Mary Long Art

Encaustic, red earth, piñon resin, carving and 21k moon gold leaf on wood panel

Amy Van Winkle (b. 1969) is an artist living and working in Santa Fe, NM. Although her early artistic career focused on drawing, sketching, and mixed media works, she now works exclu...

Born in Hungary, Bisttram went on to become a prolific artist creating many thousands of paintings and drawings that embraced styles from realism through abstraction. A member of the WPA, he was best known as one of the founders of Transcendental Art...

Elyse Katz (b.1951) is a self-taught American artist residing in Newport Beach, California. Her works are abstractions inspired by the visceral recollection of her personal experiences. As such, she calls her paintings “landscapes of my inner world.” Fittingly, physical landscapes and architectural rhythm also fuel her creativity: urban and rural vistas as viewed from the air, for example, textures and colors of old weathered surfaces and the pattern of cobblestone, to name a few. Katz begins each painting without expectation of outcome, with mark-making and play, layers of acrylic paint and oil pastels and found materials - vintage text...

Martin Rosenthal "Triangles and Semi Circles" 1965 Encaustic & Oil paint on paper 20"x13" unframed Signed and dated in ink lower left Martin Rosenthal 189...

LeRone Wilson (1968) is a sculptor and painter living and working in New York. His primary medium is encaustic, the oldest form of painting, used by the ancient Egyptians to fuse hieroglyphics. His sculpted encaustic paintings explore the complexities of the historical and cultural inferences of spirituality, history and identity. His work represents a medley of different textures that stimulate the senses, making the art not just a thing of beauty to be admired from a distance, but something we can feel connected to through the expression of touch. It’s a way of revealing an image without actually being able to control it, letting it come about itself. The work varies in shapes with 1 to 4 inches of wax built up on the surface. Their elegant abstract details invoke minimalist historical references that are surprisingly compelling. The results are unrecognizable surfaces that encourage kind of curiosity as to their function as paintings. Minimalism can be defined as the perfection that an artifact achieves when it is no longer possible to improve it by subtraction. This is the quality LeRone wants to achieve with the texture of the encaustic. Every component, every detail and every function has been reduced or condensed to the essential. The simplicity of his work explores the possibility of working creatively without disrupting the purity of the material. A finalist for the Louis Comfort Tiffany Award and winner of Best in Show for the Carroll Harris Sims Award, his works have also appeared in live auctions...

Frank Olt was a artist in residence at P.S1, the legendary Long Island City studio/gallery complex during the late 70s. Olt regards himself largely as a self taught painter, identify...

This sculpture light is a captivating addition to the Art + Light series, where the interplay of light and art creates a unique and fascinating effect. The wooden cube is covered wit...

Frank Olt was a artist in residence at P.S1, the legendary Long Island City studio/gallery complex during the late 70s. Olt regards himself largely as a self taught painter, identify...

The Portal Triptych is an abstract view through this portal-like structure, providing a window into an unique textural environment. In part Andrea's objective in curating an intricat...

Little Windows. Mixed media textured and acrylic paint on Wood. Separate LED box light. 24H x 24Wx 3D This series of artwork evokes a novel effect. Light becomes intertwined in the ...

LeRone Wilson (1968) is a sculptor and painter living and working in New York. His primary medium is encaustic, the oldest form of painting, used by the ancient Egyptians to fuse hieroglyphics. His sculpted encaustic paintings explore the complexities of the historical and cultural inferences of spirituality, history and identity. His work represents a medley of different textures that stimulate the senses, making the art not just a thing of beauty to be admired from a distance, but something we can feel connected to through the expression of touch. It’s a way of revealing an image without actually being able to control it, letting it come about itself. The work varies in shapes with 1 to 4 inches of wax built up on the surface. Their elegant abstract details invoke minimalist historical references that are surprisingly compelling. The results are unrecognizable surfaces that encourage kind of curiosity as to their function as paintings. Minimalism can be defined as the perfection that an artifact achieves when it is no longer possible to improve it by subtraction. This is the quality LeRone wants to achieve with the texture of the encaustic. Every component, every detail and every function has been reduced or condensed to the essential. The simplicity of his work explores the possibility of working creatively without disrupting the purity of the material. A finalist for the Louis Comfort Tiffany Award and winner of Best in Show for the Carroll Harris Sims Award, his works have also appeared in live auctions...