Abstract Geometric Paintings

Large-scale abstract titled "Rock Image II" by Erle Loran (American, 1905-1999). Erle Loran was a modernist of urban and coastal views and geometric painting. Signed lower right "Lor...

Alma Prism stands at the intersection of art and ethics, creating geometric abstraction designs that are as responsible as they are beautiful. Through our collaboration with skilled ...

This modular work features hues of orange and yellow. Three separate pieces hang together to create one piece. Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and ...

In Clef, Linda Kamille Schmidt composes a lyrical fabric collage that echoes the rhythm of music and memory. Layered bands of translucent and opaque textiles are stitched into a vibr...

A striking original framed painting by Charlotte Bernays. Year: 2022 Framed size: 63 x 64.5 Authenticity: This piece comes with a certificate of authenticity. Framing: Hand-stained...

Scott McMillin is perpetuating the tradition of well-known scrap metal artists such as John Chamberlain or Cesar to create unique abstract geometric compositions. Using discarded car...

Final Framed dimension: 18 x 22.5 collage art only: 9 x 6 full paper size: 15 x 19 Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, publishe...

A charming original Swedish abstract still life from the 1960s! The compelling geometry and warm color palette make this mid century painting feel incredibly modern. The artist, Hans...

This series of hand painted acrylic paintings by Natalia Roman are inspired by the colors and textures of Italian terrazzo tiling. The patterns created c...

As is generally the case with my paintings, this work proceeded from a place of unknowing. The specificity of imagery and technique belie the non-specific character of the ideas and narratives presented. The imagery is not tied to any pre-existent source (textual or other). It is not preconceived by the artist, rather it is produced spontaneously in the process of painting. That said, it seems both easy and sensible to connect the imagery in this painting to common cultural material, especially that from very ancient sources. The central figure is very much like a totemic Neolithic goddess- the sort of which seem to be among the most ancient artistic works, examples are extant from eras stretching back tens of thousands of years. A lot has been written about figures of that kind but of course no one can reasonably claim to truly understand them. Here the great goddess appears with wings and entwined serpents. Crowned also with a glowing orb she has become an emblem of a matristic hermetica. The smaller figure may be less evidently archetypical. She is a younger goddess, a daughter like Persephone to Demeter. She lifts the breasts of her mother signifying perhaps how the presence of the child evokes the nurturing qualities of the mother or how Persephone’s seasonal ascent from the underworld awakens in her mother the impulse to again give life to the world. The cluster of gynomorphic figures contained by the crescent moon at the center of the painting refer to the balanced transformations of the lunar cycle and their mysteriously harmonic physical manifestation in the vital cycles of a woman’s body. At their axis is the cycloptical abdomen of the figure enthroned on the moon. The entire totem rises from a terrestrial gateway into an open landscape. In the background megaliths obscure the horizon. They represent a first boundary in time- the beginning of history. Below is the gateway, the opening to an inner earth...

Alejandro Rubio Valley Landscape, 2025 Oil on canvas 18 x 24 inches This one-of-a-kind oil painting on canvas is stretched across wooden stretcher bars.

Mexican-American visual artist Javier Arizmendi-Kalb’s expressive and texturally rich paintings are nuanced with symbolic and narrative motif in oil and oil-crayon on canvas. 'Hacked...

Tinder II is a layered oil painting that investigates accumulation, mark-making, and the quiet intensity of the repeated gesture. The surface is built from countless linear strokes, ...

About the Artist: Andrew Hildenbrand is a New York based painter who received his BFA in painting from the Pratt Institute in 2023. Thinking of hi...

Robert Petrick's "The Dancer" is a fusion of meticulous geometry and bold abstract expression. From the artist's Chromatic Collisions series, this pie...

It is rare to see a painting by Vasa Mihich available. These works are carefully worked through and planned with the aid of Computers. Mihich will work through the sequencing of co...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

Accords Intérieurs Oil on canvas, 80 x 80 cm (31.5 x 31.5 in) Framed dimensions: approx. 87 x 87 cm (34.3 x 34.3 in) Floating frame available in black or natural wood. French contem...

Post Dogmatist Painting on Canvas signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagosa...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...

Abstract Composition British School, monogrammed/ dated lower corner gouache painting on paper laid over card, unframed actual painting: 22 x 15.5 inches Superb - bold - and very co...

The Seismology of Cantilevered Hearts by Melisa Taylor Metzger transforms a circular plywood panel into a radiant field of layered abstraction. Through a vibrant interplay of burgund...

Richard Andres (American, 1927-2013) Pieces Collage, c. 1965 collage on paper 14 x 18 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Bands, squares and rectangles in pink, mauve, aqua and black dance across a fern green ground in this horizontal acrylic on canvas. The curated, lively composition intersects music, ...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Paravents by Luciana Levinton, Architectural Geometric Abstract Painting, 2025 Untitled. Paravent en blocs. Hommage a Eileen Gray Oil on Canvas 150 x 150 This minimalist abstract wo...

Artist: Jack Graves III (American, 1988-) Title: "Diamond XLI" Series: Diamond *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2022 Medium: Original Acrylic Painting on Canvas Canvas size: 26" x 22" Condition: The stretched canvas was custom built by the artist himself. In mint condition Biography: Jack Graves III is an American artist, born in 1988 in Jacksonville, Florida. He grew up surrounded by inspiration having an art dealer as a father, John Graves...

Abstract Composition signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 45.5 x 35 inches condition: the work is in overall very sound and good c...

Rectangles and squares, large and small, in orange, mauve, blue and more, dance across a light green ground in this vibrant acrylic painting by Burton Kramer. The title of the painti...

Hadley Radt’s abstract geometric paintings explore the connection between systems in our environment and how they relate to her own impulse to construct order. The structures she dev...

"City Lines" 40X50x1.75" acrylic on canvas 2018 NYC Signed, dated and titled on the reverse side. "Line series influenced by the digital city"

oil on canvas one-of-a-kind hand signed The canvas will be shipped STRETCHED, unframed All custom charges are included in the final price agreed

Oil on canvas.

Kramer’s modern and graphic paintings express lyrical, geometric abstraction via a harmonic interplay of syncopated shapes of various sizes and colors. This work includes primary and...

Christopher Barrow has studied the smallest details of life in urban society and translated these details into engaging paintings. His scenes are familiar to us but also ever so slig...

A staccato of small squares, rectangles and fine horizontal and vertical dashes in violet, orange, green, yellow and pink, scatter across a large white square that is further framed ...

Seymour Fogel Untitled Oil on illustration board construction 10 x 7 1/2 inches Provenance: Estate of the artist Charles and Faith McCracken Larry and Trish Heichel Private Collection Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...

City Green Soft Geometry Series 2017 Acrylic on canvas 28X40" Signed, dated and titled on the reverse side

Charles Arnoldi, is an American painter, sculptor and printmaker. He was born April 10, 1946 in Dayton, Ohio. Charles Arnoldi has been described as an artist who “draws in space” to...

Roger Selchow oil on canvas 32x40 inches Signer Verso 1970’s Roger Hoffman Selchow was born in Greenwich, Connecticut, and is best known for his paintings of geometric abstraction...

Melisa Taylor Metzger’s Sateen X2 extends her exploration of surface and gesture with a composition that feels simultaneously luminous and turbulent. Broad washes of deep cobalt and ...

Abstract, Neha Puri Dhir, patchwork of resist dyed cotton, 37.5” x 73”, 2014 Fiber artist, Neha Puri Dhir (1983, Inda) explains her motives and feelings behind this colorful, geomet...

Throwing Some Shapes I by Kerry Louise Bennett [2022] One of a small series of paintings exploring the dynamic and expressive shapes of pot plant...

Detailed abstract geometric painting inspired by city grids in light grey and blue, with accents of black and white "Superman", made by Hudson Valley based artist, Donise English, in...

Mixed technique "Composition", Jorge Vidal, Grupo Simancas, s. XX Amazing work by the renowned artist Jorge Vidal, an artist based in Valladolid with a long professional career. Wit...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Post Dogmatist Painting on Panel, signed verso Art is 12 x 16 with frame approximately 13 x 17 Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, paint...

URBAN BLOCKS Size: 48 x 63.5 cm (including frame) Oil on board A striking mid-century abstract cityscape rendered in a restrained muted palette, executed in oil onto board. The pai...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the artist's "Elements" series which creates intricate geometric minimalistic compositions. This work has a rustic and heavily textured quality, but the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating pieces that allow us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her pieces aim to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This is a unique work is on baltic birch...

Alejandro Rubio Fractured Land #3, 2018 Acrylic on canvas 55 x 55 inches This one-of-a-kind acrylic painting on canvas is stretched across wooden stretcher bars. This painting is p...

"Banana skin yellow pill" is one of the 30 small tondo paintings on wood comprising the Dopamine mosaic. This 30-piece ensemble was created between January and April 2024 by the arti...

Artist: Jack Graves III (American, 1988-) Title: "Aura VI" Series: Aura *Signed by Graves lower right. It is also signed, dated, and titled on verso Year: 2024 Medium: Original Acryl...

Sergio Nates Blue Background, 2013 Acrylic on canvas 21.75 x 21.75 inches This one-of-a-kind acrylic painting on canvas is stretched across wooden stretcher bars.

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Mexican-American visual artist Javier Arizmendi-Kalb’s expressive and texturally rich paintings are nuanced with symbolic and narrative motif in oil a...

Field of patterns blue is an original abstract painting by artist Fleur Park. Featuring her signature use of pattern and geometric shapes. This painting contains a sophisticated colo...

Abstract Universe Composition In Red Artist signed verso, oil on canvas 60hx48w JARO was born in 1934 Prague the Czech Republic. Since his childhood, he enjoyed his art class at scho...

Karl Momen, Swedish b. 1937. This oil on canvas was painted in 1989 and finished in 1990, titled "The Golden Force." It is titled and signed on the reverse. Provenance: Marissa de...

Robert Glick (American, born 1950) "Day at the Coast" 2023 Acrylic Paint, Canvas, Stretcher Bars The artist signed the middle left of the painting. "Day ...