Child Portrait Paintings

Napoleons Retreat From Russia, 19th Century French School Large Napoleonic Wars Scene Large 19th Century French School Napoleonic Wars Scene of Napoleon retreating following the in...

Unknown Artist, Possibly Gustaf Brandelius (1833-1884) Portrait of a Young Boy With Hat oil on tree panel painted c.1850-70 panel 9.05 x 5.90 inches ...

Intimate Kitchen Scene Josine Vignon (French 1922-2022) ...

Woman lighting a cigarette by Victor Gabriel Gilbert. Excellent condition and original frame. Signed low left.

Bartolomeo Schedoni (Modena 1578 - Parma 1615) workshop of Portrait of a child (Alessandro Farnese?) First half 17th century Oil on canvas (95 x 66 cm. - In frame 109 x 80) This i...

The King's Ring is an intriguing artwork that portrays a man wearing a ring. The ring is the centerpiece of the artwork. The painting is oil and acrylic on ca...

Minstrel - Giovanni Faliero Italia 2002 - Oil on canvas cm. 80x60. Giovanni Faliero’s painting depicts an elegant musician, his figure is well lit, accentuated by strong contrasts with the shaded areas. the Baroque style painting...

'French Boy in Bloomers', gouache on art paper (circa 1960s-70s), by Raymond Debiève. A young boy emerges from a beach cabana wearing a bloomer bathing costume that was still in use ...

Rebecca Jack "Boogie Wonderland" Acrylic on Canvas 40 x 60 in. __________________________ Rebecca Jack, an intuitive painter, creates vibrant, figurative works that highlight the ...

Dutch 17th century old master portrait of a boy, accompanied by his playful dog, blowing bubbles This captivating portrait shows a young boy who is looking at the spectator with ey...

Dancer  is a beautiful oil on panel realized by  Vrbová-Štefková in the mid-20th Century.  Signed and framed, 60 x 50 cm.  Good condition. 

Painting was attributed to Jean-Baptiste Marie Huet (1745 - 1811) by Cabinet Turquin (France). A cute scene with children tying a ribbon around the neck of a young lamb. Rococo in th...

An introvert finds peace Away from crowds, their soul releases The noise of the world, does cease And in silence, they find their ease Their thoughts, they ponder with care And in t...

"I Am Not Alone" by Joshua Salami is a captivating artwork that delves into the profound bond between a woman and her cherished pet, transcending the convent...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Art is often a celebration of beauty, and Olaosun Oluwapelumi's artwork "Black Beauty...

These two royal portraits are a major historical testimony to the stay of the Comte d'Artois (the future Charles X) and his family in Edinburgh in 1796-1797. Given by the sitters to Lord Adam Gordon, the Governor of Edinburgh, and kept by family descent to this day, these two portraits provide us with a vivid and spontaneous image of the Duc d’Angoulême and his brother the Duc de Berry. Danloux, who had emigrated to London a few years before, demonstrate his full assimilation of the art of British portrait painters in the brilliant execution of these portraits. 1. Henri-Pierre Danloux, a portraitist in the revolutionary turmoil Born in Paris in 1753, Henri-Pierre Danloux was first a pupil of the painter Nicolas-Bernard Lépicié (1735 - 1784) and then, in 1773, of Joseph-Marie Vien (1716 - 1809), whom he followed to Rome when, at the end of 1775, Vien became Director of the Académie de France. In Rome he became friends with the painter Jacques-Louis David (1748 - 1825). Returning to France around 1782, he settled in Lyon for a few years before returning to Paris in 1785. One of his first portraits was commissioned by the Baroness d'Etigny, the widow of the former Intendant of the Provinces of Gascony, Bearn and Navarre Antoine Mégret d'Etigny (1719 – 1767). He then became close to his two sons, Mégret de Sérilly and Mégret d'Etigny, who in turn became his patrons. In 1787, this close relationship with the d'Etigny family was further strengthened by his marriage to Antoinette de Saint-Redan, a relative of Madame d'Etigny. After his marriage, he left for Rome and did not return to France until 1789. It was during the winter of 1790-1791 that he painted one of his masterpieces, the portrait of Baron de Besenval. Set in a twilight atmosphere, this portrait of an aristocrat who knows that his death is imminent symbolizes the disappearance of an erudite and refined society which would be swept away by the French Revolution. The Jacobin excesses led Danloux to emigrate to England in 1792; many members of his family-in-law who remained in France were guillotined on 10 May 1794. Danloux enjoyed great success as a portrait painter in England before returning to France in 1801. During his stay in England, Danloux was deeply under the influence of English portraitists: his colors became warmer (as shown by the portrait of the Duc d'Angoulême that we are presenting), and his execution broader. 2. Description of the two portraits and biographical details of the sitters The Duc d'Angoulême (1775-1844) was the eldest son of the Comte d'Artois, the younger brother of King Louis XVI (the future King Charles X), and his wife Marie-Thérèse of Savoie. He is shown here, in the freshness of his youth, wearing the uniform of colonel-general of the "Angoulême-Dragons" regiment. He is wearing the blue cordon of the Order of the Holy Spirit, which was awarded to him in 1787, and two decorations: the Cross of Saint-Louis and the Maltese Cross, as he was also Grand Prior of the Order of Malta. Born on 16 August 1775 in Versailles, Louis-Antoine d'Artois followed his parents into emigration on 16 July 1789. In 1792, he joined the émigrés’ army led by the Prince de Condé. After his stay in Edinburgh (which will be further discussed), he went to the court of the future King Louis XVIII, who was in exile at the time, and in 1799 married his first cousin Marie-Thérèse Charlotte of France, the daughter of Louis XVI and the sole survivor of the royal family. The couple had no descendants. He became Dauphin of France in 1824, upon the accession to the throne of his father but played only a minor political role, preferring his military position as Grand Admiral. Enlisted in Spain on the side of Ferdinand VII, he returned home crowned with glory after his victory at Trocadero in 1823. He reigned for a very short time at the abdication of Charles X in 1830, before relinquishing his rights in favor of his nephew Henri d'Artois, the Duc de Bordeaux. He then followed his father into exile and died on 3 June 1844 in Gorizia (now in Italy). His younger brother, the Duc de Berry, is shown in the uniform of the noble cavalry of the émigrés’ Army. He is wearing the blue cordon of the Order of the Holy Spirit, awarded to him in May 1789, and the Cross of Saint-Louis (partly hidden by his blue cordon). Born on 24 January 1778 in Versailles, Charles-Ferdinand d'Artois also followed his parents into emigration and joined the émigrés’ army in 1792. After his stay in Edinburgh, he remained in Great Britain, where he had an affair with Amy Brown...

Michele Desubleo (Maubeuge, 1602 - Parma, 1676) - attributable Portrait of gentleman like Solomon, the wise king Oil painting on canvas 120 x 141 cm., By gilded wooden frame cm. 134 x 162 cm. The beautiful painting shows us an image of the famous Solomon king, legendary biblical figure who became the personification of the good reigning over the centuries, and proverbially recognized as one of the wisest politicians in history. The features of the off are presumably those of the client of the work, who wanted to emphasize his image by impersonating a character with legendary fame. The reigning, with an elegant coron head of Corona of Eastern Foggia, is dressed in a sumptuous silk clothes...

Itzchak Tarkay (1935 -2012) "Merveilleuses dames", Original Acrylic on Canvas 2002, ...

the most important American Impressionists of his age. While many of his contemporaries focused on the landscape, Frieseke gained his inspiration from the figural, and in particular the theme of femininity. His works capture female figures engaging in traditionally feminine roles — strolling in the garden or posed in a domestic interior. At the Mirror...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Ar...

This charming British Post Impressionist portrait oil painting is by noted Slade School artist (Alfred) Clive Gardiner. It was painted in 1918 and shows the influence of the French a...

Liseth Visser Dance me to the end of love 80 x 60 cm (Frame is included, framed 85 x 75 cm) Oilpaint on wood panel Dutch Female Artist Lis...

The Castle By Norman Lindsay (1879-1969), Watercolour painting on canvas mounted on board and framed signed to lower right painting measures: 30.5cm x 23.5cm framed: 77.5cm x 70.5cm ...

Original acrylic painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas is stretched. Artwork is in excellent condition. Certificate of authentici...

French painter (18th century) - Portrait of Louis XV as a child. 64.5 x 49.5 cm. Antique oil painting on canvas, without frame (not signed). Condition report: Lined canvas. Good s...

André Hallet Liège, Belgium 1890 – 1959 Kisenyi, Rwanda Belgian Painter 'The Water Carriers' Signature: signed lower left 'A. Hallet', placed and named on reverse Medium: oil on canvas Dimensions: image size 100 x 80,5 cm, frame size 120,5 x 100,5 cm Biography: Hallet André was born in the Liege in 1890, emerged as a luminary in the world of Belgian post-impressionist painting. His oeuvre, a testament to his profound talent, has graced the walls of over 60 museums worldwide, including the venerable Louvre in Paris, France. Hallet’s artistic repertoire was as expansive as it was breathtaking. He wielded his brush with mastery in a multitude of genres, creating enchanting landscapes, bustling cityscapes, serene garden views, captivating marine scenes, evocative genre depictions, and intimate portraits that breathed life onto his canvases. The journey of André Hallet’s artistry began under the tutelage and guidance of R. Heintz. He honed his craft further at the Academy in Liege. It was in the South of France that Hallet discovered the transcendent allure of light and the sun, infusing his work with a cheerful and impressionistic burst of color. The vibrant hues of his palette mirrored the radiant landscapes he encountered in Flanders and the Mediterranean, from the sun-kissed shores of Southern France to the picturesque vistas of Italy. In 1920, Hallet embarked on a new chapter, working in the enchanting city of Bruges before ultimately settling in Leuven. Each location left its mark on his art, contributing to the rich tapestry of his creative journey. A turning point in Hallet’s life came in 1934 when the Belgian government sent him to Congo. Later, in 1947, he found his home on the shores of Lake Kivu in Kisenyi, present-day Rwanda. It was here that he would spend the remainder of his life, captivated by the mesmerizing beauty of the African landscape. He passed away in 1959, leaving a lasting legacy. During his time in Africa, Hallet forged a deep connection with Tutsi king Mwambi Matura III of Ruanda-Burundi. This relationship inspired a series of exquisitely detailed portraits, offering a glimpse into the regal splendor of the king’s family...

Portrait of a Young Lady by Paul Fitzgerald (Australian 1922-2017) signed and dated 1995 oil painting on canvas, framed canvas: 24 x 20 inches framed: 27 x 24 inches Charming portrait of this young lady, depicted in a light 'duck egg' colored dress. The work has a lovely 'vintage' feel to it. Paul Desmond Fitzgerald (1 August 1922 – 24 June 2017) was an Australian portrait painter who painted a vast array of distinguished persons. Fitzgerald was born in the family home, in the Melbourne suburb of Kew, the second son of Frank Fitzgerald and Margaret née Poynton. Frank Fitzgerald was a journalist with The Age for approximately ten years and about eight years with The Argus. He periodically filled the roles of general reporting, leader writing, political correspondent, art critic, music critic, theatre critic and motoring editor. A Catholic, Fitzgerald was educated at Xavier College in Melbourne (1933–1939) and studied for five years at the National Gallery School (1940–43 and 1946–47), interrupted for three and a half years in the Army during World War II (1943–46). When he was painting away from his studio in Melbourne, he usually lived with the subjects of his portraiture. He lived and painted overseas on commissioned portraits twice each year since 1958 including America, Canada, England, Scotland, Ireland, Jersey, France, Italy, Germany, Spain, Malaysia, Singapore, Hong Kong, Hawaii and Bermuda. He also painted throughout Australia. Fitzgerald was a finalist for the Archibald Prize for portraiture on multiple occasions including 1958 (with a portrait of Justice Robert Monahan), in 1962 (with portraits of each of Sir Reg Ansett and Sir Robert Menzies...

Louis Recchia's (US based) "Advance to Go" is an original, handmade oil painting on canvas. This piece depicts several small girls with Monopoly characters advancing through the sce...

A pair of beautiful oil paintings by Fritz Zuber-Buhler, titled "The New Arrival" and "After Bath," exemplify his dedication to academic traditions in the ...

Portrait of the Hon. James Thynne (c. 1680-1704), full-length, in the gardens of Longleat House, seated beside a fountain, holding a shell beneath water spouting from a horn blown by a cherub on a dolphin. A glimpse of part of Longleat House can be seen upper left. Oil on canvas in a period giltwood frame, decorated with leaves and acorns. C. 1682. Dimensions: 145 x 123cm (57 x 48in) in frame Provenance: Ex Longleat House, Wiltshire Private collection, Bath James Thynne was the youngest son of Thomas Thynne, 1st Viscount Weymouth and Frances Finch of Longleat House, Wiltshire. He died in his youth and his Aunt, Anne Kingsmill Finch, Countess of Winchilsea (1661-1720), wrote a moving poem on his death. He was buried in the family vault at Longbridge Deverill, Wiltshire. A mezzotint of this painting by William Faithorne the Younger is held in the Royal Collection. Johann Kerseboom (d.1708) was the nephew of Frederick Kerseboom and first worked in Germany before coming to England in the 1680's where his sitters included the 'Electress Sophia Dorothea' (known from a mezzotint by William Faithorne). His early works were influenced by William Wissing...

Signed in Cyrillic "F. Zakharov" (lower right) and signed again and inscribed "Fedor Zakharov/Football" (on reverse) Oil on card laid down on panel Undoubtedly, football, or socc...

A very engaging portrait of a pretty young girl holding a posy of flowers. On a large scale, this impressive piece would add grandeur to a hall or drawing room. William Edwards Mill...

Paul LUNAUD (Brantôme 1900 – 1949) The ironer Oil on wood H. 80 cm; W. 64 cm Signed and dated on the right in the center, formerly signed lower right. 1942 Provenance : Artist's stu...

A finely detailed portrait of a beautiful young woman with a fan by Franco-German artist Carl Ernst Von Stetten (1857-1942). Stetten was a Franco-German portrait and genre painter who worked in France. He came from the wealthy Stetten banking family. He began his studies on October 16, 1876 in the class of antiquities at the Royal Academy of Arts in Munich. He then left for Paris in the 1880s to study under Jean-Léon Gérôme. He attended the Académie Julian with Gustave Boulanger, Gustave Courtois...

This captivating painting portrays a young ballerina, delicately adjusting her pointe shoes. Dressed in a ballet tutu, she exudes grace and discipline. Th...

Unsigned. Well presented in a gilt frame with pierced detailing and foliate scrolling to the cove. On canvas.

Lady at the bar by Josine Vignon (French 1922-2022) ink/watercolour/pencil drawing on thick paper, unframed paper: 13 x 9.5 inches stamped verso very good condition provenance: fro...

Lombard School, 17th century Portrait of a Young Boy oil on canvas 109 x 78 cm - 127 x 97 cm with frame The protagonist of the offered canvas is a chubby little boy, aged approxima...

Oil Painting by Frank Moss Bennett "Portrait of John, Annabella and Augusta Annesley" 1874 - 1955 Popular painter of figurative scenes. Studied at the...

I have sent my work to over 65 countries and some significant landmarks such as Berkeley Square in London’s Mayfair, 5th Ave New York, Malibu beach in California Hong Kong, Monaco, M...

Robert Frain active 1829-1877, was a Scottish painter. There is very little biographical information regarding Frain, however he was active in the first quarter to the third quarter ...

This intimate portrait captures a young child seated at a table, engrossed in examining a small handheld mirror whilst holding a powder puff. The warm, soft lighting and muted colour...

Paris: A Wartime Study of Figures Relaxing in Springtime by Henri Miloch (1898-1979) Unsigned watercolour, graphite and gouache painting on artist's paper, unframed Sheet: 12.25 x 9...

Edgard Farasyn 1858 – Antwerp – 1938 Belgian Painter 'The Mischievous Little Artists' Signature: signed middle lower left and dated 'Edg. Farasyn 1881' Medium: oil on canvas Dimens...

A delightful unfinished oil study depicting a young girl in a woodland setting. The artist captures the scene in the style of Sir John Lavery who was renowned for his portrait work. ...

19th Century Portrait Miniature, Young Man in Blue Coat As is

A fine painting after George Romney of The Hon.Reverend Anchitel Grey (1774 – 1833) as a Boy The painting depicts a boy aged about ten, standing, turned to the left, gazing at the spectator, wearing a blue coat, and white linen collar, a spaniel with its paws on his chest. Shoulder length brown hair. Trees in the background on the right, distant horizon with cloudy sky on the left. The sitter was the third son of George Harry Grey, 5th Earl of Stamford (1765-1845) and Lady Henrietta Cavendish-Bentinck (died 4th June 1827), daughter of the 2nd Duke of Portland...

This is a universal problem that needs to be addressed, firstly in law 70% of woman has no right, and moreover, in the past and in some culture, your parent choose who you ought to m...

Johann Ferdinand J. Hintze (1849–1877) – Genre Scene of Children Artist: Johann Ferdinand J. Hintze Period: 19th Century (Dated 1874) Medium: Oil on Panel Dimensions: Framed: 42 x 33...

Enrique Montserrat Foj (1935-2022) - Girl playing the flute - Oil Oil on canvas glued to cardboard. Oil measures 46x38 cm. Frameless. Romantic cartoonist, especially for the foreign market, and also a gymnast. Cartoonist linked to Editorial Bruguera and its agency Creaciones Editoriales. She got her start drawing girls' or adventure comics in Stories and the Sissi Graphic Novel Supplement. Much of her work from the 1960s was aimed at the European market for young women's magazines through the Selecciones Ilustradas agency. Anecdotally, he collaborated with Marvel Comics, drawing a romantic comic based on a script by Stan Lee for the title My Love (later republished in Our Love Story), credited there as Enrique Monserratt. He retired from comics in the 1980s to focus on painting. He was also an Olympic gymnast, a member of the Barcelona Gymnastics Center and the Barcino Tennis Club. He was champion of Spain in the third category (1955) and third in the Spanish Artistic Gymnastics Championships (1961). He participated in the Mediterranean Games (1959) and in the Rome Olympic...

Figurative oil on board painting by Polish artist living in the USA, Monika Rossa. Artwork depicts wide variety of fantastical creatures on a black background. Scene takes place at n...

Portrait of the family of Dutchess Ozarowska Adèle (born Matthiessen) The present work depicts the family of the owner of a porcelain factory in St. Petersburg. The back of the (poss...

A book collection of 4 drawings (in order of photos) by Josine Vignon (French 1922-2022) ink/watercolour/pencil drawing on thick paper, unframed paper: 10 x 6.25 inches double sided...

This little jewel of a pastel of a young boy in his smart red jacket and silver trimmed waistcoat is by an artist working in the circle of Arthur Pond and ...

The Favorite Pet Portrait of a Victorian English Child with her Dog English artist, mid 19th century oil on canvas, unframed canvas: 28.5 x 20 inches Provenance: private collection,...

Here is David Shevlino's magnetic 'Tug of War', oil on canvas, 43 x 65 inches, painted in 2022, created with a minimal range of colors, and featuring the ar...

Young Girl with her Pet Dog By Hans Fieldler, German, 1933 Oil painting on board, framed Signed and dated '33' (1933) on the top left corner Painting size: 18 x 15 inches Endearing impressionist oil painting of a little German girl...

Impressionist School, second half of the 19th century Portrait of Two Young Girls Oil on panel, 28 x 22 cm Provenance: Private collection, Paris This delicate portrait, executed ...

Realistic mid century portrait of a boy playing with an antique toy car by Ralph Joosten (American, 1928-2009). Signed "R. Joosten" in the lower left ...