Abstract Geometric Paintings

Signed lower right with the monogram Probably titled in the artist's hand on the back on the stretcher with archive number EXHIBITIONS Budapest, Var Fok Gallery. Pecs, Françoise Gil...

Mnemonic Rhythm (Bright, Multicolored Textile Inspired Abstract Wall Sculpture), made by Susan Stover in 2025 wood, oil paint, varnish, waxed linen thread 30 x 30 inches Lightweight,...

Mexican artist Heny Steinberg’s mid-century modern inspired abstract artworks invite us to travel from the map to the localized event. She is suggesting that the spatial memory guid...

Light’n’Lines No.36 (Blue in Green) is an abstract painting by contemporary German artist Doris Marten. Oil on Alu-Dibond, 31.5 x 78.7 inches (80 x 200 cm). Doris Marten’s work exp...

"Abstract Rhythms" invites us to explore the visual universe of the artist Juan Carlos Amador, who, through his unique perspective, translates the pulsations of space and the invisi...

Brandon Neher is a California artist whose original paintings embody a profound exploration of space, structure, and balance, infused with a touch of modern minimalism. Drawing inspi...

Steven H. Rehfeld (American, born 1954) "Orange Colors" 2018 Oil paint, Paper, Glue, Canvas, Stretcher bars The artist signed the back of the painting. In "Orange Colors," Rehfeld o...

Charles Green Shaw Harvard vs. Yale, 1944 Signed and dated on the reverse Oil on canvasboard 9 x 12 inches Provenance: Harvey and Francois Rambach, New Jersey Private Collection, California Washburn Gallery, New York D. Wigmore Fine Art, New York Private Collection, New York Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...

James Massena March (American, 1953-2021) Untitled Acrylic on canvas 84 x 84 inches Provenance: From the Estate of James Massena March "My painti...

Horizontes de Agua, 2023 Contemporary Mexican Art, Abstract Painting Acrylic on canvas 120x100cm Signed and dated Yumnia's artistic journey is deeply rooted in the landscapes of Na...

Title: Interlocking Gouache Forms on Ochre Paper by Serge Guerin French b1916 by Serge Guerin (b. 1916), French inscribed verso: indistinct handwritten note including “69” (likely th...

Abstract geometric three-dimensional wood wall sculpture in shades of blue, green, teal, with contrasts of white "Peekin", made by Hudson Valley artist, Stephen Walling, in 2020 35 x...

Artist: Marilina Marchica Title: Geometric Landscape Year: 2024 Medium: Mixed media on canvas Dimensions: 100 x 100 x 3.5 cm Condition: Excellent Frame: Not required Ready to hang: Y...

Bold abstract composition by RH Barnard (American, 20th Century). The backdrop of this piece is composed of rectangular sections of brown, red, blue, and tan. In the center of the composition, there is a black object...

Contemporary Abstract Architectural painting in black and yellow "Ospedale II" painted by Hudson Valley, NY based painter, Anthony Finta, in 2019 36 x 24 inches oil, enamel and pap...

Composition. 1973, canvas, synthetic tempera, cold encaustic, 87x64 cm Cubistic composition in red, yellow, green, blue colors

Abstract geometric three-dimensional wood wall sculpture in bright hues of red, peach, pink, maroon, white and beige Piquant, hand-carved wooden wall sculpture by Hudson Valley artis...

Resurfacing, 2025 by Murray Duncan Mixed media on canvas 48 × 48 inches Resurfacing is a quietly assertive abstract work that explores repetition, erosion, and the persistence of...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

Details: Title: Dream of an Infant Medium: Acrylic on Watercolor Paper Size: 70x70cm (28x28 inches) Year: 2023 * Frame is for illustrative purposes only, artwork is packaged and shi...

Lilly Muth's geometric abstractions are colourful works full figures that of space such as the distance, shape, size, and relative position of figures. Her use of colour is bold yet ...

Mapping Lines I & II is a pair of original mixed media works on paper by Canadian artist Murray Duncan. Built through layers of charcoal, graphite, acrylic, and intuitive drawing...

Vintage American modernist abstract geometric oil painting. Oil on canvas. Signed verso. Large size. Measuring: 37 by 47 inches overall. Excellent condition, ready to hang and enj...

This work is part of our exhibition Marina Stern Luminary, the first retrospective of the artist since 2007. Marina Stern was a multifaceted New York-based artist whose works ranged...

"Quiet Little Prods" Large Scale 1960s Oil Painting - Geometric Abstraction Bold piece by Felix Ruvolo (American, 1912-1992). This piece exemplifie...

Ronnie Tjampitjinpa was born around 1943 at Tjiturrunya, about 100km west of the Kintore ranges in Western Australia. Following an extended drought in the 1950s, Ronnie's family move...

GEOMETRIC NEIGHBOURHOOD Size: 40 x 72.5 cm (including frame) Oil on Canvas A playful and brilliantly executed mid-century composition of a neighbourhood, painted in oil onto canvas ...

Phantom Intimacy, 100x100 cm

Abstract Composition of Blue/ White Sailing Boats in the Wind signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 45.5 x 35 inches condition: the...

Artist: Jack Graves III (American, 1988-) Title: "Aura IV" Series: Aura *Signed by Graves lower left. It is also signed, dated, and titled on verso Year: 2022 Medium: Original Acryli...

Abstract Composition signed by Serge Guerin (b. 1916), French oil painting on canvas, unframed size: 20 x 26 inches provenance: private collection, Paris, France condition: overall g...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

A unique, beautifully composed, large-scale geometric abstraction encaustic, with fresh colors, on fibrous buff, wove paper; the image extending ...

Contemporary Abstract geometric painting in vivid shades of yellow, greys, white, and black "Ospedale III" painted by Hudson Valley, NY based painter, Anthony Finta, in 2019 36 x 24...

Larry Zox Jean Jean, 1964 Signed, dated, and titled on the stretcher Liquitex on canvas 58 x 62 inches Provenance: Solomon & Co., New York Private Collection, NJ Estate of the above, 2023 Committed to abstraction throughout his career, Larry Zox played a central role in the Color Field discourse of the 1960s and 1970s. His work of the time, consisting of brilliantly colored geometric shapes in dynamic juxtapositions, demonstrated that hard-edge painting was neither cold nor formalistic. He reused certain motifs, but he did so less to explore their aspects than to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his essay for Zox’s solo exhibition at the Whitney Museum of American Art in 1973. By the 1970s, Zox was using a freer, more emotive method, while maintaining the autonomy of color, which increasingly became more important to him than structure in his late years. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler for the Gallery of Modern Art, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, Zox was represented in the inaugural exhibition of the Hirshhorn Museum, which owns fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University. While studying at the Des Moines Art Center, he was mentored by George Grosz, who despite his own figurative approach encouraged Zox’s forays into abstraction. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with the visiting fighters. He later established a studio in East Hampton, where he painted and fished including using a helicopter to spot fish. In the 1950s and early 1960s, Zox’s works were collages consisting of painted pieces of paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of intense hues that created ambiguous surfaces. Next, he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. From 1962 to 1965, he produced his Rotation Series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times noted in 1964: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.” In 1965, he began the Scissors Jack...

Abstract Composition by Hermine Roy (French 1941-2023) oil on canvas, unframed signed/ inscribed verso Canvas: 24 x 20 inches Provenance: private collection, France Condition: very g...

Lilly Muth's geometric abstractions are colourful works full figures that of space such as the distance, shape, size, and relative position of figures. Her use of colour is bold yet ...

Sergio Nates Blue Background, 2013 Acrylic on canvas 21.75 x 21.75 inches This one-of-a-kind acrylic painting on canvas is stretched across wooden stretcher bars.

Connected by one network, 2020, 90x150 cm

The Orchestra, 1950, oil on canvas, signed and dated lower left, 21 1/2 x 25 3/4 inches, labeled verso “Brown University, Trustee, The Walter Feldman Trust for Artwork” titled verso,...

Stephen Edlich Ouverture, with Cypress Forms, 1982 Signed, dated and titled on the stretcher Acrylic paint, mixed media, and burlap on canvas 60 x 40 inches An artist who worked in the post-cubist and constructivist traditions, Stephen P. Edlich gained a considerable amount of acclaim in the 1970s and 1980s for his collages, sculpture, and paintings. His promising career was cut short due to his untimely death at age 45 in 1989. Edlich was born in New York City. He received his undergraduate degree with a major in fine arts studies from New York University in 1967. During his college years, he traveled to London, where he met the art dealer Victor Waddington and created his first white on white collage. In that same year, he attended a major exhibition of the work of Ben Nicholson, which would be influential source in his art. Edlich returned to England in 1967, where he met Barbara Hepworth and Patrick Heron in London and traveled to St. Ives, Cornwall, long a favorite artists' haunt. Edlich began creating acrylic reliefs...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

Abstract Composition, Formula 1 Motor Racing Cars signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 45.5 x 32 inches condition: the work is in ...

Title: Mid Century French Geometric Abstract Starburst in Blue Green and Purple by Serge Guerin (b. 1916), French signed lower right “SG”, name stamped verso Acrylic and gouache on b...

Pantaloon (1990) is a striking oil on canvas by celebrated British artist Mark Lancaster (1938–2021). Measuring 19¾ x 19¾ inches (50 x 50 cm), this vibrant work exemplifies Lancaster...

Following the afterglow — amber notes against misty blues — the surface begins to hum, holding a calm tension between warmth and air. Layered veils and soft, gestural passages keep t...

Écru Oil on canvas 19.7 × 19.7 in — unframed 22.4 × 22.4 in — framed American-style floating frame, available in natural wood or black In Écru, Sophie Dumont presents a pared-down ...

Susan Kiefer Tandem Lives In a Parallel Existence Oil on Canvas 2020 Size: 20 x 20 x 1.5 inches (50.8 x 50.8 x 3.81 cm) Signed and dated on label to be attached verso COA provided *...

Colourful Market Scene signed by Jacqueline VERDET (French, 1931-2023) oil painting on canvas, unframed canvas: 45.5 x 35 inches condition: the work is in overall very sound and good...

In this expressive work by modernist Burton Kramer multi-coloured geometric shapes appear to dance rhythmically across the canvas. A capriccio is a short, lively, free-form piece of ...

Anila Quayyum Agha Flowers (Orange Circle), 2017 Mixed media on paper (encaustic orange circle with pink beads in center) 29.5 x 30 inches 74.9 x 76.2 cm...

This vibrant painting of Bauhaus reminiscences celebrates the bold colors, geometric forms, and architectural elegance of the Bauhaus movement. This captivating artwork combines dyna...

Mixed technique "Composition", Jorge Vidal, Grupo Simancas, s. XX Amazing work by the renowned artist Jorge Vidal, an artist based in Valladolid with a long professional career. Wit...

This 21st-century geometric seascape is an original oil painting on plywood that combines two distinct marine views through fragmented and overlapping planes. Created by Spanish pai...

Artist: Arnold Weber, American (1931 - 2010) Title: Colorful Abstract Year: 1968 Medium: Oil on Canvas, Signed, titled and dated l.l. Size: 32 x 44 in. (81.28 x 111.76 cm)

Title: Mid Century French Geometric Abstract in Black White and Navy Signed SG by Serge Guerin (b. 1916), French signed lower right “SG”, name stamped verso Acrylic and gouache on ar...

Title: Mid Century French Geometric Abstract Ink Drawing on Paper by Serge Guerin (b. 1916), French Black ink on paper, unframed Size: 25.75 (height) x 19.75 (width) inches Provenanc...

Abstract geometric three-dimensional wood wall sculpture in pale grey, light blue, light taupe, and beige, with accents of stormy blue "In, Out, Over, and About", hand-carved woode...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in yellow, brown, black, and tan set against a light background. S...

Action painting in mainly black and white with cream, brown and ivory, 'Excavation,' by Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb, who creates autobiographical paintings that are comprised of both abstract and representational elements that consider the natural world as it intersects with utilitarian and architectural design. 'Excavation,' is 48 x 60 inches, and is from a series of paintings that characterize sacred spaces such as Mexican chapels...