Realist Paintings

Kentucky Derby lovers---this is for you! Horse racing whether it the the Belmont or the Preakness--decorate for your home party with this moving oil painting rendition of racing ho...

Victorian Still Life with Flowers and Fauna a Small Oil Painting, one of a pair. Beautiful and highly detailed small Oil on Canvas, mounted on Stretchers and housed in a period styl...

Gustave Poetzsch (1870-1950) Blond Hair Boy Original Oil on Canvas Signed Bottom right 37 x 25 cm (c. 15 x 12 in) at view Presented in his original golden wood frame (defects to th...

Abstract Floral Acrylic Painting, Framed 48 H X 36" W *Acrylic on Stretched Canvas *Frame: Black Float Frame FLORAL ART Irena Orlo...

This peaceful scene, "Cross Ties", is a 14x18 equine oil painting on canvas featuring two horses in the cool shade of a stable being groomed on a warm summer day. About the artist:...

Timeless Tranquility By Amanda Horvath [2020] Signed by the artist Acrylics on canvas Image size: H:90 cm x W:90 cm x D:3.5cm Please note that insitu images are purely an indication of how a piece may look Timeless Tranquility takes you walking through a peaceful wood where sun rays filter down to a clearing in the trees from a distant summer...

William Beattie-Brown (1831-1909) RSA, (Royal Scottish Academy) painted 'Highland Stream with Sheep ' in crisp detailed oil paint on canvas. Beattie-Brown excels in water rapids and ...

William Didier-Pouget 1864-1959 French Soleil levant, vallée de la Dordogne (Sunrise, Dordogne Valley) Signed "Didier-Pouget" (lower right) Oil on canvas The majesty of the Frenc...

Sailing the Waves Schlichting Waldemar Berlin 1896 – 1970 German Painter Signature: Signed bottom left Dimensions: Image size 61 x 81,50cm, frame size 69,50 x 89,50 cm Medium: Oil ...

The Country House - Farm Landscape Highly detailed scene with a country house, workers, and a hare with rider by an unknown artist (19th Century). Five people - one on a horse - are...

This stunning French Victorian portrait oil painting is by noted exhibited female artist Jeanne Rongier. This delicately detailed portrait is of the head and shoulders of a beautiful young woman, gazing to her right. Painted from a low vantage point looking up, the background is a superb canopy of illuminated green and yellow leaves with the light shining through them and all around her. Her dark glossy hair against the light drenched leaves is beautiful in a very Victorian Pre Raphaelite tone. A thoroughly charming portrait oil painting by a noted French Victorian female artist depicting a female sitter...

"The Rose 03.12.2014" is a realist oil on linen painting. It depicts a rose reaching up from a glass vase with a dark green and black background. Frame Dimensions 8 x 6inches Fra...

Ferdinand Heilbuth: 1826-1889. Well listed very important 19th century French painter. He was born in Germany but lived and painted mostly in France becoming a French citizen in 1876...

"I like to observe nature, animals, birds, landscapes. I depict my observations in paintings. Painting helps me to see, feel and understand the world, to be part of the world." -Jānis Ziņgītis...

Provenance Acquired by the gallery directly from the artist Exhibited A Collector's Feast, American Legacy Fine Arts, November 16 – December 15, 2018 Dimensions: Unframed 9" x 12";...

This lovely British portrait oil painting is by noted artist Lionel Ellis. Painted in 1929 it is a half length standing portrait of a young woman in a blue dress with a white lace sh...

The summer may be winding down but your love of the sea never seems to. Birds of a feather also extends to those strong willed, hearty beach friends, the seagulls! They keep us company through thick or thin! Realist painter Joseph Sundwall...

One Peeled Satsuma By Kate Verrion [2020] original Oil Paint on Board Image size: H:10 cm x W:15 cm Complete Size of Unframed Work: H:10 cm x W:15 cm x D:2.5cm Frame Size: H:16 cm x...

Daud Akhriev's (EUR and US based) "Russian Tea Party: In a Relationship" (2016) is an original, handmade oil painting. Artist Biography: The Soviet educational system singled out 8-...

This superb exhibited Scottish interior oil painting with excellent provenance is by noted artist Patrick William Adam. Painted in 1915 it was exhibited that year at the Royal Scottish Academy and entitled the Drawing Room, 27 Drumsheugh Gardens which is in the Haymarket area of Edinburgh. It was lent for exhibition by its owner, J R Findlay who was Sir John Richie Findlay (1866-1930) 1st Baronet and Chairman of the National Galleries of Scotland and for a long time Chairman of the Edinburgh College of Art. He was also an original member of the Royal Fine Art Commission for Scotland. The painting is of a magnificent drawing room with a table with white flowers, possibly narcissi on in the middle. To the left is a glass cabinet with ornaments and to the right are several paintings on the wall in beautiful gilt frames, caught in the light. although the walls are quite dark, the section of wall below the dado rail is light yellow as are the coving and ceiling, really lightening the painting. There are numerous other ornaments and vases in the room and we can just see the edge of a much larger painting to the left. The detail and brushwork are superb as is the depiction of glancing. This is an excellent example of Adam's work with very good exhibition and ownership provenance and a really beautiful Scottish interior oil painting. Signed lower right and dated 1915. Provenance. Exhibited at the Royal Scottish Academy in 1915 no. 281 entitled The Drawing Room, 27 Drumsheugh Gardens (Haymarket Edinburgh) Lent by J R Findlay esq. P Findlay written on strecher verso. Written on stretcher verso that the painting was hung in the drawing room, right of fire. Doig, Wilson and Wheatley Edinburgh framers label verso. Remnants of another label verso. 1353 inscribed in chalk on stretcher verso. Condition. Oil on canvas, 35 inches by 25 inches and in good condition. Frame. Housed in the original ornate gilt frame, 43 inches by 33 inches, in good condition. Patrick William Adam RSA (1852-1929) - born in Edinburgh 12 October 1852 to Patrick Adam, a writer, and Louisa Roberts, Patrick William Adam exhibited an early talent for art. He began classes at the RSA in 1874 and studied under William McTaggart and GP Chalmers. Some of his work of that period is in the East Lothian collection: the then curriculum involved intensive study of ‘Old Masters’ – and the production of copies in the Masters’ styles. Adam won the Stuart prize for Life Drawing in 1877, by which time he had already been exhibiting at the RSA for several years He travelled to Rome, Venice and Russia and produced work in several media – watercolour, pastel and (principally) oil; subjects varied from landscapes through portraits to still life but his genre paintings and interiors were reckoned his best work. Much of this was (recognisably) produced from his studio at Ardilea, North Berwick, where he settled in 1908. In 1912 he became a founder member of the Society of Eight, a group of friends who exhibited for many years at the New Gallery in Shandwick Place, Edinburgh. Others in the original group were David Alison, FCB Cadell...

Morning at the sea. 2020. Watercolor, paper, 40 x 62 cm Sea with waves in yellow colors Zigmunds Šņore was born in 1942 in Latvia. His works has been...

This snowy scene, "Winter Hunt" is a 9x12 landscape oil painting on canvas depicting a fox hunt on a winter day. Huntsmen wearing red coats atop their horses among a snow cover fiel...

Older, realistic portrait of an older Jewish shtetl tailor by Polish artist. Here the artist conveys a sense of quiet grandeur through the eyes of his subject and the way it's rendered. Part of a distinguished European lineage of Jewish genre...

Jacques Louis ODIER Geneva, 1853 - Vevey, 1930 Oil on paper on canvas 34 x 54 cm (47 x 66.5 cm with frame) Countersigned on the verso "Odier" Exhibition number on the verso “249” Bea...

An original oil on canvas by Sir James Jebusa Shannon. The painting depicts Lady Ruthven in a stunning silk and lace dress. It dates to the Edwardian period and depicts a bold Britis...

Artist: Andras Gombar, French (1946 - ) Title: Still Life 1 Year: circa 1965 Medium: Oil on Canvas mounted to Wood, signed Size: 20 x 24 in. (50.8 x 60.96 cm)

Provenance Acquired by the gallery directly from the artist Exhibited Fleeting Moments 2nd Biennale: Works en Plein Air, American Legacy Fine Arts, November 22 – December 15, 2019 ...

Haug Christian Soleur, Norway 1862 – 1953 Munich, Germany Norwegian Painter Deer in a Winter Landscape Signature: Signed bottom right and placed Mu...

Still life painting of three peaches, one cut up, lit from the left. The peaches are from the artist's local farmer's market in Brooklyn, NY, A study of texture.

Bouquet. 1995, oil on canvas, 49,5x72 cm

This lovely British portrait oil painting is by noted artist Lionel Ellis. The painting comes from a collection of works by the artist, previously owned by his wife. Painted circa 19...

A beautiful rainbow at the far end of the field behind my property in rural Ontario, Canada :: Painting :: Realism :: This piece comes with an official certificate of authenticity si...

Amata river in spring. 2024., oil on canvas, 70x90 cm "I like to observe nature, animals, birds, landscapes. I depict my observations in paintings. Painting helps me to see, feel an...

" The blue wood " is a modern art line painting by Maestro Dimitar Voynov -Junior, About the artwork: TECHNIQUE: Acrylic, oil on canvas painting STYLE: Realistic, Contemporary E...

"Spring Journey" is an original acrylic painting on canvas by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly realms. The viewer is invited to step into the painting to explore the scene within and imagine gazing at an easel of a plein-air painter with the blue sky, clouds, and terrain in full view. Here, Perkinson chose to depict a tribal group traveling during springtime with the vast sky above. Tribal members are both on foot and horseback, and comprise of men, women, and children - all trekking across the landscape beneath the foothills to a destiny unknown to us as the viewer. Perkinson describes his style of painting as "Romantic Realism," a technique that incorporates two iconic art movements. This style, in combination with the imagination of the artist, produces remarkable results, showcasing Perkinson's keen ability to capture emotion, nature, and life - all in a brushstroke. Both his technical talent and choice of subject matter pair perfectly with its original raw wood frame. The frame is by Legendwood in Sedona, Arizona, which no longer exists. Their frames are highly collectible, as they are rare, custom, and handmade. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for landscapes, impressionism, romanticism, realism, Southwestern Art, Native American themed art, plein-air painting, and nature. In the artist’s own words: “My color combinations aren’t in the realm of the natural world, because I don’t paint reality; I’m a painter of fiction. I try to paint a sense of place, as though this scene really does exist. I have had my collectors ask me where this scene is, and I just have to point to my head and say I made it up. Thus, I think of my work as romantic realism. I’m painting a certain reality that I’ve invented, inspired by the fascinatingly rich Southwestern landscape.” “Color gets all the credit, but it’s the values that do all the work. I don’t begin with sketches, because I want to be free to follow the painting in any direction. I start with washes of different values and tints. Then, I begin to look for a landscape. Several directions will appear to me at this time, and then I have to decide on one of them. During these first few moments, I must establish my distance from the scene. Am I a mile away or just across the river? This is one of the first steps, and I have to decide before I can continue. It’s important for working out the perspective and how things are going to relate to one another in the picture. Then, as the landscape evolves, I look for more images to add to the composition.” Artist: TOM PERKINSON (1940-) Title: SPRING JOURNEY Medium & Surface: ORIGINAL ACRYLIC PAINTING ON CANVAS (framed) Signed: HAND SIGNED BY ARTIST LOWER RIGHT Year Created: CIRCA 1979 Country of Creation: UNITED STATES Image Area Dimensions: 12 x 16 INCHES Frame Dimensions:* 19.5 x 23.625 x 2.125 INCHES *This work of art is being sold framed. If you would like to change the frame to better match your style or environment, please contact us for Custom Archival Framing options. Additional Info: HIGHLY COLLECTIBLE WORK BY TOM PERKINSON IN GREAT CONDITION IN ITS ORIGINAL UNIQUE RAW WOOD FRAME BY LEGENDWOOD, SEDONA, ARIZONA. FRAME IS IN GREAT CONDITION WITH MINOR WEAR CONSISTENT WITH AGE AND STYLE. Artist Info/Bio: ARTIST BIOGRAPHY DOCUMENT IS INCLUDED Documentation: CERTIFICATE OF AUTHENTICITY IS INCLUDED About the Artist: Tom Perkinson, born in Indiana in 1940, has become distinguished as a regional painter, known for his work grounded in the visually dramatic landscape of the Southwest. As a child, Perkinson discovered he had a love for the natural landscape, and a talent for art. He fostered that talent through classes at the John Herron Institute of Art in Indianapolis, and then at the Chicago Art Academy upon graduating from high school. He received a degree in art from Oklahoma Baptist University in 1964, before moving on to graduate school at the University of New Mexico. Here, among noted works of a larger scale, he continued to paint the landscape, and it was this work that began to reflect a new fascination with the Southwest. He had found what would become an infinite source of inspiration. Influenced by early painters of the southern Indiana landscape...

Alfred Arthur Brunel de Neuville, French (1879 - 1907) "Panier de Peches" Oil on canvas. Signed lower right side.

This lovely British 20th century river landscape oil painting is by noted female artist Margaret Maitland Howard. The location may be Bath but needs more research. The composition is a tranquil river landscape with a man fishing from a boat in the foreground, a bridge and buildings beyond. A neo classical building stands on the right bank...

Framed Dimensions: 40 x 49 inches

Market Scene of Oudenaarde Simonau Gustave Bruges 1810 – 1870 Brussels Belgian Painter Signature: Attributed to Simonau Gustave Medium: Aquarelle Dimensions: Image size 60 x 48 cm,...

A collection of objet d'art sit upon a gleaming table, their reflections enhanced by the light of the gilt background which is hand applied using 23K gold leaf. The objects - a toy sailboat...

Brad Davis's "Baldwin Piano Factory" (2020) is a compelling oil on panel of a cityscape that measures 10 x 8 inches unframed.

ANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...

At sun. 1982, oil on cardboard, 29x34 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J. Bine and G. Sk...

Portrait of A Man Wearing A Top Hat , attributed to Tom Roberts 1888 Thomas William Roberts ( 1856 – 1931) was an English-born Australian artist and a key member of the Heidelberg S...

Description: Addison Thomas Millar (1860-1913) was an American painter known for his captivating depictions of scenes from daily life, as well as his exploration of landscapes and architectural subjects. Born in Warren, Ohio, Millar’s passion for art blossomed during his early education when he received painting lessons from local landscape artist John Bell. In his late teens, Millar’s talent gained recognition as he won three consecutive awards from The Youth’s Companion in their annual art contests. Encouraged by this success, his parents allowed him to travel to Cincinnati to study under genre painter De Scott Evans...

Brightly colored and crisply detailed painting of a group of mallard ducks resting on stones on a calm lake, their dappled reflections beautifully rendered on the electric blue water...

A limited edition offset print by award winning contemporary artist Michael Budden that showcases a blue jay in his natural environment around morning glory flowers created in an imp...

Description: This painting "Stupendous Beauty 2 " conveys the confidence and the very impressive beauty of a black woman that is painted in bold colors in the style of Realism. It is oil on canvas. Stupendous Beauty 2 is a unique work of art, not a print or other type of copy. Joshua Salami...

Signed with monogrammed initials and has his name written on verso. Realistic portrait of an older rabbi. CHARLES E. HANNAFORD, English; 1863-1955, Hannaford was a British waterco...

This oil on canvas art work by Jan De Laura was inspired by a passage from Dostoyevsky's Crime and Punishment: …[Where was that, Raskolnikov thought, as he walked along, where did I...

Original watercolor painting "Mountain Landscape" portrays a serene winter scene inspired by the majestic Nordic mountains. The composition features a prominent snow-covered mountain...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Strawberries" brings a sumptuous, glowing still life into shar...

Artist: Artyom Abrahamyan, Work: Original Oil Painting, Handmade artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Impressionism, Title: Ballerina, Size: 27.5 x 35.5...

ROGELIO DE EGUSQUIZA Y BARRENA LADY IN YELLOW signed "R. Egusquiza" (lower right) oil on panel 28-5/8 X 20-3/4 inches (72.5 X 52.7 cm.) framed: 32-5/8 X 24-3/4 inches (82.5 X 62.5 cm.) Rogelio de Egusquiza y Barrena (1845 – 10 February 1915) was a Spanish painter, known for his friendship with the German composer Richard Wagner, whose works he helped make familiar in Spain He was born in El Astillero, into a well-to-do family. He studied in Madrid and with Léon Bonnat at the École des Beaux-Arts in Paris. In 1868, after travelling and participating several times in the National Exhibition of Fine Arts, he returned to Paris and settled there. At first, he painted historical scenes, but later turned to genre scenes and portraits in the Academic style. Following the death of Marià Fortuny, he moved to Rome at the invitation of the Madrazos, Raimundo and Ricardo, taking Fortuny's place at their studio through 1875 and attending classes at the Spanish Academy in Rome. He heard Wagner's music for the first time in 1876, after returning to Paris. Three years later, he travelled to Munich to hear a performance of The Ring of the Nibelungen. His enthusiasm for what he heard led him to go to Bayreuth, where he introduced himself to Wagner and became his friend. In the following years, he and Wagner got together again several times; in Venice (1880), Berlín (1881) and Bayreuth (1882); where he was a guest at the premiere of Parsifal. After his first meeting with Wagner, he decided to devote his career to doing works on Wagnerian themes; mostly portraits of the characters rather than specific scenes. During his visits to Germany, he also created portraits of Arthur Schopenhauer (posthumous) and King Ludwig II...

"Driving Lines" (2019) by Lindsey Bittner Graham is an original handmade oil painting that depicts a horse drawn carriage in a cityscape. This Painting measures at 22.75 x 24.75 inch...

Kenneth Toohey, also known by his online moniker Chewyangelo, is an up and coming American painter who draws inspiration from everyday objects and animals. His paintings often featur...

Oil on board Signed within painting (on bucket): AFT Provenance Private collection Why We Love It Tait’s animal paintings were hailed for their masterful realism. Moreover, he capt...

Virtue of Knowledge reexamines portraits of individuals throughout history to illustrate the premise that history flows into the present in an ever-changing state. And, with each new context, we view people and events through a contemporary lens specific to that moment. Virtue of Knowledge appropriates and contextualizes original portrait elements to create reinvented portraits using technique and patterning that brings a contemporary context and perspective to these historically inspired portraits STATEMENT History flows into the present in an ever-changing state. And, with each new context, we view people and events through a contemporary lens specific to that moment. My current body of work, Contemporary Histories, explores this phenomena by re-interpreting historical portraiture using a contemporary visual language. It is my intent to create a modern visual lens through which to view these individuals and their legacies, as they continue to flow into the present in ever-changing states. As a keen example of how history changes and morphs over time, I have selected portraits of women who chose an alternate path from the traditional ones prescribed in their times. Some of these individuals overtly stepped outside the traditional roles prescribed for women to realize their goals. Others astutely maneuvered within the social system they lived in to obtain their aspirations. Whether altruistic or nefarious, these women and their actions altered the future cultural landscape. Through a 21st century lens, we view them as women with minds of their own, who made choices to control their own lives and futures. Often, in stark contrast to how they were viewed and how their actions were recorded in their own times. For a modern visual language, a combination of fine and decorative arts has inspired my approach to this subject. Employing several formal contemporary tenets, most notably, rather than place the figure in a 3-dimensional space, as in the originals, the figures reside in flat graphic picture planes of damask designs, repetitive patterns or botanical grounds as modern settings for their modern legacies. These graphic backgrounds symbolize what was historically considered a woman’s proper domain, in particular, gardening and needle crafts, such as; quilting, embroidery and sewing. Formally, unlike the originals, I am working alla prima, rather than with a base grisaille and delicate layers of glazing. While, the patterned and botanical environments, along with gold leaf applications, contemporary compositions and color palettes are formally influenced by a spectrum of 19th - 21st century artists and artisans; from Gustav Klimt and the Wiener Werkstatte to Henri Rousseau, Tamara de Lempicka and Will Cotton. BIO Honora Jacob...