Abstract Geometric Paintings

City Green Soft Geometry Series 2017 Acrylic on canvas 28X40" Signed, dated and titled on the reverse side

In her work, Noam explores the intersection of geometry, rhythm, and material through a refined visual language. Using repetition and variation, she constructs a structured grid that...

First explored in the early 1990s, the spin technique has become one of Hirst’s most sought-after and instantly recognizable styles, reflecting his interest in process, color, and th...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

In her work, Noam explores the intersection of geometry, rhythm, and material through a refined visual language. Using repetition and variation, she constructs a structured grid that...

Robert Petrick's "The Plan" is a fusion of meticulous geometry and bold abstract expression. From the artist's Chromatic Collisions series, this piece...

#38, by George Vander Sluis, American (1915–1984) Date: 1967 Acrylic on Canvas, signed, titled and dated verso Size: 74 x 48 in. (187.96 x 121.92 cm)

Scott McMillin is perpetuating the tradition of well-known scrap metal artists such as John Chamberlain or Cesar to create unique abstract geometric compositions. Using discarded car...

In this piece, I channeled a symphony of emotions through my brushstrokes, exploring the harmony between serenity and the dynamic ebbs and flows of life. The acrylic layers, in their...

Impactful abstract painting of triangular shapes in hues of blue floating on a black background, circa 1950. Original artwork on paper displayed on a white mat with a gold border. ...

Final Framed dimension: 18 x 22.5 collage art only: 9 x 12 full paper size: 15 x 19 Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, publish...

Alma Prism stands at the intersection of art and ethics, creating geometric abstraction designs that are as responsible as they are beautiful. Through our collaboration with skilled ...

“Light Construction” is like a city being assembled from radiance itself. Blocks of saturated orange and electric blue interlock like scaffolding and sky, while slabs of olive green ...

Outstanding large-format oil on canvas, titled Sun of Africa, signed and dated 2007 by the French painter Cécile Genon Sorel. This artist's work presents very distinctive features: ...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

This artwork features a tangle of white and blue rectangles and basic geometrical shapes over a textured substrate. On the middle top, aquamrine/turquoise almost vertical bands fall from the top, and a dark red pile occupies the middle of the canvas. Most of Françoise Duprat...

Teal Between Measures, Blue Emerald by Melisa Taylor Metzger explores the tension between structure and atmosphere through a striking interplay of material and form. Rendered on wood...

Title: Inside the Blue Original One-of-a-kind Freedom Blue Extra-large Geometric Striking Elephant Unity In "Inside the Blue," Karnish constructs a complex, fractured geometric uni...

Milan Tiff The N Word 48 x 48 inches Hand-signed by artist Artist's signature, artwork title and date on back of canvas Milan Tiff was born in 1949 in Shak...

4 carrés (Abstract Painting) Pigmented cement on foam panels. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in the cons...

A superbly clever, très French and highly decorative abstracted painting by Bernard "Becool" Coolen which tells a story: it is in fact a stylised representation of of the Champs Ely...

This modular work features hues of orange and yellow. Three separate pieces hang together to create one piece. Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and ...

Square in the Sky Contemporary Geometric Abstraction, Acrylic on Wood Panel 2024 84 x 84 inch Square in the Sky by Ron Agam is a vibrant exploration of color, geometry, and visual r...

Paul Brach (American, 1924-2007). Cluster #3 Acrylic on canvas with collage metal stars on it. Paul Henry Brach, (born March 13, 1924 in New York City - d.November 16, 2007 in East...

Mixed technique "Composition", Jorge Vidal, Grupo Simancas, s. XX Amazing work by the renowned artist Jorge Vidal, an artist based in Valladolid with a long professional career. Wit...

This work takes its cues from Ilya Bolotowsky and Piet Mondrian. A fine example of 1970's hard edged geometric abstraction. Artist, painter & master photographer Jonathan Singer was...

Larry Zox Jean Jean, 1964 Signed, dated, and titled on the stretcher Liquitex on canvas 58 x 62 inches Provenance: Solomon & Co., New York Private Collection, NJ Estate of the above, 2023 Committed to abstraction throughout his career, Larry Zox played a central role in the Color Field discourse of the 1960s and 1970s. His work of the time, consisting of brilliantly colored geometric shapes in dynamic juxtapositions, demonstrated that hard-edge painting was neither cold nor formalistic. He reused certain motifs, but he did so less to explore their aspects than to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his essay for Zox’s solo exhibition at the Whitney Museum of American Art in 1973. By the 1970s, Zox was using a freer, more emotive method, while maintaining the autonomy of color, which increasingly became more important to him than structure in his late years. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler for the Gallery of Modern Art, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, Zox was represented in the inaugural exhibition of the Hirshhorn Museum, which owns fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University. While studying at the Des Moines Art Center, he was mentored by George Grosz, who despite his own figurative approach encouraged Zox’s forays into abstraction. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with the visiting fighters. He later established a studio in East Hampton, where he painted and fished including using a helicopter to spot fish. In the 1950s and early 1960s, Zox’s works were collages consisting of painted pieces of paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of intense hues that created ambiguous surfaces. Next, he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. From 1962 to 1965, he produced his Rotation Series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times noted in 1964: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.” In 1965, he began the Scissors Jack...

"Banana skin yellow pill" is one of the 30 small tondo paintings on wood comprising the Dopamine mosaic. This 30-piece ensemble was created between January and April 2024 by the arti...

Black nylon over panel keywords; use of common materials, assemblage, abstract sculpture, wall-sculpture, process-oriented, abstract art, line, form and color, black, monochrome scu...

Gouache and graphite on handmade paper. 24 x 18 inches unframed, 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Born in Manuel, Cuba in 1973, Juan Lazaro Gutierrez Mamblas is a painter who focuses his vision on the bicycle. His abstract works with forms floating on a virtually monochrome groun...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed, titled, and dated on verso. 86 x 74 in. 87.25 x 75.25 in. (framed) Please note: This work was re-framed AFTER photography was completed. The frame seen in the photos was original, and has since been replaced with a solid maple floater, finished in a polyurethane clear coat (see other listings for an example of this frame). Provenance Steve Chase Design, Palm Springs, CA Ronnie Landfield was born in the Bronx, NY on January 9, 1947 - the same day as his older brother. As a teenager, he was encouraged to pursue a career as an artist, subsequently creating his first real paintings around the age of 14. He was particularly influenced by a Life magazine article from 1961 on the Abstract Expressionists, most notably: Jackson Pollock, Willem de Kooning, Adolph Gottlieb, Hans Hofmann, Mark Rothko, Clyfford Still, Robert Motherwell and Franz Kline. After stints at the Art Students League, the Kansas City Art Institute, the San Francisco Art Institute, and the University of California at Berkeley, Landfield’s professional career as a painter began in New York in 1965. The following year, after completing a major series of hard-edge border paintings, success as a painter began to materialize. The famous architect and collector Philip Johnson and the collector Robert Scull each acquired large paintings works, as did the Sheldon Memorial Museum in Lincoln, Nebraska. In 1967, Landfield was invited to participate in the Whitney Annual at the end of the year. His work attracted considerable attention, and he was invited to participate in important group exhibitions at the Bykert, Bianchini, and Park Place Galleries in New York. Landfield joined the David Whitney...

"City Lines" 40X50x1.75" acrylic on canvas 2018 NYC Signed, dated and titled on the reverse side. "Line series influenced by the digital city"

Compound emulsion on masonite signed twice, titled and dated on the verso Unique Provenance: Estate of Rosa and Aaron Esman Double framed in a museum quality wood frame Measuremets: ...

Deja Vu #1 by Judith North [2022] Deja Vu is a series of abstract paintings which aim to capture my response to something previously experienced. Additi...

Tricia Strickfaden skillfully merges design and art in her work, crafting a visual experience that captivates the viewer. Through the skillful interplay of cool tones set against a p...

Alma Prism stands at the intersection of art and ethics, creating geometric abstraction designs that are as responsible as they are beautiful. Through our collaboration with skilled ...

Moss Studies I–IV is a series of four original mixed media works on paper by Canadian artist Murray Duncan. Inspired by the quiet rhythms of nature, the collection explores organic f...

Field Notes II By Murray Duncan Mixed media on paper Size: 32" × 44" Unframed, signed A richly layered mixed-media composition built through gestural graphite, charcoal, and earth...

Stephen Edlich Ouverture, with Cypress Forms, 1982 Signed, dated and titled on the stretcher Acrylic paint, mixed media, and burlap on canvas 60 x 40 inches An artist who worked in the post-cubist and constructivist traditions, Stephen P. Edlich gained a considerable amount of acclaim in the 1970s and 1980s for his collages, sculpture, and paintings. His promising career was cut short due to his untimely death at age 45 in 1989. Edlich was born in New York City. He received his undergraduate degree with a major in fine arts studies from New York University in 1967. During his college years, he traveled to London, where he met the art dealer Victor Waddington and created his first white on white collage. In that same year, he attended a major exhibition of the work of Ben Nicholson, which would be influential source in his art. Edlich returned to England in 1967, where he met Barbara Hepworth and Patrick Heron in London and traveled to St. Ives, Cornwall, long a favorite artists' haunt. Edlich began creating acrylic reliefs...

Susan Kiefer Admitting Porosity Oil on canvas Year: 2023 Size: 24x24x1.35in Signed and inscribed by hand COA provided Ref.: 924802-1675 An angular composition with a field of dark b...

"Minoan" Abstract Painting, Textural Oil on Canvas, Signed, 1991 Beautiful textural abstract by Sasha Rogers (Canadian, 20th/21st Century). Signed "Sasha S. Rogers '91", titled "Min...

Transcromático by Juan Carlos Amador showcases abstract canvases that use thick, layered paint to evoke the fluidity and light of water sports, rather than literal representation. By...

An unusual shaped relief oil on canvas in original frame by Frederic Karoly,(1898–1987), signed and dated 1963. Frederic Karoly, a painter whose abstract oils are in the collection ...

"Somersault" is an original, handmade paper collage on wood cradle, by Amy Hutcheson, that depicts an abstract painting with colorful geometric shapes in...

"The Surprise in the Cereal Box" is an original, handmade paper collage on wood cradle, by Amy Hutcheson, that depicts an abstract painting with colorful...

"Box Spring Trampoline" is an original, handmade paper collage on wood cradle, by Amy Hutcheson, that depicts an abstract painting with colorful geometri...

Africana Mid-Century Modern large and impressive mixed media, sand and oil on artist board. The painting is unsigned there is a small fragment of old paper label with number #21 titl...

Title: Geometric Landscape Artist: Marilina Marchica Medium: Oil and dry pastel on canvas Dimensions: 46 x 55 x 2 cm Year: 2026 Condition: Excellent One of a kind Certificate of auth...

Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

City Lines acrylic on canvas 40 x 50 x 1.75 inches 2018 NYC Signed, dated and titled on the reverse side. series: Linepainting "Line series influenced by the digital city" Internal...

The colorful paintings of Jan Pieter Fokkens transport us to distant worlds beyond our comprehension. Within his seemingly infinite networks of lines, dots, and crosses, he decodes the recognizable to create something unfamiliar. Each work begins with a colorized photo captured by a deep-space...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

Artist: Irwin McFadden, American Title: Variants Year: 1972 Medium: Acrylic on Canvas, signed and dated verso Size: 19.5 in. x 19.5 in. (49.53 cm x 49.53 cm) Frame Size: 25 x 25 inches

"Viva La France!," 23 Karat Gold Leaf and Oil on Canvas, 32 x 48 Inches, is inspired by the French flag, elegant and whimsical, however it can also be viewed as a pure geometric abs...

Witches Banner is an original mid-century abstract painting by celebrated Denver modernist Edward Marecak (1919–1993), created circa 1960s. This bold, expressionistic work features r...

Oil on birch panel.

As is generally the case with my paintings, this work proceeded from a place of unknowing. The specificity of imagery and technique belie the non-specific character of the ideas and narratives presented. The imagery is not tied to any pre-existent source (textual or other). It is not preconceived by the artist, rather it is produced spontaneously in the process of painting. That said, it seems both easy and sensible to connect the imagery in this painting to common cultural material, especially that from very ancient sources. The central figure is very much like a totemic Neolithic goddess- the sort of which seem to be among the most ancient artistic works, examples are extant from eras stretching back tens of thousands of years. A lot has been written about figures of that kind but of course no one can reasonably claim to truly understand them. Here the great goddess appears with wings and entwined serpents. Crowned also with a glowing orb she has become an emblem of a matristic hermetica. The smaller figure may be less evidently archetypical. She is a younger goddess, a daughter like Persephone to Demeter. She lifts the breasts of her mother signifying perhaps how the presence of the child evokes the nurturing qualities of the mother or how Persephone’s seasonal ascent from the underworld awakens in her mother the impulse to again give life to the world. The cluster of gynomorphic figures contained by the crescent moon at the center of the painting refer to the balanced transformations of the lunar cycle and their mysteriously harmonic physical manifestation in the vital cycles of a woman’s body. At their axis is the cycloptical abdomen of the figure enthroned on the moon. The entire totem rises from a terrestrial gateway into an open landscape. In the background megaliths obscure the horizon. They represent a first boundary in time- the beginning of history. Below is the gateway, the opening to an inner earth...

"Cherry Coke Red Pill" is part of Dopamine Mosaic, a series of 28 tondos created by Melisa Taylor Metzger in the winter of 2024. This layered piece blends pyrography, airbrushing, an...

ABOUT THE ARTWORK “AC 2-2” by artist David Kupferman is a lyrical abstract painting that beautifully combines various elements to explore the idea of u...