Abstract Geometric Paintings

Acrylic over Paper on Canvas by renown artist Cecil Touchon. Signed verso Touchon's paintings are abstractions based upon typography. Using the techniques of collage, he reassemble...

Batik technique on cotton Marko Reeboskic is a Serbian artist born in 1964 who lives and works in Belgrade, Serbia. With an architectural background Marko continues his work in diff...

A bold 1960s abstract geometric composition by Edward Marecak titled Witches Entrance, depicting stylized figures emerging through a structured field of color and form. The painting ...

PGB Slurp (Abstract Painting) Acrylic on aluminum - Unframed Hallard works with the themes of space and geometry, manipulating images and arrangements of objects in order to challe...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable hand can be sometime mistaken to a work of a machine, a printer. But if you look close enough you are able to see that it is a work of a line master!! This piece comes framed in a white wooden frame. The measurements of the work with the frame is 11/11". Op art masters from the 20's century that are inspiration to Lucchetta's pieces are Victor Vasarely, Brigit Riley...

Melisa Taylor Metzger’s The Seismology of Cantilevered Hearts 1 transforms a circular tondo plywood panel into a multichromatic composition that blends traditional crafting technique...

The Night's Young 40.0 × 30.0 × 1.5, 3.0 lbs Acrylic paint Hand signed by the artist Artist's Commentary: "Rooted in urban iconography and architectural language, this work transf...

Geometric abstract composition, influenced by Post-Cubism, with an expressionist touch in the colors. The palette is vivid and saturated. The forms, outlined in black, interlock with...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Iris Kufert-Rivo describes her work... "pattern and repetition of forms is a subject I’ve pursued for decades. This new set of paintings called The Structure Series is inspired by t...

# Gate 1 – Creativity This handcrafted artwork is engraved in wood, painted with acrylics, enhanced with genuine gold leaf, and protected with a final layer of varnish. At the hear...

Second Chances 12.0 x 12.0 x 1.5, 1.0 lbs Acrylic Hand signed by artist Artist's Commentary: "Glenn Fischer is an abstract artist working in collage and painting to create geomet...

Batik technique on cotton Marko Reeboskic is a Serbian artist born in 1964 who lives and works in Belgrade, Serbia. With an architectural background Marko continues his work in diff...

Super attractive geometric abstraction in a rare to find pastel color palette. Circles is a striking and impactful large-format painting created in the 1960s by Domenick Capobianco. ...

As is generally the case with my paintings, this work proceeded from a place of unknowing. The specificity of imagery and technique belie the non-specific character of the ideas and narratives presented. The imagery is not tied to any pre-existent source (textual or other). It is not preconceived by the artist, rather it is produced spontaneously in the process of painting. That said, it seems both easy and sensible to connect the imagery in this painting to common cultural material, especially that from very ancient sources. The central figure is very much like a totemic Neolithic goddess- the sort of which seem to be among the most ancient artistic works, examples are extant from eras stretching back tens of thousands of years. A lot has been written about figures of that kind but of course no one can reasonably claim to truly understand them. Here the great goddess appears with wings and entwined serpents. Crowned also with a glowing orb she has become an emblem of a matristic hermetica. The smaller figure may be less evidently archetypical. She is a younger goddess, a daughter like Persephone to Demeter. She lifts the breasts of her mother signifying perhaps how the presence of the child evokes the nurturing qualities of the mother or how Persephone’s seasonal ascent from the underworld awakens in her mother the impulse to again give life to the world. The cluster of gynomorphic figures contained by the crescent moon at the center of the painting refer to the balanced transformations of the lunar cycle and their mysteriously harmonic physical manifestation in the vital cycles of a woman’s body. At their axis is the cycloptical abdomen of the figure enthroned on the moon. The entire totem rises from a terrestrial gateway into an open landscape. In the background megaliths obscure the horizon. They represent a first boundary in time- the beginning of history. Below is the gateway, the opening to an inner earth...

Michael Kessler makes nature-based paintings that merge geometric elements with biomorphism. He began his art career as a landscape painter. While an undergraduate at Kutztown University Kessler received a fellowship from the Whitney Museum of American Art to study and produce art in New York City at the Whitney Independent Study Program. Michael Kessler’s work explores the continuum between gesture and geometry. Each work consists of as many as 50 micro-thin layers of translucent and transparent acrylic. Biomorphic tendrils branch to and fro, while arcs of line and color slip over and under matrices, balancing nature’s sinuous curves with the mindfulness of structure. He likens the gestural freedom in his works to a kind of painterly “tai chi” – a...

Untitled Geometric Abstraction, an original oil on masonite by Juliette Steele, is a piece for the true collector. Steele's use of color and patterns immediately captivates the viewer, reminding us of works by other pioneer abstractionists, such as Piet Mondrian and Wassily Kandinsky. Steele's puzzle-like, discontinuous sections draw you across and into the work. This masterful original artwork comes with a minimalist frame and would make a great addition to an art collection, enhancing most any home, and perfect for those who have an affinity for abstracts, contemporary paintings, and color-rich works of art. Artist: JULIETTE STEELE (1909-1980) Title: UNTITLED GEOMETRIC ABSTRACTION Medium & Surface: ORIGINAL OIL ON MASONITE (framed) Signed: HAND SIGNED AND DATED BY ARTIST ON VERSO Year Created: CIRCA 1950 Country of Creation: UNITED STATES Image Area Dimensions: 22 x 28 INCHES Frame Dimensions:* 23 x 29 x 1.875 INCHES *This work of art is being sold framed. If you would like to change the frame to better match your style or environment, please contact us for Custom Archival Framing options. Additional Info: HIGHLY COLLECTIBLE WORK BY JULIETTE STEELE IN GREAT CONDITION CONSISTENT WITH AGE. THIS IS AN EXCEPTIONAL EXAMPLE OF THE ARTIST'S STYLE AND TECHNIQUE. THE FRAME IS A MINIMALIST WOOD FRAME WITH VERY MINOR SIGNS OF WEAR CONSISTENT WITH AGE. About the Artist: Juliette Steele, an American artist, was an accomplished printmaker, painter and teacher. Steele was part of the Geometric Abstraction and Abstract Expressionism movements. Her peers included Jackson Pollock, Mark Rothko, Hans Hofmann, Willem de Kooning, Franz Kline, and Clyfford Still. Steele was born in 1909 in Union City, New Jersey. In the late 1920s, she moved to New York to study art and fashion design at the Traphagen School of Design. A decade later, she moved to San Francisco with husband Edward Steele, and earned a Bachelor of Art degree from San Francisco State College. In the 1940s, Steele found inspiration from the new city, and produced a series of lithographs depicting San Francisco landmarks. At the same time, she earned a Master of Fine Arts from Stanford University, and continued her studies at the California School of Fine Arts in San Francisco. Here, she studied with Ray Bertrand and Clay Spohn...

Skipstep (DE) (Abstract Painting) Acrylic on canvas. Unframed. The skipstep and Shadow Boxer paintings grow out of an interest in the paradox of spatial comprehension found in abstract painting. As with the shadow boxing practice in which the athlete spars with his or her own shadow, Bolt finds that the illusory qualities of abstract composition initiate a similar exercise of perception and expectation. Using...

Ttitulado y fechado por la artista en la parte trasera El estado de la obra es bueno Se presenta sin enmarcar la obra Medidas obra: 120 cm altura x 120 cm ancho :::::::::::::::::...

Shadow boxer (A.2) (Abstract Painting) Acrylic on canvas. Unframed. The Shadow Boxer and skipstep paintings grow out of an interest in the paradox of spatial comprehension found in abstract painting. As with the shadow boxing practice in which the athlete spars with his or her own shadow, Bolt finds that the illusory qualities of abstract composition initiate a similar exercise of perception and expectation. Using...

Walking Man is an oil on canvas painting of a figure - formed in a geometric abstracted manner by Artist & Musician John Illsley. The artwork comes signe...

Signed lower right. The composition is a tightly organized geometric abstraction on a deep blue ground. A large, centrally placed triangular form asserts the vertical axis and is an...

Very attractive and large scale 70's geometric abstraction! Not signed Oil on canvas 55 x 68 1/4 inches Provenance: Private collection, NY From the artist's estate of works Black Cen...

Crossings IV, By Murray Duncan Mixed media on paper Size: 32" × 44" Unframed, signed Part of a series of four. Crossings IV explores the relationship between line, structure, and ...

2025 Acrylic on canvas 16 x 16 in. (40.6 x 40.6 cm) Unique Signed and dated, verso

Dānsa by Rubeena Ratcliffe is a bold abstract painting layered with geometric forms, float-framed in light wood. The overlapping shapes and subtle hand-drawn line textures create a s...

Al Dickstein New York school Abstract Geometric work. Came in with small collection of his work including signed letters and a signed card and some monogrammed pieces. Signed and ins...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

A contemporary painting by NYC's Gene Johnson. A balance of values, texture, line and form. Unframed. Signed "Gene Johnson" on verso. Gene Johnson has been painting and exhibiting ...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Robert Petrick's paintings connect the lyricism of language with the vibrancy of urban culture, especially the rich milieu around the East Village and Alphabet City. Rendered in colo...

Terry Hall Abstract Still Life with Coffee Pot, Jug, Fish and Lemons, circa 2026 Oil on canvas Signed on the reverse Circa 2026 Presented in a painted and gilded frame A striking ...

Poetic Space Colorful Geometric Wall Sculpture Metal, Wood, Mixed Media Abstract Metal Elements on Wood Panel in Acrylic 10.5 x 10.5 inch Poetic Space exemplifies Ron Agam’s explora...

Virus Americanus XII, 2002 oil enamel on canvas 150 x 128 inches

Abstract work of art by New York artist Michael Hamilton. Hamilton started his education as an architecture student but later he switched to Art. As he was studying the artist foun...

Seymour Fogel Untitled Oil on illustration board construction 10 x 7 1/2 inches Provenance: Estate of the artist Charles and Faith McCracken Larry and Trish Heichel Private Collection Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...

URBAN BLOCKS Size: 48 x 63.5 cm (including frame) Oil on board A striking mid-century abstract cityscape rendered in a restrained muted palette, executed in oil onto board. The pai...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Untitled I by Rubeena Ratcliffe is an abstract painting layered with geometric forms, float-framed in light wood. Subtle linear textures appear throughout the shapes, adding gentle r...

Dancing Geometry Acrylic Painting, Colorful Geometric Art, Acrylic on Wood 60x60 60 x 60 inch Ron Agam’s Dancing Geometry, 2022, is a vibrant contemporary geometric painting that ex...

Susan Kiefer Tandem Lives In a Parallel Existence Oil on Canvas 2020 Size: 20 x 20 x 1.5 inches (50.8 x 50.8 x 3.81 cm) Signed and dated on label to be attached verso COA provided *...

A contemporary acrylic painting by Gene Johnson (NYC). Unframed. Signed on verso. Gene Johnson has been painting and exhibiting since the mid-80s in New York City. He has participa...

"Cinderblock II" is a geometric abstract painting featuring hues of white and orange. Amanda Brazier creates handmade oil paints from locally harvested ...

4 Cybergraph Enredo (S2). Colourful abstract geometric painting Mixed media and Acrylic Paint on panel, 2025. Dimensions in cm.: 30 x 20 x 4 cm. In inches: 11.8" x 7.87" x 1.57" . ...

The Black Gesture Series is a collection of four original mixed media works on paper by Canadian artist Murray Duncan. Each composition explores the expressive relationship between b...

Batik technique on cotton Marko Reeboskic is a Serbian artist born in 1964 who lives and works in Belgrade, Serbia. With an architectural background Marko continues his work in diff...

Batik technique on cotton

This geometric wall sculpture features green hues. Atlanta-based artist Mitchell Biggio’s “Fault” is a series of complex three-dimensional wall sculptures that navigate the expansiv...

This geometric wall sculpture features purple hues. Atlanta-based artist Mitchell Biggio’s “Fault” is a series of complex three-dimensional wall sculptures that navigate the expans...

At the heart of Pérez-Porro’s work lies a deliberate deviation from the norm. Hidden within the sequential repetition is an expressive will to break the order, transcending the need ...

This 24x18 acrylic abstract invites you to explore the unknown. Layers of blues and greens create a cool, mysterious depth, while vibrant pops of orange and white break through, adding a sense of discovery and contrast. “Behind the Door...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Minimalist Geometric Abstract Painting Red Blue Black Mediterranean 80 cm Artist: Antonio Pérez Portabella (Barcelona, 1944) Medium: Acrylic on canvas Date: 2005 (inscribed on revers...

ADDITIONAL PHOTOS OF THIS WORK WILL BE SENT UPON REQUEST: Jean Feinberg is a NY based artist whose wall constructions - paintings on found wood and paintings on painted plywood - a...

Signed & dated Verso. 1965 Paul Reed in 1970. He favored “staining” untreated canvas. Paul Reed, the last surviving member of the Washington Color School, who explored the complexities of color and form in vibrant bio-morphic and hard-edge abstract paintings, died on Sept. 26 at his home in Phoenix. He was 96. His death was confirmed by his daughter, Jean Reed Roberts. Mr. Reed acquired his public identity as an artist when he was included, along with Gene Davis, Kenneth Noland, Morris Louis, Thomas Downing and Howard Mehring, in “The Washington Color Painters,” a landmark traveling exhibition that began at the Washington Gallery of Modern Art in 1965. All of the other painters had been shown, the year before, in “Post-Painterly Abstraction,” a 31-artist exhibition at the Los Angeles County Museum of Art organized by the critic Clement Greenberg in an effort to write a new chapter in the historic march of abstract art. Like his fellow Washington artists, Mr. Reed rejected the hot, gestural approach of Abstract Expressionism and explored color and abstract forms in a cooler mode. Working with diluted acrylic paint, in discrete series that methodically explored formal issues, he created luminous fields of color by letting the paint bleed into, or stain, untreated canvas. “I have a saying: Pollock dripped, Frankenthaler poured,” he told The Washington Post in 2011, referring to the artist Helen Frankenthaler. “Morris Louis poured. Howard Mehring sprinkled. I blot.” In his first stained series, “Mandala,” color radiated from a circular central image. The nearly 100 paintings in his “Disk” series, which he called “a matrix for exploiting color,” consisted of a central circle and two triangles positioned at the corners of the canvas. Over the next decade he moved to hard-edge geometric zigzags and stripes in the vertical “Upstart” series, color grids and shaped canvases that allowed for more complex experiments in form and color relations. He also made welded steel sculptures and, in the “Quad” series of the 1980s, collaged photographs. “Reed was, in a sense, the ‘little master’ of that first batch of Washington colorists,” the critic Benjamin Forgey wrote in The Washington Post in 1997. “He was a latecomer — he didn’t turn seriously to painting until he was in his mid-30s — but he never considered becoming anything other than an abstract painter. And when he was ready to show, in his early 40s, he was a very good abstract painter indeed.” Mr. Reed gave himself a more modest assessment in an interview with NPR last year. “I’m sort of low man on the totem pole of that group of six,” he said. Paul Allen...

Ralph Anderson (American, b. 1929) Basic Form #2, Circa 1940 Oil on paper Framed dimensions: 24 × 19½ inches A refined example of early American geometric abstraction, Basic Form #2...

Low Tide Geometry presents a quiet dialogue between atmosphere and structure. The upper half unfolds in horizontal bands—cool sea-greens and muted violets dissolving into a broad swe...

Grillas Abstract Blue Grid Painting, Acrylic on Canvas, Geometric Grid 100x100cm Acrylic on Canvas A refined exploration of rhythm and repetition, this work by Martín Pelenur presen...

Summer Evening [2021] original Acrylic painting on Panel Image size: H:60 cm x W:80 cm Complete Size of Unframed Work: H:60 cm x W:80 cm x D:5cm Sold Unframed Please note that insit...

Solar Rhythm explores the relationship between repetition, movement, and light through a precise arrangement of geometric forms. Rendered entirely in vibrant yellow, the composition ...