Body Black and White Photography

"Kate Moss London" by Jake Chessum Portrait of a young 16 year old Kate Moss – before she shot to supermodel stardom and became the icon she is today. Jake grew up in Croydon, South London. He studied Graphic Design at St. Martins School Of Art, and started working as photographer straight out of college. Assignments for The Face, Arena, and an early ad campaign for “Neutrogena” featuring a 16 year old Kate Moss followed. By 1995 Jake was regularly flying the Atlantic on assignment for JFK Jrs' “George” Magazine and in 1999 he upped sticks and moved permanently to NYC where he still lives with his wife and 2 kids...

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel for our multi-faceted but brie...

Black and white capture of actress Elke Sommer posed in a sultry portrait, circa 1965. -- One-of-a-kind original vintage press print from the Celebrity Vault archives. Own a piece o...

Mauricio Velez's photographs seeks to refine the viewer's sensitivity and perception of art and the human body, elevating these elements to an aesthetic realm that can inspire, distu...

Kate #5, 2002 by American photographer Leonard Freed is an 8” x 10” signed black and white photograph stamped "vintage" by the Freed estate on verso (back of photo). Model, photograp...

Unidentified male model, multiple exposure with plant leaves, 1971. This is a vintage silver gelatin photograph made by hand by master photographer Jack Mitchell. Comes directly from...

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel for our multi-faceted but brie...

Untitled, by Ricky Cohete From the series "Acto Uno" Archival Pigment print Small size: 20 in H x 30 in W. Edition of 13 + 1AP Unframed 2020 Black and White Photograph All prices a...

This 2009 photograph by legend photographer, John Stoddart depicts “The Swan with Leda.” It was inspired from the mythology of the Greek story of Leda and the Swan, when the God Zeus...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Edward's son Cole Weston. The We...

LAST PIECE AVAILABLE Total Edition of 15 signed and numbered Figurative photography of a Supermodel in the style of sculptor Constantin Brancusi, Paris 1996. Thierry Le...

Arena Cuatro, by Ricky Cohete From the series "Acto Uno" Archival Pigment print Small size: 20 in H x 30 in W. Edition of 13 + 1AP Unframed 2020 Black and White Photograph All pric...

"Between 1982 and 1987 Andy Warhol produced several hundred works each comprising several identical photographs stitched together with thread. At the edges of the work excess thread ...

Shrink - 2020 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2020-959. Not mounted. ...

Benchmark - 2020 48x60cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2020-977. Not mounted...

Sparks - 2024 - 20x25cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. inventory PL2024-27. Not mounted...

5040 2 11 1991 1/20. This is a vintage gelatin silver print, selenium toned, made by hand by master photographer Jack Mitchell and signed both on the recto and verso. Chosen by the ...

4625 2 10 1986 1/20. This is a vintage gelatin silver print, selenium toned, made by hand by master photographer Jack Mitchell and signed both on the recto and verso. Chosen by the p...

Ten years ago, after a particularly tumultuous period in his life, Michael Kenna quietly made a decision to expand his photographic practice to include the human form. Kenna is well known for his minimalistic landscapes, and has been vocal in the past about the absence of the human figure in his photographs stating, "I feel they gave away the scale and became the main focus of the viewer’s attention." But, believing "fixed dogma is not a creative tool...

Breeze - 2024 - 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. inventory PL2024-039. Not mount...

Kate II - Oversize limited edition - Kate Moss Beautiful archival pigment print of the supermodel and fashion icon by the London based contemporary pop art image creator and artist...

Katia - Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1989. The negative was scanned creating a digital file which was then pri...

Come undone - 2019 50x50 cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid, not mounted. Signed on the back and with certificate. Artist inventory...

'Hanging by a thread' 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs. Digital C-Print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL...

Sophie - Signed limited edition archival pigment print, 1995 - Edition of 10 This image was captured on film. The negative was scanned creating a digital file which was then prin...

Principio, by Ricky Cohete From the series "Acto Uno" Archival Pigment print Small size: 20 in H x 30 in W. Edition of 13 + 1AP Unframed 2020 Black and White Photograph All prices ...

This is a series of black and white nude photographs that began with analog photography between 1992 and 2005, followed by a transition period to digital photography. Erkaya is curre...

This is a series of black and white nude photographs that began with analog photography between 1992 and 2005, followed by a transition period to digital photography. Erkaya is curre...

Marion - Signed limited edition archival pigment print , France, 2003 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 g...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

Counterweight - 2021 40x50cm, Archival C-Print, based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2022-2012. Not mounted. Kirsten Thys van den A...

Limited Edition 5 More sizes on request The photographic work of the internationally well-known Austrian photographer Andreas H. Bitesnich is captivating by its beauty and aesthetic...

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel ...

Nobuyoshi ARAKI (*1940, Japan) Love-Dream, Love-Nothing #092, 2018 gelatin silver print 50.8 x 60 cm (20 x 23 5/8 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is ...

Arena, by Ricky Cohete From the series "Acto Uno" Archival Pigment print Medium size: 24 in H x 36 in W. Edition of 10 + 1AP Unframed 2020 Black and White Photograph All prices are...

When Lawrence Schiller got the assignment from the French magazine Paris Match to photograph Marilyn Monroe on the 20th century Fox set of Something’s Got To Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...

5040 4 12 1991 1/20. This is a vintage gelatin silver print, selenium toned, made by hand by master photographer Jack Mitchell and signed both on the recto and verso. Chosen by the...

Elevate - 2022 40x50cm, Archival C-Print, based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2022-2014. Not mounted. Kirsten Thys van den Audenae...

8 x 10" vintage silver gelatin photograph ofRudolf Nureyev photographed at Monique van Vooren's apartment in 1970. This is a print that was published by Af...

Exposure, Belinda, Zurich

Elegant Lady - Limited Edition Oversize Silver Gelatine Print A model wearing a backless evening dress, 30th January 1962. (Photo by Jamie Hodgson / G...

Kate #3, 2002 by Leonard Freed is a 10” x 8” hand printed, signed by the photographer black and white photograph, stamped "vintage" by the Freed estate on verso (back of photograph)....

Archival pigment print Signed and numbered, verso 11 x 16.5 inches (Edition of 15) 24 x 36 inches (Edition of 10) 40 x 60 inches (Edition of 7) This photograph is offered by Clamp...

Portrait, ca. 1975. Period print measuring 8.75 x 11.25 inches. Unframed. Studio stamp on verso. Mounting and framing services available. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

Sophie - Signed limited edition archival pigment print, 1995 - Edition of 10 A classical approach, sensual not sexual This image was captured on film. The negative was scanned...

Total Edition of 15 signed and numbered Also available in: 50 x 40 cm / 20 x 16 in 200 x 150 cm / 78.5 x 59 in A black supermodel is lying on her side. Thierry Le Gouès...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Sam ‘ who was captured on film in 199...

Simple curved lines of this horse against a black backdrop⁠ highlight its beauty The stark contrast between this horse's white coat and the dark backdrop allow the details of its be...

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel for our multi-faceted but brie...

Am ethereal underwater moment rendered in charcoal tones of a horse swimming I love the resulting feeling of weightlessness as this horse elegantly breaks the surface on this peace...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a s...

Zarina - Limited edition archival pigment print, 1987 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then print...

Lose yourself - 2021 40x50cm, Archival C-Print, based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2022-2009. Not mou...

5203 4 41 1995 1/20. This is a vintage gelatin silver print, selenium toned, made by hand by master photographer Jack Mitchell and signed both on the recto and verso. Chosen by the ...

Richard Harris – Malta, 1973 Born in 1930 in Limerick, Ireland, Harris made his screen debut in the 1958 film Alive and Kicking. This was followed by solid supporting roles in films such as Shake Hands with the Devil (1959), The Guns of Navarone (1961) and Mutiny on the Bounty (1962). But he jumped to the top of Hollywood’s list of leading men in 1963 following his performance as young coal miner turned professional rugby player in This Sporting Life which earned him an Oscar nomination. Once a notorious drinker and hell-raiser to rival Oliver Reed, his work during the Seventies and Eighties isn’t widely revered, but in 1990 he once again earned an Oscar nomination for Best Actor for his role in The Field. Limited Edition David Steen Estate Print Limited Edition: All prints are limited editions, no further prints are produced once sold Paper size - 34 x 24 " / 86 x 61 cm Limited to 30 only this size All prints are bespoke and printed to order stamped and numbered by the Estate Copyright: © David Steen / The David Steen Archive David Steen’s introduction to photography was as a 15-year-old school leaver joining Picture Post where he had the good luck to be taken under the wing of the legendary Bert Hardy as an assistant. It was the ultimate training ground in photojournalism, and the launch pad for his career. David’s reunion with Picture Post after doing his National Service (as special photographer based in Eygpt, covering the major trouble zones) was short-lived. The magazine was losing ground and closed. He moved to Fleet Street, first to a bright new Mirror title, Woman’s Sunday Mirror, where incidentally he picked up First Prize in Encyclopaedia Britannica’s Best Pictures of the Year Award for his sequence of ‘Birth of a Baby’, the progress of a young woman delivering her own baby under hypnosis. He was 21, the youngest ever to be awarded this prize. There followed time as a staff photographer with The Daily Mail; Fleet Street was the hub of the world. Then on to freelancing…Queen magazine, Nova, the Sunday Times Magazine, international magazines around the world, over the years covering projects as diverse as riots in Harlem to a film set in Acapulco, a battered wives’ refuge to the Queen and family at Sandringham: the hopeless, the homeless, the glitterati. Trained on the maxim ‘every picture tells a story’ he has focused on film stars, actors, criminals, politicians, prime ministers and countless men, women and children going about their everyday lives. David Steen believes himself to be lucky. He thinks lucky; luck is being in the right place at the right time, having the luck to have a loving family and enduring friends and winning a three-year battle against cancer. Asked by aspiring photographers for his best advice, his stock reply is: ‘Get up early.’ David Steen † 1936 – 2015 Tags: richard harris, actor, movies, hollywood, film, writer, irish, 1970s, 70s, film director, this sporting life, king arthur, camelot, a man called horse, unforgiven, gladiator, harry potter and the chamber of secrets, harry potter and the sorcerer’s stone

"das Solarium" Photography 39" x 31" in Edition of 7 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" x 3...

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel ...

Through David Jay’s photography, context evaporates, and we as the viewer are left to engage the subjects, trade places, and for a moment, live behind their eyes. We recognize our sh...

Sentries by Monica Denevan - Photography, Silver Gelatin Print with Wooden Frame Monica Denevan studied photography at San Francisco State University. She has travelled extensivel...