Photography Paintings

Willard Metcalf (1858-1925) was an important American Impressionist, member of the American Watercolor Society, and teaching at Cooper Union and the Art Student's League. This comp...

Artist: Francesco Scavullo, American (1921 - 2004) Title: Elizabeth Taylor Year: 1983 Medium: Photo-Silkscreen and Enamel on Canvas, signed verso ...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) In the arms of my owner, I find my peace. In their embrace, I find my home. Max in Loving Arms presents a singular blend of modernity and timeless elegance. At the centre of the composition is a poised woman, adorned in a vivid green dress that contrasts harmoniously against the soft purple backdrop. Her dark complexion radiates warmth and intensity, highlighted by her voluminous afro, a powerful symbol of natural beauty and cultural pride. Cradled tenderly in her arms is a fluffy, cream-coloured dog, its fur rendered with extraordinary detail, capturing both texture and softness. The dog’s gentle expression and relaxed posture evoke a strong sense of companionship and affection, adding an intimate layer to the portrayal. In the background, a minimalist line drawing framed...

French Impressionist artist, circa 1930 oil on canvas, unframed canvas: 22 x 18 inches provenance: private collection, France condition: very good and sound condition

Very decorative animal scene of two dogs in an interior surprising a cat walking towards them. Grover Hawking was a late 20th-century painter active in New Jersey and Long Island. ...

Original and unique work by Russell Young. Enamel and diamond dust screen print on linen, Black + White, unframed dimensions 62 x 48 inches, 2011, from the series "Diamond Dust". Da...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Head wrap...

Artist Statements: “My paintings are the poetry of my interpretations of reality." "After my years of formal academic training, I sometimes take my work toward the more contempora...

Portrait du XVIIIe siècle attribué à Pierre Gobert Nous vous présentons un portrait remarquable, daté de la première moitié du XVIIIe siècle, attribué à Pierre Gobert, un peintre fra...

Title: Mid Century French Male Bust Artist: Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper Size: 19 (height) x 12.5 (width) Stamped: Verso Condition:...

Flower garland with a portrait of the Virgin Francesco Trevisani (Capodistria 1656 - Rome 1746) and Niccolò Stanchi (Rome 1623 - 1690), attributable Oil on canvas 66 x 49 cm. - In f...

20th Century Oil painting of an Impressionist River Landscape of Cahors, France Moroney was born on the 14th of February 1949 in South London. Of Anglo Irish parentage, his father was typical of his generation and worried about Ken’s artistic temperament which he viewed as effeminate. As a result, Ken took up boxing and won a gold medal for South London in his teens. His art continued to flourish with his trademark striking use of color. His main medium oils and he favors romantic subjects of Edwardian times. Ken has traveled extensively and spent 2 years working for major galleries in New York. The Royal Academy nominated him in 1976 as being one of the few promising young artists to emerge this century: "Ken Moroney has considerable talent, any painting purchased now can only be seen as a sound long term investment." Ken Moroney's work now hangs in many important collections and has had paintings exhibited at The Royal Academy (London), and the Kline Galleries (Canada). The painting came from a private collection and previously came from Duncan Miller...

The subdued palette of the subject trees sets them against a background of palest yellow into amber for a striking effect reminiscent of dawn. The artist, Eduard Caret, was born in P...

Set of 3 paintings by Dani Humberstone Pocket Bright Green Apple Peach Fuzzy Pocket Painting Strawberry Ripe Very Pocket Painting Pocket Bright Green Apple is an original oil pain...

Shipping Procedure Ships in a well-protected tube from Africa This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gall...

This is an Peter Max original mixed media on paper “Mona Lisa” . In good condition. Measures 26x24. Comes with coa in the back of picture

Emile Vernon (British, 1872-1919) Among Roses 1904 Oil On Canvas signed Emile Vernon and dated (lower right) 36.25 x 23.7 inches. Émile Vernon was a French oil and watercolor p...

Red Terrier Possibly Dutch School Oil on wood panel, circa 1900-1910. Initialed lower left 7 1/2 x 7 (12 x 11 1/2 frame) inches A charming and thoughtfully rendered depiction of a t...

Remembering the magic of everyday life moments in the art of David Teniers: The art of David Teniers the Younger (1610–1690) coincided with the heyday of the Flemish Baroque and captured a great variety of motifs of his time. In this painting of a seemingly simple peasant scene lies keys to understanding both the imaginative mind of Teniers as well as why this time period produced some of the most iconic works in all of art history.  As indicated by the name, Teniers was more or less born into his profession. As the son of David Teniers the elder, himself a painter who studied under Rubens, the younger David received training in art from a very young age and had no less than three brothers who also became painters. Because of his father’s frequent financial failures that even at times saw him imprisoned, David the younger helped to rescue the family from ruin through painting copies of old masters. Essentially, the young Teniers was confronted with painting as both a passion and creative expression as well as a necessity during difficult times, an experience that would shape much of his capacity and sensitivity in his coming life. Despite the hardships, the talent and determination of Teniers was recognized and quickly expanded his possibilities. He had already spent time in France and possibly also England when he was hired by his father’s former teacher Rubens to help with a prestigious commission with mythological paintings, now considered lost, for Philip IV the king Spain. In 1644–54 Teniers was appointed dean of the Antwerp Guild of Saint Luke, manifesting his esteemed position within the artistic community. A few years afterwards he took an important step when relocating to Brussels, where Teniers yet again found new career opportunities that would prove to be very successful. As the keeper of the collections of Archduke Leopold Wilhelm, a role similar to what we now refer to as an art advisor, Teniers purchased hundreds of important artworks that manifested the prominent status of the Archduke’s collection while at the same time providing an unusual access to inspiration and knowledge for Teniers himself. Since he kept on painting during the same time, his creative scope must have seemed almost bewildering in the great variety of images and stories that he surrounded himself with.  Regardless of how glamorous and culturally stimulating the career of Teniers was, he was as open to the charm and existential importance of everyday life as he was to works of great masters and luxurious collectibles. In his impressive repertoire of genres with everything from exquisite royal portraits, interiors, landscapes and history paintings he always added something new and inventive, highlighting the possibilities of art and importance of an experimental and intuitive mind. It is difficult to single out one aspect or genre to summarize his legacy, since it lies much more in the broad virtuosity across many motifs, although he is particularly remembered for farm scenes and meticulously depicted interiors where other paintings and artworks are captured with an astonishing precision. However, the fact that he is still today one of the most known and celebrated names of the Dutch Golden Age is a proof to the magic of his work, which continues to spark dialogue and wonder in the contemporary viewer of his works. The farm boy in the field in this painting, which likely dates to the mature part of his career, is a wonderful entry into the mind of Teniers. In the tightly cropped motif, we see him standing right in the middle of the busy harvest when men, women and everyone capable were sent out in the field to collect the crop that formed the very core of their diet and survival. In the background we see a fresh blue sky interspersed with skillfully painted clouds, some trees reaching their autumnal colours and in the far distance the glimpse of a small church and village. The presence of a church in a landscape, so typical of Dutch art, served both a symbolic and visual function as a representation of faith while at the same time defining scale and distance. In the field, the work is in full action with the farmers spread out in various positions, all in the midst of hard and sweaty labour. While they are portrayed as having nothing else than the work on their mind, our farm boy seems to have his attention directed elsewhere. Standing there with his white, half open shirt, flowy curls and strong, sturdy body; his gaze is directed away, out of the picture and the scythes in his hands. He looks almost smirking, expressed with tremendous subtlety in the slight smile of his lips and big eyes, being just in the middle of losing focus on the work. What is it that steals his attention? What has he seen, or realized, or felt – to break him free of the arduous task of harvesting, if but for a moment? Here starts the wondering and the questions that are the hallmark of a great piece of art. Instead of explicitly locking in the motif in overly clear symbolism Teniers has chosen an open ended, subtle yet striking moment for us to consider. While it of course can be related to numerous other farm scene depictions of this time, and clever usages of gazes and real-life scenes to underscore various moral or symbolic meanings, the painting can be much more of a contemplation than an explanation or illustration. The ordinary nature and understated yet emotionally textured composition of the motif gives greater space for our own reactions and thoughts. Has he seen a pretty farm girl just passing by? Is he fed up with the farm life, joyously dreaming away for a minute, imagining another future? Or is he simply in need of distraction, looking away and ready for anything that can steal his attention? One quality that never seem to have escaped Teniers was that of curiosity. During all of his career he constantly investigated, expanded and experimented with not only the style and technique of painting, but with the vision of art itself. Being credited with more or less introducing farm motifs for a broader audience not only tells us of his ability to understand the demand for different motifs, but the sensitivity to transform seemingly ordinary parts of life into deep aesthetic experiences, far beyond their expected reach. The farm boy in this painting is, of course, exactly that. But with the help of one smirk the entire picture is charged with a different energy, awakening many contrasts and relationships between the calm landscape, the hard work and his own breach of effectivity, holding sharp scythes while thinking or seeing something else. It is no wonder Teniers chose to work with farm scenes as a way of investigating these intricate and delicate plays on expectations and surprises, clarity and ambivalence. It invites us to an appreciation of human everyday life that connects us with the people of 17th century...

White Whispers - This original artwork on watercolour paper captures an expressive arrangement of delicate white flowers in a vase. Layering of acrylic and oil pastel with intuitive ...

Miniature Painting of Radio City Music Hall, New York City - a unique original from leading British Cityscape Artist, Angela Wakefield. Art measures ...

Shipping Procedure Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery). At the heart of the artwork lies a young woman adorned in a striking red dress. The choice of red as the dominant color symbolizes strength, passion, and confidence. It serves as a visual representation of the artist's intention to empower and embolden the subject, inspiring viewers to embrace their own identities unapologetically. The woman in the red dress becomes a beacon of self-assurance, encouraging others to fully express themselves without fear or hesitation. "Here I Am" encapsulates the essence of celebrating one's individuality. The young woman's presence demands attention, her confident stance serving as a powerful statement of self-acceptance. The artwork encourages viewers to embrace the unique attributes, quirks, and qualities that make them who they are. It celebrates the beauty of diversity and underscores the importance of allowing oneself to shine authentically. Kayimahe Ishmael Zed...

"Forrest Nymph" (2016) Oil on canvas 80 x 100 cm unframed Painting was started in 2015, most of it was finished by 2016, the last touches done in 2019. Inspired by the 19th century French painter Bouguereau, she wanted to depict a nymph that inhibits the forest, wearing a flower crown made from Hepatica flowers, wild forest flowers. The Painting’s Qualities Lyubena Fox...

François Maurice LARD Paris, 1864 – Paris, 1908 Portrait of the actor Raphaël Duflos as Ruy Blas Oil on canvas 55 x 38 cm (67 x 49 cm with the frame) Signed and dated top right “FM L...

This mid-19th-century oil painting by British artist John Robert Wildman (1788-1843) depicts a gentleman wearing a dark brown frock coat with waistcoat, white shirt and cravat. He be...

LE ROY Jules Gustave (1853 - 1922 ) Cat and Kitten on the Desk Oil on canvas signed low left Old Frame regilded with leaves Dim canvas : 46 X 38 cm Dim frame : 58 X 50 cm LE ROY Jules Gustave (1853 - 1922 ) French painter 19th-20th century. Jules Le Roy...

Coastal Seascape by Georges Bordonave (French contemporary) signed oil painting on canvas, framed dated framed: 13 x 15 inches condition: very good provenance: from a large privat...

This is an Charles Cobelle Paris scene oil painting. The condition is good. Measures 32x28

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

I observed that her beauty comes from embracing herself. Her flexibility to switch from night to day and her open alms of embracing the two seasons. Therefore, embrace yourself like...

The Harvest Workers English School, 19th century indistinctly inscribed lower front corner oil painting on canvas, framed framed: 10 x 8.5 inches canvas: 8.75 x 7 inches Provenance: ...

Gianluca Corona is a still-life and portraiture contemporary Italian painter who looks for the inner truth of what he paints. His beautiful fruits, flowers, vegetables and food subj...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Mouse Seeking Butterflies is a striking example of Lucinda Holl...

Corn Kachina, by Riley Sunrise, Quoyavema, Hopi, Kachina, Dancer, painting Artist Signature - Riley Sunrise (1914-2006) Quoyavema “Another of the earlier Hopi artists, Riley Sunrise (Quoyavema) worked with Fred Kabotie and Waldo Mootzka in illustrating John Louw Nelson’s Rhythm for Rain. He is also known as Quoyavema or Kwayeshva, according to Nelson. His paintings are comparable to Fred Kabotie’s, with some of them showing more action and most of them revealing less detail. Sunrise is represented in the collections of the Denver Art Museum, Gilcrease Institute (Tulsa), and the Southwest Museum. The Museum of the American Indian in New York has an extensive collection of his paintings of native Hopi dances.” (Clara Lee Tanner: Southwest Indian...

This is an original oil painting on a linen panel. Mums, the traditional flower of All Saints Day in France, are pictured in a reflective silver cup. A jewel-like deep green-blue bac...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of...

Signed illegibly and dated to the lower left. Presented in a gilt frame. Part of a pair of oil studies by the same hand. On board.

Early figurative portrait painting by Houston-based artist Buford Evans. The work features a black woman dressed in a green dress gingerly caressing her young child. Signed by the ar...

Spring landscape, green, 19th century Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to technical and expressive...

Original artwork by Russell Young. Acrylic paint screen print on somerset paper 44 1/2 x 35 inches Framed 45.5 Inches x 36,5 Inches white wooden frame with glass, custom made as seen...

Lombard School of the 1500s Christ at the Column Oil on panel 24 x 21 cm - Framed 42 x 39 cm The painting, rich in pathos and strong spirituality, depicts a moment from the P...

This is an ben schonzeit original on canvas. In my opinion this is one of Ben’s finest works I’ve seen. Painting is in good condition. Frame has some scratches, but nothing major. No...

HUGH OIL PAINTING Antique 19th Century Fine Quality Piece of Winds OLD MASTER OIL PAINTING BRITISH SCHOOL 19th Century Gold Frame Description Late 19th century Piece “Good Condi...

Beach scene with children at play in the ocean water. Willard Dixon is one of the finest American contemporary realist painters who has painted western landscapes for 35 years. His ...

A charming oil portrait depicting a mother with an infant in a christening gown on her knee. Both smile towards the artist, who captures them against a dark background. Signed to the...

Work on cardboard Golden wooden frame 42 x 34 x 3.5 cm

A solitary figure, head bowed, stands in a field in contemplation of what has just taken place or what is about to take place. "A Great Battlefield" channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to contemplate the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. A Great Battlefield oil on linen 60h x 35w in 152.40h x 88.90w cm WIL029 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...

"The Mate" (Cornish fisherman) by David W. Haddon (British, early 20th century) signed and dated 1914 oil on board, framed framed: 18 x 14 inches board: 16 x 12 inches provenance: pr...

Arthur Bésengez 1867 – 1947 Belgian Painter 'Portrait of a Boy' Signature: Signed lower right and dated 1913 Medium: Oil on canvas Dimensions: Image size 168 x 103, frame size 186 ...

ARTIST: Angus Maywood McEwan RSW (1963-) Scottish TITLE: “Wormits Bay Sunset” SIGNED: lower left MEDIUM: watercolour SIZE: 45cm x 38cm inc frame CONDIT...

Resilience is an Original Painting by Bukola Orioye. Bukola created Resilience with oil and acrylic on a 40W by 40H canvas. Resilience is a painting that...

Regal Beauty 1 is an oil painting that showcases the elegance and majesty of a black African woman. The subject is depicted with an afro hairstyle and a tribal mark on her face, which highlights her cultural identity and connection to her African roots. The Ankara fabric provides the backdrop, adding texture and depth to the piece and making the subject stand out even more. The oil on Ankara fabric medium creates a stunning visual effect, bringing out the richness of the colors and capturing the subject's beauty and strength. This painting serves as a tribute to the beauty, elegance, and resilience of African women and is a powerful reminder of the importance of cultural appreciation and representation. Shipping Procedure: Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Bakare Babatunde...

Listing includes framing, free shipping to continental US and a 14-day return policy. Kate Moss by Annie Kevans 20 x 16 inch paper 16 x 20 inch image Archival pigment print Edition 15 of 50 Signed and edition on the front of the print Frame is in fair condition and is included for free due the condition issues. The print itself is in excellent condition. If you would like the print sent unframed the cost is the same. Please let us know if you would prefer to have us ship the print unframed. Artist Biography - Kevans’ paintings reflect her interests in power, manipulation and the role of the individual in inherited belief systems. She looks at alternative histories and how they relate to current issues and creates what she describes as ‘anti-portraits’ that may or may not be based on real documentation. She believes that, as her work is concept driven, sometimes the actual similarity to the person depicted in the work is irrelevant. This can be seen in her 'Boys' series which is not about portraying dictators as they really looked as children but rather about the notion of the ‘innocent child’ which has influenced images of children in art...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

"Moorish Soldier Holding a Rifle" Manuel Garcia Hispaleto (Spanish, 1836-1898) Watercolor on paper Signed lower left "MGHispaleto" Original wood frame with gilded stucco 18 3/4 x 12 1/2 (33 1/2 x 26 frame) inches Manuel García Hispaleto, originally Manuel García y Martínez (22 November 1836, Seville -26 December 1898, Madrid) was a Spanish painter known for portraits and costumbrista (genre) scenes. His brother, Rafael García...

The existence of sisters in their hood is a completion of creation. Apart from being a vibrant colour that saturates the whole universe, they also carry in their embodiment the power...

As an aesthetic movement, Abstract Art has had its time, at least in terms of being the dominant style of modernism. Fine art can be recognisable again, and Realism is once again rec...

A timeless snapshot of a Suffolk landscape looking towards Stoke by Nayland, an area where John Constable would have painted a couple of centuries before. Presented in a most attract...

Male Portrait by Josine Vignon (French 1922-2022) signed on front and back - inscribed verso of the man's name! oil painting on canvas, unframed canvas: 18 x 13 inches Colors: Brow...