Abstract Geometric Paintings

This original 1990s fine art monotype by Denver artist Wilma Fiori is a bold and dynamic example of late 20th-century American printmaking. Rendered in expressive layers of green, bl...

Geometric Abstraction, Op Art influence. Oil on canvas by belgium mid-century artist Pierre Mantra, dated 1970s. Mosaic-like, pointillist abstraction. Signed on the back Newly wood ...

This piece depicts an abstract composition with the use of mixed media and bold patterns producing a work that is visually textured and rich with layers, as Owen creates an intricate...

Bold abstract composition by RH Barnard (American, 20th Century). The backdrop of this piece is composed of rectangular sections of brown, red, blue, and tan. In the center of the composition, there is a black object...

Alejandro Rubio Back to Bauhaus, 2024 Oil on panel 20 x 16 inches This is a one-of-a-kind oil painting on panel.

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

"Geostructure VI" is an intensely colorful painting of the primary shapes of the circle, square, and triangle. Though the shapes are repetitive their mixed juxtapositions and the creative use of color moves the eye around the canvas with constant interest. This painting is an extraordinary example of Franklin Jonas...

Life in Nature Canvas measures 31.5 X 39.5 (I believe this is oil it might also be acrylic.) Hand signed recto and signed and titled verso. Calman Shemi, sculptor and painter, was ...

Details: Title: Dream of an Infant Medium: Acrylic on Watercolor Paper Size: 70x70cm (28x28 inches) Year: 2023 * Frame is for illustrative purposes only, artwork is packaged and shi...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Marina Stern was a multifaceted New York-based artist whose works ranged...

Artist: Jack Graves III (American, 1988-) Title: "Aura IV" Series: Aura *Signed by Graves lower left. It is also signed, dated, and titled on verso Year: 2022 Medium: Original Acryli...

Floating Colors - Abstract Geometric Composition in Oil on Canvas Abstract composition with bright colors by San Francisco artist Richard Turtletaub (American, b. 1959). Various sha...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Artist/ School: French School, 1970's, inscribed verso Title: Geometric abstract composition Medium: signed oil painting on canvas, framed framed: 30.5 x 39.5 inches canvas: 29...

That Also Hits the Spot 30.0 x 30.0 x 1.5, 3.0 lbs Acrylic Painting Hand signed by artist Artist's Commentary: "Despite the chaos beneath, playful colors and measured circles can...

Sophie Dumont (b. 1964, Paris) French contemporary painter Sophie Dumont has developed a distinctive body of work over the past two decades, exploring the intersection of memory, str...

Charles Green Shaw Harvard vs. Yale, 1944 Signed and dated on the reverse Oil on canvasboard 9 x 12 inches Provenance: Harvey and Francois Rambach, New Jersey Private Collection, California Washburn Gallery, New York D. Wigmore Fine Art, New York Private Collection, New York Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...

Artist: Daniel K. Teis, American (1925 - 2002) Title: Abstract with Checker Pattern Medium: Oil on Canvas signed l.r. Size: 54 x 72 in. (137.16 x 182.88 cm)

Precisely painted squares and rectangles in orange, rust red, green, yellow, light green, sapphire blue, black and pink dance, overlap and swirl on a washed green-blue ground in this...

"Big Little #142" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and blue palette acrylic, p...

Untitled #SP-213 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray D...

This work is born from the visual exploration of the duality that inhabits all forms of existence. Through a vibrant composition, the piece proposes the inevitable coexistence betwee...

Plaines & Mines, d’Ombre 2025.3 by Melisa Taylor Metzger envelops the viewer in a delicate tension between structure and atmosphere. Diaphanous layers of cool pinks and lilac blu...

Artist/ School: French School, second half 20th century Title: abstract composition Medium: oil on canvas, unframed Canvas: 28.75 x 21 inches Provenance: private collection, Fra...

Unframed size: 40 × 120 cm (15.7 × 47.2 in) Framed size: 47 × 127 cm (18.5 × 50 in) Floating frame: available in natural wood or black Sophie Dumont is a French contemporary painter...

Larry Zox Jean Jean, 1964 Signed, dated, and titled on the stretcher Liquitex on canvas 58 x 62 inches Provenance: Solomon & Co., New York Private Collection, NJ Estate of the above, 2023 Committed to abstraction throughout his career, Larry Zox played a central role in the Color Field discourse of the 1960s and 1970s. His work of the time, consisting of brilliantly colored geometric shapes in dynamic juxtapositions, demonstrated that hard-edge painting was neither cold nor formalistic. He reused certain motifs, but he did so less to explore their aspects than to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his essay for Zox’s solo exhibition at the Whitney Museum of American Art in 1973. By the 1970s, Zox was using a freer, more emotive method, while maintaining the autonomy of color, which increasingly became more important to him than structure in his late years. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler for the Gallery of Modern Art, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, Zox was represented in the inaugural exhibition of the Hirshhorn Museum, which owns fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University. While studying at the Des Moines Art Center, he was mentored by George Grosz, who despite his own figurative approach encouraged Zox’s forays into abstraction. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with the visiting fighters. He later established a studio in East Hampton, where he painted and fished including using a helicopter to spot fish. In the 1950s and early 1960s, Zox’s works were collages consisting of painted pieces of paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of intense hues that created ambiguous surfaces. Next, he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. From 1962 to 1965, he produced his Rotation Series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times noted in 1964: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.” In 1965, he began the Scissors Jack...

Susan Kiefer Carnal Knowledge Oil on canvas Year: 2023 Size: 24x24x1.35in Signed and inscribed by hand COA provided Ref.: 924802-1686 A large red circular shape with a black hole in...

Title: Geometric Landscape Artist: Marilina Marchica Medium: Oil and dry pastel on canvas Dimensions: 46 x 55 x 2 cm Year: 2026 Condition: Excellent One of a kind Certificate of auth...

Bold abstract geometric composition by Marc Foster Grant (American, b. 1947). Unsigned. but was acquired with a collection of other Grant pieces. No frame, but the edges are painted ...

Brightly colored hard edge and geometric land scape by Antoine RENAULT (French B-20th c). He has been painting seriously since 1987 He started practicing t...

"Cinderblock II" is a geometric abstract painting featuring hues of white and orange. Amanda Brazier creates handmade oil paints from locally harvested ...

Susan Kiefer Confronting the Void Oil on Wood Panel Year: 2023 Size: 12x12x1.35in Signed by hand COA provided Ref.: 924802-1488 Tags: texture, hard-edged abstract, angular shapes, t...

Chinese-Canadian artist Kai Liu creates semi-abstract landscape paintings that examine nature, place, and perception through color, atmosphere, and layered form. Born and raised in C...

A mid-century modern geometric abstract painting by American artist Richard Huntington. Richard Huntington (b. 1936) is an American painter, printmaker, and writer, is Critic Emerit...

Action painting in mainly black and white with cream, brown and ivory, 'Excavation,' by Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb, who creates autobiographical paintings that are comprised of both abstract and representational elements that consider the natural world as it intersects with utilitarian and architectural design. 'Excavation,' is 48 x 60 inches, and is from a series of paintings that characterize sacred spaces such as Mexican chapels...

Action painting in multi-colors including mainly green with pink, blue, white and black black, 'Uncertain Steps,' by Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb, who creates autobiographical paintings that are comprised of both abstract and representational elements that consider the natural world as it intersects with utilitarian and architectural design. 'Uncertain Steps,' is 72 x 60 inches...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Vintage American geometric abstract cityscape painting framed in a vintage Montparnasse frame. Gouache on board. Measuring: 43 by 31 inches overall, and 30 by 20 artwork alone.

Effervescent Squares exemplifies Tina Bluefield’s ability to create visual complexity through a highly restrained formal language. Composed of hand-painted white squares that shift f...

Bold neon abstract composition in six parts with bright green, orange, and hot pink geometric forms by California artist Gary Ermoloff (American, b. 1949), 1982. Dated and signed on verso. Unframed. Gary Ermoloff (American b. 1949) attended the Academy of Art University in San Francisco, where he received his BA in Fashion Illustration. He is a former member of AIGA and a former Board Member...

Born in Manuel, Cuba in 1973, Juan Lazaro Gutierrez Mamblas is a painter who focuses his vision on the bicycle. His abstract works with forms floating on a virtually monochrome groun...

Kramer’s modern and graphic paintings express lyrical, geometric abstraction via a harmonic interplay of syncopated shapes of various sizes and colors. This work includes primary and...

Colorful abstraction by Nicolas Dubreuille : "Ref 364" Nicolas Dubreuille is a multi-faceted abstract artist who likes to multiply mediums - sculpture, painting, drawing, photograph...

Untitled #SP-214, by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray...

Gouache and graphite on handmade paper. 24 x 18 inches unframed, 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Sophie Dumont is a French contemporary painter whose work explores abstraction through memory, architecture, and the silent presence of objects. Working primarily with oil on canvas,...

"This Must Be The Place" is an original, handmade paper collage on wood cradle, by Amy Hutcheson, that depicts an abstract painting with colorful geometr...

High Frequency/Slow Shift (Abstract Painting) Acrylic on canvas. Unframed. This work is a triptych which focuses on a shallow, mostly monochromatic surface that include bas-relief planes “locked” together against a more “fluid”, painterly background. The dripped surface of that background is only seen through small openings, or gaps between the flat, assembled forms. The tension of overlapping foreground shapes and the contrary background treatment is accentuated by the high-key yellow color that pushes the composition forward toward the viewer. It creates a drama that might not readily be associated with such a shallow space that includes subtle shifts and provides a perceptual twist that has a kind of electric visual charge. Macyn Bolt is an American abstract painter. Using a visual language informed by geometric abstraction, he creates artworks that examine how color and form create shifts in visual perception. He lives and works in Brooklyn, NY, and upstate Pennsylvania. Bolt works with acrylic paint on a variety of surfaces including canvas, wood panel, vinyl and paper. Using scrapers...

Abstract Composition British School, monogrammed/ dated lower corner gouache painting on paper laid over card, unframed actual painting: 22 x 15.5 inches Superb - bold - and very co...

Infuse your art collection with a remarkable piece of mid-century modernism: the oil on canvas abstract still life entitled "Tavolo E Oggetti," signed Giancarlo Isola, Italy, circa 1...

Victoria Harrison Spring Leaves 2020 Original Painting Acrylic and Acrylic Gloss Varnish on Canvas Board Signed and stamped on the back Sold Unframed Artwork Dimensions: 35cm X 35cm ...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

Susan Kiefer Bricolage En Rond Oil on Canvas Year: 2021 Size: 48x48x1.35in Signed by hand COA provided Ref.: 924802-1053 Though born and raised in Kans...

Susan Kiefer The Ravages of Certainty Oil on Canvas Year: 2021 Size: 24x30x1.35in Signed by hand COA provided Ref.: 924802-1057 Though born and raised ...

Alma Prism stands at the intersection of art and ethics, creating geometric abstraction designs that are as responsible as they are beautiful. Through our collaboration with skilled ...

Artist : Susan Kiefer Title : "Grace Notes" Materials : oil on canvas Date : May 2020 Dimensions : 30" x 40" x 1.5" Description : Hard-edged geometric abstract with four overlapping...

GEOMETRIC NEIGHBOURHOOD Size: 40 x 72.5 cm (including frame) Oil on Canvas A playful and brilliantly executed mid-century composition of a neighbourhood, painted in oil onto canvas ...

Dynamic late 1960's mixed media abstract geometric collage, with mulberry paper cut into curved and angular shapes and adhered in layers, in a unique color palette of navy blue, dark...

Alma Prism stands at the intersection of art and ethics, creating geometric abstraction designs that are as responsible as they are beautiful. Through our collaboration with skilled ...