Early 2000s Paintings

Joaquim Falcó (1958) The painter Joaquim Falcó was born in Manresa (Barcelona, Spain) and was related to art from a very early age: at the age of 9 he e...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Still life - Oil on canvas cm.80x100, Giovanni Bonetti, Italy 2003 In this very precious oil on canvas, Giovanni Bonetti is inspired by the XVIII flowery compositions painted by the...

"Mulford Onions," Oil on Canvas, 34 x 50 Inches, is a large-scale, elegant, very realistic still life of 2 onions side by side on a light green/gray ground. The monumental proport...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

THE WATERFALL - Oil on canvas cm. 55x70 by Paolo De Robertis, Italy 2002. The painting is inspired by the paintings of Thomas Hill, an American landscape painter belonging to the H...

Oil on canvas

This beautifully compelling still life, oil on canvas board work was made by renown artist Margaret Thomas, a Modern British painter who trained in the...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Title: Young Woman Fetching Water Artist: Jesús Villar (1930–2015) Medium: Oil on canvas Dimensions: 39.4 x 20.1 in Estimated date: c. 2000 Signature: Signed lower left: "Villar...

Venice - Giancarlo Gorini Italia 2002 - Oil on canvas cm.50x100 Gold leaf gilded wooden frameavailable on request Giancarlo Gorini's canvas is an extraordinary work of Italian lan...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Four precisely configured and painted circles form a contemplative pyramid at the foot of a neutral ground. The areas between the shapes in this minimalist still life acrylic on plex...

Red Cloak Two Semi Nude Women Painting Artist signed. Peter Nixon was born in Lytham St. Annes Lancashire in 1956, England. Peter Nixon's direction in a ca...

'Robe 2' 2005, Acrylic and Egg Tempura on Canvas and Cotton Canvas, 210 x 160 cm The leading theme of the artist’s interventions is the staging of temporality, transience, and chang...

Gianluca Corona is a still-life and portraiture contemporary Italian painter who looks for the inner truth of what he paints. His beautiful fruits, flowers, vegetables, and food subj...

Penguins went hunting, they are lit by the sun, located among the Antarctic ice. This is an eternal struggle for survival. Provenance: 2007 - 2016 Private collection. Exhibition: 201...

Un Bel Hiver by Claude Lazar, French (1947 - ) Date: 2001 Oil on Canvas, signed lower right Size: 28.5 x 23.5 in. (72.39 x 59.69 cm) Frame Size: 31 x 26.5...

PLEASE NOTE: The painting will be shipped WITHOUT a frame. The framing option is available on request with additional shipping costs. Already in June, Ivan tea blooms; it is often p...

Algodón de Seda, 1978 by Amelia Cajigas Image size: 3 H x 2.75 W inches. Frame size: 12 Hx 11.5 W x 1 D inches. White Frame ___ Amelia Cajigas. Artist. He was...

American Impressionist French coastal Impressionist scene Charles Bertie Hall painted scenes all over England, Europe, and America in a traditional Impressionist manner. He exhibite...

A divided green triangle dances with a staccato of geometric shapes in mauve, rose and light blue in this lively composition by Burton Kramer. The painting is framed. Kramer traine...

Drawn from life this model is obviously at ease which has allowed Angela to present a relaxed and subtle figurative work. Her colors are warm and this is a beautiful, graceful piece....

Enthralled with the lore and spirituality of American Indian cultures, his work often depicts these traditional subjects in nontraditional ways. Hawkins captures the raw sense of ele...

ROBINSON, Geoffrey (b.1945) Your Greatest Asset 2013 Image: 51.0 x 61.0 cm Frame: 70.0 x 80.0 cm Unglazed Geoffrey Robinson trained at Bournemouth...

Subject : Small oil painting of a landscape in the French countryside, in excellent condition. This paint pastoral landscape depicts a rural scene of serene beauty. A majestic tree...

Beach of Sant Sebastia Sitges original impressionist acrylic painting. SOLÁ paints in a natural way, which reflects the Old Masters, soaking up the colour, air, smell and the pure s...

The Bubblers (Los Burbujeros.. Figurative painting. Landscape with figures in Renaissance setting. Acrylic on canvas. Author: Igor Fomin. Measurements in ce...

Deer Crossing Creek David Jackson, American (1951) Oil on Canvas, signed lower right Size: 29.5 x 14.5 in. (74.93 x 36.83 cm) Frame Size: 35 x 20 inches

Enigmatic shapes and calligraphic lines dance across a flood of lime and emerald green, rimmed in violet, bronze, pink and orange in this horizontal mixed-media painting. The artist ...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

Four oils on canvas glued on an aluminium plate tinted by acrylique Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to pai...

Snow, dog,white,Ukraine,Winter Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic studie...

Subject : Small oil painting of a still life, in excellent condition. This painting elegantly depicts a bouquet of colorful flowers in a white ceramic pitcher adorned with delicate...

Patricia McParlin, is an award winning British artist who lives and works in Wales. She studied at The University of Wales and The West Wales School of the Arts. She has recently b...

Shana Wilson (Canadian, born 1966) "Morning Routine" 2009 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. About the Artist: Shana Wilson, born in Edmon...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Seated Nude Woman Bay Area Figurative School Abstract Expressionist Seated wearing a hat by Santa Cruz and San Francisco artist Heather Speck (American,...

Subject : Small oil painting of a landscape in the French countryside, in excellent condition. This painting captures the serenity of a verdant forest landscape. Trees stretch acro...

Landscape - Vittorio Landi Italia 2014 - Oil on canvas cm. 80 x 80. In this wonderful oil on canvas the painter draws inspiration from Architectural Capricci, a pictorial genre of...

George Tsui's imagination is filled with Chinese themes. The idea of creating his own brand of classic romanticism, unrestrained by conventional reality, w...

Impressionistic Impasto Painting of Cottage on Blue Stack Mountains in Donegal Northern Ireland, by 20th Century Artist Jim Holmes Art measures 12 x...

Denied Warhol Pink Electric Chair Painting by Charles Lutz Silkscreen and acrylic on linen with the Denied stamp of the Andy Warhol Art Authentication Board. 22 x 28" inches 2008 Lutz's 2007 ''Warhol Denied'' series gained international attention calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" paintings authored by Lutz. Based on a press photo painted by Pop Artist Andy Warhol in early 1960's, this is likely one of the most iconic images from his Death and Disaster Series. The Death and Disaster Series was a dark view of the time's media and death culture. This was a departure from Warhol's Campbell's Soup Cans and portraits of Jackie Kennedy, Marilyn Monroe, Liz Taylor, and Marlon Brando in that these were images of the deaths of everyday people- one could say their "15 minutes of fame" as Warhol coined...

Impressionist oil sketch of venice, Italy from the Grand Canal. This sketch painted whilst on a trip to Venice circa 2009. Charles Bertie Hall painted marine scenes, landscapes, an...

Paper dragon. 2003, canvas, oil, 120x180 cm

Roses. 2008, cardboard, oil, 87x67 cm

Serenade - Angelo Granati Italia 2005 - Oil on canvas cm.60x90. This is his reinterpretation of painting "La Serenata" by gratest old master Raffaello Sorbi. Raffaello Sorbi was an Italian painter. He was born in Florence. As a young man, he studied design in the Royal Academy of Fine Arts in Florence; then painting under professor Antonio Ciseri...

Photographically accurate realism and conceptualism, peacefully coexisting on the canvases of Pavel Polanski. His canvases are gray with different depths of tone, almost monochrome a...

Poen de Wijs died a few years ago after a sickbed. His oeuvre lives on. He achieved international fame in the second half of the last century in which abstract, experimental painting...

Signed lower right, 'B. L. Kersey' for Laurie Kersey (American, born 1961), additionally signed, verso, titled, 'Stormy Beach, Pacific Grove Coast, Near Asilomar' and dated 2002. La...

Bright, monochromatic abstract in warm, glowing desert tones by Marianne K. Brown (American, 1928-2019), 2000. The free flowing color field background is accented with areas of patterns evoking the Southwest. Signed "Marianne K. Brown" in the lower right and was acquired with a collection of Brown's work. Title "Desert Days" and date 2000 are written on verso. No frame. Marianne K. Brown (American, 1928-2019) has taught watercolor and design for thirty years. Her work has been shown in many art magazines, including Watercolor Magic and The International Artist Magazine, and several books on watercolor painting. She was elected secretary of Orange County Art Association in 1964. Listed in the National Watercolor Society. Author, Watercolor by Design Member, East Bay Watercolor Society 1964 - 3rd Place, non-figurative exhibit of Orange County Art Association 1978 - Honorable Mention, Central California Art...

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

I chose the motive for painting this in a field near the village of Haddenham (UK). When I came to write this place I saw that the grass was very "short cut" on the field, only the t...

"Mud Season" - Original Oil on Masonite Original oil landscape winter scene depicting a small wooden barn on the hillside, covered with snow. Crows are seen flying over the melting ...

Flowers - Oil on canvas cm. 100x80, Carlo De Tommasi, Italy, 2009. The painting is inspired by one of the canvases of the Belgian painter Ambrosius Bosschaert...

Artist: Deyan Valkov Title: Untitled Year: 2002 (based on the signature) Technique: Mixed media on canvas (oil and material) Dimensions: 21.65 x 18.11 inches Condition: Unframed Thi...

Meeting 2007, oil on canvas, 130x150 cm Large size painting with couple in flowers on magenta color background, creates a romantic mood. Looki...