Abstract Geometric Paintings

This large oil painting on canvas, rendered in Tobreluts’s trademark geometric abstract style, is an abstracted depiction of the Greek tale of Amazonomachy - which translates to “amazon battle...

"Amphibious Dollar" is an artwork which truly exemplifies the precision and craftsmanship that Olga Tobreluts brings to her practice. Pain-stakingly rendered by hand in her iconic ge...

"Heart" is an artwork which truly exemplifies the precision and craftsmanship that Olga Tobreluts brings to her practice. Pain-stakingly rendered by hand in her iconic geometric abst...

"Heart 2" is an artwork which truly exemplifies the precision and craftsmanship that Olga Tobreluts brings to her practice. Pain-stakingly rendered by hand in her iconic geometric ab...

Bearing the same name as Michelangelo’s famous marble sculpture, this enormous painting on canvas portrays the body of Jesus - post-crucifixion - as ...

In this oil painting on canvas, Tobreluts takes a softer approach to her trademark geometric abstract style. The geometric forms begin to express a more organic character - bending a...

In this painting, Tobreluts takes a softer approach to her trademark geometric abstract technique. The geometric forms begin to express a more organic character - bending and falling...

This painting on canvas demonstrates Tobreluts’s range of technique. Departing from the robust geometric abstract style that characterizes so many of her paintings, this work is dist...

This oil painting on canvas demonstrates Tobreluts’ range of technique. Departing from the robust geometric abstract style that characterizes so many of her oil paintings, this artwo...

So Real, 2013, is a large scale oil painting with a bold saturated palette by abstract geometric artist, Kati Vilim. This abstraction is an optical illusio...

Rosebud, 2013, is a large scale oil painting by abstract geometric artist, Kati Vilim. This abstraction is an optical illusion, with cascading cubical forms in a series of red hues ...

John Gibson is a native of Massachusetts, born in Boston in 1958. He attended the Rhode Island School of design (where he earned a BFA in 1980), before earning his post-graduate degree from the prestigious master’s program at Yale. Gibson had his first one-man show at the University of Massachusetts in 1984, and he began showing in group exhibitions in the Boston and New York areas in the late 1980s. In the early 1990s Gibson’s paintings began to focus on pyramidal compositions of spheres resembling children’s playground balls, decorated in the manner of colorful soccer balls. Executed in oil on wooden panel, these pieces began to attract generous critical praise for Gibson from the pages of the Boston Globe, the Partisan Review, and the New Yorker, among others. Gibson’s paintings are filled with subtle yet provocative disjunctions, which challenge the viewer’s initial perceptions of the pieces. While these images would seem at first to be fairly simple atmospheric, realistic renderings of colorful balls, a closer examination will reveal that the surfaces of Gibson’s paintings are deeply scored by the artist in geometric patterns that sometimes conform to, and in other instances defy, the outlines of the spheres rendered in paint. An invisible substructure is suggested in these incisions, which also serve to reinforce the physicality of the painting. Some pieces also include incised and/or painted suggestions of shadowy architectural spaces (arches, hallways, shallow niches) in which the balls are placed. The scale of the objects rendered is ultimately unclear: the balls could be of the large, inflatable type, but they alternatively suggest the density of much smaller decorated wooden croquet balls...

Fabric and acrylic on canvas

Acrylic on Canvas Board

Acrylic on lasercut wood panel

Totem, 2020, acrylic, oil, artist marker, liquid gold leaf, op-art, pattern, red, blue, yellow. Hand signed by artist Certificate of Authenticity included Framing available

Acrylic on 3-D stretched canvas, dimensions listed for piece as shown. Dimensions are variable depending on hanging formation. Wall sculpture, white, red, and gray.

Oil on 3-D stretched canvas, dimensions listed for piece as shown. Dimensions are variable depending on hanging formation. Wall sculpture, white, orange, and gray.

Oil on 3-D stretched canvas, dimensions listed for piece as shown. Dimensions are variable depending on hanging formation. Wall sculpture, white, red, and gray.

Oil on 3-D stretched canvas, dimensions listed for piece as shown. Dimensions are variable depending on hanging formation. Wall sculpture, orange, green, and purple.

Acrylic on 3-D stretched canvas with wood armature. Dimensions listed for piece as shown. Dimensions are variable depending on hanging formation. Wall sculpture, black, orange, red a...

Acrylic on 3-D stretched canvas with wood armature. Dimensions listed for piece as shown. Dimensions are variable depending on hanging formation. Wall sculpture, white, tan, and gray.

Balancing III, 2019, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, black and white.

Balancing II, 2019, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, black and white.

Balancing IV, 2019, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, black and white.

Balancing I, 2019, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, black and white.

Options IX, 2020, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, green and white.

Options VIII, 2020, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, blue and white.

Options VI, 2020, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, blue and white.

Options IV, 2020, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, pink and white.

Options V, 2020, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, pink and white.

Habitat Fragmentation I, 2020, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, blue and green.

Acrylic and resin on 3-D stretched canvas. Sculpture, blue, green, orange. Abstract, biomorphic.

Acrylic and resin on 3-D stretched canvas. Sculpture, blue, green, orange. Abstract, biomorphic.

Jack Reilly came to Los Angeles in 1978, shortly after receiving his MFA from Florida State University. In 1979, the Molly Barnes Gallery in Los Angeles d...

Oil on canvas.

Brian Cooper was born in San Francisco and currently lives with his wife, artist Susan Logoreci, in Los Angeles. He earned his BFA from the San Francisco Art Institute and his MFA from the University of Southern California. His work has been exhibited at several galleries in Los Angeles like Acuna Hansen, Circus Gallery, Cirrus Gallery, Sam Lee Gallery, Track 16, Raid Projects and the Santa Monica Museum of Art. Cooper’s work has been included in several shows in New York including Fuel for the Fire curated by Dawn Kasper, as well as Archaic Revival...

“THE UPWARD PATH” is one of the pieces that best represents the ideas and visualizations that are part of the EQUATIONS series. The outer elements both frame (contain) and balance the energy and design of the central square. Mandala designs in traditional Tibetan Buddhist...

“SYNC" is one of the later pieces in the “EQUATIONS” series (2012-15). The elements in the series finds bold, flat colored planes surrounding a large, open square in the ...

1,000 piece Museum Quality Collection of Art & Objects from NYC 1939 Worlds Fair. Ilya Bolotowsky (1907-1981) "1939 World’s Fair Mural Study for the Hall of Medical Sciences...

‘Color Thinking Composition PS31’ is a medium size abstract geometric acrylic on canvas painting created by Argentinian artist Cristina Ghetti in 2018. Featuring a vivid, multicolor ...

‘Camelot’ is a large abstract narrative oil on panel painting created by American artist Doug Frohman in 2016. Featuring a palette made of grey, beige, yellow, blue, red and black, t...

Vectors Array (2014) oil enamel on polypropylene canvas 54 x 48 inches

Vectorscape I, 2015 oil, oil enamel and acrylic enamel on wood panels 10 x 20 feet (in 12 parts) Rafael Vargas-Suarez (born 1972), more commonly known as Vargas-Suarez Universal, is a contemporary artist living and working in Brooklyn, New York. Born in Mexico City, Vargas-Suarez was raised in the Houston suburb of Clear Lake City, adjacent to the Johnson Space Center. From 1991 to 1996 he studied astronomy and art history at the University of Texas at Austin[citation needed] and moved to New York City in 1997. He is primarily known for large-scale wall drawings, paintings, drawings, and photographs that draw inspiration from architecture, astronomy, biology, and medicine. His work has been or is currently featured in numerous exhibits, such as the Hudson River Museum in Yonkers, New York, the Jersey City Museum in Jersey City, New Jersey, the Thomas Erben Gallery in New York City, the Galeria Ramis...

Vector Hardware Panel II, 2015 oil enamel on honeycomb aircraft aluminum panel 60 x 60 inches Rafael Vargas-Suarez (born 1972), more commonly known as Vargas-Suarez Universal, is a contemporary artist living and working in Brooklyn, New York. Born in Mexico City, Vargas-Suarez was raised in the Houston suburb of Clear Lake City, adjacent to the Johnson Space Center. From 1991 to 1996 he studied astronomy and art history at the University of Texas at Austin[citation needed] and moved to New York City in 1997. He is primarily known for large-scale wall drawings, paintings, drawings, and photographs that draw inspiration from architecture, astronomy, biology, and medicine. His work has been or is currently featured in numerous exhibits, such as the Hudson River Museum in Yonkers, New York, the Jersey City Museum in Jersey City, New Jersey, the Thomas Erben Gallery in New York City, the Galeria Ramis...

Vector Assembly Sequence II (2015) oil enamel on canvas 77 x 79 inches (195 x 200 cm)

Vargas-Suarez Universal Russian EVA 27 9:29 AM - 2:52 PM, 2015 Enamel paint on canvas 91 x 91 cm

Oil and pencil on canvas

Robert Petrick's paintings create a link between the street culture of the East Village, where he has lived for 31 years, and the power of language, which he has worked with his enti...