Framed Portrait Paintings

Hendrick van Balen (Antwerp 1575 - 1632) workshop Possible Jan van Balen (Antwerp 1611 - 1654) Madonna and Child with Three Angels Oil on panel 65 x 50 cm....

Artist: William Weintraub (1926) Title: Young Boy with Donkey Year: 1962 Medium: Oil on board Size: 33 x 25.5 inches Condition: Excellent Inscription: Signed and dated by the artist ...

The Christ Child as Redeemer of the World Oil on Canvas, 69.3 x 49.7 cm Provenance Private Collection, Belgium The present painting is known in different versions. One of them is ...

A particularly fine 19th century oil portrait of a young girl fetching water from a nearby river. Well presented in a gilt frame and slip, under glazing. Unsigned. On canvas on stret...

Lombard School of the 17th century St. Joseph with Flower Stick Oil on oval canvas 92 x 70 cm. In antique frame 106 x 85 cm. The work shows us an intense image of St. Joseph, portrayed according to the classical iconography that sees him as a mature man holding in his hands a staff from which lilies bloom, symbol of the Virgin's purity. This iconographic attribute also alludes to his figure as God's chosen one as Mary's future husband. According to the apocryphal gospels, the Virgin had grown up in the Temple of Jerusalem, following a monastic lifestyle, and when she reached marriageable age, each of the suitors was given a dry branch...

Alfredo Sosabravo was born in Sagua La Grande, Cuba, on October 25, 1930. He studied art at the Annex School of San Alejandro Fine Arts Academy, but is considered a self-taught artis...

OSCAR Oil on board Size: 65.5 x 54.5 cm (including frame) A striking and emotive mid-century figurative portrait composition that is characterised by expressive brushwork and a rich...

This most charming oil painting is attributed to the circle of noted British Impressionist artist Philip Wilson Steer. Painted circa 1900 this lovely Edwardian Impressionist paintin...

Portrait Of King Henry VIII (1491-1547), 17th Century English School Royal Court Portrait Large 17th Century English Royal Court Portrait of King Henry VIII Of England, oil on canv...

A painting of Lord Methuen’s Spaniels Gipsy and Fairy, by William Barraud, standing beside a classical urn in a landscape by a lake, probably in the grounds of Corsham Court in Wiltshire, the Methuen family country seat. Signed and dated 'W Barraud...

Spanish School of the 19th Century Santa Justa and Santa Rufina Oil on canvas 40 x 27 cm In quite good condition, the paint surface presents numerous crack...

A beautiful full portrait of two girls, possibly the artist's daughters, with spring flowers by British American artist Hamilton Hamilton (1847-1928). Hamilton was born in Oxford, En...

Louis-Gabriel BLANCHET (Versailles, 1701 – Rome, 1772) Presumed self-portrait of the artist Oil on canvas H. 73 cm; W. 60 cm Circa 1730 Originally presented in a Restoration period frame with a "Mignard" cartouche, this beautiful painting initially appeared to us as a work from northern Italy. However, it exuded a rather French form of refinement, suggesting that its artist may have assimilated a dual influence from both sides of the Alps. We thank our colleague and friend Philippe Mendès for spontaneously and judiciously "bringing out" the name of Louis-Gabriel Blanchet, a Romanized French portraitist, whose spirit and stylistic characteristics we clearly recognize here. Blanchet's "French" years, before his final departure for Rome in 1728, following his winning of the second Grand Prix for painting after Subleyras in 1727, are extremely poorly documented. His father, Gabriel, was valet to Blouin, himself Louis XIV's first valet at the time. According to Thierry Lefrançois, Blanchet was one of the few students of Nicolas Bertin (1667-1736), whose studio he is said to have joined in the early 1720s. At a baptism on March 24, 1724, where he was godfather, he is mentioned as a painter in the picture store of the Duke of Antin, the director of buildings between 1708 and 1736. At this time, he was probably already married to Jeanne Quément, with whom he had a daughter also named Jeanne, who would marry Nicolas Aviet, the son of a valet in the queen's wardrobe, in Versailles in 1738. When Blanchet arrived in Rome in October 1728, he was accompanied by Subleyras, Trémolières, and Slodtz. He enjoyed the goodwill of Vleughels, the director of the Académie de France, which had been based at the Palazzo Mancini since 1725, even though the latter was not always kind to our resident. From 1732, he was under the protection of the Duke of Saint-Aignan when he took up his post as ambassador to Rome. Along with Slodtz and Subleyras, they formed a trio of friends, joined by Joseph Vernet shortly after his arrival in Rome in 1734. Slodtz and Blanchet, on the occasion of Subleyras's marriage in 1739, were there to attest that their friend was not bound by any marital commitment, and Blanchet was a witness at Vernet's wedding in 1745. It is most likely from these early years in Rome that our portrait of the artist dates, the expression and turn of his face irresistibly reminiscent of a self-portrait. The still relatively youthful features may correspond to Blanchet's thirty-something years, and the fluffy wig was still fashionable at this time. The painting fits well with the depiction of a young painter wanting to display both the beginnings of success and a certain simplicity or restraint. A slight smile expresses a form of assurance in this man with a gentle, sincere gaze and a face radiating a keen sense of wit. We find here the air of intimacy present in almost all of Blanchet's portraits, even those from the 1750s and 1760s, as well as an almost complicity with the viewer. The spirit of the painting is quite close to that of the presumed portrait of Bouchardon (painted around 1730) and the portrait of Pannini, painted in 1736, but it possesses a more natural quality, notably thanks to the absence of decorum. Our work exhibits the characteristics of Blanchet's paintings: elegance, luminosity (especially in the whites), vibrant and refined colors (here, the harmony of the garnet of the garment and the slate blue of the background, whose uniformity is tempered by a very sketched landscape and a grove of greenery), light complexions, rather rosy cheekbones, often full lips, and rather tight framing. According to the Academy's rules, Blanchet's stay should have ended in the spring of 1732, but, for reasons unknown, he remained in the Eternal City until his death, as did his friend Subleyras, with whom he shared accommodation until the late 1730s. The latter regularly called upon him to collaborate on his paintings, such as The Meal at Simon's. Through Saint-Aignan's intervention, Blanchet was employed in the late 1730s by the Stuart princely family, then exiled in Italy. He notably produced copies (now lost) after Liotard of the portraits of Charles Edward and Henry Benedict, the sons of James III Stuart. The latter also commissioned three other portraits (now in the National Portrait Gallery in London), whose more formal character contrasts with the intimate spirit of Blanchet's portraits. Blanchet frequented English painters, such as the landscape painter Richard Wilson, and studied with the Scottish portraitist Katherine Read...

The paintings from Willard Dixon's "NEWS series" are generally taken from small black and white newspaper photos from the artist's daily reading of the news. He changes the images somewhat by cropping them, taking things out, adding color, etc. But the image is definitely something seen originally by someone else. “I must say”, says Dixon, “I have rather strong feelings about these images myself. I see them at least in part as an homage to the intrepid photographers on the front lines who are telling truth to the world about what’s actually going on out there.” This is 'Surya', which is hindu for sun; A 48 x 60 inch oil on canvas painting depicting a kaleidoscope of colorful women...

Portrait Of Elizabeth Campbell & Daughter, Wife Of Colonel Colin Campbell circle of Margaret Carpenter (1793-1872) Large 19th Century English portrait of Elizabeth Campbell & Daughter, oil on canvas. Seated half length mother and daughter portrait of the wife of Colonel Colin Campbell. Good quality similar to Margaret Carpenters...

A charismatic portrait depicting a young woman wearing a traditional Dutch lace cap. In her hands, she clasps a teacup close to her chest. The artist captures the girl in a loose sty...

"Ghost" is a photoreal portrait of a white horse in his dark barn in the South of France. The equine painting stuns the viewer with the drama o...

Antoine VESTIER, attributed to (Avallon, 1740 - Paris, 1824) Portrait of a man under the Revolution Oil on canvas H. 46 cm; L. 37 cm Circa 1793-95 This beautiful unsigned portrait i...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

After Raphael Conestabile Madonna 1483 - 1520 Oil on poplar panel Image size: 8 x 8 inches (20.5 x 20.5 cm) Original ornate hand carved gilt frame Conestabile Madonna Made in compos...

A fine impressionist style portrait study of a young woman in a garden filled with flowers. She pulls a branch of blossom towards her to smell, her eyes drifting to the distance in t...

John Dalziel Kenworthy portrait of a gentleman . Fine, large and imposing oil on canvas housed in a gilt frame. The sitter is unidentified, he has an aristocratic and characterful lo...

A visually stunning original oil on panel titled Ciros Life. It was painted circa 1953 by Laurence Henry Irving and depicts a man of little means outside a London theatre doorway. Th...

Hans Zatzka (8 March 1859 – 17 December 1945 Young Lady With Cupid in The Park Oil on canvas circa 1880 signed low with pseudonym C.BRIAND Old Frame gilded with leaves Size canvas : ...

This captivating post-Impressionist portrait is by American artist David L Swasey circa 1953. The painting depicts a seated woman, turning to look at the artist with stunning blue ey...

Oil on oak panel Image size: 25 1/2 x 19 inches (37.5 x 27 inches) 18th Century Auricular gilt frame Provenance New York private collection This portrait of the King Edward VI depicts the boy-king standing in a black and gold embroidered doublet, wearing a jewelled cap. King Edward holds a staff with a globus cruciger set on the table beside him. No expense has been spared in the making of this piece, with gold leaf being applied in many areas to give the effect of the costume's gold embroidery, chain of office and other metal accessories. As the precious male heir to the Tudor dynasty...

'Fractured Mind' - Abstract Painting on Board by British Urban Graffiti Artist, Chris Pegg, using red, black & golden yellow. Chris Pegg is a self-taught Street Artist producing artw...

This lovely British ballet oil painting is by noted artist Elizabeth Bridge. Painted in 1951, the composition is a male and female ballet dancer on...

Painted circa 1920 by the noted British Impressionist portrait painter Walter Ernest Webster, this lovely oil painting depicts a beautiful young woman in an impressionist palette. Si...

Portrait of a Lady, 19th Century Painting. Miniature on ivory. Wooden frame with leather back. 12 X 12 cm.  Good conditions!

From the Michael Hall Collection, this is a great American scene showing the excitement of the fair. It depicts a time when men wore coats and ties and women had hats at the fair be...

On the Streets of Paris by Lu Haskew Watercolor ​30x22" image size, archivally matted and framed behind glass. A young musician plays their violin wi...

Karen Offutt approaches Queen 20" x 16" oval , oil on panel with an atmospheric sensitivity combining shape, tone line, and color. Queen show the strength in the female boxer. Queen ...

America Martin "Night Rabbit" Oil & Acrylic on Canvas 18 x 18 in. ; 19.75 x 19.75 in. Framed ______________ Exploring the identity of both her namesake and country, LA-based America...

This lovely portrait oil painting is by Scottish exhibited artist Allan Newton Sutherland. It was painted in 1914 and is a seated portrait of a young Scottish girl with auburn hair a...

Nicey painted American modernist portrait oil painting. Framed. Oil on board. Image size, 8H by 10L.

Herbert Gustave Schmalz Anyone for Croquet, circa 1898 Signed lower right Oil on canvas 47 5/8 x 31 3/4 inches Provenance Anthony Mitchell, Nottingham Burlington Gallery Ltd., Londo...

Born in 1957 and trained in Paris's École Nationale Supérieure des Beaux-Arts, Ruiz's career has been a rich tapestry of artistic exploration and professional achievement. His format...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

Mid Century portrait of a grey haired woman wearing a sun hat by Jon Blanchette (American, 1908-1987). Rendered his signature style, this...

Golden Retriever, dog, This stunning large black and white ink painting of a Golden Retriever, is a contemporary minimal portrait in ink wash on Heritage paper 200 gsm paper. Ian Mason's portraits of dogs are very striking as he is able to capture the form of each dog breed with minimal brush strokes. His start as a sculptor is evident with his unique, minimal paintings of dogs. Viewers always exclaim that he captures each dog's personality perfectly for each breed. This Golden Retriever dog exudes loving and gentle traits. In the images we have included a lovely image of Luna 1 which is framed the same size (they make a stunning pair of golden retriever paintings...

This young shepherd clearly didn't want to pose for the artist, but something caught his attention, and in this expression and look, the artist masterfully depicted the whole range o...

Oil Painting by Herbert Bland Sparks "Happy Families" 1813 - 1901 Son of London maritime Painter and engraver, he exhibited at the Royal Academy and in Liverpool Oil on canvas. Signe...

Samuel S.Hoskins Statement on Sacred Writing : I sought to delve into the concept of sacred texts, encompassing both religious and mythological narratives. Unlike conventional books, these sacred texts are dynamic, evolving throughout an individual's lifetime and human history. Reading such a text in childhood carries distinct significance compared to revisiting it in later stages of life. To symbolize our transformative journey, I depicted a path leading into the forest, illustrating how our life experiences influence our connection with these profound literary works. Sacred Writing 26x34 28x36 with Frame As a graduate of The Florence Academy of Art and a devoted oil painter, Samuel Hoskins...

Howard Barron. English/Australian ( b.1900 - d.1991 ). Portrait Of Katherine Joan Merry nee Horstmann b.1914 - d.1973. Director Of The Horstmann Gear Company Of Bath, 1946. Oil On ...

America Martin "KO" Oil & Acrylic on Canvas 105 x 50 in. 106.5 x 51.5 in. Framed Exploring the identity of both her namesake and country, LA-based America Martin draws inspiration ...

Impressive early American modernist abstract painting by Alton S. Tobey (1914 - 2005). Oil on canvas. Framed. Signed. Image size, 24 by 66 inches.

Portrait Of The Wife Of A British Hong Kong Diplomat, circa 1890 Chinese School - one of a pair we are selling 19th Century Chinese Provincial Scho...

Danny McCaw's (US based) "Figure with Textures" is an oil painting with impasto brushstrokes that depicts an abstracted figure in an interior with a grey and red background. Bio/ar...

This tender interior scene by Henry Bacon captures a moment of warmth and domestic harmony. A young mother leans gently over a carved red cradle while her daughter, dressed in a whit...

Dave Seeley's "Fire Starter" is an exquisite example of nude figure oil painting artistry, masterfully rendered on canvas mounted on board. Cr...

Maurice Evans Original Mixed Media Portrait 20th Century Outstanding original portrait Acrylics and Oil on Paper Dimensions 15.5" wide x 23.5" high T...

American life is captured in this Clyde Singer painting, Red Coat, where he depicts a woman walking down the street towards her destination in 1956. An accomplished American Scene pa...

The painting is signed on the bottom left side. Angelo Asti, a renowned Italian artist, established himself as a true maestro of portraiture during the late 19th and early 20th centu...

Ship In A Swell Off The Pier, 19th Century attributed to Henry Redmore (1820-1888) Fine Large 19th century British maritime scene of a ship in a swell ...

This superb British 1940's portrait oil painting is by noted artist Frank Owen Salisbury also known as Frank O'Salisbury. Painted in 1944 it is a three quarter length portrait of a l...

A stunning mid-century study of a ballerina, dressed in a navy leotard and tutu. She sits elegantly on a plush yellow cushion in the artist's studio. The expressive brushwork and loo...

This superb Post Impressionist Slade School female full length seated nude portrait oil painting is by female artist E A Jay. Painted in the 1940'...

BUCKLEY MACGURRIN "ALEXANDRIA" OIL ON CANVAS, SIGNED, TITLED AMERICAN, DATED 1949 EXHIBITED: DALZELL-HATFIELD GALLERY 14 X 20 INCHES Buckley MacGurrin 1896 –1971 Buckley MacG...

Portrait Of A Rosalin Isabel, 19th Century Pre-Raphaelite School Large 19th Century portrait of a lady "Rosalin Isabel", oil on canvas tondo. Excellent quality and condition side ...