Abstract Geometric Paintings

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Artist: Warren Wolf, American (1924 - 2003) Title: Zebuwl 2 Year: 1990 Medium: Oil and Marble Dust on Shaped Masonite, signed, titled and dated verso Size: 34 in. x 31 in. (86.36 cm...

Title: I AM Power Rhino Modern Bold Colorful Striking Nature Africa Investment Beauty Cubism Geometric Artwork depicting strength, power in a modern and colorful way. This work...

Connected Curves is a striking and impactful large-format painting created in the 1960s by Domenick Capobianco. The work is part of a catalog of bold, post-modernist pieces by the ar...

Cotton sewn on paper

Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Bloom, No. 3, 2026 acrylic and marble dust on collaged repurposed canvas on panel 29 in. diameter Colorful pinwheel tondo painting in oil on antique linen Deb Lawrence brings togeth...

Geometric Abstraction, Op Art influence. Oil on canvas by belgium mid-century artist Pierre Mantra, dated 1970s. Mosaic-like, pointillist abstraction. Signed on the back Newly wood ...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

ACRILICO SOBRE TELA DEL PRESTIGIOSO ARTISTA ANTONI CARBONELL TOBIAS (Barcelona, 1948) REPRESENTANDO UNA ABSTRACCION COMO PUEDEN APRECIAR, LA OBRA VA FIRMADA EN LA PARTE INFERIOR (C...

"Architectural Fantasies" is a 40" x 30" gouache on paper, abstract painting of geometric shapes and forms, giving the illusion of a three dimensional, architectural structure. Born...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Super attractive geometric abstraction in a rare to find pastel color palette. Circles is a striking and impactful large-format painting created in the 1960s by Domenick Capobianco. ...

"Robin egg blue pill" is one of the 30 small tondo paintings on wood comprising the Dopamine mosaic. This 30-piece ensemble was created between January and April 2024 by the artist u...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Singularity II" by Heny Steinberg is a captivating exploratio...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

A contemporary acrylic painting by Gene Johnson (NYC). Unframed. Signed on verso. Gene Johnson has been painting and exhibiting since the mid-80s in New York City. He has participa...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. We offer complimentary worldwide shipping and cover all tariffs...

An original oil on canvas painting from the estate of George North Morris from the artist's "Lovers" series. This piece comes in its original wood frame presentation. George North Morris - painter, writer, teacher Born May 13, 1915 in East Liberty, PA Died Oct. 1, 1996 in Hudson, NY Studio locations over the years: varied from Hyannis (MA), Providence (RI), Oglethorp (GA), Montpelier (VT), Yonkers & Westchester Co. (NY) to the later years in Germantown (NY). Subject matter consisted mainly of seascapes and landscapes but in the 60's and 70's he experienced his abstract era. The later years, in fact most of his life was spent in New England and N.Y. state. Most of his more valuable paintings where along the Hudson River and Westchester County. His most frequent methods were oils and water colors, and in the 1940' his artistic expression was through the use of clay. Most of his pottery was made from local Cape Cod (Barnstable) clay which he and his family dug, washed and prepared. He wrote a part of the foreward, called "The Tradition", for a book "A Century and a Half of American Art 1825-1975". Published in 1975 by the "National Academy of Design". He was also an art critic and reporter for the Worcester Telegram and the Provincetown New Beacon. He was a person that felt time was by far better spent talking about and hearing ideas and thoughts. The following are some of his. George Morris's life was that of art and art critic as well as educator. "It was the two summers, 1938 and 1939" recalled Morris, "that I really learned how to paint". Though much of his work showed a strong Edward Hopper influence, at the same time it took many roads. It was, over the years, much too varied to categorize. He started with collage, moved to abstraction, and then to a period during the late 1960s and '70s when he completed what he called his "Lovers Series" - erotic paintings filled with large orchestrated flat color - that show him moving away from abstraction. Upon becoming bored with the concept of abstract painting, he looked for new challenges in pastels, acrylics and water colors, painting once again what he called "the world as it is recognizable by others". George firmly believed that all the best artists are good hucksters, too. Solo exhibitions as a painter were as follows: Columbia-Greene Community College - 1985 Barrett House - 1985 Smith Gallery - 1980, '81, '82 Swansborough Gallery, Wellfleet - 1983 Hopper House, Nyack, NY - 1981 Hudson River Museum, Yonkers Shepherd Gallery...

Very attractive and large scale 70's geometric abstraction! Not signed Oil on canvas 55 x 68 1/4 inches Provenance: Private collection, NY From the artist's estate of works Black Cen...

April opus. 2018, canvas, oil, 100x80 cm Abstract cubist composition in earth colors Igor Leontiev (1957) - one of the leading independent painters in L...

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

This modular work features hues of red and blue. Two separate pieces hang together to create one piece. Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia ...

Black nylon over panel keywords; use of common materials, assemblage, abstract sculpture, wall-sculpture, process-oriented, abstract art, line, form and color, black, monochrome scu...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. 77.25 x 59 in. 79.75 x 62 in. (framed) Custom framed in a solid hardwood floater, with a matte white finish. Provenance Estate of the artist Hollis Taggart...

Art and Space, Ron Agam, Geometric Op Art Painting Acrylic on Wood, 2022 Acrylic Paint 18 x 18 inch Art and Space is a vibrant geometric painting by Ron Agam that exemplifies the ar...

Michael Kessler’s work explores the continuum between gesture and geometry. Each work consists of as many as 50 micro-thin layers of translucent and transparent acrylic. Biomorphic tendrils branch to and fro, while arcs of line and color slip over and under matrices, balancing nature’s sinuous curves with the mindfulness of structure. He likens the gestural freedom in his works to a kind of painterly “tai chi” – a...

Iwan Albertovich Puni (also known as Jean Pougny) was a Russian avant-garde artist (Suprematism, Cubo-Futurism) who later became French. He evolved towards Lyric Primitivism, influen...

Seymour Fogel Untitled Oil on illustration board construction 10 x 7 1/2 inches Provenance: Estate of the artist Charles and Faith McCracken Larry and Trish Heichel Private Collection Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...

Dānsa by Rubeena Ratcliffe is a bold abstract painting layered with geometric forms, float-framed in light wood. The overlapping shapes and subtle hand-drawn line textures create a s...

2025 Acrylic on canvas 16 x 16 in. (40.6 x 40.6 cm) Unique Signed and dated, verso

"SPRAY_01" Abstract Painting 40" x 65" by DOT ABOUT THE ARTIST: By compiling concepts from multiple philosophies, DOT’s Art seeks to explore an idea that has developed from different roots. Through the use of repeating geometric patterns enhanced by different color theories. A hallucinatory visual field is created. Thus forcing the viewer's perspective to be pushed into a moment of visual confusion. According to theories in Neuroplasticity, these perspective shifts are catalysts that have the potential to rewire neural pathways and ultimately affect thinking and behavior. Being self-taught DOT leaned into his understanding of scientific concepts and techniques to develop his artistic explorations. In his most recent body of work, a surgical repetition of shifting color fields reflects his curiosities in the space of visual perception. These lines tend to create a static movement...

The colorful paintings of Jan Pieter Fokkens transport us to distant worlds beyond our comprehension. Within his seemingly infinite networks of lines, dots, and crosses, he decodes the recognizable to create something unfamiliar. Each work begins with a colorized photo captured by a deep-space...

Signed lower right. The composition is a tightly organized geometric abstraction on a deep blue ground. A large, centrally placed triangular form asserts the vertical axis and is an...

Melisa Taylor Metzger’s The Seismology of Cantilevered Hearts 1 transforms a circular tondo plywood panel into a multichromatic composition that blends traditional crafting technique...

"Rift Valley, Sonde 2" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with textural topography. Various techniq...

"Crescent Rose" Mixed Media Handmade Paper Watercolor Abstract by Bruce Weinberg Soft lavenders, magentas and gray tones highlighted with purple thread and sheets of gold leaf mingle to create a soft and lovely abstract on handmade paper by California artist Bruce Weinberg (American, 1942-1994). Image is floated on a silk background. Pencil signed and dated "Bruce Weinberg 1980" lower right. Pencil signed title "Crescent Rose" lower left. Displayed in a giltwood frame with spacer. Image size: 24"H x 35"L. Framed size: 31"H x 43"W x 2"D. Bruce Weinberg was a long time resident of the San Francisco Bay Area. He studied Interior Design at the Philadelphia College of Art and Architectural Space Planning at Temple University. During the 1970s he studied printmaking and drawing at San Francisco's Fort Mason...

This geometric wall sculpture features green hues. Atlanta-based artist Mitchell Biggio’s “Fault” is a series of complex three-dimensional wall sculptures that navigate the expansiv...

Roger Selchow oil on canvas 32x40 inches Signer Verso 1970’s Roger Hoffman Selchow was born in Greenwich, Connecticut, and is best known for his paintings of geometric abstraction...

Batik technique on cotton

Batik technique on cotton Marko Reeboskic is a Serbian artist born in 1964 who lives and works in Belgrade, Serbia. With an architectural background Marko continues his work in diff...

Skipstep (DE) (Abstract Painting) Acrylic on canvas. Unframed. The skipstep and Shadow Boxer paintings grow out of an interest in the paradox of spatial comprehension found in abstract painting. As with the shadow boxing practice in which the athlete spars with his or her own shadow, Bolt finds that the illusory qualities of abstract composition initiate a similar exercise of perception and expectation. Using...

Paravents by Luciana Levinton, Architectural Geometric Abstract Painting, 2025 Untitled. Paravent en blocs. Hommage a Eileen Gray Oil on Canvas 150 x 150 This minimalist abstract wo...

TUSET (1997, A Coruña, España) Mixed media painting on paper Ready to frame One-of-a-kind Signed on back Includes certificate of authenticity 2021 65 x 50 cm. It belongs to the ser...

Robert Petrick's paintings connect the lyricism of language with the vibrancy of urban culture, especially the rich milieu around the East Village and Alphabet City. Rendered in colo...

Nautic 51.2 x 31.5 x 0.8, 5.5 lbs Acrylic paint Signed by the artist Artist's Commentary: "Original painting on stretched canvas named 'Nautic'. Dimensions: 130cm x 80cm. Art work...

Shadow boxer (A.2) (Abstract Painting) Acrylic on canvas. Unframed. The Shadow Boxer and skipstep paintings grow out of an interest in the paradox of spatial comprehension found in abstract painting. As with the shadow boxing practice in which the athlete spars with his or her own shadow, Bolt finds that the illusory qualities of abstract composition initiate a similar exercise of perception and expectation. Using...

Iris Kufert-Rivo describes her work... "pattern and repetition of forms is a subject I’ve pursued for decades. This new set of paintings called The Structure Series is inspired by t...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Colourful abstract geometric acrylic painting on canvas. The artwork is called 'Number 16'

"Ritmos Abstratos" invites us to explore the visual universe of the artist Juan Carlos Amador, who, through his unique perspective, translates the pulsations of space and the invisi...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable hand can be sometime mistaken to a work of a machine, a printer. But if you look close enough you are able to see that it is a work of a line master!! This piece comes framed in a white wooden frame. The measurements of the work with the frame is 11/11". Op art masters from the 20's century that are inspiration to Lucchetta's pieces are Victor Vasarely, Brigit Riley...

A contemporary painting by NYC's Gene Johnson. A balance of values, texture, line and form. Unframed. Signed "Gene Johnson" on verso. Gene Johnson has been painting and exhibiting ...

Untitled Geometric Abstraction, an original oil on masonite by Juliette Steele, is a piece for the true collector. Steele's use of color and patterns immediately captivates the viewer, reminding us of works by other pioneer abstractionists, such as Piet Mondrian and Wassily Kandinsky. Steele's puzzle-like, discontinuous sections draw you across and into the work. This masterful original artwork comes with a minimalist frame and would make a great addition to an art collection, enhancing most any home, and perfect for those who have an affinity for abstracts, contemporary paintings, and color-rich works of art. Artist: JULIETTE STEELE (1909-1980) Title: UNTITLED GEOMETRIC ABSTRACTION Medium & Surface: ORIGINAL OIL ON MASONITE (framed) Signed: HAND SIGNED AND DATED BY ARTIST ON VERSO Year Created: CIRCA 1950 Country of Creation: UNITED STATES Image Area Dimensions: 22 x 28 INCHES Frame Dimensions:* 23 x 29 x 1.875 INCHES *This work of art is being sold framed. If you would like to change the frame to better match your style or environment, please contact us for Custom Archival Framing options. Additional Info: HIGHLY COLLECTIBLE WORK BY JULIETTE STEELE IN GREAT CONDITION CONSISTENT WITH AGE. THIS IS AN EXCEPTIONAL EXAMPLE OF THE ARTIST'S STYLE AND TECHNIQUE. THE FRAME IS A MINIMALIST WOOD FRAME WITH VERY MINOR SIGNS OF WEAR CONSISTENT WITH AGE. About the Artist: Juliette Steele, an American artist, was an accomplished printmaker, painter and teacher. Steele was part of the Geometric Abstraction and Abstract Expressionism movements. Her peers included Jackson Pollock, Mark Rothko, Hans Hofmann, Willem de Kooning, Franz Kline, and Clyfford Still. Steele was born in 1909 in Union City, New Jersey. In the late 1920s, she moved to New York to study art and fashion design at the Traphagen School of Design. A decade later, she moved to San Francisco with husband Edward Steele, and earned a Bachelor of Art degree from San Francisco State College. In the 1940s, Steele found inspiration from the new city, and produced a series of lithographs depicting San Francisco landmarks. At the same time, she earned a Master of Fine Arts from Stanford University, and continued her studies at the California School of Fine Arts in San Francisco. Here, she studied with Ray Bertrand and Clay Spohn...

An unusual shaped relief oil on canvas in original frame by Frederic Karoly,(1898–1987), signed and dated 1963. Frederic Karoly, a painter whose abstract oils are in the collection ...

This geometric wall sculpture features purple hues. Atlanta-based artist Mitchell Biggio’s “Fault” is a series of complex three-dimensional wall sculptures that navigate the expans...

Grillas by Martín Pelenur, Geometric Abstract Painting with Blue, Green, 2022 Acrylic on Canvas Martín Pelenur explores balance through a carefully orchestrated arrangement of geome...

ABOUT THE ARTWORK “AC 2-2” by artist David Kupferman is a lyrical abstract painting that beautifully combines various elements to explore the idea of u...