Mid-20th Century Portrait Paintings

Portrait of Woman is an orignal modern artwork realized by Antonio Feltrinelli in 1930s. Mixed colored oil painting on canvas. Not signed. Antonio Feltrinelli (Milan, 1887 – Gargn...

Self portrait is a modern artwork realized by Antonio Feltrinelli in 1930s. Mixed colored oil painting on canvas. Not signed. Antonio Feltrinelli (Milan, 1887 – Gargnano, 1942) He...

Artist: Bernard Locca, French (1926 - 1997) Title: Portrait of a Blonde Beauty Year: 1963 Medium: Oil on Canvas, signed l.r. Size: 36 in. x 29 in. (91.44 cm x 73.66 cm) Frame Size: 4...

Woman in the Garden is an original modern artwork realized by Antonio Feltrinelli in the 1930s. Includes frame: 98 x 4 x 68 cm Mixed colored oil painting on board Antonio Feltrinelli (Milan, 1887 – Gargnano, 1942) He was born in Milan on June 1, 1887 to Giovanni Feltrinelli, the nephew of Giacomo, who was the founder of the Feltrinelli partnership. Feltrinelli was not only a prominent figure in the Italian economic and financial field, but he was also a painter, who was characterized as a strong, impetuous hot colorist, and preferred still lifes, portraits and landscapes. He started his career in 1930 at La Permanente (Milan), where he exhibited a portrait and a still life that won him the Fornara award. That same year, Feltrinelli exhibited his work at the Venice Biennial and at the Pesaro Gallery in Milan. Together with other prominent avant-garde artists, he participated in various foreign exhibitions on modern Italian painting...

Tonight I wait at the window is an original modern artwork realized in 1968 by Franco Rivola. Mixed colored oil painting on canvas. Hand-written dedica...

Signed and dated.

Composition is a modern artwork realized by Antonio Feltrinelli in the 1930s. Another painting of human figure on rear. Includes frame: 98 x 4 x 68 cm Mixed colored oil painting o...

Woman in red is an original artwork realized by the Italian artist Antonio Feltrinelli in the 1930s. Original oil on plywood. Beautiful and representative artwork of a female figu...

Acrylic painting by Robert Carroll, realized in 1969 ca. Very good condition. Robert Carroll is an american artist born in 1934 in Painesville, Ohio. He did study Arts at the Cleveland Institute of Arts where he graduated in 1957. Since the end of 1950s he has been associating with some of the most important writers and intellectuals of the beat generation...

Richard Joseph Ericson (American, 1922-2010) Untitled, 1950 Oil on canvas 36 x 25 in. Signed lower right: RJE '50 Richard Joseph Ericson (b. October 22, 1922-d. November 21, 2010), born in Chicago, Illinois. Son of Claire (b. 1899) and Arthur Ericson (b. 1899). His father was an accountant for a food products company and the family moved to Mount Vernon, Westchester County, New York, when he was a young child. Ericson, a twin, first began to draw at age five and took up painting in oils at age twelve. He studied at the Art Students League in New York City in 1941, where he received an honorable mention during the annual scholarship competition held that year. During this period he worked as a commercial artist. After America's entry in World War II Ericson enlisted in the Army in 1942, where he served as a warrant officer. He saw service in North Africa, France, and Germany. While overseas, he did many drawings of the places in which he was stationed. He eventually found himself guarding Italian prisoners of war who had been captured in Sicily and southern Italy. While performing his duties during 1943 and 1944 he found time to paint several important, large scale portraits of the prisoners who were happy to pose for him. As the war concluded he was able to visit Holland to study. After nearly three years overseas, Ericson returned to America and traveled back to his home town of Chicago where he furthered his studies at the Art Institute of Chicago. He married in 1948 and moved his young family to Mexico, where he attended Mexico City College. He studied art and exhibited while living there, receiving his Master of Arts degree, cum laude, in 1953. For a time after his return to the United States he taught art in Dutchess County, New York, where he and his wife built their own house by hand. Eventually the family, which would come to include seven sons, settled in Hicksville, Long Island, New York. Ericson joined the staff of Hicksville High School as the art teacher in 1962, a position he would hold until his retirement in 1983. As a teacher, Ericson was open to all fields and styles of art, constantly experimenting and experiencing new forms and styles. He had started printmaking in the late 1940's and continued to work in this medium for many years, producing mezzotints, etchings, and wood block prints. He also continued to paint, creating portraits, scenes in southern Dutchess County, and Long Island landscapes - for which he would become well known. Ericson grew to love the area in which he lived, and depicted it quite often in his paintings. He became enamored with the historic village of Cold Spring Harbor...

A beautiful watercolor painting of a brown Carmel house with a white picket fence in front by Lillie Esther (Hillman) Heebner, a Watsonville, Monterey Bay area, California watercolor artist. Unsigned, but acquired with a collection of her work. Lillie (Lil) E. Heebner was guided through life by her creativity. Even at 92, she never felt old, and often said so. She met every situation in life—including death—with ingenuity. Although born in Richmond, Lillie lived in Watsonville all her life. Her father, Frederick H. Hillman, grew up on a strawberry ranch in Pajaro, graduated from Watsonville High School in 1916, and served in France during World War I. He later worked for Martinelli's Apple Cider plant and became foreman. Lillie's mother, Esther C. Hobson, moved as an infant from Bakersfield to Santa Cruz with her family in 1901, when they founded Hobson's Bath House at the Santa Cruz Boardwalk...

Allegory is an original artwork realized by the Italian artist Antonio Feltrinelli in the 1930s. Original oil on plywood. Beautiful and represent...

Clarice Akin Holloway (1905-1989) Port Arthur Artist Image Size: 20 x 16 Frame Size: 28 x 24 Medium: Oil Circa 1960s "Retired Ballerina" Biography Clarice Akin Holloway (1905-1989) Mrs. Richard B. Dell Holloway Port Arthur Painter, teacher. A native of Port Arthur, Holloway graduated from nearby Lamar College, Beaumont, with honors. She received instruction or criticism on various occasions from Otis Dozier, Frederic Taubes, Elliott O'hara, Henri Gasser, Ted Schuyler, Fred Samuelson, Boardman Robinson, Morris Davidson...

Portrait of Woman is an original artwork realized by the Italian artist Antonio Feltrinelli in the 1930s. Original oil on board Beautiful and representative artwork of a female fi...

Two Portraits is a contemporary artwork realized by Dimitri Godycki Cwirko (1901-1987). Mixed colored oil on canvas. Hand signed and dated on the lower...

BEHIND THE MASK Size: 43 x 35 cm (including frame) Oil on board A bold and enigmatic mid-century figurative portrait, executed in oil onto board and dated 1957. The composition dep...

Artist: Joe Montanes – Spanish (1918-1998) Title: Madonna Year: circa 1970 Medium: Oil on board Painting size: 27.75 x 19.75 inches. Framed size: 32.75 x 24.75 inches Signature: Signed upper left Condition: Very good The painting is in very good condition. The frame is in good condition with a few tiny scratches which are barely visible upon very close inspection. Jose Montanes studied at the Escuela de Bellas Artes de San Carlos in Valencia. In 1947, he had his first one-man show in Barcelona Recognition, scholarships, acclaim and honours quickly followed. At about this time, the French government awarded the young artist a scholarship to study at the Ecole de Beaux Arts...

Portrait of a girl is an original artwork realized by the Italian artist Antonio Feltrinelli in the 1930s. Original oil on plywood. Beautiful and representative work of a female fi...

Discover the captivating allure of this abstract assemblage composition by German (Hannover) artist Hans-Jürgen Breuste (1933-2012). Crafted with mixed media on a wooden board, it co...

Painted circa 1930 this Modern British oil portrait of Philip Joubert has superb colouring and detail. Painted by Charles Cundall RA RWS, it came from the artist’s daughter and is framed in an earlier solid Empire frame. This is a fine example of a 20th century Modern British portrait. Philip Jourbet de la Ferte, Air Chief Marshall, was senior commander in the 1930's and World War II. Signed left. Provenance Family descent. James Bourlet and Sons labels verso. Artist’s daughter. Condition. Oil on canvas, image size 24 inches by 20 inches and in fine gallery condition. Housed in a fine Empire 19th century frame 30 by 26 inches, in good condition. Charles Cundall (1890-1971) - painter, potter and stained-glass artist, born in Stratford, Lancashire. After working as a designer for Pilkington's Pottery Company under Gordon Forsyth...

Signed lower left, 'Sarah H. Hobson' and dated, '1936'. A delicately modeled, gouache and watercolor study of a young woman with copper hair. Sarah Villarette Hoover Hobson studied...

Robert Carroll is an american artist born in 1934 in Painesville, Ohio. He has been studying Arts at the Cleveland Institute of Arts where he graduated in 1957. Since the end of 19...

Large magnificent colorful Ruth Schloss oil painting of a child with a wagon with a doll or a baby in a carriage stroller.. Signed in Hebrew size measures 31x43 with frame , 23x35.25 without the frame. (this is being sold unframed). Ruth Schloss (22 November 1922 – 2013) was an Israeli painter and illustrator who mainly depicted neglected scenes such as Arabs, transition camps, children and women at eye-level as egalitarian, socialist view via social realism style painting and drawing. Schloss became Israeli painting’s sensitive, conscious, remembering eye. Ruth Schloss was born on 22 November 1922, in Nuremberg, Germany, to Ludwig and Dian Schloss, as the second of three daughters of bourgeois assimilationist Jewish family well-integrated into German culture. As the Nazis came into power in 1933, her family immigrated to Israel in 1937, and settled in Kfar Shmaryahu, then an agricultural settlement. Schloss studied at the Department of Schloss graphic design at "Bezalel" from 1938 to 1942 alongside Friedel Stern and Joseph Hirsch. She was a realistic painter who focused on disadvantaged people in the society and social matters as an egalitarian. Her realism was thus an “inevitable realism,” motivated by an inner necessity: the need to observe reality as it is. Her painting repeatedly addressed the door pulled from its frame, employing drawing’s unique ability to stop time and prolong the image’s persistence in the retina, she repeatedly committed to paper - in a matter-of-fact, non-evasive manner devoid of mystery – man’s tendency to generate chaos, suffering and pain. Throughout her life, Schloss remained minimalist. Painting about human fate was the main subject of her artworks. Her natural inclination was to describe the darker aspect of human existence. 1930s The Schloss household was characterized by open, liberal spirit, in keeping with the parents’ progressive views. It deeply influenced Ruth’s mental development, as she learned to tie culture and art with sensitivity towards the weak and underprivileged. In Jerusalem, she joined a commune of Hashomer Hatzair in which she shaped her socialist views, which she maintained throughout her long career. 1940s In this period she mainly depicted landscapes of kibbutz and wretched women living hard life, children in huger, older people, refugees. After completing her art studies, Schloss joined a training group at Kibbutz Merhavia in 1942, and after two years moved to Karkur region, the nucleus established Kibutz Lehavot Habashan in the Upper Galilee. Through this time, she fell in love with the surroundings and drew landscapes. They are simple and direct with fresh, lucid lines. These paintings were selected as the main works of her first exhibition in 1949. In early 1945, Schloss started to draw illustrations in the children’s magazine Mishmar Leyeladim, and designed the logo of Al Hamishmar, the paper’s new name in 1948. In 1948, upon the founding of Mapam (United Workers’ Party), she designed her party’s emblem, which became a well-known icon. She kept working as an illustrator for Mishmar Layeladim until 1949. "Mor the Monkey" project yielded financial profits and this income was used for a study trip to Paris for two years. She was succesfull as illustrator however, she had inner conflicts of her identity as witnessed painter toward neglected class in Israeli society. First Exhibition at Mikra-Studio Gallery, 1949 She presented forty drawings on paper in her first solo exhibition, representing a selection of the themes of kibbutz landscape, its lifestyle. Schloss confidently proposed her direction through simplicity without using colors in her drawings. 1950s Between 1949 and 1951, she studied at the Académie de la Grande Chaumière in Paris. She began working in oils, with which she continued throughout the 1960s. The exhibition “Back from Paris” opened in November 1951 at Mikra-Studio Gallery . In 1951 she married Benjamin Cohen, who served as chairman of the national leadership of Hashomer Hatzair Workers Party in Tel Aviv. He was a theoretician and a man of principle, highly esteemed by its leaders who became a professor of history at Tel Aviv University. In 1953, following the Mordechai Oren affair and the publication of Moshe Sneh 's followers from Kibbutz Artzi, she and her husband left the kibbutz and moved to the agricultural farm, Kfar Shmaryahu, where she lived until her death. At a certain point in Israeli history, segments of the socialist movement felt that Israel should become part of the Communist bloc, rather than seek the support of the western world. Because the Schloss couple support of Moshe Sneh’s left-wing party, they had to leave the kibbutz. She loved to depict ordinary women as figurative on her painting without hiding or making up anything. The poet Natan Zach wrote about her works in 1955: “Her motto remains that which has been all these years: life as it is, without bluffing." Schloss’s “Pietà” (1953) became a universal cry expressing the pain of mothers on either side of the divide. In the late 1950s, she was the mother of two daughters. When she drew her daughters, unlike the universal babies she depicted, naked and with clenched fists, the painting of her children employed babyish sweetness to the full in a quiet, peaceful and heart-stirring filling rather than urgency. She also painted children in the transition camp and Jaffa in the 1950s and 1960s. 1960s-1980s – The period of Studio in Jaffa Schloss painted at a studio in Jaffa from 1962 till 1983. In this time, she turned her interest to people around her more than kibbutz – the children, mothers, and poor workers, the alleys and houses. She opened the space to the street and its dwellings, built interactions around it, and was nurtured by the presence of the outside in her work. 1960s Schloss familiarized to an Arab woman, Nabava, lived in poor. Schloss returned to painting images of old people later, and she called her painting figurative elderly people in the old age homes “waiting”. In the late 1960s, Ruth discovered acrylic paint and never turn back to oil painting. In 1965 Schloss devoted a series “Area 9 (1965)”, dedicated to the demolition of Israeli-Arab houses and the expropriation of the land, and carried a definite socio-political messages. The series was exhibited at Beit Zvi, Ramat Gan, in 1966. She was the only artist who addressed the result of the Six-Day War immediately afterward. In 1968, Schloss and Gansser-Markus presented “Drawing of War” in Zurich gallery. She expressed the war as an ultimate expression of destruction and ruin, regardless of victors and vanquished. 1970s In late 1970s Schloss began printing the selected photograph directly on the canvas, posterior reworking it in acrylic. She decided to print her work at Har-El Printers in Jaffa, and these became the surface of her painting. This technique was mainly adopted in two large series: Anne Frank (1979-1980) and Borders (1982). Through this technique she placed the figure of elder Frank next to that of the famous young Frank, and released it at the exhibition at Bet Ariela Cultural Center, Tel Aviv, in 1981. The series touched upon the Nazi Holocaust. 1980s The Lebanon War raised the question of “The Good Fence” and the effect of the war. She dedicated a large series Boarders, one of the most powerful image linked to the series is the figure of Yemenite woman raising her hand. She was the first to raise the Black Panthers demonstration to the level of a social icon. In the 1980s and again in 2000, the Intifada uprisings also led Schloss to the easel to render a good number of representational and symbolic works that in their way denounced Israel's political and military actions. 1990s – 2000s Ruth Schloss never had an exhibition in a major Israeli museum. Her works were presented in private galleries and small museums. The main museums, the Tel Aviv Museum of Art and the Israel Museum, included her works only in group exhibitions, and only in 1991 was her retrospective exhibited at the Herzliya Museum. In the 2000s, Schloss’s metaphors turned into animal kingdom and Bedouins in the south. A huge rhinoceros, birds of prey, and other "bad animals," as Cohen Evron, daughter of Ruth, calls them and "I connected this to the Nazis," said Schloss. Schloss' work after she didn't find human expression able to transmit the endless cruelty she saw in Israel's political mentality. Schloss also continued to follow and collect documentary photographs of destructions of houses from the war, the Intifada, the sequence of her work about ruin from 1949 to 2005, was a cumulative testimony about the painful history of Israel and Palestine. In 2006, a large retrospective exhibition of her work was presented at the Museum of Art in Ein Harod, curated by Tali Tamir. Education 1938-41 Bezalel Art Academy, Jerusalem, with Mordecai Ardon 1946 painting course for Kibbutz Artzi artists with Yohanan Simon and Marcel Janco 1949-51 Académie de la Grande Chaumière, Paris Awards and recognition 1965 Silver Medal, International exhibition in Leipzig, Germany 1977 Artist-in-Residence, The Cité Internationale Universitaire de Paris Selected solo exhibitions 2004 “Micha...

Artist: Ruby Walker Usher – American (1889-1957) Title: Untitled Year: unknown, circa 1950 Medium: Watercolor on paper Size: 3 3/8 x 4 5/8 inches Framed size: 14.25 x 11.25 inches Si...

Syril Frank (American, 1929-2021) Untitled, c. 1960s Oil on canvas 35 7/8 x 23 3/4 x 3/4 in. Provenance: Estate of the Artist Syril Harriet Frank was born in Brooklyn to Israel and...

Signed lower right, 'Sanchez Palacio' (Latin-American, 20th Century) and dated 1950.

The monkis an orignal modern artwork realized by Antonio Feltrinelli in 1930s. Mixed colored oil painting on canvas. Not signed. Good condition. Antonio Feltrinelli (Milan, 1887 ...

Julius Thiengen Bloch (American, born Germany, 1888-1966) Portrait of a Woman Oil on canvas, 32 x 25 1/4 inches Framed: 38 x 31 inches (approx.) Signed at lower right: "Julius Bloch"...

This brilliantly rendered female portrait by a major American post-war illustrator known for his stunningly glamorous women. Notice how all the elements of the composition work tog...

Olģerts Saldavs (1907.29.VII – 1960.1.IV) - Painter, art scholar. Studied in the studio of U. Skulme, later of K. Miesnieks and L. Liberts (1926). In 1936, he graduated from the V. ...

A fine portrait oil painting by noted Scottish artist David Murray Urquhart. Painted circa 1930 the portrait is of a woman in horse riding gear and has wonderful tones and brushwork....

Margarita Nikolaevna Tolokonnikova (1925-1976) Soviet Union A Young Child Asleep “A Daydream, 1953” Oil on Board. 9 ½ x 14 in.Frame: 14 x 19 in.Signed and Dated ’53 in Cyrillic and...

Wonderful portrait of woman from San Francisco by European portrait artist Alfred Jonniaux (Belgian/American, 1882-1974), circa 1950s. Signed on verso....

Marie Paneth, Austrian (1895 - 1986) - Portrait of D'Un Jeune Peintre Americain, Medium: Oil on Board, initialed 'MP' lower left, Size: 20 x 16 in. (50.8 x 40.64 cm)

This captivating British portrait oil painting is by noted exhibited and listed female artist Alice Mary Burton. Painted circa 1955, the painting is a portrait of a woman gazing out ...

Multi-colored figurative oil painting of a woman in bikini bathing in the California sun by listed California artist Jon Blanchette (American, 1908-1987). The colorful background is...

The Saint is an original artwork realized by the Italian artist Antonio Feltrinelli in the 1930s. Original oil on canvas. Beautiful and representative work of a female figure sur...

Woman reading is an modern artwork realized by Antonio Feltrinelli in the 1930s. Mixed colored oil painting on canvas. The artwork depicts a portrait of a woman.

Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latvia), painter. Only in 1990 his relatives give his artistic heritage to publicity. “I am 58, and in five Years my c...

In the mid-1960s Joseph Solman (American, 1909 - 2008) was commissioned to create portraits of the Begg family. This is a portrait of Marian Begg, the mother in the mid-century nuclear family...

"Portrait of a Soldier from Tehran" is an original oil painting by Cyrus Afsary. The artist signed the painting in the lower right. This piece depicts an Iranian man with a white head scarf, a Keffiyeh. Artwork Size: 27 1/2" x 19 3/4" Frame Size: 34 1/4" x 26 1/4" Artist Bio: Cyrus Afsary studied art under the strict discipline of the Russian Realist style of painting, graduating with two degrees. He has won numerous awards, including the Best of Show at the C M Russell show of Original Western Art and the Exceptional Merit Award from the National Arts Club at the 1986 Pastel society of America show. He has also received gold and silver medals from the National Academy of Western Art and was the first recipient of the coveted Lougheed Memorial Award. Cyrus won the Painting Award for “ mystical Transformation” at the Buffalo Bill Art Show in 2006 and also shared in the choice award. In 2007 he was awarded the Best of Show at the Eiteljorg Museum and in 2009 at the Charles Russell Museum he received the staff choice award, for “Entrance to Shrine” and in 2010 the Williams Award for Collectors’ reserve at the Gilcrease Museum. Oklahoma. Cyrus is an artist /member of the Cowboy Hall of Fame. He participates annually in the Prix de West invitational, and the Masters of the American West Exhibition at the Autry Museum in CA. The Eitejorg Museum in Indianapolis, IN and also the Buffalo Bill show in Cody Wyoming. Cyrus was featured in the 2002 Gilcrease Museum Rendezvous in Tulsa, Oklahoma. He is also a member of the Northwest Rendezvous Group. Cyrus and his work appear in numerous publications, including American Artist, Art of The West, South West Art...

Portrait in Tie (47) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 16 in. x 12 in. (40.64 cm x 30.48 cm)

Portrait in Tie (48) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 18 in. x 14 in. (45.72 cm x 35.56 cm)

Portrait (52) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 20 in. x 15 in. (50.8 cm x 38.1 cm)

American artist Samuel Brecher (active NY, 1897-1982) Oil on Canvas, Signed lower right ‘S. Brecher’ Brecher was a very accomplished painter who won over forty prestigious prizes and awards during his career, and had numerous one-man exhibitions. Brecher’s works are included in many important private collections as well as the Metropolitan Museum of Art, the Walker Art Museum, the Smithsonian and the Newark Museum of Art. He is listed in Who’s Who in American Art and is a member of the Salmugundi Club* and the National Academy of Art Samuel Brecher was born in Boryslaw, Austria, a town near the Carpathian Mountains, now a part of Poland. His family came to New York in 1910, where Samuel graduated from Cooper Union* in 1921. He studied Art at the National Academy of Design* from 1921-1924, and continued studies under Charles W. Hawthorne in Provincetown, Massachusetts. Brecher was represented by several well known New York City galleries in the 1940’s and 1950’s including the Kraushaar Gallery, the ACA Gallery, the Hudson Walker Gallery and the Merrill Gallery. During his career he won over forty prestigious prizes and awards and had numerous one-man shows. Some of Brechers’s contemporary artist friends were Walt Kuhn, Reginald Marsh, Richard Haley...

Signed lower right 'K. Buzzell Benepe' and dated 1936. A psychologically penetrating character study by this early California woman artist. Benepe captures the essential sensitivity of her subject as she gently cradles her doll while gazing at the viewer with both candor and charm. Katherine Buzzell Benepe first studied at the University of California in Los Angeles and, later, with Nicolai Fechin...

Work on canvas Golden wooden frame 56.5 x 66 x 2.2 cm

Painted by George Carr Drinkwater, this vibrant oil on canvas depicts the actress of stage and screen Cecily Byrne as Mary Stuart. Painted circa 1930 it is a stunning evocative portrait of an actress who was famous throughout the 1930’s. A fine portrait of a long forgotten film star. Cecily Byrne (1889-1975) was an actress, known for Loyalties, Henry IV and Brown Sugar...

Woman in pink is an original artwork realized by the Italian artist Antonio Feltrinelli in the 1930s. Original oil on plywood. Beautiful and representative work of a female figure...

Portrait is an original modern painting in tempera on paper realized by an Anonymous artist of the mid-20th Century. . Monogrammed, illegible...

Work on canvas

An original circa 1960 oil on canvas female portrait painting by Royal Academy artist Christopher Sanders. A fine example of a Modern British portrait. In good condition and framed i...

This modern mid-century composition of mother and child is by Fernando Oramas (1925-2016.) It is an interesting composition, with the mother in side profile and her child staring ahead at the viewer. The painting is composed of oil on canvas and measures 18” x 14” (24” x 20” framed). It is signed in the lower right. On the reverse is Oramas’ name and address in Mexico. Oramas lived in Mexico in the 1950s and 1960s and this painting appears to date from that time, based on the style and the frame. The painting is in very good condition. The distressed wood frame goes very well with the painting. It is in fair to good condition, with some light scuffs on the edges that allow the wood color to show through the grey stain of the frame as well as a very small bit of separation between the pieces of the frame. Please look at the signature photo for a good image of a section of the frame. Oramas had a major exhibition of his work in St. Petersburg, Russia in 2016. Oramas studied at the School of Fine Arts of the National University, located in the old convent of Santa Clara, in the Center of Bogotá, where he met teachers, trained in renowned academies in Europe. Ignacio Gómez...

Red Figure (11) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Canvas Size: 30 in. x 12 in. (76.2 cm x 30.48 cm)

Portrait with Madonna (25) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 24 in. x 20 in. (60.96 cm x 50.8 cm)

Harlequin with Nude is an original painting realized by Maurice Rouzée in the 1940s. Tempera on paper; good conditions, except for some small folds on the lower right corner and a sm...

Portrait of Man in Red (30) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 24 in. x 20 in. (60.96 cm x 50.8 cm)

Figure with Hands Raised (33) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 24 in. x 24 in. (60.96 cm x 60.96 cm)