Plant Color Photography

Highlights - 2014 20 x 20m , Edition 3 of 10 + 2 Artist Proofs. Photograph printed in Hanemühle Baryta Photo Rag 340gr, based on a Fuji Instant Film original (not mounted). Sig...

Daniel Mansur Vert #4, 2018 40 x 60 inches 100 x 150cm 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies overall Archival Pigment Print Signature L...

Wonder Backyard II - 2018 50 x 66 cm, Edition 2 of 5. Photograph printed in Hanemühle Baryta Photo Rag 340gr, based on a Hand painted Fuji Instant Film original (not mounted). S...

Wonder Backyard I - 2018 50 x 66 cm, Edition 2 of 5. Photograph printed in Hanemühle Baryta Photo Rag 340gr, based on a Hand painted Fuji Instant Film original (not mounted). Si...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Sandersonia Dragonfly Butterfly X-Ray Photography Lambda Print on Dibond Nature - Perspex Front UV Resistant The photography of Arie van ’t Riet is a merger of his scientific background, being an engineer and physicist, and his passion and love for flora and fauna. His focus is on the essence of nature. This process takes a sense of beauty, but also technical knowledge and insight. The animals (found dead) he uses, are placed in an optimal position together with plants and other crops. This setup, called a Biorama, is placed for a X-ray and by radiation fixated on film. For this work van ’t Riet received a special permit. Because he is specialised in working with this equipment he is able to make a picture in just one take. This is complicated because, for example, a thin leaf needs another approach than a fat...

An Aston Martin DB6 sports car driving past the tennis courts at Il Pellicano Hotel in Porto Ercole, Tuscany, August 1973. Slim Aarons Estate Edition, C...

Poolside Party A poolside party at a desert house, designed by Richard Neutra for Edgar J. Kaufmann, in Palm Springs, January 1970. Featured in the group are: industrial designer R...

Limited edition, signed and numbered with certificate of authenticity - 60x60cm - 15 proofs + 4 AP About the Artist: Pascal Goet, a French artist and phot...

Summer Picnic 1990 - Slim Aarons Estate Stamped A summer picnic at the Castle Pines yacht club in Colorado, 1990. 30 x 40" inches / 76 x 101 cm paper size Estate Stamped Collecti...

Hell's Gate, American landscape photograph from Richard Heeps' series, Dream in Colour. This beautiful bright capture of the desert flower was taken at the gateway to Death Valley sh...

Selected Work: Morning Stillness (2025) Medium: Archival pigment print on premium matte photo paper Dimensions: 20 x 27 cm/ 7,8 x 10,6 inches (unframed) Edition: Limited Edition of 5...

Nobuyoshi ARAKI (*1940, Japan) Flower Rondeau #021, 1997 RP Direct print Sheet 50.8 x 60 cm (20 x 23 5/8 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-b...

Rebecca Swanson, Sun Ray II, Limited Edition Photograph, 15x15. It is available with Plexifacemount or white frame as shown. This stunning image is filled soft pinks and yellow. T...

Bare-throated Tiger Heron by Cheryl Medow is an archival pigment print, available in an edition of 10. This photograph features a bare-throated tiger heron perched on a branch, overlooking a river with lush vegetation. The paper size is 25 x 20 in., and the image size is 20 x 16 in. This photograph is signed and numbered in pencil, and blind stamp on print margin. It's also signed, titled, dated, and print type in pencil on print verso. This photograph is available in multiple sizes. Cheryl Medow's background in the arts is diverse, but interconnected. Medow studied ceramics at the famed Chouinard Institute and received a BA in Art from UCLA, concentrating on life drawing with charcoal and pastels. Continuing her art education, she studied printmaking at Hand Graphics in Santa Fe, New Mexico. With a wealth of materials and techniques, Medow layers her photographs and weaves them together to create visual narratives. There have been numerous articles written about her work. Avian Alchemy by Becca Cudmore was published by Audubon News/Culture on June 5, 2015, Proof. National Geographic - An Altered Reality by Becky Harlan along with National Geographics Sunday Stills, Sunday, July 12, 2015 and an article in Inspire Adobe Photoshop For The Birds by Alyssa Coppelman in August. In 2016, Medow was included in the SLIDESHOW Night at the Annenberg Space for Photography in Century City, California. She received the Juror's Award at PhotoPlace Gallery in Middlebury Vermont for Great Blue Heron With Chicks Revisited and her print will be exhibited from March 23 through April 22 and White Ibis With Fish will be part of the Online Gallery Annex at PhotoPlace. Medow was a finalist in the 89th Annual International Competition at The Print Center in Philadelphia given the Olcott Family Award. She is also a finalist at the LensCulture Earth Awards 2015. In 2015, Medow's images were exhibited at The G2 Gallery in Venice, CA and at Flock: Birds On The Brink / Ganna Walksa Lotusland, curated by Nancy Gifford...

LINA SCHEYNIUS (*1981, Sweden) Untitled (Touching) 2021 Fibre-based silver gelatin print Sheet 90 x 60 cm (35 3/8 x 23 5/8 in.) Edition of 3, plus 2 AP; Ed. no. 1/3 Print only Touc...

From Debranne Cingari's "Words in the Sky" series, this piece celebrates the playfulness that has long been a signature element of her oeuvre. Cingari combines beautiful landscapes, ...

All that Remains - 2016 Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Not mounted. Signed on the back and with certificate. Artist inventory PL2016-3...

Eucalyptus II is an Archival Inkjet Print by contemporary photographer Morgan Silk. Eucalyptus II by Morgan Silk is available in this size of 17" x 24" from an edition of 25. A co...

Brigitte LUSTENBERGER (*1969, Switzerland) Now is not a time , 2020 From the series 'An Apparition Of Memory' C-print 107 x 100 cm (42 1/8 x 39 3/8 in.) Edition of 5, plus 2 AP; Ed....

Mid Century Modern Palm Springs Architecture. White Porsche Cabriolet 911 vintage Car photographed in Palm Desert. Archival Inkjet Print on Cotton Paper. Mid Century Modern Archit...

Flora 22, 2015 - Summer Flowers Late Springtime Frozen in Water Color Print Flora 22 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited ...

Brigitte LUSTENBERGER (*1969, Switzerland) A new dawn blooms, 2021 From the series 'An Apparition Of Memory' C-print 100 x 121 cm (39 3/8 x 47 5/8 in.) Edition of 5, plus 2 AP; Ed. no. 1/5 print only Born in Zurich, Switzerland, Brigitte studied at Zurich University and received her MA in Social and Photo History in 1996. In the following years she established herself as an fine art photographer. She moved to New York and received her MFA in Fine Art Photography and Related Media at Parsons The New School of Design in 2007. The main issues in her works lie in her interest in the study of the gaze, the interplay between absence and presence in a photographic image, and the fact that the reading of a photograph is most often triggered by a collective memory. She explores the media itself and its close connection to themes like decay, memory, death and transitoriness. Brigitte Lustenberger has shown nationally and internationally in both solo and group shows. She had Solo Shows at the Museée de l’Elysée in Lausanne/Switzerland, at Walter Keller’s Scalo Gallery in Zurich and New York, at Le Maillon...

Casa Montefino Guests by the pool at Klaus Pudel’s villa, the Casa Montefino, overlooking Portofino harbour, Portofino, Italy, August 1977. Paper size 16 x 20" inches / 40 x 51 cm ...

Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper From the series In Between Days Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory. Hadley's photographs have been exhibited at the Milan Photo...

Flora 12, 2015 - Viola Yellow Pansies with Ivy Leaves Frozen in Ice Color Print Flora 12 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limi...

Parisian Park from the Paris In Colour Series 1956-61 By Peter Cornelius Giant oversize 60 x 40 inches / 152 x 101 cm paper size Printed 2022 Archival pigment print Framing and size options available - Please enquire About: Peter Cornelius (1913–1970) was a German photographer and photojournalist. The goal he set himself was to capture: “the right colours at the right moment”. He was never concerned with a pure, apparently “right” picture of “reality”. After World War II, he began his career with reportage, landscape and sailing photography in his hometown Kiel. From the mid fifties, he specialised in colour photography as one of the first color photographers in Germany. In 1960 he became known to a larger public through the special exhibition Magie der Farbe (Magic of Colour) during the Photokina in Cologne. His best known work is a 1961 collection of colour photographs of Paris...

Carla van de Puttelaar's photographs allow the eye to touch skin on many levels. Although her primary subject is often the female body, in recent years she has also begun to examine...

Daniel Mansur In Paradisum #1, 2018 40 x 60 inches 100 x 150cm 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies overall Archival Pigment Print Sig...

Leah Oates employs a double and sometimes triple exposure, which creates halos of light, dappled, misty surfaces and gauzy effects in muted greens and blues. Her work questions the n...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

'Clifftop Pool' Guests around the clifftop pool at Warren Avis' villa 'La Barranca', Las Brisas, Acapulco, Mexico, January 1971. 40 x 30" inches / 101 x 76 cm paper size Estat...

RISAKU SUZUKI (*1963, Japan) SAKURA 16,4-22 2016 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 4/5 Framed The Sakura (Japanese term for ‘cherry blosso...

Brigitte LUSTENBERGER (*1969, Switzerland) Kaleidoscopic vision, 2023 From the series 'An Apparition Of Memory' C-print 100 x 132.5 cm (39 3/8 x 52 1/8 in.) Edition of 5, plus 2 AP; ...

All Mine Jim Kimberly and his wife, with his white sports car and white boats moored on Lake Worth. A Palm Beach socialite, he acts as Honorary Consul of Jordan. 48x48" inches pap...

large format photograph of Malbacco Desiata, a secret swim hole in Tuscany, by iconic Italian photographer Massimo Vitali, renowned for his grand scale to...

Flora 6, 2015 - Springtime Grasses Clover Crimson Rose Frozen in Ice Color Print Flora 6 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limi...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Laia at Eleven as an Appearance - 2017 40 x 50 cm, Edition of 10 + 2 Artist Proofs. Photograph printed in Hahnemühle Baryta Photo Rag 340gr, based on the original reclaimed Fuji...

Brigitte LUSTENBERGER (*1969, Switzerland) Sometimes they sing back to me, 2020 From the series 'An Apparition Of Memory' C-print 107 x 100 cm (42 1/8 x 39 3/8 in.) Edition of 5, pl...

Large format photograph of a billboard signage in California desert landscape, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards cap...

Edition of 25 Titled, dated and numbered in black ink on print margin. Paper size: 16 x 20 in. Image size: 11 1/2 x 16 3/4 in.

The Tiara (The Girl behind the White Picket Fence) - 2005 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate....

West Texas: Ocotillo in Bloom, Mule Ears Peaks, Big Bend National Park by Peter Brown is listed 13 1/2 x 20 inch archival pigment print, with the paper size as 18 x 22 inches. This photograph is signed and numbered in black ink on print margin by Peter Brown. This size is available in an edition of 25, with more sizes available. This photograph is from Peter Brown series, Hometown Texas. West Texas: Ocotillo in Bloom by Peter Brown depicts a desert landscape lit by the setting sun, with the Mule Ears Peaks at Big Bend National Park in the background. Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Hot Sauce, Lone Pine, California, photograph from Richard Heeps series Dream in Color. This interior vignette captures the table of a classic American diner. The color combination of...

LINA SCHEYNIUS (*1981, Sweden) Untitled from flower 2018 2018 Analogue c-print Sheet 70 x 50 cm (27 1/2 x 19 5/8 in.) Image 60 x 50 cm (23 5/8 x 19 5/8 in.) Frame 75 x 55 x 3 cm (29 ...

Angie Jennings Bri, Postal Carrier Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a...

'Il Canille' (Slim Aarons Estate Edition) Sunbathers lounge on the white-painted terrace of Il Canille, built into the rocks of Pizzolungo overlooking the waters off the coast of th...

Lucia at Sixteen ( A Crack in the Mirror) 

 50 x 40 cm, Edition of 7 +2 Artist Proofs. Photograph printed in Hanemühle Baryta Photo Rag 340gr, based on the original reclaimed Fu...

Set of Four framed botanical pressed flower photograph by Martin Parker. Martin's innovative photographs are created from plants grown by himself in his garden and greenhouse in Cam...

Mike BRODIE (*1985, USA) #0924, from the series A Period of Juvenile Prosperity, 2006-2009 C-Print Sheet 43,18 x 60,96 cm (17 x 24 in.) Edition of 7, plus 3 AP; Ed. no. 3/7 About Mike Brodie: Claiming inspiration from “old-school American values mixed with a little punk-rock idealism,” Mike Brodie, aka The Polaroid Kidd, hopped trains across the U.S. for seven years, documenting his friends, lovers, and travels with a Polaroid and a 35-millimeter camera and amassing a critically acclaimed body of images. Like a 21st-century Jack Kerouac, replacing pen with pictures, Brodie rode the railways with a motley crew...

Untitled Flower # 156 Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink Edition of 25 Available sizes: 10" x 10” 18" x 18” 30" x 30” 30" x 40” 40" x 40" 48" x 48” 48" ...

Chalk Streams 7, 2023 - Biodiversity Chalk Stream Photography English Country by Ellie Davies Chalk Streams 7 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, availabl...

A contemporary color landscape photograph of a green oasis in New York City, a dreamy garden in Downtown Manhattan. Paradise, New York City, 2012 by Roberta Fineberg is 20" x 16" an...

Lounging in Gstaad, 1961 - Apres Ski Models Posing on Swiss Mountain Landscape by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "...

Albert WATSON (*1942, Scotland) Tree Fairy Glen, 2013 C-print Sheet 243 x 183 cm (95 5/8 x 72 in.) Edition of 3, plus 1 AP; Ed. no. 1/3 Print only Albert Watson was born 1942 in Ed...

Hot Sauce, Lone Pine, California, photograph from Richard Heeps series Dream in Color. This interior vignette captures the table of a classic American diner. The color combination of...

Gabriela at Twelve - 2020, 40x30cm, Edition of 10 + 2 Artist Proofs. Photograph printed in Hanemühle Baryta Photo Rag 340gr, based on a Fuji Instant Film original (not mounted). ...

Side Effects (The Girl Behind the White Picket Fence) - 2013 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13303. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...