Body Black and White Photography

Print is also available in a Large size: 63'' x 50'' and is priced at: $16,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...

Print is also available in a large size: 63'' x 50'' and is priced at: $16,000 Each work is a one-of-a-kind, unique piece that is hand punctured. The work also comes with a black floating frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...

Print is also available in a small size : 50'' x 40'' and is priced at : $13,000. Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black floating frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...

Print is also available in a large size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame. The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”. “Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story. Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”. This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works. In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.” As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”. ———————————————————————————————————————————— Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...

Other sizes and high-end frame on request. Mythical creature with the upper body of a model and lower body of a white horse in front of white/blue clouds. Laufende Gebühren monatlic...

Print is also available in a small size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in ...

Michael and Cathy in Les Baux, France 1978 Signed, titled, and dated in pencil, verso Gelatin silver print 11.75 x 17.25 inches, image 16 x 20 inches, shee...

Olympic Games - nude model in desert holding the olympic rings up Other sizes and high-end framing on request. PREISS FINE ARTS is one of the world’s lea...

Tom, Adirondack Park 1988 Signed, titled, dated, and numbered in pencil, verso Gelatin silver print (Edition of 3) 10 x 8 inches (25.4 x 20.3 cm) Contact gallery for price. This...

From the collection of and signed by Horst

From the collection of and signed by Horst

Signed by the photographer

Signed by the photographer

Harry Callahan 1912-1999 Eleanor, Chicago, 1949 Signed Silver gelatin print, printed 1970s 8 x 10 inches One of the most influential American photographers of the second half of the...

American actors Paul Newman and Robert Redford playing ping-pong during a break in the filming of their movie 'Butch Cassidy and the Sundance Kid'. Durango, Mexico, 1968. Silver Gel...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition size: 12 Available sizes: Standard: 48 x 65 inches La...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition size: 12 Available sizes: 48 x 65 inches 67 x 75 inche...

Iceland 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 68 inch...

Naked woman lying in the sand, only covered with grains of sand PREISS FINE ARTS is one of the world’s leading galleries for fine art photography representing the most famous conte...

Naked woman lying on her stomach covered with the shadow of a palm tree on her back PREISS FINE ARTS is one of the world’s leading galleries for fine art ...

Devon, England 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x ...

Gold Toned Silver Gelatin Contact Print Deep In A Dream: Sheep Meadow - Series

Gold Toned Silver Gelatin Contact Print

Gold Toned Silver Gelatin Contact Print

Signed, inscribed with title and date and stamped with photographer’s copyright ink stamp on reverse Silver gelatin print, printed c. 1957 12 x 10 inches Roger Mayne (1929-2014) is ...

Signed Silver gelatin print Available in two sizes: 14 x 11 inches 20 x 16 inches Flor Garduño (born 1957) is one of Mexico’s leading photographers, who...

Signed and editioned Edition of 20

11x14 inches / 28x36 cm Edition of 12 + 3 Artist’s Proofs 20x30 inches / 51x76 cm Edition of 9 + 3 Artist’s Proofs 30x40 inches / 76x102 cm Edition of 9 + 3 Artist’s Proof...

11x14 inches / 28x36 cm Edition of 12 + 3 Artist’s Proofs 20x30 inches / 51x76 cm Edition of 9 + 3 Artist’s Proofs 30x40 inches / 76x102 cm Edition of 9 + 3 Artist’s Proof...

"X" Photography 40.5" x 35" inch Edition 2/3 by VLADIMIR CLAVIJO-TELEPNEV Eglomise (bromoil gelatin silver print, gold and silver leaf, and hand painted mirror) Signed and numbered. Vladimir Clavijo-Telepnev was born in 1962 in Moscow, in the family of creative people. His father, Pedro Clavijo, was a Columbian journalist and a radio reporter. His grandfather by his father's side, Edmundo Clavijo Cubilios, was a famous Columbia's photograph and artist. His grandfather and grandmother by his mother's side, Vladimir and Margarita Telepnevs, were painters. In 1986 Vladimir graduated from the Moscow Polygraphic Academy, faculty of graphic art, specializing in painting, graphics, and polygraphic design. PRIVATE COLLECTIONS: ELTON JOHN PRINCESS MICHAEL of KENT MARIE CHRISTINE PETER GREENAWAY DMITRY MEDVEDEV NURSULTAN NAZARBAEV Vladimir's work of arts were put up for auction at PHILLIPS de Pury in 2003 in New York, in 2008 in London and New York, in 2010 in New York; at GENE SHAPIRO in 2008, 2009, 2010, 2011 in New York and at HERITAGE AUCTIONS in 2011 in New York. EXHIBITIONS: 2013 Group exhibition at the Gulbenkian Foundation, Lisbon, Portugal; Solo exhibition at the AZOR ROZA Gallery, Moscow, Russia. ​ 2012 Group exhibition of the best iconography for Lewis Carroll's "Alice", "A Mad Tea-Party", The Story Museum, Oxford, UK; Group exhibition "Museum's Centenary: a Photographer's View" at the Pushkin Fine Arts Museum; Solo exhibition at the ZEPPELIN Gallery, Moscow, Russia. 2011 Group exhibition at the ART MOSCOW FAIR. 2010 Pushkin Fine Arts Museum opened a section of photography with the participation of Vladimir Clavijo-Telepnev, the only Russian exhibitor. 2009 "Wayfaring Territory" group exhibition, St. Petersburg, Peter-and-Paul Fortress, Russia. 2008 "Joyance Territory" group exhibition in the Rumyantsev villa, St. Petersburg, Pskov, Belostok, Voronezh, Mikhailovskoye (all in Russia), and also in Berlin, Germany; Solo exhibition at the VINZAVOD Exhibition Center. 2007 Solo exhibition at the MILLIONAIRE FAIR, Moscow, Russia; Participation at the Moscow Fine Art Fair, MANEZH Exhibition Center. 2006 Art London, "Russian Asia", a joint project of Inna Khegai and the Artek Gallery, London, UK; Solo exhibition at the ESPECRTO Gallery in Krasnodar. 2005 Personal exhibition within the framework of the Russian Movie Week in Paris, Paris-Art-Moscow, Espace Cardin, Paris; personal exhibition at the MILLIONAIRE FAIR, Moscow; exhibition at the Grossman Gallery, Williams Visual Arts Buildings, Easton, Penn; personal exhibition at the Grand Hayat Hotel gallery, Dubai, Arab Emirates; exhibition at the STUDIO Gallery, Moscow Russia; exhibition of the Cherry Orchard project jointly with his student, Yulia Bochkova at the JAMES Gallery, Moscow; the Moscow Romanticism exhibition at the Wisconsin University Art Gallery, U.S; exhibition at the Tomsk House of Artists, Russia.2005: exhibition at the Benshaeb art gallery, Paris, France; 2004 Exhibition at the STUDIO Gallery, Moscow, Russia; Exhibition at the LEAGUE Art Gallery, Kolomna, Russia; Exhibition at the Krasnoyarsk Museum Center, Russia.2004: exhibition at Art-Service Gallery Center, Moscow, Russia; Exhibition at the Novosibirsk Art Museum, Russia; Exhibition at the Benshaeb art gallery, Paris, France; Exhibition at the HAY HILL gallery, London, U.K.2004: exhibition within the framework of the Russian Nights festival at the Art Hall of the Pacific Design Center, Los Angeles, California. 2003 Russian Post Modernism Nostalgia exhibition, New York, U.S; Exhibition at the LUMIERE, Moscow, Russia; Exhibition at the Russian Modern History State Central Museum; A participant at the 40 Views as to the Image of Comme de Garcon art...

Nude Torso, 1984 Archival pigment print Signed and numbered edition Additional sizes available. Robert Farber is a contemporary American photographer best known for his iconic im...

Alex Back, 1984 Archival pigment print Signed and numbered edition Additional sizes available. Robert Farber is a contemporary American photographer best known for his iconic ima...

Signed by the photographer

Gelatin silver print George Platt Lynes studio stamp in black ink, verso Also titled in pencil, verso Formerly in the collection of Monroe Wheeler. This is one of Lynes' last works, which he printed from a paper negative. This artwork is offered by ClampArt, located in New York City. George Platt Lynes (1907-1955) was a renowned American fashion and commercial photographer who enjoyed the prime of his career during the 1930s and 1940s. Although he was very sought after by major fashion publications for his beautiful images and stunning compositions, his real passion was the male nude, which he photographed extensively in the privacy of his studio. His connections with New York City’s cultural influencers granted him access to beautiful models, dancers, and actors whom he photographed without leaving behind his friends, lovers, and even studio assistants. Due to the revolutionary and sexually charged aspects of his work, many of his photographs remained unknown and unpublished for years, some of them coming to the light only after they were left to Dr. Alfred Kinsey’s Institute for Research in Sex, Gender, and Reproduction after the artist’s death in 1955. Platt Lynes is recognized today as a master of 20th-century photography, and remains as one of the most important influencers of male portraiture...

Sepia-toned gelatin silver print with matte finish (Edition of 25) Signed, titled, dated, and numbered in pencil, verso Also blindstamped, l.r. This artwork is offered by ClampArt,...

Selenium-toned gelatin silver print (Edition of 25) Signed in pencil, recto Also signed, titled, dated, and numbered in pencil, verso 20 x 16 inches, sheet size 14 x 14 inches, ima...

Gelatin silver print (Edition of 50) Signed, titled, and numbered in pencil, verso This artwork is offered by ClampArt, located in New York City.

Gelatin silver print (Edition of 12) Signed, titled, dated, and numbered, verso This artwork is offered by ClampArt, located in New York City. Will McBride...

This artwork is offered by ClampArt, located in New York City.

Gelatin silver print Studio stamp in black ink, verso This artwork is offered by ClampArt, located in New York City.

This vintage gelatin silver print is offered by ClampArt, located in New York City.

This artwork is offered by ClampArt, located in New York City.

Edition of 5. Signed by the photographer.

Edition of 5. Signed by the photographer.

This work is available in three sizes: 11” x 14” (28 x 35.5 cm) Editions of 10 + 3 Artist's Proofs 16” x 20” (40.5 x 51 cm) Editions of 10 + 3 Artist's Proofs 20” x 24” (51 x 61 c...

Jitterbug, limited edition, pigment ink photograph, signed and numbered Storytelling comes naturally for photographer Keith Carter whose East Texas ro...

Frolicking Pillows, limited edition archival photograph, signed and numbered Storytelling comes naturally for photographer Keith Carter whose East Texas roots have greatly influenc...

Everlast, limited edition archival pigment ink photograph, signed and numbered Storytelling comes naturally for photographer Keith Carter whose East Texas roots have greatly influe...

Gelatin silver print Signed, dated, and inscribed in pencil, verso 10 x 8 inches, sheet size 7.375 x 7.375 inches, image size This artwork is offered by ClampArt, located in New Yo...

Silver print Signed in pencil, verso Also inscribed "México" and "(C) 976" in pencil, verso This artwork is offered by ClampArt, located in New York City.

Edition 10 Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Black and white portrait of nude models Tony and Rosetta. From personality portraits and advertising campaigns t...

David Pugh “Untitled” (from Body Series), 2018 Year: 2019 Archival Inkjet Print on Museo Silver Rag Dimensions: 20 x 15 inches Unframed David Pugh’s photographic work tends to pull ...

What We Talk About When We Talk About Love - Johanna Stickland Signed, titled, dated and numbered on label affixed to reverse Silver gelatin print 14 x 14 inches From an edition of 10

Edition of 25 Also available in 44 x54 inch, Edition of 10. Price on request. A nude female model is posing with a real tiger in the dessert. As a woman ...

Edition of 25 Also available in 44 x54 inch, Edition of 10. Price on request. A nude female model is waking with a real tiger on the leash through the des...

Edition of 10 Also available in 16 x 20 inch, Edition of 25. Price 5,900 € A group of naked female models is sitting together behind a female lion in the dessert. As a woman and a...

Edition of 25 Also available in 44 x54 inch, Edition of 10. Price on request. A nude female model is dancing behind a real female lion in the dessert. As a woman and an artist, Au...

Edition of 25 Also available in 44 x54 inch, Edition of 10. Price on request. A nude female model is waking with a real tiger on the leash through the des...