Child Portrait Paintings

MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing and easel painting....

Innocence of childhood. Portrait. About the Artist: My art is a visual recording of the powerful imagines that occur regularly in life, distilling them down and preserving the ...

SUENO PROFUNDO OIL AND ACRILIC ON CANVAS SIGNED, 2013 EXHIBITED MUSEO DEL BANCO CENTRAL DE COSTA RICA 43.25 X 35.5 INCHES Sofía Ruiz was born in 1982....

Oil on canvas attributed to Ernest Hébert, painter born in Grenoble painter of scenes of the genre in 1840. He arrives in Italy which will become his ado...

Erica with Pearls, 2018 Hand embellished monoprint on canvas 47 1/5 × 39 2/5 in 120 × 100 cm Sophia’s Safehouse in an Uncanny Valley examines the recent celebrity culture of humanoid AI as a way to better understand humanity, authenticity, identity, and memory in the early 21st century. The installation, inspired in part by the dystopian literary works of George Orwell, Mary Shelley, Philip K. Dick, Isaac Asimov...

Birendra Pani - Boy Dancer - 66 x 42 inches (unframed size) Acrylic on Canvas In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha. The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue. The ten canvases on display in this exhibition, features the Gopitua dancers in different situations. The canvases are a hyper-real portrait, far & close shots of a Gopitua dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition. Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times. Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society. “I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.” Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world. About the Artist and his work : BORN : 1969, Bhadrak, Odisha, India. FINE ARTS EDUCATION : 1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda. 1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal. 1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha. SOLO EXHIBITION IN INDIA AND ABROAD : 2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha. 2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi. 2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack. 2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda. 2011 “Re – Vision” at Aakriti Art Gallery, Kolkata. 2010 “Re – Vision” at Gallery Sumukha, Bengalore. 2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York. 2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi. 2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara. 2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi. 2005 “Echo” at Kaleidoscope Art...

Kotlicki is a constantly searching artist. Treading his own path, aiming at defining himself, giving his work a clear identity, he came across the avant-garde. He would back off the ...

MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing and easel painting....

MALGORZATA ROZMARYNOWSKA (born in 1955) She studied in the Public High School of Plastic Arts at the Department of Painting and Graphic and graduated in 1981 in Professor Wladyslaw J...

Innocence of childhood. Portrait. About the Artist: My art is a visual recording of the powerful imagines that occur regularly in life, distilling them down and preserving the ...

Artist: Sandu Liberman, Romanian/American (1923 - 1977) Title: Sisters Year: circa 1970 Medium: Oil on Canvas, signed l.r. Size: 36 in. x 24 in. (91.44 cm x 60.96 cm) Frame Size: 44....

MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing and easel painting....

Signed on top left side P. Ghiglia 937. Good conditions.

SGARRA Robert (1959) Technic :Mix Acrylic paint and photograph Collage Mount : Wood panel Dimension : (H) 100cm x (L)150 cm x (T) 10 cm SGARRA Robert (1959) French Painter and Sculp...

Father and son skateboard together. One wonders who is teaching who, in this vibrant impasto painting by William Rushton. Oil on canvas and framed in a clear maple hardwood floater f...

Beautiful portrait of a young girl in blue dress by Jan Hanson Travis (American, 20th century). Circa 1970. Signed "Jan Hanson Travis" lower left an...

MONIKA ROSSA studied painting at the University of Arizona, in the Ecole des Beaux Arts in Paris and at the Escuela de Diseno in Barcelona. She practices drawing and easel painting....

Marten Huitsing made this oil painting on a wooden panel. The frame is a high quality frame which completes the painting in a strong way. It's an ode t...

Mitzy Renooy made this painting in the summer of 2018. At that time she got inspired by children in and around the water playing . This painting makes an impression due to the simplicity of the brushstrokes and the narrative that is told by artist Mitzy Renooy. Mitzy Renooy finds her inspiration, people in their environment, movement and the ryhthm of life, Cuba, traveling. Her latest serie is about ice-skating, also available at Galerie Bonnard. The loose painting style of Renooy developed during the last two years of her study at Academy of Classical Arts in Groningen under the guidance of her mentor Sam Drukker...

Born in Saby in Sweden in 1843, Knut Ekwall trained at the Academy of Fine Arts in Stockholm. He moved to Berlin where he started working as an Engraver producing illustrations for p...

Hand signed by the artist on verso. Hand Painted Unique Silkscreen on Canvas. Artwork is in excellent condition. Canvas is not stretched. Certificate of authenticity included. All...

"Dancing Elephant" is a water color painting on paper by Zdravko Denev. The painting is unframed. “The impressions of Zdravko's paintings on the viewer is so mighty, mesmerizing, g...

Although this painting of oil on canvas is named after the "Cat" (le Chat), the painting mainly depicts a woman sweeping with a broom. The cat, a popular tabby painted in great detai...

The Artists Model By J.B.Holmes, British 20th Century Oil painting on board, unframed Board size: 16 x 12 inches Captivating oil painting, showing a nude model being painted by anartist. There is a sense of relaxation in this portrait, with a radio on...

Erica with Pearls, 2018 Hand embellished monoprint on canvas 47 1/5 × 39 2/5 in 120 × 100 cm Sophia’s Safehouse in an Uncanny Valley examines the recent c...

The Castle By Norman Lindsay (1879-1969), Watercolour painting on canvas mounted on board and framed signed to lower right painting measures: 30.5cm x 23.5cm framed: 77.5cm x 70.5cm ...

Original mixed media painting. Hand signed on lower left by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be consi...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Pair of French Character Portraits French school, Mid 20th Century Gouache on unframed paper Both stamped and named on the backs, with the artists ...

Original acrylic on canvas. Hand signed, titled and dated on verso by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will ...

Man Riding Skateboard on Santa Monica Boardwalk Warren Keating Oil painting on stretched canvas One-of-a-kind Signed on front back 2015 48 in. h x 36 in. w x 1.5 in. d 15 lbs. 0 oz....

This is a beautiful one-of-a-kind original impressionist painting. The piece ships ready to hang and is signed by the artist on the bottom right. This item ships from Ireland.

Colorful modern portrait painting on brown paper by Merida artist Aida Correa, 2012. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-siz...

Dynamic monotype titled "Poor Ruby" by American artist Kismine Varner signing Kiz Starr, 2005. Original artwork on paper displayed on a white mat with a gold border. Archival pla...

Delbert Coombs (1850 - 1938) Maine Artist Image Size: 12 x 9 Frame Size: 15 x 12 Medium: Oil Dated: 1897 "The Little Fisherman" Biography Delbert Coombs (1850 - 1938) Delbert Dana Coombs was born in Lisbon Falls, Maine, on July 26, 1850. Although primarily self-taught, Coombs took painting lessons from Scott Leighton...

Approximate Date: 1897 Medium: Watercolor on Board Signature: Signed Lower Right Dimensions: 12.00" x 9.50"

Medium: Oil on Board Signature: Unsigned A study of a little girl. Joseph Christian Leyendecker (March 23, 1874 - July 25, 1951) was one of the pre-eminen...

Charlotte Gibbs recently had the distinct honor of being awarded First Prize in The Roddy Compeition held at the Concord Center for Visual Arts in Concord, MA where she was singled ...

Charlotte Gibbs recently had the distinct honor of being awarded First Prize in The Roddy Compeition held at the Concord Center for Visual Arts in Concord, MA where she was singled ...

Portrait of young William Lancaster Signed lower right

This particular piece is one of Walter's signature images of children, among the subjects for which she is known. Clearly a formal portrait, it was likely commissioned for the home of an affluent client, given the child's elegant costume and the portrait;s grand size. In this arresting portrait, she captures the delight of a young blond boy...

Charlotte Gibbs recently had the distinct honor of being awarded First Prize in The Roddy Compeition held at the Concord Center for Visual Arts in Concord, MA where she was singled ...

Medium: Oil on Canvas Signature: Signed and Dated 'N.C. Wyeth' (Lower Left) The Country Gentleman, vol. 91, no. 11, November 1, 1926, cover illu...

An original acrylic painting by American Primitive Artist Robert Sellers.

Wonderful oil painting of artist's son, Ray Rogers, by Virginia Sevier Rogers (American, 1916-2015). Signed "VSR" 7/50 (July 1950) on verso. Unframed. Image: 34"H x 24"W. Rogers stu...

This illustration is a portrait of a military man in front of the Statue of Liberty. Signed Lower Left. Lawrence Wilbur was born in Whitman, MA in 1897. Wilbur attended night...

Jim’s of Lambertville is proud to offer this artwork. Pastel portrait of artist's granddaughter. Complemented by original signed Harer frame. Illustra...

Acrylic on canvas.

Dietz Edzard (German/French 1893-1963) Oil on cardboard, 1938, stamped at lower right with the initials D.E. Framed. Property of the Estate of Dr. Max Stern sold for the benefit of ...

"There's a Blue Light" is a contemporary oil painting of the artist in his studio. Weber's signature abstractions play around him. Nick Weber (b.1971), living and painting in Spring...

Work on wood Brown wooden frame 53 x 48 x 5.5 cm

This charming late 19th-century German oil painting depicts a young scholar standing before an expansive lake with distant hills and castle. He’s wearing a dark suit with a blue bow...

Daughters of Zeus and Mnemosyne each of the nine Muses occupies a creative niche. The Four Muses; Calliope, Clio, Erato and Euterpe represent Epic Poetry, History, Lyric Choral Poetr...

Portrait of Young Girl in Blue Dress John Hodgson Campbell (British 1855-1927) signed and dated 1881 oil on canvas, framed framed: 35 x 30.5 inches canvas: 30 x 25 inches provenance:...

This beautiful mid-19th-century oil painting by British artist Charles Dickinson Langley (1799-1873) depicts a mother and child before a landscape. Little is known about Langley, wh...

Signed figurative oil on board circa 1890 by French Nabis school painter Edouard Vuillard. The work depicts two seated ladies dressed in black with grey pinafores enjoying coffee together. Illustrated in the Catalogue Raisonne of Edouard Vuillard by Antoine Salomon and Guy Cogeval - Volume I, Page 229 - Reference IV-7 This striking work dates to between 1890 and 1891 which was without doubt Vuillard’s greatest decade as an artist. At this time the painter was working with the group of artist known as "Les Nabis" which included Pierre Bonnard, Maurice Denis, Paul Ranson, Ker-Xavier Roussel, Félix Vallotton, Paul Sérusier and Auguste Cazalis. The group played a large part in the transition from impressionism and academic art to abstract art, symbolism and the other early movements of modernism. They believed that a work of art was not a depiction of nature, but a synthesis of metaphors and symbols created by the artist. Signature: Signed lower right Dimensions: Framed: 19.25"x20.25" Unframed: 9.25"x10.25" Provenance: Renou et Poyet - Paris Roland, Browse & Delbanco - London (labels verso) c. 1955 The collection of Sir Alec Guinness Galerie Jan Krugier, Geneva - 1972 Nichido Gallery - Tokyo 1972 Private collection - Japan Christie's London - Impressionist & Modern Art - June 2016 Édouard Vuillard attended the Lycée Condorcet in Paris, where he made friends with Maurice Denis, Lugné-Poe, and Ker-Xavier Roussel, later his brother-in-law. He studied in Maillart’s studio; for six weeks came under the tutelage of Jean-Léon Gérôme at the École des Beaux-Arts in Paris; and later under William Bouguereau and Robert at the Académie Julian, where he became closely linked with the Nabis group (from the Hebrew word for ‘prophet’). He met Marcel Proust in 1902. From 1908, he taught at the Académie Ranson. In 1937, he was elected member of the Institute. At first, Vuillard painted small subjects, disciplined and proficient, qualities for which the prestigious École Française was famous. His earliest still-lifes (1888) are astonishing in their decisiveness and subtlety. His empathy for the object had already compelled him to soften its appearance; the object, which, by virtue of its bright or glossy presence, remained the nonego and the ‘thing represented’ for so many others. ‘Intimacy’ developed immediately between the painter and this modest environment; inhabiting it every day enabled him to celebrate its splendour, and it was to remain his favourite environment. But he was already alternating between small portraits and still-lifes, which gained recognition because of their natural qualities and dignity of tone: a rare combination in a beginner. About 1890, influenced indirectly by Paul Gauguin, all the certainties which the self-styled Nabis painters had contented themselves with suddenly collapsed. Everything was called into question again: both the linear layout of the picture and its colour scheme; the choice of subject and its material aspect; its manufacture and its purpose. Vuillard’s paintings at that time show surprising, bold innovations and an arbitrary power, which one would expect 15 or 20 years later at the height of the Fauvist period. The preoccupation with an internal geometry set them apart from earlier studies. From then on, the paintings were based on forms, lines, and colours. Vuillard made concessions. He produced a portrait or interior with its furniture and its wallpapers, in which the family inhabiting it, evolves. Treated with flat areas of colour and solid shades of ochres, reds, blues, and saffron yellow, without modulation, they seem to prefigure certain paintings by Henri Matisse and Roger de La Fresnaye. In 1891, Vuillard painted an Elegant Lady, a silhouette seen from the back; a long vertical shape starting from the hair decorated with brown feathers; there is a kind of pink cloak, the tight and never-ending black skirt, erect in front of a half-open, bright orange door in a green wall, from where the light of another vertical shape emerges, which is bright yellow, and is reflected in red on the parquet at the feet of the elegant lady. This painting meets his concerns about the actual moment of creating ‘harmonies corresponding to our feeling’, and by virtue of its almost geometric structure, its drawing entirely free of detail, its light effects and colour harmonies, very much prefigures aspects of the future Abstraction movement and is oddly reminiscent of the final period of Nicolas de Staël. All too often, Vuillard is only admired in his role as the harmonist, the serene contemplator who combines an exquisite sense of nuance, rhythms, and values with the most acute observation. These singular investigations, these three-dimensional meditations including a table, a folding metal cot...

A charming oil study depicting a man playing the accordion on the streets of Bath, Somerset. The artist captures the man in a dark, atmospheric palette with his face half shadowed fr...

A Venetian Gentleman 18th Century Venetian School oil painting on board, framed framed: 7.25 x 6 inches board: 5.25 x 4 inches provenance: private collection, UK condition: some scu...