Abstract Geometric Paintings

Designed by Mahesh sharma Year: 2022 Material: Metal, Resin, acrylic color, Indian bangles Artist uses mix of techniques to create a beautiful piece of art with blend of Indian handc...

Kramer’s modern and graphic paintings express lyrical, geometric abstraction via a harmonic interplay of syncopated shapes of various sizes and colours. Trained at Yale University (M...

Ferruccio Gard (Italy, 1940) is one of the pioneers and leading artist representatives of the Neo-Constructivist art, Programmed Art and Optical Art, which he has practiced since 1969. He is considered to be a master of colour, in his painting Gard creates original formal and compositional solutions of forms and colours. Exploring the geometric composition with chromatic and special themes Gards clasps the complexity of black and white and the extremes of the tonal scale of colours. Gard's work have been the subject of many writers, including Piero Dorazio and Virgilio Guidi, as well as renowned poets art art curators such as Jorge Amado...

Artist: Dan Teis Title: Candy Stripes X Year: 1979 Medium: Acrylic on Canvas, Signed l.r. Size: 48 x 64 in. (121.92 x 162.56 cm) Frame Size: 49.5 x 65.5 inches

Abstract Yellow and Green (Yellow, Green and Black Tablescape Oil Painting) by New York School Painter and WPA artist, Lionel Gilbert Signed, lower left This horizontal painting was...

Studio Corner (Geometric Abstract Oil Painting in Yellow, White, Orange & Blue) by New York School Painter and WPA artist, Lionel Gilbert Mid century modern, abstracted still life pa...

BOOM! mixed oils on panel 40 x 70 inches (unframed, raw wood sides) $14,500 Joe Ostraff is a professor of art at Brigham Young University. He received a BFA from Brigham Young Univ...

José Pedro Croft (born 1957 in Porto) is a visual artist. Considered as one of the main representatives of the revival of Portuguese sculpture, he is widely known for his geometric s...

Silence in the city. 2018, canvas, oil, 60x90 cm Abstract cubist composition in earth colors Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Riga, ...

"Structure Relief 254" is an abstract structural relief painted in earth tones. Throughout his life Barr was interested in engineering, structure, mathematics and nature. Although i...

Abstract painting. Geometric style. Light wood frame. About the Artist: Manhattan based mural and studio artist Tony “Rubin” Sjöman has painte...

Aharon Gluska (Israeli, b. 1951) Mixed Media Painting Markings & Inscriptions: Hand signed bottom right Date: Mid to late 20th century Frame: 26 X 33.75 Image: 23 X 30.75 Aharon Gluska (born 1951) is an Israeli–American painter. Gluska was born in 1951 in Hadera, Israel. He studied at the Académie des Beaux-Arts in Paris and Avni Institute of Fine Arts in Tel Aviv. Grants Gluska received grants from the National Endowment for the Arts and the Jackson Pollock- Lee Krasner Foundation. Awards Gluska was one of two winners along with Moshe Kupferman, of the 1996 Zussman Prize for artists dealing with the Holocaust, from the Yad Vashem museum, for his paintings of prisoners at Auschwitz based on photographs of them taken by their Nazi guards. Exhibitions: Bertha Urdang Gallery, NY, USA 1983 Aharon Gluska: Painting and Drawings 1985-1986 Bertha Urdang Gallery, NY, USA 1986 Group Exhibitions The Disciplined Spirit, Exit Art, New York, USA Artists: Nahum Tevet, Micha Ullman, Aaron Gluska, Jacob El Hanani, Moshe Kupferman, Gilad Ophir, Joshua Neustein, Bertha Urdang Gallery, NY, USA Artists: Larry Abramson, Yosef Zaritsky, Zelig Segal, Menashe Kadishman, Yaacov Agam, Buky Schwartz, Michael Gross, Michael Gitlin, Benni Efrat, Pinchas Cohen Gan, Zigi Ben Haim, Avi Adler, Arie Aroch. Bertha Urdang Collector's Choice, Space for Modern Artists - Daphna Naor, Jerusalem Group Exhibition - Etched Voices, Yad Vashem, Jerusalem painting and sculpture. Artists: Jankel Adler, Avigdor Arikha, Gideon Gechtman, Menashe Kadishman, Marcel Janco, Samuel Bak, Moshe Gershuni, Ori Gersht, Osias Hofstatter, Zvi Aldouby, Mordecai Ardon,Yosl Bergner, Mikhail Grobman, Igael Tumarkin, Naftali Bezem, Beit Shturman Museum, Kibbutz Ein Harod Artists: Adi Nes, Gal Weinstein...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Robert W. Petrick Shadow City, 2022 acrylic on canvas 54x40x1.5 inches NYC, 2nd street studio Colorful geometric abstract acrylic painting on canvas. Robert Petrick's paintings create a link between the artist culture of the East Village, where he has lived for 31 years, and the power of symbols, geometry, and language. This work captures the excitement of the East Village in its color, shapes, energy and density. -- In 1984, Petrick stenciled two designs on walls along Avenue B. Capturing a moment in time, EXIST / EXIT and NOWHERE / NOW HERE were photographed and featured in Vogue magazine. The images presented graffiti as art, a concept that was gaining international attention after the release of Charlie Ahearn...

Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY. Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles...

Artist/Designer; Manufacturer: Ram Kumar (1924-2018) Marking(s); notes: signed; 1991 Country of origin; materials: Indian; acrylic on paper Dimensions (H, W, D): 22"h, 27.75"w (work ...

Sophie Dumont is a contemporary painter who explores the intersection between abstraction and landscape, blending energy and serenity. Her intuitive and subtle approach is inspired b...

POWER BOOTHE known internationally for his ground breaking minimalist abstraction. Works in the collection of the Whitney Museum, Wadsworth Atheneum, Guggenheim Museum and others. ...

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY. Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Vibrant abstract composition by an unknown artist. Presented in a wood slat frame with aluminum accents. Canvas size: 18"H x 24"W

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Technical details - Author: Antoni Clavé - Title: Pintura-Collage - Date: 1981-1983 - Technique: Mixed media on paper (collage and painting) - Dimensions of the artwork: 7....

Gouache and graphite on handmade paper. 24 x 18 inches unframed. 28 x 22.25 inches framed. Artist Statement: “As an artist, I find endless possibilities overwhelming and use self-imposed boundaries to focus my work. This often includes some combination of: a literal grid or graphite border, employment of barbecue skewers or wooden chopsticks in lieu of paintbrushes for mark making, use of a monochromatic or limited color palette, and a reliance on shape and pattern to tell a story. Limiting the elements at play adds a measure of gravity to each decision, and every detail about the paper, the viscosity of the paint, micro variations in hues, and even the sharpness of the point on a skewer matters. I’ve found that the more restrictions I put in place when I paint, the freer my work has become, allowing a tension to form between the organic and prescribed. Rather than sketch before starting a new piece, I spend time with the paper and begin to visualize possibilities. From there, I can expand the work incrementally. Whether I’m working in an adapted form of pointillism, playing with opacity and hue, or building patterns through repeating shape, the work evolves in its own time. It is an intentionally open process of discovery that seeks to uncover the greatest potential of the basest elements we have at our disposal”. - Kate Snow

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

Homage to Paul Klee by Catherine Ruth Church [2020] original Acrylic, Gouache, Pearlised Paint Image size: H:60cm cm x W:60cm cm Complete Size...

"High Season" is a geometric abstract painting featuring hues of brown, pink and mirror paint. Laura Dargan is inspired by the work of Adolph Gottlieb, Sonia Delaunay and Richard Die...

Sophie Dumont is a contemporary painter who explores the intersection between abstraction and landscape, blending energy and serenity. Her intuitive and subtle approach is inspired b...

Sophie Dumont invites us to peer into the creative cauldron of her artist's studio. Through the language of geometric abstraction, she reveals the vibrant energy and meticulously orc...

Signed lower right with the monogram Probably titled in the artist's hand on the back on the stretcher with archive number EXHIBITIONS Budapest, Var Fok Gallery. Pecs, Françoise Gil...

acrylic on paper, framed b. 1975, Bellaire, OH Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and l...

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

Over the past few years Steven Baris Has been fascinated by the rapid proliferation of fulfillment and distribution centers, sprouting like mushrooms throughout metropolitan regions....

"Rays" is an original abstract colorist painting by the renowned artist and filmmaker Victor Atkins. This striking work features geometric strips of vivid color, masterfully arranged...

City Lines acrylic on canvas 40 x 50 x 1.75 inches 2018 NYC Signed, dated and titled on the reverse side. series: Linepainting "Line series influenced by the digital city" Internal...

Post Dogmatist Collage on Panel, signed verso Art is 6 x 6 with frame approximately 7 x 7 Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, p...

"He was beautiful without ever having spoken a word" stems from finding pattern and rhythm in the world around him. His paintings begin from finding places and ...

Bold contemporary patterned abstract composition on two joined canvases by Bay Area artist Michael Pauker (American, b.1957). The left canvas, which makes up one fourth of the compos...

"Sky high blue pill" is one of the 30 small tondo paintings on wood comprising the Dopamine mosaic. This 30-piece ensemble was created between January and Ap...

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

"Caramel toffee pill" is one of the 30 small tondo paintings on wood comprising the Dopamine mosaic. This 30-piece ensemble was created between January and April 2024 by the artist u...

This series of hand painted acrylic paintings by Natalia Roman are inspired by the colors and textures of Italian terrazzo tiling. The patterns created combine a variety of vivid col...

Acrylic painting on canvas, 2021. Titled, dated and signed on the back. Framed. The artwork comes directly from the artist's studio. Dimensions: Height 32.99 in ( 83.8 cm ), Width 25.2 in ( 64 cm ), Depth 1.3 in ( 3,3 cm ) Claudia Fauth was born 1962 in Berlin. Lives and works as a singer, songwriter, visual and acoustic artist. Worked many years as an art dealer. Realizes extensive art projects around the world including the natural environment and make the unknown experienceable. She understands herself as a Quantum Philosopher. She is known for her abstract works, she often works with elements of sacred geometry. Her works are in public collections in Austria, Belgium, Canada, England, Germany, Italy, France, Japan, Mexico, Switzerland, Poland, Spain and the US. Selection of exhibitions: ° 2014 Von der Avantgarde zur Moderne, Berlin The Original Miami Beach Antique...

Sergio Nates Utopia #6, 2014 Acrylic on canvas 21.75 x 21.75 inches This one-of-a-kind acrylic painting on canvas is stretched across wooden stretcher bars.

Rolf Stoll, (German/American, 1892-1978) Signed: Rolf Stoll, (lower, left) “ After the Symphonic Poem, " Verklarte Nacht ", by Arnold Schoenberg ", (titled on stretcher verso) Circ...

This piece depicts an abstract composition with the use of mixed media and bold patterns producing a work that is visually textured and rich with layers, as Owen creates an intricate...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

"Maybe" is an abstract artwork by Stan Olthuis composed of acrylic paint on polystyrene mounted in a painted wood frame. Maybe measures 26" high by 30" wide by 2.5" deep. Typical of the artist, this minimal geometric abstraction resonates with a rich charge. It's a sculpture and a painting. The circles, the discs, almost touch but not quite. The artist's obsession with geometry and shapes in proximity is a clear gesture here. The eye delights in the formal play of shape and color, while the mind engages the material force of the wood and paint. From Stan Olthuis – "My work has always involved tactility and expressionistic energy. I visualize the story and imagery simultaneously, allowing the work to surprise me and come to life as I work. I am almost careless in how I use color and texture, facing the fear of improvising on-the-fly. I like to leave the obvious raw record of the process visible, but I believe a mystery remains." Stan Olthuis looks for expressive opportunities in found and harvested raw material – wood, stone, metal, rubber – and brings a fabricator's expertise to the work of making minimalist, joyful sculptures. Geometry is key, as are a sense of play and an adept's feel for sacred energies. His work is exhibited and collected internationally, including private and corporate commissions in Canada, United States, France, Japan and Norway. Stan is represented by Gagné Contemporary in Toronto and New York City, and has select works available through the Art Gallery of Ontario (AGO), and Motokawa Gallery in Japan. Stan Olthuis' formal education began in Chicago with Henk Krijger, the celebrated master printmaker, type designer, painter and sculptor. Back in Toronto, Olthuis graduated (with distinction) with a degree in Experimental Arts at Ontario College of Art & Design (OCAD), studying under artists Fred Hagen, Tom Hodgson...

"Banana skin yellow pill" is one of the 30 small tondo paintings on wood comprising the Dopamine mosaic. This 30-piece ensemble was created between January and April 2024 by the arti...

Abstract textured biomorphic shape painted with bright blue pigment by contemporary Houston, TX artist Matthew Reeves. The work is designed to hang away from the wall and cast a shad...

"Les Competiteurs" by American modernist painter Leonard Nelson is a 36" x 26" oil on canvas abstract figurative painting, created in 1952. The work is framed in classic black and si...

pastel and micron pen on paper, framed b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of ma...

Hadley Radt’s abstract geometric paintings explore the connection between systems in our environment and how they relate to her own impulse to construct order. The structures she dev...

Batik technique on cotton Marko Reeboskic is a Serbian artist born in 1964 who lives and works in Belgrade, Serbia. With an architectural background Marko continues his work in diff...

Seymour Fogel Untitled Oil on illustration board construction 10 x 7 1/2 inches Provenance: Estate of the artist Charles and Faith McCracken Larry and Trish Heichel Private Collection Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...

Artist: Irwin McFadden, American Title: Variants Year: 1972 Medium: Acrylic on Canvas, signed and dated verso Size: 19.5 in. x 19.5 in. (49.53 cm x 49.53 cm) Frame Size: 25 x 25 inches

Original oil on canvas abstract geometric painting by the well known Russian/American artist, Alexander Ney. Condition is excellent. Signed verso “A Ney”. Dated verso 1999. The pain...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Robert Petrick’s ’Stoop' is a fusion of meticulous geometry and bold abstract expression. From the artist’s ’Ziggurat Series' series, this piece is both timeless and contemporary, of...

Geometrical Birds is Singer's geometric interpretation of Birds in Flight. Singer was influenced by Stravinsky's music.

Sergio Nates Untitled, 2015 Acrylic on canvas Unframed dimensions: 21.75 x 23 inches Framed dimensions: 22.75 x 24 x 1.875 inches This one-of-a-kind acrylic painting on canvas inclu...

Vibrant modernist abstract geometric landscape of trees by the water with reflections by Erle Loran (American, 1905-1999). Signed "Loran" lower right corner. Estate stamp on verso. Unframed. Measures 52"H x 72"W x 2D. Erle Loran was born in Minneapolis, Minnesota. He studied at the Minneapolis School of Art under the direction of Cameron Booth...

Maggie LaPorte Banks. A cuppa at the cape 2 [2022] Signed by the artist Acrylic on canvas , printmaking, mixed medium Image size: H:76 cm x W:76 cm x D: 2cm Please note that insitu i...

Gregory Block's (US based) "Starry Night" is an original, handmade painting that features scorched aluminum cans that depict black and silver organic forms interlocking and weaving a...

pastel and micron pen on paper, framed b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of ma...

Hadley Radt’s abstract geometric paintings explore the connection between systems in our environment and how they relate to her own impulse to construct order. The structures she dev...

Artist: Jack Brusca, American (1939 - 1993) Title: Metallurgy Year: 1968 Medium: Oil on Canvas, signed, dated and titled verso Size: 20 x 20 in. (50.8 x 50.8 cm)

"Turbulence 18" explores the assimilation of aerosol painting, charring and sanding techniques on wood. This ethereal and atmospheric painting solicits our visual perception by sugge...

Artist: Jack Graves III (American, 1988-) Title: "Diamond XXXV" Series: Diamond *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2021 Medium: Origin...