Mid-20th Century Paintings

This early to mid-20th-century self-portrait by Henri-Georges Bréard (1873-c.1939) depicts the artist deep in thought. He’s holding a pipe. Henri-Georges Bréard was an accomplished ...

WPA Landscape American Scene Social Realism Mid 20th Century Modern Farm Rural James McCracken (1875 – 1967) WPA Landscape 28 x 36 inches Oil on canvas, c. 1930s Signed lower right ...

Richard Anuszkiewicz Metallic Water, 1964 Painting with Liquitex on canvas. (1964 Art Institute of Chicago Exhibition and J.L. Hudson Gallery) Signed boldly and dated 1964 on the ver...

Painting by Donald Purdy (1924 - 2016). Oil on masonite Measures 25"L x 23"W. Work is behind glass and comes with exceptional antique frame. Acquired from the Schoneman Gallery in NY...

Antique American modernist abstract landscape signed oil painting. Oil on canvas. Signed. Framed. Image size, 24L x 18H.

Old Town Streets, Mid Century Modern Chilean Village Figurative Landscape Vibrant and expressive mid century modern figural landscape oil painting by Luis Valenzuela (Chilean, 20th Century), 1965. Small silhouetted figures stroll down the colorful yellow and blue city streets of old Santiago, Chile at night. The artist uses loose, painterly brushstrokes and dots the canvas with warm red highlights, giving this piece a sense of exuberance and life. Signed "Luis Valenzuela 1965" lower left. Presented in a carved period giltwood frame. Board size; 20"H x 24"W. Luis Valenzuela was born in Santiago de Chile. He studied his elementary and middle school in Victorino Lastarria (Providencia). At age 17 he started in the oil painting arts, where his innate talent flows. It was perfected in the Palace of Fine Arts (1964, 1965), receiving instruction from teachers Carlos Pedraza, Reinaldo Villaseñor, Matilde...

English mid century oil painting Portrait of a cute Corgi. Paintings of this breed are very rare and very collected. Kate Gray was a British animal portrait painter during the last...

Colliers Magazine 1947 American Scene Social Realism Modern Families in the Snow Katherine Wiggins (American 20th Century) "The Shrimp" 20 x 24 inches Egg tempera on masonite. c. 1...

A beautiful mid 20th century Southeastern European oil on canvas portrait of a lady wearing a white headdress. This intriguing work is expertly painted with thick impasto paintwork which has been built up across the surface. Indistinctly signed lower right and presented in a reverse profile frame. We think that this work was painted by an artist working in Southeastern Europe, most likely Greece or Macedonia. Artist: Southeastern European School...

Oil on board by Spanish artist Mariano Andreu Estany (1888-1976). Amazing quality and fine detail. Excellent original condition. Signed lower left, "Mariano Andreu '39". Image si...

Georgina Klitgaard (1893 - 1976) Buttermilk Bay, Cape Cod, Massachusetts, 1933 Oil on canvas 18 x 30 inches Signed lower right Provenance: Frank K. M. Rehn Galleries, New York Harold Ordway Rugg Private Collection, Western New York Georgina Berrian was born in Spuyten Duyvil, New York in 1893. She was educated at Barnard College...

Artist: Pál Fried (Hungarian, 1893-1976) Title: "Intermission (Ballerina)" *Signed by Fried lower left Circa: 1940 Medium: Original Oil Painting on Canvas Framing: Recently framed in a gold Louis XV style frame Framed size: 39" x 33" Canvas size: 30" x 24" Condition: In excellent condition Notes: Provenance: private collection - Port Orange, FL; acquired from Herbert Arnot Gallery, New York, NY in the early 1970's. Titled by Fried on verso. The artist's copyright stamp and various reference number on verso. Biography: Pál Fried was born in Budapest in 1893. He received his art education at the Académie hongroise des arts (Hungarian Academy of Arts) where he was a pupil of Hugo Pohl who became one of his major influences. While under Pohl's direction, he executed many portraits of female nudes and Orientalist works. Later he studied in Paris at the Académie Julian, where he was the pupil of Claude Monet and Lucien Simone. In Paris, he was greatly influenced by the French Impressionists, especially Pierre-Auguste Renoir and Edgar Degas. This inspired him to prepare many paintings of ballerinas...

Reginald Marsh Tugboat at Dock, circa 1937 Signed lower right Watercolor and pencil on paper 13 3/4 x 20 inches Housed in a Lowy frame. Provenance: Sotheby'...

Luigi Lucioni Vermont Landscape with Birch Trees, 1936 Signed and dated lower left and inscribed indistinctly verso Oil on board 20 x 15 7/8 inche...

Born in Russia, the son of Friede (1878 – 1956) and Benjamin Hoffman (1878 – a. 1942). Benjamin was a dealer in mineral and seltzer water and the family resided on Snediker Avenue in Brooklyn, New York, just down the streetfrom the home where George Gershwin (1898 – 1937) was born. This area of Brooklyn, known as Brownsville, “witnessed the development of one of the largest communities of Eastern European Jewish immigrants during the last decade of the 19th century and the first two decades of the 20 th century.” Today, little remains of this once thriving Jewish section of Brooklyn, which today houses many commercial and repair businesses. Hoffman studied at the Art Students League of New York, the National Academy of Design and in the art program at Cooper Union. His work at the National Academy received praise, and in 1921 he was awarded the 2nd prize and an honorable mention from the John Armstrong Chaloner Paris Prize Foundation at the National Academy, which allowed the recipient to study in Paris, France for as long as five years. The following year he was awarded the 1 st prize in the competition (with The Reform Advocate running the headline “Young Jew Wins Art Prize”) as well as the Suydam Bronze Medal for his achievements in the Academy’s Men’s Night Class. In 1923 he was residing in Long Branch, New Jersey, when he was awarded 4th place in the Chaloner competition. Early on, Hoffman exhibited his work throughout the city, including in 1925 with the recently organized Society of Independent Artists. He also received several solo exhibitions during the first part of his career, including one at Ferargil Galleries in 1929. In the spring of 1930 a solo exhibition of his portraits, including paintings and drawings, was held at at Babcock Galleries, where a reviewer noted: “Portraiture is obviously Mr. Hoffman’s specialty… his best work is characterized by a sensitive appreciation of character set down in a vigorous decisive statement. Later that same year, in August, he participated in Babcock’s summer exhibition where reviewer Jerome Klein, writing for The Baltimore Sun, felt Hoffman’s and other artists work was already becoming old fashioned, remarking “…if an effort toward accomplishment is to be made, it must be in the language of today. It is for that reason that such contemporaries as Eugene Higgins and Nathan Hoffman, in this show, seem artists of a bygone era…” The onset of the Great Depression appears to have slowed his success, as was the case for many up-and-coming artists. By 1939 Hoffman had become a gallerist in addition to being a painter, operating the collective exhibition space “Sutton Gallery,” which was originally located at 358 East 57th Street. There Hoffman exhibited his own works as well as those created by other prominent New York artists including David Burliuk (1882 – 1967), Charles C. Curran (1861 – 1942), Louis Eilshemius (1864 – 1941), Ann Goldthwaite (1869 – 1944), Maurice Kish (1895 – 1987), Lawrence Lebduska (1894 – 1966), Bradford Perin and Ellis Wilson...

ROBERT WILLIAM WOOD(1889-1979) Robert William Wood was an American landscape painter. He was born in England, emigrated to the United States and ros...

Wonderful Surreal Latin American painting. Painting is oil on masonite board with original frame. Appears to be unsigned. Condition is excelle...

Thomas Victor Downing (1928 - 1985) Nineteen, 1968 Acrylic on canvas 35 1/2 x 16 1/2 inches Signed on the reverse Provenance: Estate of the artist Henri Gallery, Washington, D.C. Private Collection, Washington, D.C. Thomas Downing was born in Suffolk, Virginia. In 1950, after graduating from Pratt Institute in New York City, he received a grant from the Virginia Museum of Fine Art to study in Europe. Upon returning from Europe, he settled in Washington, DC to teach at Catholic University. In 1954 Downing became a friend of Kenneth Noland, whose life drawing course he attended. From 1955 to 1956 Downing shared a studio with Howard Mehring, another artist who came to be identified with the Washington Color School. Downing had his first one-man show at the Washington Workshop Center for the Arts in 1959. That year, Downing, Mehring, and Betty Pajac founded Origio, a cooperative art gallery in Washington. In 1959 Downing first began using the small dot in his work, a motif he explored fully into the 1970s. In the early works colorful dots determined the structure of the painting in their size, position, and repetition within a grid. Often there was a sense of concentration and expansion of the composition from the center to the edge of the canvas, achieving a visual impression of expanding open space. Looking for the fusion between the grid and color, Downing eliminated overlapping dots in 1962. The dots arranged in grids seem to project from the canvas surface, giving the impression the color floats unrestricted by the square format of his paintings. Downing’s position in the Washington Color School came from his consistent approach to color. The canvas was the receptacle of color, on which Downing often worked in tonal modulations of a hue. Downing developed shaped canvases in 1966 as a structural solution to his deeper consideration of the “spatial definition” of color. After first working in a parallelogram shape, Downing next worked in chevron-shaped canvases that examined the illusionistic qualities of color. He exhibited these works in a solo exhibition at the Corcoran Gallery in 1966-1967 and later at the Allan Stone Gallery in New York in 1967. Downing’s second series of shaped canvases titled Folds were created in 1968. In the Fold series he discovered a new effect of relief and spatial depth within a flat work that could be enhanced by color. The projections and folding in the Fold paintings suggest the paintings exist in a world without gravity. Downing exhibited in a group show at Jefferson Place Gallery in 1960 and had his first solo exhibition there in the spring of 1961. Downing had solo exhibitions in New York at Allan Stone Gallery in 1962, 1967, and 1968. He also had solo exhibition in New York at Stable Gallery in September 1963 and January 1965. In the early 1970s Downing had regular solo exhibitions at the Pyramid Galleries in DC. In the 1960s Downing was included in important museum exhibitions, including: Post Painterly Abstraction at Los Angeles County Museum of Art, 1964 (Clement Greenberg curated and included three of Downing’s dial paintings); The Responsive Eye at the Museum of Modern Art, 1965; Colorists, 1950-1965 at the San Francisco Museum of Art, 1965; Systemic Painting at the Solomon R. Guggenheim Museum, New York, 1966; and Color Field Painting at the Philadelphia Museum of Art in 1970. Thomas Downing: Recent Paintings was held at the Corcoran Gallery of Art in December 1966 - January 1967. A solo exhibition of his paintings from 1962 to 1968 was held at the La Jolla Museum of Art then travelled to the Phoenix Art Museum in 1968. Downing had a solo exhibition at the Phillips Collection in 1985. Downing taught at the Corcoran School of Art and Design, Washington, DC from 1965 to 1968. There he was influential for the next generation of DC color...

Acquiring a mid-20th-century Fauvist painting by Wilhelm Henning is an opportunity to own a piece of art that captures the vibrant spirit and expressive color palette of the Fauvist ...

Title: Flower In White Vase Medium: Oil On Canvas Painting Size: 35"" x 29"" Frame Size: 38.5"" x 33"" Condition: This artwork is in good overall condition for its age. Signature: S...

ARTIST: Ian Hay (1940-) British TITLE: "Groynes Dovercourt Beach Essex" SIGNED: lower left MEDIUM: oil on board SIZE: 41cm x 34cm inc frame CONDITION: very good DETAIL: Artist in...

Gouache on paper, signed (lower left) and titled (lower right), 68cm x 88cm, (88cm x 108cm framed). The work is framed behind museum quality non-reflective UV glass. A realist pain...

Irises by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on canvas, unframed measures: 24 high by 15 inches wide condition: overall very...

'Summer Flowers' by Margaret Ryder (British b. 1908) signed oil on canvas, framed frame: 33 x 26 inches canvas: 27 x 20 inches provenance: private collection, UK Exhibited at the Roy...

Designs by Josine Vignon (French 1922-2022) signed pastel/watercolor on paper, unframed painting: 13 x 20 inches good condition provenance: from the artists estate, France Josine V...

The Evening Sun French landscape French School, mid 20th century oil painting on canvas, unframed measures: 10.5 x 14.5 inches condition report: very good provenance: from a collecti...

Aldro Thompson Hibbard (1886 - 1972) Autumn in New England Oil on canvasboard 18 x 25 inches Signed lower right; estate stamped on the reverse Born in Falmouth, Massachusetts, Aldro Hibbard was an Impressionist landscape painter much concerned with light and shadow. He was one of the founders of the Rockport Art Colony, and the Rockport Art Association now occupies his former studio. Hibbard grew up in Dorchester and Boston and spent much time in the summers in Boston and Cape Cod. He showed early artistic talent, an interest he shared with a life-long love of baseball, which led to his becoming a professional baseball player. For his art training, he graduated from the Massachusetts Normal School and studied at the Boston Museum School with Edmund Tarbell...

A beautiful c.1950 oil on board by French artist Lucien Potronat depicting a view of the Cote d'Azur / French Riviera from a balcony. Excellent quality...

Autumn Trees, Mid Century Fall Landscape with Orange & Earthtones Lovely late 1960's vintage landscape oil painting of an autumnal scene by Cal...

Profusion of Flowers European artist, late 20th century oil on canvas, unframed canvas : 24 x 20 inches provenance: private collection, UK condition: very good and sound condition

Josine Vignon (French 1922-2022) ...

Wildlife by Josine Vignon (French 1922-2022) signed pastel/watercolor on paper, unframed painting: 14 x 18 inches good condition provenance: from the artists estate, France Josine ...

Gladioli Flowers by Bernard Labbe (French mid 20th century) original watercolour on artist paper size: 18 x 15 inches condition: very good and ready to be enjoyed provenance: the ar...

Jirayr Zorthian(1911-2004), went through two Turkish massacres before age eight. He left Turkey at age nine with his family and spent a year in Padua, Italy, waiting for his visa to open to the United States. This period was very important in his life because his father took him to many cities in Europe and exposed him to great works of art. Zorthian arrived in the United States at the age of eleven and settled with his family in New Haven, Connecticut. He obtained his formal education there, after graduating from Yale in 1932, the Winchester Fellowship granted him a year and a half at the American Academy in Rome with travel and study throughout Europe. His art career branched into various directions on his return to the United States. As a mural painter his reputation was established. He has forty two (42) murals throughout the United States. Zorthian worked and taught painting at some of the finest art academiJirayr Zorthian(1911-2004), went through two Turkish massacres before age eight. He left Turkey at age nine with his family and spent a year in Padua, Italy, waiting for his visa to open to the United States. This period was very important in his life because his father took him to many cities in Europe and exposed him to great works of art. Zorthian arrived in the United States at the age of eleven and settled with his family in New Haven, Connecticut. He obtained his formal education there, after graduating from Yale in 1932, the Winchester Fellowship granted him a year and a half at the American Academy in Rome with travel and study throughout Europe. His art career branched into various directions on his return to the United States. As a mural painter his reputation was established. He has forty two (42) murals throughout the United States. Zorthian worked and taught painting at some of the finest art academies on the west coast including both the Chouinard Art Institute and the Otis Art Institute. es on the west coast including both the Chouinard Art Institute and the Otis Art Institute. The Gathering...

Large original oil painting on canvas depicting this Provencal house in a landscape. French in authorship, the painting dates to the mid 20th century and is initialled by the artist ...

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed.

Bold composition of two people on a porch by Majel McHugh Logan (American, 1916-1982). Two people sit facing each other on a porch, backlit by warm sun. The piece is sketchy but confident, with thick brushstrokes adding high contrast shadows and highlights. Although the subjects' faces are undefined, there is nonetheless an expressive quality in their body language. Signed "Majel Logan" in the lower right corner.\ Artist's tag on verso with title. Presented in a wood frame with a gold accent. Frame size: 14.75"H x 16.75"W Canvas size: 14"H x 16"W Majel Logan (nee McHugh) (American, 1916-1982) was born in Utah. After graduation from St. Mary of the Wasatch College in Utah, she studied at the Pennsylvania Academy of Fine Arts. She continued to study at Idaho State University before eventually settling in Santa Clara, CA. Although she was a professional artist at the time, she nonetheless continued her studies at San Jose State University in the 1970s. By the mid-70s, she had won 43 awards in state, regional, and local competitions, including Fiesta des Artes (Los Gatos...

The Hill Perched Village French School, mid 20th century oil on board, unframed board: 15 x 18 inches provenance: private collection condition: minor surface scuffs but overall good ...

HERVE Jules René (1887-1981) Pond of the Tuileries Garden in Paris Oil on canvas signed low right Old frame gilded with leaves Dim canvas : 46 X 55 cm Dim frame : 67 X 76 cm HERVE J...

Nicely painted mid century abstract minimalist painting. Signed vero. Framed.

Mid Century oil on canvas portrait of a wistful reclining beauty in a garden setting by Argentinian artist Richard Durando Togo. Signed...

A very beautiful signed and dated 1936 impressionist oil on canvas by Lelia Caetani depicting the river Seine in Paris. The artist is very interesting - please see biography below ...

Nicely painted mid century abstract landscape oil painting. Great color and composition. Framed. No signature found.

This painting is part of our exhibition America Coast to Coast: Artists of the 1940s. Blue Lake, c. 1940s, oil on masonite, signed lower right, 20 x 36 inches, label and inscriptio...

Josine Vignon (French 1922-2022) ...

This fantastic Scottish Art Deco exhibited interior portrait oil painting is by Glasgow artist John Dobbie. It was painted in 1933 and exhibited that year at the Glasgow Institue of ...

Nicely painted mid century modernist view thru a window by Alan Peters. Great color and composition. Framed. Oil on canvas.

Portrait of a Gentleman in Ruff Collar and Robes Dutch School, 18th century oil on canvas laid over panel, unframed board: 28.5 x 24 inches provenance: private collection condition: ...

Marie RÉOL (Massiac 1880 – Douarnenez 1963) Seaside in Douarnenez ? Oil on canvas H. 54 cm; L. 65 cm Signed lower left Provenance : Private collection, Périgord Born in the heart o...

Impressive mid 20th century impressionist beach scene. Oil on board. Framed. No signature found.

By French famous Transgender artist, Michel Marie Poulain (Born Paris December 5, 1906. Died 1991) this rare oil on canvas it represents the Queen and he...

'Nude at the Window Overlooking Sacré-Coeur', oil on paper mounted on canvas, by Louis Latapie (circa 1930s). Although later in Latapie's career he embraced cubism and abstraction, t...

Mid Century Abstract Expressionist Painting of Yosemite's Half Dome 1950's abstract expressionist painting of Yosemite's iconic Half Dome by San Francisco artist Honora Berg (Americ...

The Sea by Louis Eugene Glasser (French b. 1897) signed oil on board, framed framed: 22.5 x 29.5 inches board: 17.5 x 24.5 inches provenance: priv...

Nicely painted mid century impressionist painting of Italy. Signed. Framed. Oil on canvas.

FRANCISCO BORES Spanish, 1898 - 1972 SANS TITRE signed and dated "Borès 42" (lower left) oil on panel 13-3/4 x 10-5/8 inches (35 x 27 cm.) framed: 19 x 15-3/4 inches (48 x 40 cm.) B...

Nicely painted mid century modern architectural painting. Oil on canvas. Framed. No signature found.

Fine WPA period painting by Morris Shulman. The painting is oil on canvass measuring 24" x 30". Signed M Shulman and dated '40 at the lower right. Titled verso "Spring Flood." Shul...