonesian landscape Inscribed Abr. Joh. Romswinckel, geb. Batavia 17 Oct. 1810, overl...

Early 19th or late 18th century Barbizon school Genre painting. Definitely a mystery piece here. Obviously academically painted but I cannot find a signature but painting needs a goo...

Work on cardboard

Pair of paintings each in original American Federal Period white pine gilded scoop frames with inner row of beads. Framed Dimensions: 24 x 29 1/2 inches. Provenance available upon request. Michele Felice Cornè, considered to be Salem, Massachusetts’ most versatile early nineteenth century artist, painted this remarkable pair of paintings about a decade after he arrived in America from Naples, Italy. Cornè worked and lived in Salem from 1800-06 when he moved to Boston. During his Boston tenure (1807-22) the artist was noted for painting portraits of Boston ships and naval battles of the War of 1812, as well as taking on major mural commissions. This charming pair of paintings, each of two children playing, were possibly intended as overdoor decorations for a Federal period house. Cornè’s most ambitious decorations were the wall murals which he painted for the Sullivan Dorr house in Providence in 1810. And this pair of paintings seems to date from about the same period. From 1822 to his death in 1845 he lived in Newport, Rhode Island. The pair of paintings of Children playing was long in the famous Americana collection of Benjamin Flayderman. Flayderman was said to have set the standard for collecting in American furniture and decorative arts in the 1920s. Much of his collection was sold at a legendary sale at the American Art Association-Anderson Galleries (predecessor of Parke-Burnet and Sotheby’s, New York) in April of 1931. These paintings, however, were retained by Flayderman and descended in his family. Cornè was instrumental in transferring current Neapolitan painting techniques as well as Italian landscape themes to America. On the subject of Cornè's non-marine work, Nina Fletcher Little, the Cornè expert, stated: “Although Cornè's claim to twentieth century recognition has rested chiefly on his marine subjects, it is becoming increasingly apparent that he was equally successful in the charming landscapes he placed upon overmantles, fireboards, and framed canvases. Many depict the rolling countryside of his native Italy, which he copied from romantic engravings. These compositions, featuring grazing cows and frolicking peasants, are extremely colorful and picturesque. Arched bridges, steepled churches, crenellated castles, and round stone towers form most decorative backgrounds.” The two paintings: Two Children at Play with a White Bird and Two Children Playing recall earlier European and Italian models. Cherub paintings were popular throughout western Europe in the last quarter of the 18th century. But these Cornè paintings also recall the Renaissance paintings of putti such as the little angels by Raphael, painted as part of his Sistine Madonna, and lately enjoying greatly renewed popularity and notice. Cornè often used Italian old master models as a basis for landscape or figure paintings. Cornè was born on the island of Elba in 1752. During the Napoleonic Wars, he sought refuge and sailed to America on the ship Mount Vernon commanded by Elias Hasket Derby, Jr., at whose father's house Cornè resided in Salem. The artist arrived in Salem, Massachusetts in July of 1800. Derby, impressed by the Neapolitan marine paintings that he had seen and collected during his Mediterranean voyages of the late eighteenth century, sought to make the same skills available in Salem by encouraging Cornè to live and work in that town. Cornè was quite successful in transferring the current Neapolitan decorative painting to America, and his popularity grew rapidly. Cornè attracted the patronage of many in Salem, and was introduced to Samuel McIntire with whom he worked on many of Salem's houses. Between 1807 and 1809 he was at 27 Hanover Street in Boston, but by 1810 the city directories list him at 61 Middle Street. By 1822, he was settled in Newport, Rhode Island and received enough patronage to support him the rest of his life. Cornè is well represented in public and private collections including the American Antiquarian Society, Worcester, Massachusetts, the Peabody-Essex Museum of Salem, Bowdoin College Museum of Art, Boston Museum of Fine Arts, New Haven Colony Historical Society, the New York Historical Society, Newport Historical Society, Redwood Library and Athenaeum, Rhode Island Historical Society, the Smithsonian Institution, the Society for the Preservation of New England Antiquities, the United States Department of State, the United States Naval Academy...

This delightful study by William Bromley (1769-1842) depicts two children by a brook. The young boy holds a china teacup to the girls mouth as she takes ...

Henry William Pickersgill, attributed to (London 1782 – London 1875) Portrait of Captain Samuel Wright Oil on canvas H. 92 cm; L. 73 cm Circa 1810/1815 Provenance: – Brother of the ...

Portrait of A lady In Riding Attire, 19th Century by William Powell Frith RA (British 1819-1909) Large 19th Century portrait of a lady wearing ...

In Buddhist Tibet, patrons and monks commissioned thangka art, or sacred painting, to focus their meditations and prayers. Painted with blue, orange, and r...

Annie L Pressland (1892 - 1933) A watercolor painter of flowers, gardens and still lives, she was born on 2 July 1862, the daughter of Caleb Pressla...

Salvatore Candido (Naples 1798 - 1869), Santa Lucia, Naples Oil painting on paper pasted on board 20 x 29 cm, unsigned.

Work on canvas Golden molded wooden frame 60 x 72.5 x 5.5 cm

Oil Painting circle of William Redmore Bigg "Spinning" 1755 -1828 Fine rural scene circa 1800 much in the manner of W.R Bigg who painted rural English views. Oil on canvas and fine o...

Pastel by Charles Vasnier, a french painter, born at Caen. (1873-1961) His works are exposed at the caen Museum of Arts. With frame it measures: 74x62 cm.

Pastel coastal landscape painting attributed to Irish painter William Sadler. The work features a Martello tower, a kind of defensive fort that can be f...