Abstract Still-life Paintings

Interior design paintings. The work is made with alcoholic ink in pale pink, rose color on Yupo paper. It is 11 by 14 inches in size, framed (gold) with styrene face on a double mat...

This semi abstract watercolor on paper is by Theodore Polos (1901-1976). It measures 23.5 x 17.5 inches (31.5 x 25 framed). It is signed in the lower ri...

Sophie Dumont is an artist based in France whose paintings have been shown internationally. The abstract of Sophie DUMONT is not a concept, it is an approach where each canvas is bui...

Whimsical abstracted textural still life with three daises and other objects floating through an ambiguous orange space by Daniel David Fuentes (American, 1978-2016). From a collecti...

"Tulips in Bloom" is a vivid and expressive contemporary floral painting by French artist Natalya Mougenot, part of her acclaimed Floral Series. In this series, Mougenot seamlessly b...

The work is executed at the heyday of abstract expressionsim in the mid-50s. Colors are saturated and bright. Goldfield (of Goldfield Gallery). Written on the stretcher. Goldfield G...

Abstraction of a bookcase in a shades of white treated like a stamping. Oil on canvas worked with a knife with a multitude of layers bringing a beautiful texture and relief to the bo...

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russia and moved to the United States in 1922 where he spent most of his adult life. A classically trained portrait and landscape artist, Carton also worked as a drafter, newspaper illustrator, muralist, theater set designer, photographer, and fabric designer and spent most of his mature life as an art educator. Carton showed in and continues to be shown in many solo and group exhibitions. His work is included in numerous museums and private collections throughout the world. Norman Carton was born in the Dnieper Ukraine territory of the Russian Empire in 1908. Escaping the turbulence of civil war massacres, he settled in Philadelphia in 1922 after years of constant flight. While attending the Pennsylvania Museum School of Industrial Art, Carton worked as a newspaper artist for the Philadelphia Record from 1928 to 1930 in the company of other illustrator/artists who had founded the Ashcan School, the beginnings of modern American art. From 1930 to 1935, he studied at the Pennsylvania Academy of Fine Arts under Henry McCarter, who was a pupil of Toulouse-Lautrec, Puvis de Chavanne, and Thomas Eakins. Arthur Carles, especially with his sense of color, and the architect John Harbison also provided tutelage and inspiration. Following his time at the Pennsylvania Academy of Fine Arts, Carton studied at the Barnes Foundation from 1935 to 1936 where he was influenced by an intellectual climate led by visiting lecturers John Dewey and Bertrand Russell as well as daily access to Albert C. Barnes and his art collection. Carton was awarded the Cresson Traveling Scholarship in 1934 which allowed him to travel through Europe and study in Paris. There he expanded his artistic horizons with influences stemming from Henri Matisse, Pablo Picasso, Chaim Soutine, and Wassily Kandinsky. While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer. From 1939 to 1942, the Works Progress Administration (WPA) Federal Art Project employed Carton as a muralist and easel artist. He collaborated with architect George Howe. The WPA commissioned Carton to paint major murals at the Helen Fleischer Vocational School for Girls in Philadelphia, the Officers’ Club at Camp Meade Army Base in Maryland, and in the city of Hidalgo, Mexico. Throughout the 1940s, Carton exhibited and won prizes for his semi-abstract Expressionist and Surrealist paintings. He socialized with and was inspired by Émile Gauguin and Fernand Leger. During World War II, Carton was a naval structural designer and draftsman at the Cramps...

Dimensions: 32"h, 25"w canvas; 38.5"h, 32"with frame Work is titled "Two Lillies" Elsie Stevenson (1890–1965) was an American painter and printmaker. Beulah Stevenson, (1875-1965...

"Sunflowers" oil on canvas original painting by Steve McElroy. 16 x 20 inches. This is the original painting! Beautiful archival quality limited edit...

Tickled Pink by Alison Gilbert is an original painting and a statement piece at 120cm x 120cm (48″ x 48″) These bold pastel colour combinations are having a party as they dance across the canvas in a vibrant celebration of joy and life. This painting is sold framed, the frame will be custom made upon sale, so please allow for an extra week for dispatch. Discover original artwork by Alison Gilbert with Wychwood Art online and in our Deddington gallery. Alison is a British contemporary abstract artist...

Original abstract painting, exploring the language of paint and colour ADDITIONAL INFORMATION: Acrylic paint on Canvas 120 H x 160 W x 3 D cm (47.24 x 62.99 x 1.18 in) Sold unframed...

The latest from the artist's popular series of vibrant portraits that gently and humorously depict that familiar sense that life has thrown one of it's curve-balls - and the art of feminine resilience. A riot of colour and pattern in a stunning chunky wood frame, this work will bring wit and vibrancy to any interior space. Additional information: Acrylic, Acrylic paint on Canvas 29 H x 24 W x 3.5 D cm (11.42 x 9.45 x 1.38 in) Sold framed Image size: Height: 21cm (8.27 in) Width: 15cm (5.91 in) Complete size of unframed painting Height: 21cm (8.27 in) Width: 15cm (5.91 in) Depth: 1cm (0.39 in) Framed Size: Height: 29cm (11.42 in) Width: 24cm (9.45 in) Depth: 3.5cm (1.38 in) Please note that insitu images are purely an indication of how a piece may look ARTIST BIOGRAPHY: Kerry Louise Bennett...

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

An original modern abstract by American artist James Koenig. This work created in 1954 is featured in the Draw Near exhibition currently on view at Benjaman Gallery.

Not all who weep are sad [2021] original Oil on stretched canvas Image size: H:60 cm x W:80 cm Complete Size of Unframed Work: H:60 cm x W:80 cm x D:2cm Sold Unframed Please note th...

Wonderful English Abstract scene of an interior with still life, landscape and table top. William Yates painted exciting colorful vibrant scenes often of interiors and abstract fig...

Untitled by Catheine Pennington-Meyer is an original painting. This moody contemporary artwork is almost stormy in nature, and adds dynamism and a modern, graphic edge to an interior...

Robert Petrick's "The Dancer" is a fusion of meticulous geometry and bold abstract expression. From the artist's Chromatic Collisions series, this pie...

'Labyrinth No. 3, 2001' by John Goodman. The artwork is 36 x 48 inches and it is framed in solid wood. Signed and dated by artist. Excellent condition. From Andra Norris Gallery in C...

A floral composition of sunflowers inspired by Vincent Van Gogh, "Sunflowers delight" is a vibrant tribute to the iconic landscapes of the South of France. Created by French artist N...

Robert W. Petrick "Labyrinth" Construction series, 2022 Acrylic on canvas 56x56x1.5” NYC, 2nd street studio June 16, 2022One can easily become lost in Robert Petrick’s "untitled"’...

Tulips in a vase. Oil on cardboard, 45 x 30 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of A...

Summer Dreams Original Landscape painting by Gemma Bedford [2021] original Oil paint on canvas Image size: H:49.5 cm x W:49.5 cm Complete Size of Unframed Work: H:49.5 cm x W:49.5...

VESSELS AND BOWL Size: 52.5 x 42.5 cm (including frame) Oil on board A striking mid-century modernist style sill life composition, executed in oil onto board and dated 1953. The su...

Bold, colorful abstract bouquet of flowers in a vase. 25.5 X 20 inches, framed. 16 X 12.5 canvas in original carved wood frame. Provenance: Gallery Hadassa (Klachkin) Tel Aviv. Bears label remnant verso. Zvi Mairovich (1911-1974) was one of the most important Israeli abstract painters. Born in Krosno Poland, he moved to Berlin in 1929, studying painting with Karl Hofer...

In Bloom by Maria Pierides [2019] Original Acrylic and oil stick on canvas Image size: H:100 cm x W:100 cm Complete Size of Unframed Work: H:100 cm x W:...

His The panel paintings "Expanded Metal Paintings" are the closest to the classic art of painting. Firstly paint is applied by a brush on a primed canvas. Then wire mesh is dunked in...

Oil on board Image 16" x 20" Well framed in contemporary black wood frame

His The panel paintings "Expanded Metal Paintings" are the closest to the classic art of painting. Firstly paint is applied by a brush on a primed canvas. Then wire mesh is dunked in...

Robert Petrick's "God Walker" is a fusion of meticulous geometry and bold abstract expression. From the artist's Chalkboard Series, this piece is both timeless and contemporary, offe...

Robert Petrick's "Post Metro" is a fusion of meticulous geometry and bold abstract expression. From the artist's Ziggurat series, this piece is both timeless and contemporary, offeri...

This original vintage 1945 oil painting beautifully captures a serene interior still life scene, featuring a vase of flowers, a delicate tea cup, and flowing drapery. Created by reno...

This vivacious still life painting draws inspiration from Matisse's iconic 1910 masterpiece 'Dance' and the enchanting ambiance of the French 'salon'. The artist adds a contemporary ...

Image dimensions: 25.5cm x 30.5 Framed dimensions: 43cm x 47.9 Signed lower left. Webb has tremendous fun creating his Sweetpea paintings, playing with different colour palettes, techniques and styles. For him, they are bursts of emotion on the canvas, whether it be innocent laughter, cheekiness, passion or praise. Some may be more pensive or subdued, but each has joy in their heart and their fragrance lingers in the paint. Kenneth Webb...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Window with Pears" by Luis Fuentes is a serene oil on canvas ...

The series of flowers shows a classical motif with a subtle attention to the subtle movement and rhythm of the flora, with the help of paint, abstract vision and expressive handwriti...

A vibrant still life study depicting various vessels and flower filled vases in an expressive style. Signed, titled and dated to the stretchers verso. On canvas.

Max Andrews (British, b. 1969) Eggs and pans I Signed and dated ‘Max Andrews 19’ (lower right) Oil on board 11.3/4 x 11.3/4in. (30 x 30 cm.)

John McCaw's (US based) "Arrangement" is an abstract mixed media painting that depicts a chair facing a wall. John McCaw (b. 1967), the eldest son of American expressionist Dan McC...

Wonderful abstract expressionist painting of a turquoise purse with various colors of orange stripes by San Francisco, California artist Michael Eggleston (American, 20th century). F...

Koko's captivating oil painting of Calla Lilies embodies the serene essence of still life, freezing a moment in time with elegance. Bold outlines and a striking contrast between dark...

The hidden million words. 2004. Oil on canvas, 80x60 cm. Juris Zvirbulis was born in 1944 in Riga. 1970 graduated from the Riga Secondary School of Applied Arts decorators department. 1971 Member Artists' Union of the Latvia. In 1971 First solo exhibition in the artistic and historical museum of Tukums in Latvia. In 1974 his illustrations for the A.S. Pushkin's book, "Eugene Onegin" (published Liesma) was awarded at the 7th All-Union competition of books, posters and postcards design (Moscow, USSR). Significant exhibitions: 1976 - First place in the All-Union Exhibition of Young Artists in Moscow 1983 - Solo exhibition at the Museum of Foreign Art (Riga, Latvia) 1988 - personal exhibition at the Pushkin State Museum (Moscow, Russia) Museum bought more than 100 of the artist miniatures to collection. 1989 - Group exhibition "Contemporary Soviet Painters from Riga" Edward Nahamkina Art Gallery (New York, USA) 1990 - Group exhibition at the Astra Gallery (Chicago, USA) 1990 - 1992 - works exhibited in the Harmony Gallery (Paris, France) 1992 - Solo exhibition at Gallery Carre d'Or (Paris, France) 1993 - Solo exhibition at the Gallery of the Riga (Riga, Latvia) 1994 - Exhibition in honor of the 50th anniversary at the Latvian National Art Museum, Exhibition Hall Arsenals (Riga, Latvia) 1997 - Solo exhibition at the Gallery of Riga (Riga, Latvia). In cooperation with IBM Latvia and Modo Paper released exhibition catalog. 1998 - Exhibition of watercolors - miniatures at Gallery "Nocturne", Riga 1999 - personal exhibition at the Pushkin State Museum (Moscow, Russia) 2004 - personal exhibition at gallery "Manss" (Jekabpils, Latvia) 2005 - Group exhibition of Latvian-French festival "Amazing Latvia" (in Bourgoin-Jallieu, France). 2011 - Contemporary Art exhibition-fair at Gallery Birkenfeld ArtVilnius'11 (Vilnius, Lithuania) Group Exhibition-Fair of Lineart Contemporary Art (Ghent, Belgium). Group exhibition at the Art Museum Nerima (Tokyo, Japan) 2012 Released artist album "Retrospective". Solo exhibition "The Battle of Waterloo would have ended differently ... Dedication to Marshal L.N. Davu." At gallery Birkenfelds. The artist works in the following genres and techniques: watercolor, painting, drawing, book illustrations, murals for public interiors in Latvia and abroad. Works in museums and private collections: At the Latvian National Museum of Art, at collection of Artists' Union of Latvia, Russian Ministry of Culture (Moscow, Russia), the Pushkins` State Museum (Russia), Bank of Latvia, Džeinas Vorhīsas Cimerlī Art Museum, Radzhersa, State University of New Jersey, at collection of Norton and Nancy Dodge nonconformist art of the Soviet Union (US), Vitaly Gotlib (Latvia), and Indra Benjamin Wilson...

The Garden Within is a vibrant pair of paintings that invites us into a symbolic inner landscape. Through The Irises Bloom Too and To Resonate in You, this duo explores the emergence...

Lilacs and Peonies, Mid Century Floral Still-Life with Pink & Purple Vibrant mid century floral still-life featuring lilacs and peonies by Carolyn Tyson (American, b-1941). This lov...

This original abstract acrylic work on canvas is inspired by the mid-century masters. A lovely floral bouquet is framed in a vintage gold frame, ready to hang, 18 in. wide x 22 in. high

Albert Heckman Untitled, circa 1950 Signed lower left Oil on canvas 25 x 32 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack Taylor. Heckman operated a summer art school in Woodstock for several years in the 1930s with support from Columbia University, where these and other Woodstock artists gave guest lectures. The Potter's Shop in New York City hosted Mr. Heckman's first art show in December 1928. The exhibit received some positive reviews from critics. The American Institute of Graphic Arts chose the plate of "Wehlen, Saxony" as one of the "Fifty Prints of the Year in 1929." There were sixteen etchings displayed. The remaining plates depicted scenes in Saxony, Germany, while five of the plates were based on scenes in Rondout, New York. Heckman started switching from etching to black and white lithography by the early 1930s. A lifelong admirer of Heckman's artwork, Mr. Gustave von Groschwitz organized a significant exhibition of Heckman etchings and lithographs at the Ferargil Gallery in New York City in 1933. The exhibition traveled to the Stendahl Galleries in Los Angeles (May 1933), the Charles Lessler Gallery in Philadelphia (May 1933), J.L. Hudson in Detroit (June 1933), and Gumps in San Francisco (July 1933). Together with his early etchings, the exhibition featured brand-new black and white lithographs depicting scenes in and around Woodstock as well as "A View from Tudor City...

Sophie Dumont is a French contemporary painter whose work has been exhibited in museums and collected internationally. She is known for her deeply textured canvases that explore them...