Abstract Geometric Paintings

Untitled, 2020 Acrylic on hardboard 12 x 12 in De Volder’s incursions into the nature of drawing, and into the possibilities of dark and light, led him to explore color and painting...

Untitled, 2020 Acrylic on hardboard 12 x 12 in De Volder’s incursions into the nature of drawing, and into the possibilities of dark and light, led him to explore color and painting...

Untitled, 2021 Acrylic on hardboard 12 x 12 in De Volder’s incursions into the nature of drawing, and into the possibilities of dark and light, led him to explore color and painting...

My first works are digital, in that aspect each decision can be rethought and changed as many times as necessary. Unlike my previous works, this was the first time that I was faced with a blank paper...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.

Artist/ School: French School, signed, contemporary Title: Geometric Abstract composition Medium: oil painting on canvas, unframed Size: painting: 23.75 x 23.75 inches Provenan...

Acrylic on canvas Beige exterior frame Signed on the back Framed dimensions: 134x92(x4)cm

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Cut-Up Paper II.3 (Abstract Painting) Acrylic on paper. Unframed. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often r...

Colorful abstraction by Nicolas Dubreuille : "Ref 364" Nicolas Dubreuille is a multi-faceted abstract artist who likes to multiply mediums - sculpture, painting, drawing, photograph...

The series bodies in space was born from my interest in architecture and the games of perception. I use color as a construction element where the volumes are made visible through col...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

"in City and in Forest 29" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, graffiti and blur derived from the pictorial works of artists Jack Whitten...

The series bodies in space was born from my interest in architecture and the games of perception. I use color as a construction element where the volumes are made visible through col...

Shadow Boxer (D.1) (Abstract Painting) Acrylic on canvas - Unframed The Shadow Boxer and skipstep paintings grow out of an interest in the paradox of spatial comprehension found in abstract painting. As with the shadow boxing practice in which the athlete spars with his or her own shadow, Bolt finds that the illusory qualities of abstract composition initiate a similar exercise of perception and expectation. Using...

My first works are digital, in that aspect each decision can be rethought and changed as many times as necessary. Unlike my previous works, this was the first time that I was faced with a blank paper...

Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia Varisco. Nancy Talero is an artist and designer whose multi-panel works ch...

Acrylic painting on canvas, 2021. Titled, dated and signed on the back. Framed. The artwork comes directly from the artist's studio. Dimensions: Height: 21.46 in ( 54,5 cm ), Width: ...

The Ensō, a Japanese word meaning “circle” and a concept associated with Zen. It is at once the most fundamentally simple yet the most complex shape, symbolizing enlightenment, strength, elegance and the universe. It is an expression of living in, and being in the moment, mentally and spiritually whole. Often irregular in execution, always with a broken space within it. In the hands of Zen masters, the varieties of personal expression are endless. Sylvia Torres, was born in California, one will find the ocean, sky and mountains reflected in her work. She also spent several years in Texas, where she attended the University of Houston, studied commercial art and became the Art Director at several advertising agencies. Eventually, the lure of California drew her back to California. Ms. Torres has been an instructor of art workshops at Idyllwild Arts, Carnegie Art Museum, Studio Channel Islands Art Center,, Collage Artists Of America, the Ventura County Art Museum, University of California/Riverside, She has exhibited in solo and group shows including: Palm Springs Art Museum, Santa Paula Art Museum, Ventura Music Festival Invitational, Channel Islands Sanctuary, San Luis Obispo Art Museum, Santa Paula Art Museum, Marion Meyer Contemporary Art, Laguna Beach, CA, East/West One, Invitational, in Thousand Oaks, CA, Ventura Government Center Invitational, Ventura, CA. Sylvia was interviewed live, and her history video recorded by Donna Granata, founder of Focus On The Masters. Sylvia’s video history is permanently documented in their archives. Torres’ work has been acquired by private and corporate collectors: Focus On The Masters, Carnegie Art Museum permanent collection, Handel Evans past President of CSU Channel Islands, University, Infinity Bank, Ventura, CA, and others. Torres’ paintings appear on the sets of popular television shows: Big Little Big Lies, Criminal Minds, Chicago Med, Grey’s Anatomy...

Clouds in a room (Abstract Expressionism painting) Oil on canvas. Unframed. Laura Newman's paintings combine geometric delineations of space, ephemeral color fields, dynamic lines ...

Grey Graphite (Abstract Painting) Pigmented cement on foam panel with wood frame. Auville works with construction cement. Applying techniques used in the construction and ship buil...

Heidi Archer – Noir et rouge is an original oil and acrylic abstract painting with charcoal on canvas board. Inspired by the boats, equipment and ropes in around our local harbour a...

Painting of Otto GOLDFINGER building with Le Corbusier flaking paint from an apartment studio on painting (see close up). Artist Peter Wylie featured in s...

Interior by Rosie Shorrock [2021] original Acrylic on Panel Image size: H:24 cm x W:30 cm Complete Size of Unframed Work: H:24 cm x W:30 cm x D:3.5cm Sold Unframed Please note that ...

The series bodies in space was born from my interest in architecture and the games of perception. I use color as a construction element where the volumes are made visible through col...

Blue and purple toned surrealist still life with various shapes cut out of canvas adhered to the background canvas. Currently hung in a gold frame. Dimensions Without Frame: H 47 in x W 59 in x D .5 in. Biography: Paulo Laport...

"in City and in Forest 12" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, graffiti and blur derived from the pictorial works of artists Jack Whitten...

"Shore of the Huan He" hand-carved wooden wall sculpture by Hudson Valley artist, Stephen Walling, made in 2014 24 x 36 x 2 inches Carved wood and acrylic paint on panel Signed, ver...

The series bodies in space was born from my interest in architecture and the games of perception. I use color as a construction element where the volumes are made visible through col...

Abstract Painting. Geometric style. Oils on canvas. About the Artist: I work in a style I call Geometric Surrealism, abstracting physical ...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

The series bodies in space was born from my interest in architecture and the games of perception. I use color as a construction element where the volumes are made visible through col...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.

Teal, black, and white abstract geometric mixed media painting by Houston, TX artist, Matthew Reeves. Signed by the artist at the back. Framed in a natural wood floating frame. Dime...

Cut-Up Canvas I.9 (Abstract Painting) Acrylic on canvas. Unframed. Pedersen works with acrylic paint. When painting a composition, she tends toward a limited color palette, often ...

Shadow boxer (A.2) (Abstract Painting) Acrylic on canvas. Unframed. The Shadow Boxer and skipstep paintings grow out of an interest in the paradox of spatial comprehension found in abstract painting. As with the shadow boxing practice in which the athlete spars with his or her own shadow, Bolt finds that the illusory qualities of abstract composition initiate a similar exercise of perception and expectation. Using...

FRANCISCO BORES Spanish, 1898 - 1972 STILL LIFE OF FRUITS signed "Borès 45´" (lower right) oil on cardboard 15-3/4 x 19-3/4 (40 x 50 cm.) framed: 18-1/4 x 22-1/8 inches (46 x 56 cm.) PROVENANCE Private French Collector Francisco Bores López (Madrid, May 5, 1898 - Paris, May 10, 1972) was a Spanish painter of the so-called New School of Paris. His artistic training originated both in the Cecilio Pla painting academy, where he met Pancho Cossío, Manuel Ángeles Ortiz or Joaquín Peinado...

Ernő GOLDFINGER building BALFRON TOWER painted with Le Corbusier flaking paint from an apartment studio. 'Wylie shows the buildings as alive with use ...

Painting of Ernő GOLDFINGER building with Le Corbusier flaking paint from the apartment studio in the painting.

Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia Varisco. Nancy Talero is an artist and designer whose multi-panel works ch...

The series bodies in space was born from my interest in architecture and the games of perception. I use color as a construction element where the volumes are made visible through col...

Oil on canvas 62 x 62 in Unstretched Luciana Levinton de-contextualizes architectural elements, sketches facades, delineates floor plan...

original Acrylic on board, sand , pigment and spray paint Mamma Mia canvas size: H:55 cm x W:45 cm Turn the Heat Up canvas size: H:50 cm x W:50 cm Complete S...

This large abstract statement painting by Sofie Swann is made with acrylic paint on canvas. It features an organic abstract red shape that covers almost the entire canvas, leaving a ...

The series bodies in space was born from my interest in architecture and the games of perception. I use color as a construction element where the volumes are made visible through col...

My first works are digital, in that aspect each decision can be rethought and changed as many times as necessary. Unlike my previous works, this was the first time that I was faced w...

4 carrés (Abstract Painting) Pigmented cement on foam panels. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in the cons...

Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia Varisco. Nancy Talero is an artist and designer whose multi-panel works ch...

"The seismology of cantilevered hearts, Cascadia 8" explores a singular and cohesive orchestration of aerosol painting, pyrograph...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and ...

"in City and in Forest 29" explores the assimilation of aerosol painting, pyrography and sanding techniques on wood. The artist engages her work with notions of repetition, graffiti and blur derived from the pictorial works of artists Jack Whitten...

The series bodies in space was born from my interest in architecture and the games of perception. I use color as a construction element where the volumes are made visible through col...

High Frequency/Slow Shift (Abstract Painting) Acrylic on canvas. Unframed. This work is a triptych which focuses on a shallow, mostly monochromatic surface that include bas-relief planes “locked” together against a more “fluid”, painterly background. The dripped surface of that background is only seen through small openings, or gaps between the flat, assembled forms. The tension of overlapping foreground shapes and the contrary background treatment is accentuated by the high-key yellow color that pushes the composition forward toward the viewer. It creates a drama that might not readily be associated with such a shallow space that includes subtle shifts and provides a perceptual twist that has a kind of electric visual charge. Macyn Bolt is an American abstract painter. Using a visual language informed by geometric abstraction, he creates artworks that examine how color and form create shifts in visual perception. He lives and works in Brooklyn, NY, and upstate Pennsylvania. Bolt works with acrylic paint on a variety of surfaces including canvas, wood panel, vinyl and paper. Using scrapers...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Breaking Contour (Red Square) II (Abstract Painting) Oil on canvas - Unframed Like many contemporary painters, Jeremy Annear embraces a post-disciplinary aesthetic. His paintings ...

The series bodies in space was born from my interest in architecture and the games of perception. I use color as a construction element where the volumes are made visible through col...

Acrylic painting on canvas, 2021. Signed, titled and dated on the back. Ready to hang. The artwork comes directly from the artist's studio. Dimensions: Height 52.48 in ( 133,3 cm ),...