Photography Paintings

20th-century English portrait of two Labrador Retriever dogs Sadie & Sophie Owning a painting of two English Labrador Retriever dogs by D.J. Holdswor...

Adolfo Belimbau (1845-1938) Italian Impressionist painting of a mother and a child in a Garden playing. Beautiful quality and colors quality! Adolfo Belimbau is a famous Italian Jewish painter...

olio su tela, 62 x 51 cm (senza cornice) Il dipinto è stato per lungo attribuito alla mano di Francesco Gessi, allievo di Guido Reni, come riporta un'iscrizione a matita datata 1945...

TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of genres including fashion, lifestyle, editorial, conceptual, sports, portraiture, and nightlife photography...

Yosl Bergner is an Israeli painter who was born in Vienna in 1920 and grew up in Warsaw. With rampant anti-Semitism in Europe, the Freeland League for Jewish Territorial Colonization...

Zane York coaxes and cajoles with a bit of humor which belies a deeper sensitivity. His eye-catching subjects never fail to cause a double-take. In our age of nearly constant visual ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bor...

Acrylic on canvas

Portrait of a Man by Henri Miloch (1898-1979) signed and dated lower left 1934 oil painting on unstretched canvas, unframed Canvas: 19 x 16 inches Very decorative 1930's oil painti...

Portrait of an elderly man in a baseball hat by an unknown artist (20th Century). Signed and dated ("VHGE '85") in the lower right corner. No frame.

Medium: Oil on Board Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, July 28, 1956. The Post described, “The cows don't realize it is rude t...

Medium: Oil on Canvas Dimensions: 34.00" x 30.00" Signature: Signed Lower Left PRICE ON REQUEST- Story illustration for The Torrent, image of man and woman in outdoor setting. Masters of the Golden Age: Harvey Dunn and His StudentsSouth Dakota Art...

French character portrait French school, mid 20th century Gouache paint on unframed paper stamped inscribed verso Image: 25.5 x 18.75 inches Superbly decorative 1960's French portra...

AKOS BIRO (HUNGARIAN 1911-2002) watercolour / gouache size: 11 x 7.5 inches Beautifully colourful, original painting by the very popular and highly regarded Hungarian/ French painte...

Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), dated 1994, signed to the front and inscribed verso Title - Contentment, an English Farmyard Scene in Kent depic...

This luminous New Hampshire White Mountain oil painting of Mount Chocorua at twilight was painted by contemporary American artist William R. Davis (195...

Painting, 19th Century, Portrait of an African Boy, signed, oil on canvas. Dimensions with frame 65cm x 73cm

William Holmes Sullivan oil on board Frame: 23 x 19 x 3 Picture: 13.5 x 9.5 Frame has some cracks and scratches Matte is stained Picture in good condition International buyers must ...

"The Beach 3.24.24" is a plein air impressionist oil painting with neutral tones. Frame Dimensions 9 x 16in Nelson H. White was born in New London, Connecticut in 1932. White has ...

This beautiful original artwork entitled "Bowie Life" was realized by the Italian artist EMPHI in 2018. Oil paint on canvas. Hand-signed on the lower right. Certificate of authent...

Bartolome Esteban Murillo 1617- 1682, was a Spanish Baroque painter best known for his Religious works. This painting of Christ giving water to a lamb is in the manner of Murillo and...

PEARS & GLASS VASE Size: 29.5 x 37 cm (including frame) Tempera on board A brilliantly executed and characterful surrealist still life composition, executed in tempera on board in 1...

Napoleone Parisani (Camerino 1853 - Rome 1932), Portrait of Carlotta Parisani Oil on canvas 35 x 24 cm with monogram at lower left and lower right, on back: inscribed "A M.r and M.m...

Oil on panel Panel size: 6.25 x 5.75 inches Framed size: 10.75 x 10.25 inches Signed lower right

After the original by Henrika Langus (Slovenian, 1836-1876) and painted circa 1880. Unsigned. Framed dimensions: 17.25 x 1 x 15.5 inches. A charming and antique study of a young, f...

Oil Painting by Minnie Agnes Cohen The New Bonnet" 1864 - 1940 Figurative scene painter studied at the Royal Academy Schools where she exhibited. Lived in Axminister, worked in St Iv...

Architectural Floral Wallpaper Fragment 19th Century Italian hand painted floral design wallpaper lined with linen, in gold leaf framed.

Medium: Oil on Canvas Dimensions: 28.00" x 20.00" Signature: Signed and Dated Upper Right The End of the Road "Don't tell me you're my sister, you plu...

The reason Mexican painter Rafael Huerta Carreón was referred to as "El paisajista del Estado de México" (The landscapist of the State of Mexico) was his output of works like this, t...

Alphonse Legros (French/British, 1837-1911), Portrait of a Woman, Oil on Oval Canvas, 1862, monogrammed "ALG" and dated mid right, oval giltwood frame. Image: 31.5" H x 26" W; frame:...

Saint Anthony Of Padua, 17th Century Circle of CARLO DOLCI (1616-1686) 17th century Italian Old Master depiction of Saint Anthony of Padua, oi...

Interesante cristal pintado, representando a un Rey. Va con una cornucopia de madera tallada dorada, del siglo XIX. El cristal esta en buen estado. La cornucopia tiene diversas falta...

Jean-Gabriel Domergue 1889-1962 French Josianna, jeune femme au ruban (Josianna, Young Woman With Ribbon) Signed "Jean Gabriel Domergue" (lower left) Oil on panel A young French beauty known as Josianna is the subject of this work by Jean-Gabriel Domergue, and the oil on panel is a perfect example of the portraits for which the artist is renowned. His model embodies the concept of the la belle Parisienne: slender, swan-like women bearing an unmistakable grace and style. Domergue includes a delicate pink ribbon around her neck, suggesting a fashionable garment, set against a soft pastel-colored backdrop. The artist's oeuvre encompasses women from all facets of society, from aristocratic figures such as Liane de Pougy and Nadine, Baroness de Rothschild...

Victorian Male Realistic Portrait Oil Painting of Cavalier in Period Costume. Signed Oil Painting on Canvas, on stretchers and Framed in period Frame. A humorous and beautifully pai...

Oil on canvas Matteo Nannini is an Italian artist born in 1979 in Bologna who lives and works in Cento, Ferrara, Italy. He studied at the Academy of F...

Medium: Oil on Canvas Signature: Signed Lower Left This work was featured on the cover of The Saturday Evening Post, June 11, 1949 The Post described the cover as follows: "Having found the setting he wanted for his circus-theme cover painting - on the Brotherton farm near Westport, Connecticut- Stevan Dohanos began rigging up a beam for the farm boy...

MEDICINAL PLANTS, PAPAVER SOMNIFERUM L. (OPIUM), 2013 Tempera on paper 49,5 x 38,5 cm Born in 1967 in Trikala, she grew up in Athens, Greece, where s...

Alfred Seifert Czech, (1850-1901) Portrait of a Young Woman with a Rose Oil on panel, signed Image size: 10.5 inches x 8.25 inches Size including frame: 22 inches x 19.75 inches ...

Boy & His Dog, 19th Century by Jules BRETON (1827-1906) sales to $1,500,000 Large 19th Century French country portrait of a Boy and his Dog, oil on canvas by Jules Breton. Large 19th century portrait...

English School, (circa 1600) Portrait of William Herbert, 3rd Earl of Pembroke Oil on panel, oval Image size: 29¼ x 23⅞ inches Painted wooden frame Provenance: 176, Collection of Francis Greville, 1st Earl of Warwick. The Trustees of the Lord Brooks’ Settlement, (removed from Warwick Castle). Sotheby’s, London, 22nd March 1968, lot 81. Painted onto wooden panel, this portrait shows a dark haired gentleman in profile sporting an open white shirt. On top of this garments is a richly detailed black cloak, decorated with gold thread and lined with a sumptuous crimson lining. With the red silk inside it’s all very expensive and would fall under sumptuary laws – so this is a nobleman of high degree. It’s melancholic air conforms to the contemporary popularity of this very human condition, evident in fashionable poetry and music of the period. In comparison to our own modern prejudices, melancholy was associated with creativity in this period. This portrait appeared in the earliest described list of pictures of Warwick castle dating to 1762. Compiled by collector and antiquary Sir William Musgrave ‘taken from the information of Lord & Lady Warwick’ (Add. MSS, 5726 fol. 3) is described; ‘8. Earl of Essex – an original by Zuccharo – seen in profile with black hair. Holding a black robe across his breast with his right hand.’ As tempting as it is to imagine that this is a portrait of Robert Devereux, the 2nd Earl Essex, we might take this with a pinch of salt. Its identification with this romantic and fatal Elizabethan might well have been an attempt to add romance to Warwick Castle’s walls. It doesn’t correspond all that well with Essex’s portraits around 1600 after his return from Cadiz. Notably, this picture was presumably hung not too far away from the castle’s two portraits of Queen Elizabeth I. The first, and undoubtedly the best, being the exquisite coronation portrait that was sold by Lord Brooke in the late 1970s and now hangs in the National Portrait Gallery. The second, described as being ‘a copy from the original at Ld Hydes’, has yet to resurface. The portrait eventually ended up being hung in the State Bedroom of Warwick Castle. Archival documents present one other interesting candidate. The Greville family’s earliest inventory of paintings, made in 1630 at their home Brooke House in Holborn, London, describes five portraits of identified figures. All five belonged to the courtier, politician and poet Sir Fulke Greville (1554-1628), 1st Baron Brooke, and were hung in the ‘Gallerie’ of Brooke House behind yellow curtains. One of them was described as being of ‘Lord of Pembrooke’, which is likely to have been William Herbert (1580-1630), 3rd Earl of Pembroke. William was the eldest son of Greville’s best friend’s sister Mary Sidney, and was brought up in the particularly literary and poetically orientated household which his mother had supported. Notably, the 3rd Earl was one of the figures that Shakespeare’s first folio was dedicated to in 1623. The melancholic air to the portrait corresponds to William’s own pretensions as a learned and poetic figure. The richness of the robe in the painting, sporting golden thread and a spotted black fabric, is indicative of wealth beyond that of a simple poet or actor. The portrait’s dating to around the year 1600 might have coincided with William’s father death and his own rise to the Pembroke Earldom. This period of his life too was imbued with personal sadness, as an illicit affair with a Mary Fitton had resulted in a pregnancy and eventual banishment by Elizabeth I to Wilton after a short spell in Fleet Prison. His illegitimate son died shortly after being born. Despite being a close follower of the Earl of Essex, William had side-stepped supporting Devereux in the fatal uprising against the Queen and eventually regained favour at the court of the next monarch James I. His linen shirt is edged with a delicate border of lace and his black cloak is lined on the inside with sumptuous scarlet and richly decorated on the outside with gold braid and a pattern of embroidered black spots. Despite the richness of his clothes, William Herbert has been presented in a dishevelled state of semi-undress, his shirt unlaced far down his chest with the ties lying limply over his hand, indicating that he is in a state of distracted detachment. It has been suggested that the fashion for melancholy was rooted in an increase in self-consciousness and introspective reflection during the late 16th and early 17th centuries. In contemporary literature melancholy was said to be caused by a plenitude of the melancholy humor, one of the four vital humors, which were thought to regulate the functions of the body. An abundance of the melancholia humor was associated with a heightened creativity and intellectual ability and hence melancholy was linked to the notion of genius, as reflected in the work of the Oxford scholar Robert Burton, who in his work ‘The Anatomy of Melancholy’, described the Malcontent as ‘of all others [the]… most witty, [who] causeth many times divine ravishment, and a kind of enthusiamus… which stirreth them up to be excellent Philosophers, Poets and Prophets.’ (R. Burton, The Anatomy of Melancholy, London, 1621 in R. Strong, ‘Elizabethan Malady: Melancholy in Elizabethan and Jacobean Portraits’, Apollo, LXXIX, 1964). Melancholy was viewed as a highly fashionable affliction under Elizabeth I, and her successor James I, and a dejected demeanour was adopted by wealthy young men, often presenting themselves as scholars or despondent lovers, as reflected in the portraiture and literature from this period. Although the sitter in this portrait is, as yet, unidentified, it seems probable that he was a nobleman with literary or artistic ambitions, following in the same vain as such famous figures as the aristocratic poet and dramatist, Edward de Vere...

Georges-Noël Béraud (1912-1972) Pseudonym : Marc Aldine Oil on canvas signed low right with pseudonym Marc Aldine View of Venice Golden frame Size canvas : 55 X 81 cm - Size frame : ...

Caravaggio painted "The Incredulity of St. Thomas" with Christ looking down as he pilots Thomas’ hand to his side. Not looking at Thomas or the others, but to his wound. He seems interested in the proof of his embodiment. He wants to know that this is real. He too, questions his body, his life and death. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This artwork is unframed. Contact the gallery for framing options. Reenactment is a material culture where the feel of authentic wool has transformative power. The closer you can recreate the “kit” of the authentic soldier the closer you are to that past. In the pursuit of touching the past there are questions- Is this real? Did this happen? Is this me? Is this us? The gesture of piloting a finger into the side represents these repetitive questions. - William Blake Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War...

This painting is 20" x 24" (1.5" deep), professional grade acrylics on gallery wrapped, professional grade cotton canvas, and is the first painting of my new CHARACTER SERIES. I w...

Acrylic on Canvas framed by Southgate Gallery Exeter to Guild Of Framers Museum Standard. 12"x16" or 16"x20" approximately including frame size. Painting is framed after purchase so ...

Artist: Francesco Scavullo Title: Lena Horne Year: 1984 Medium: Screenprint and Enamel on Canvas, Signed Verso Size: 34.75 x 32.25 in. (88.27 x 81.92 cm)

Tracy Stuckey received his BFA in painting from Florida State University and his MFA from the University of New Mexico. He has exhibited his work extensively throughout the United St...

There is a special kind of trust that exists between sisters—not just those bound by blood, but those connected by the unshakable bond of sisterhood. In a world that often feels chao...

Anonymous, 18th century Inspired by a painting by Petrus Staverenus (1610/1612 – 1654-07-28/1664-07-28) from a series of Five Senses 'Taste: A laughing man...

Signed figurative oil on original canvas by French realist painter Victor Gabriel Gilbert. The work shows a flower seller filling a young girl's basket with cherries while a little b...

Artists are often isolated, but long for an idealized golden era, “La Boheme”. Frequently an artist's closest encounter with “La Boheme” is nothing more than drinking at a bar...

Pastel Boat Harbour dated 96' Signed by Fanch Lel ( French School) Framed: 10 x 12 inches Board: 8.5 x 10.5 inches Inscribed verso Oil painting on board, framed Condition: The painti...

Acrylic on canvas. Small format. I am painting a series on babies and childrenn. It is a challeng because many times they end up looking like old children. :: Painting :: Contemporar...

Y. Gonez (French, mid-20th century) Flower Market at La Madeleine, Paris, ca. 1950s Oil on canvas, in a Montparnasse-style frame With bold strokes and a flourish of color, Y. Gonez ...

Morris Katz original oil on board unique colors. Some minor frame wear . Measures 17x15

Early modern abstract daily life scene by Texas-born artist Frank Freed. The work features a central figure dressed in a red beret taking a sip from their glass as they sit at a bar....

FRUITS ON WHITE CLOTH Size: 34 x 49 cm (including frame) Tempera on board A brilliantly executed still life painting in tempera painted onto board in 1979, by the established Swedis...

Oil Painting by J Laslelles "A Scene in Epping Forest" flourished 1895 -1920 London painter of atmospheric landscapes in his soft impressionistic style. Oil on canvas. Signed title o...

Signed Lower Left by Artist

THE TRAM Size: 38 x 33 cm (including frame) Oil on Canvas A small yet very striking modernist street scene composition, executed in oil onto canvas. The painting depicts a bustling...