Leonard Mizerek

Barges Near the Louvre, original French Impressionist marine landscape

To summer in Cap Ferrat, in the south of France, just across the border from Monte Carlo, is comparable to living in a Faberge egg, with all of the intricate detailing and elegance one might dream of! Jutting out into the turquoise Mediterranean Sea, the peace and privacy of the best and the brightest is discreetly protected whether of the royal family or the international jet set and intelligentsia! Master artist Jim Rodgers has been painting for more than 35 years, having studied at both the highly respected Art Students League of NYC as well as the Ridgewood Art Institute of New Jersey. His work has been acknowledged by numerous publications including American Art Collector. His work is represented in the collections of Pfizer Corporation, The Rockefeller Trust and many other noteworthy corporate and private collections. This French impressionist marine landscape is framed in an antique gold wood...

Known for it's timeless charm, the quaint Cotswolds of England are what dreams are made of. First Slaughter, Upper and Lower Slaughter adjacent to Bourton-on-the-Water are such places! The Eye Brook weaves through the Slaughters, affectionately known as "the Slaughter;" the name was derived from the local marsh rather than what one might otherwise expect! This original impressionist landscape exemplifies the historical importance of the mill in these hamlets as well as the warm and inviting feeling of the region of Cotswolds, England. Also exemplifying the English countryside in this original impressionist landscape are the thatched rooves, architecture, rugged terraine and locals lingering, all seemingly frozen in time! Legendary artist John Phillip Osborne, applying many of the principles of the Barbizon school of art painters as well as classic impressionism, was the leading instructor of the highly regarded Ridgewood Art Institute of New Jersey for more than thirty four years. Osborne taught a generation of his students to go beyond the obvious in portraying their subject matter in a composition striving to capture the genuine overall feeling of the moment. He had graduated with honors from Pratt Institute of NYC and then continued his studies at the Art Students League, also of NYC. Original Osborne oil paintings...

When the days become pleasant and the trees are respendent with new growth, walking under the umbrella of lush leaves feels like a butterfly emerging from it's cocoon! A peaceful and nurturing oil painting, this original work of art would be suitable for any transitional space. Polish American artist Eugene Maziarz...

Known for it's timeless charm, the quaint Cotswolds of England conjure up visions of King Arthur and Robin Hood! This original impressionist landscape of a classic street in the Cotswolds exemplifies the warm and inviting feeling of that region of England, resplendent with aging shrubs, mellowed stone, locals lingering over conversation or hugging the building as traffic rumbles by on the narrow roadways. The artist, legendary artist John Phillip Osborne...

You can hear and feel the blues and jazz permeating throughout the club, exploding with mood and emotion. The artists interactions are both well practiced and free from constraints....

Game! Set! Match! A moment at The Club that she will remember forever! Yes, she loved her years on the court with the girls but that one win with the members glancing over during ...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 he enrolled at the Accademia di San Luca, where he remained for just a year. On a visit to the 1st Esposizione Nazionale di Belle Arti of Florence in 1861 he was attracted by the naturalistic works from the Naples school. He came into contact with Domenico Morelli and Filippo Palizzi during a trip to Capri, Sorrento and Naples in 1866. In Rome, he kept company with Mariano Fortuny, whose painting, with its pleasant, captivating luministic effects, made a very strong impression on Joris. That was how he developed his own very personal artistic language, which went on to bring him remarkable commercial success on an international scale, helped by his collaboration with Paris art dealer...

Woman in a garden. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

Cloudy landscape. Oil sketch on cardboard. Unsigned. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jules Van Biesbroeck was the son of Jules Evariste van Biesbroeck, a painter of Ghent, but was born in Italy, in Portici, near Naples, while his parents were staying there. (In the 19th century many artists made educational trips to Italy). It was a long visit: the child was two years old by the time the family returned to Ghent.[1] After a short period of practice with his father, van Biesbroeck was enrolled in the Academy of Fine Arts in Ghent. His first painting, "The Shepherd" (French: Le pâtre), was sold at the Triennale in Ghent. In 1888, when he was only 15 years old, he made his debut at the "Salon des Champs-Elysées" in Paris with his monumental work "The Launch of the Argo" (French: Le lancement...

'Agay, le château et le Sémaphore'. Oil on canvas. +/- 1922 Signed lower right Measurements : 60 x 73 cm. This painting will be recorded in the second volume of the Catalogue Raisonn...

A fine Impressionist oil, ' Young Friends by the Beach Watching Fishermen' circa 1950's. oil on canvas 43cm x 53cm Good quality gallery frame 52cmx62cm ...

Coastal Scene by Sigurd Solver Schou (1875-1944) Oil on panel 10 x 13 inches unframed ( 25.4 x 33.02 cm) 14 ½ x 17 ⅛ inches framed (36.83 x 43.4975 cm)...