Photography Figurative Paintings

Francien Krieg, a contemporary Dutch artist, gives a new dimension to figurative painting with her penetrating and unfiltered portraits. Krieg, who received her art education at the ...

Contemporary figurative painting

Since 1977, Hunt Slonem has had more than 350 exhibitions at prestigious galleries and museums internationally. In 2010 there are shows in the Coral Springs Museum, Coral Springs, Fl...

Oil on canvas. Engaging. Female centric. About the artist: “There's a dry ironic twist to Paul’s paintings that give the work — while realistic — a postmodern feeling of refl...

Samir Sarkar - Untitled - 15 x 11 inches (unframed size) Acrylic on Stripped Board. Style : He says, “All my paintings have people wearing some headgear that has a face painted on...

Graduated from the Prilidiano Pueyrredón National School of Fine Arts. He also studied set design, was a student of Osvaldo Attila and Armando Sapia, among other artists. He held so...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this sparkling portrayal of a young woman dressed in a traditional kimono and carrying a baby on her back, a paper parasol...

Jacopo Scassellati was born in Sassari (Sardinia) in 1989 where he still resides today. His family is originally from Umbria. Very early on, he disp...

No. 83 - Make a Wish (2021), Öl und Acryl auf Leinwand, 100 x 100 cm Elena Steiner was born in Susice (Czech Republic) in 1975 and lives and works in Vienna. She completed her painting studies at the Institute for Fine and Media Art at the University of Applied Arts in Vienna in Johanna Kandl’s class. In her series of works, Elena Steiner examines a different type of person, sensitizes the viewer, confronts him with the uncompromising demasking of his own world and that of the portrayed by violating the illusion-bearing canvas surface. She creates realistic acrylic paintings as metaphors for being and appearance. The injuries in the form of seams, stitches and stitches are the epitome of traditional female role fulfillment. Elena Steiner deals with the questions of the value of fulfilling external wishes, social recognition and self-determination. Her works experiment with the border areas between painting, object, real exhibition space and imaginative spatiality and thus offer a captivating game be-tween closeness and distance, between impenetrable closeness and revealing familiarity. Her artistic work shows a zoomed in, sharply focused, snappy, humorous portrait...

Date: 1944 Medium: Oil on Board Dimensions: 19.00" x 13.00" Signature: Signed Upper Left Advertisement for Gulf Oil, 1944.

Date: 1927 Medium: Oil on Canvas Signature: Signed Lower Right Liberty Magazine Cover, September 24, 1927

In the Mughal era, we see kings and queens looking out into their natural space - scenic beauty containing nature and architecture. Given the settings, what would happen if the king ...

Maxwell Doig was born in Huddersfield. He graduated from Manchester School of Art in 1988 with a BA in Fine Art and went on to pursue his postgraduate stu...

Rachel Bess Sea Witch and the Jellyfish, 2017 oil on Dibond 30.5” x 22" unframed 36" x 27.25" framed Rachel Bess is known for her precise and theatrical oil...

Brett Eric Osborn was born in Lima, Ohio in 1963. Both his father and his cousin are artists and influenced the young Osborn during his formative years. Brett recalls being a child d...

Rachel Bess Jasmine and Clove, 2017 oil on Dibond 10” x 8” unframed 13.5" x 11.75" framed Rachel Bess is known for her precise and theatrical oil painti...

Date: 1970 Medium: Oil on Canvas Dimensions: 25.00" x 22.00" Signature: Signed Lower Right Fawcett book cover. Robert Berran has been a prolific romance and historical book cover il...

Half Length Portrait of Mr. Robertson Sir. Henry Raeburn ( Scottish 1756 - 1823 ) Half Length Portrait of Mr. Robertson 29x 24 Purchased, J Leger & Son,...

Medium: Oil on Canvas Laid on Board Signature: Signed Lower Right Sight Size 14.50" x 13.00;" Framed 23.75" x 21.75" The Subdivision, Liberty Magazine Cover, June 18...

Innocence of childhood. Portrait. About the Artist: My art is a visual recording of the powerful imagines that occur regularly in life, distilling them down and preserving the ...

Date: 1952 Medium: Oil on Canvas Dimensions: 34.00" x 27.00" Signature: Signed Lower Left Cover for The Saturday Evening Post Magazine, May 31, 1952. Clymer's coverscape takes you to Massachusetts' tidelands where the frost is on the pumpkin and the red and gold areon the trees. Gloucester harbor and the inlets roundabout-- for three centuries this haven has been the homeport of renowned and valiant fisherman. They were the Captains Courageous of Rudyard Kipling, the hero’s of Longfellow's The Wreck of the Hesperus and of James B. Connolly's tales of the sea. John Ford Clymer's success as an artist can be traced to his boyhood in the Kittitas Valley located in the central regions of Washington state. It was there that he developed an enthusiasm for the world around him and an abiding respect for historical accuracy. Over the years John Clymer received numerous awards and honors including the revered Prix de West in 1976, from the national Academy of Western Art. Other great achievements included both gold and silver metals for his oils and charcoal drawings from the Cowboy Artists of America, "Western Artist of the Year" from the National Wildlife Art Collectors Society, and both John and Doris were honored at the Ellensburg National Art Show and Auction for their contributions to western heritage. John's highest honor came in 1988 when he was awarded the prestigious Rungius Medal from the Wildlife of American West Art...

Medium: Oil on Canvas Dimensions: 16.00" x 24.00" Signature: Unsigned

Date: 1927 Medium: Oil on Canvas Dimensions: 27.00" x 18.00" Signature: Signed Lower Right "We Amused Ourselves for an Hour or More, Darting in and out Among the Crowd and Setting off our Crackers", The Story of a Bad Boy...

Date: 1914 Medium: Oil on Canvas Dimensions: 29.00" x 19.00" Signature: Signed and Dated Lower Right

Medium: Oil on Canvas Dimensions: 21.00" x 28.00" Signature: Signed Lower Left Book cover, The Old Couple.

Medium: Oil on Board Dimensions: 27.00" x 21.50" Signature: Signed Lower Right Date: 1930s Probable magazine cover, 1930-1935.

Date: 1928 Medium: Oil on Canvas Dimensions: 20.00" x 16.00" Signature: Signed Lower Right Liberty Magazine Cover, August 4, 1928

Tempera mixed with gum arabic and alcohol on Renaissance Panel Robert Riggs was a gay man. Being gay in American during the 1940's time was something not to flaunt in public. Rigg's had to communicate his underlying feelings in more symbolic ways. Throughout Riggs oeuvre, one sees continuous references to strong hunked out manly men and vulnerable boys. It is a core element of is iconography and is described in a powerful graphic style. In “Prospector firing Rifle” is a Dick Pic. Riggs is clearly making a sexual statement about the moment of climax. The long, straight rifle explodes and is captured at the peak moment of climax. Meanwhile, the bag two bags of gold clearly resemble the other part of the male anatomy. Riggs was a thoughtful and meticulous visual thinker and nothing in any of Riggs’s compositions were haphazardly placed. In tribute to the artist’s suppressed feelings, I have given this work a second title “Happiness is a Warm Gun...

There is a reason why there are few contemporary painters who can paint a portrait this good. It's hard to do. It's easy to throw some paint or spray a mess of graffiti on canvas. ...

Date: 1976 Medium: Oil on Canvas Dimensions: 29.00" x 22.00" Signature: Faintly Signed "Marchetti" Lower Right Cover art for the companion book to the 1976 film starring Bruce Dern and Madeline Kahn.

Medium: Oil on Canvas Signature: Signed Lower Right Contact for exact dimensions.

Oil on canvas Canvas size: 24 x 18.25 inches Framed size: 31.75 x 25.75 inches Signed lower right

Medium: Oil on Canvas Dimensions: 29" x 20" Signature: Initialed Lower Left American Artist (20th Century)

Signed with initials upper left

Archivally Matted to 17.75 x 16.75 inches Signed lower left

Antique oil on canvas painting depicting portrait of noblewoman with gilt wood frame coeval to same. It portrays a woman of high social standing, dressed in a ceremonial gown adorne...

Dipinto antico olio su tela raffigurante ritratto di Maria Giovanna Battista di Savoia Nemours con cornice in legno dorato coeva allo stesso. La nobildonna di alta estrazione social...

Charles Jervas Possibly Arthur, 6th Viscount Irwin (Temple Newsam) Oil on Canvas Picture Size: 50 x 40" Outside Frame Size: 58 x 48" 1675 – 1739 Charles Jervas, who was born in Cl...

The Seine River winds through Paris as though commissioned to secure the centuries of secrets that it has beheld these many years. Barges near the internationally famed Louvre Museum...

Frame size 98x117 cm. Ramon Aguilar i Moré (Barcelona, ​​1924-Barcelona, ​​September 23, 2015) was a Spanish painter. His work was influenced by the expressionist movement, although...

Charles HERMANN-LÉON (born Léon Charles Sigismond HEMRMANN) (Le Havre 1838 - Paris 1908) Portrait of a young woman Oil on canvas H. 54 cm; L. 41 cm Signed and dated upper right - 187...

Acquiring a mid-20th-century Fauvist painting by Wilhelm Henning is an opportunity to own a piece of art that captures the vibrant spirit and expressive color palette of the Fauvist ...

The other shore is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments, India ink on Japanese cardboard, dimensions are 12.1 × 13.6 cm (4.8 × 5...

The Cardinal's Letter Otto Eichinger (1922 - 2004) signed oil painting on board, framed framed: 15 x 12 inches board: 12.5 x 10 inches provenance: private collection, UK condition: v...

"Splash 5" Oil Painting 31.5" x 53" inch by Sasha Sokolova SPLASH This series is about those sunny summer days in my dacha (country house) in a small v...

This is a painting in realistic detail of a woman in profile using subtle tones. The oval shaped panel is framed in a custom frame with classic details. Matthew Cook...

French Impressionist artist, circa 1930 oil on canvas, unframed canvas: 22 x 18 inches provenance: private collection, France condition: very good and sound condition

Johann Ludwig Robert von Steiger (Swiss, * 8th of January, 1856, Rio de Janeiro, Brazil; † 1st of June, 1941, Buenos Aires, Argentina) Portrait of Karl Alfred Arthur von Steiger Lie...

Ritratto del Re di Sardegna Vittorio Amedeo III di Savoia. Ambito di Giovanni Panelalbo. Ritratto di Vittorio Amedeo III di Savoia (Torino, 26 giugno 1726 – Moncalieri, 16 ottobre 1...

Portrait of a French Gentleman French School, indistinctly signed dated 1824 inscribed verso oil on canvas, unframed painting: 22 x 19 inches provenance: private collection, France c...

Signed impressionist oil on canvas figure and animals in landscape by French painter Julien Dupre. The work depicts a shepherdess resting on a log as her sheep graze in the green mea...

David van der Linden 'When I live my dream'' 60 x 70 cm (Framed 70x80 cm, frame is included in price) Oil on wood panel David van der Linden is a...

The Young Artist by Thomas Kent Pelham (act.1860-1891, British) signed oil on canvas, framed in a beautifully ornate gilt swept frame framed: 34 x 42 inches painting: 28 x 36 inches ...

DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be ...

The short signature lower left a monogram of joined Cyrillic letters "V" and "P" with date 77, leads to the Russian painter Vasily Dmitrievich Polenov (1844 - 1927). Here we have pl...

LEONID VAICHLIA (St. Petersburg, 1922) Works by Leonid Vaichlia can be found in various private collections in Europe, Japan, United States and in the following museums: Mosca, T...

I have just taken this painting back into stock. It was painted back in the 1980,90s and the location is a meadow at Priors Halton so it is looking towards Clee Hill. (Near Ludlow i...

"Unknown Legend" is a colorful portrait of an enigmatic face in nature, an oil painting. Nick Weber (b.1971), living and painting in Springs, NY (about a block away from Jackson Pol...