Plant Color Photography

11.25 x 11.25 inches unframed Archival pigment print edition of 12 Some of David Halliday's most engaging works are those from his Box Series in which he merges classical ideas about light and composition or still lifes with contemporary experiments of fresh color. In this series an empty cookie tin becomes a tiny studio for food objects. Halliday carefully styles his photographic subjects inside and, allowing only natural light to seep in through a circular window. The results feel less like still lifes and more like intimate portraits of human sustenance. In these photographs, the fleshy curves of a fig, the slick bodies of sardines, even the homeliest porcini mushrooms possess a degree of nobility, providing a refreshing contrast to the compulsive relationship we so often have with food, reminding us to slow down and savor with gratitude. In this particular image, the bright red Bing cherries with their bright green stems are piled high into a silver goblet, gently brushed with the natural diffused light, echoing techniques associated with a Vermeer painting! About the work: The Past Still Present: A master of light, New Orleans photographer David Halliday produces lush and elegant images that are both classical and modern. Using window...

Second Hand Flowers Nr. 24 is a unique photo work of German artist Karin Elmers. C-print on photographic paper mounted on alu-dibond under 3mm acrylic. Easy hanging mechanism on bac...

Daniel Mansur In Paradisum #2, 2018 40 x 60 inches 100 x 150cm 47 x 71 inches 120 x 180cm 60 x 88.5 inches 150 x 225 cm Edition of 6 copies overall Archival Pigment Print Sig...

Portofino, Italy, 1985 Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. The most exclusive fishing villag...

Carla van de Puttelaar's photographs allow the eye to touch skin on many levels. Although her primary subject is often the female body, in recent years she has also begun to examine...

Edition of 10. Fujicolour / DMEL: professional photo paper (from Kodak).

Slim Aarons Il Canille, Capri, 1980 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Sunbathers lounge on the white-painted terr...

Valley Vista (Wastelands) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 864. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Reality with the Tequila: Stefanie Schneider’s Fertile Wasteland by James Scarborough “How much more than enough for you for I for both of us darling?” (E. E. Cummings) Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence. Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined. Until she met him, she had not been inclined. It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon. They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up. That’s when the shooting started… Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila. Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty. She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world. Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy. That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...

This mid-1950s landscape photograph, captured by society photographer Slim Aarons, features a group enjoying a picnic at a rocky coastline in Bermuda. This is an estate stamped and ...

The photograph is sold unframed, only the art print. The print is a Giclée on Canson Etching Rag 310gsm paper, a museum quality fine art paper which delivers the most accurate and v...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'The river embraced me', 2016 C–type print 56 x 56 cm (22 x 22 in.) Edition of 3; Ed. no. 1/3 Print only Signed by the artist ...

Baroque flowers photograph, inspired by the Old Masters paintings. Edition of 10 + 2 Artist Proofs. The photo is printed on Hahnemuhle William Turner 3...

This aerial photograph was taken by Klaus Leidorf from an airplane (which he also flies). It was not staged or manipulated and can be custom size.

Stefanie Schneider Polaroid sized unlimited Mini 'Memory of a Dream' (29 Palms, CA) - 2008 - 1 Archival Color Photograph based on the original Polaroid. Polaroid sized open Editio...

City: Hangzhou, Cina Date: 2024 Photograph taken with Polaroid camera. Unique piece, embossed, signed on the back, and comes with a certificate of authenticity.

Untitled (Fairytales) - 2006, 49x48cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte finish, based on the original Polaroid. Certi...

Palm Trees Dive by (Stranger than Paradise) - 1999 44x59cm, Edition 2/10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. A...

Jung LEE (*1972, South Korea) Have You Ever Loved Me?, 2010 C-Type Print, Diasec Sheet 125 x 100 cm (49 1/4 x 39 3/8 in.) Frame 127,3 x 102,4 x 3,2 cm (50 1/8 x 40 3/8 x 1 1/4 in.) E...

Brigitte LUSTENBERGER (*1969, Switzerland) Are you here or just a memory, 2023 From the series 'An Apparition Of Memory' C-print 100 x 72 cm (39 3/8 x 28 1/4 in.) Edition of 5, plus ...

'Vane's Villa' Guests at Vane Ivanovic's villa in Cap de Formentor, Majorca, Spain, 1987. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped Collection Edition to 150 Ph...

Throughout her career, Geesaman photographed public parks and formal gardens in the United States and Europe, focusing on the intersection of nature and artifice in the cultivated la...

Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensively beautiful body of works exploring the botanica...

This aerial photograph was taken by Klaus Leidorf from an airplane (which he also flies). It was not staged or manipulated and can be custom size.

'Algarve Hotel Pool' Guests in the pool at the Algarve Hotel, the Algarve, Portugal, 1970 40 x 30" inches / 101 x 76 cm paper size Estate Stamped Collection Edition to 150 ...

MILES ALDRIDGE (*1964, Great Britain) A Family Portrait #1 2011 Chromogenic print Image 67.5 x 101.5 cm (26 5/8 x 40 in.) Sheet 77.5 x 111.5 cm (30 1/2 x 43 7/8 in.) Edition of 10, ...

Mid Century Modern Palm Springs Architecture. Jaguar E-Type vintage Car photographed in Palm Desert. Archival Inkjet Print on Cotton Paper. Mid Century Mod...

'May Morning in Yellow' Limited edition (1 of 25) archival photograph, hand signed and numbered. Unframed _________________ Illuminated among painted pools...

Daniel Mansur In Paradisum #10, 2018 Rainforest, Brazil - Landscape Photography 60 x 40 inches 100 x 150cm 71 x 47 inches 180 x 120cm 88.5 x 60 inches 225 x 150 cm Edition of 6...

Murray Bridge, South Australia - 1998 20x29cm, Edition of 10, Archival C-Print based on a 35mm negative. Signed on back with Certificate. Not mounted.

'Pebble Beach' Riders from the Pebble Beach Equestrian Center wend their way through the Californian sand dunes and pampas grass, November 1976. 20x20" inches / 51 x 51 cm paper s...

RANONKEL #2, 2009 [From the series Need to Be] Published in her book The Eyes of the Fox, 2018 30x40x2cm. Digital archival pigment print based on an original Polaroid on museum qual...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

ABOUT THIS ARTIST: Timo Helgert is a German artist, best known for his viral virtual installations. His work draws inspiration from classical escapism and draws elements from modern ...

“When I began taking pictures,” Blackmon says, “ I was primarily interested in documenting the lives of my five sisters and myself as we raised families in the Ozarks in the 21st cen...

This work is the result of an artistic residence outside his 'study'.The artist worked on a different ecosystem, a house of vernacular architecture built in 1913 in the department of...

Framed still life photograph of an indigo blue Morning Glory flower on a crisp white background “Untitled 58” by Chad Kleitsch, this image is part of the artist’s “Botanical Mind” se...

“Nature creates nothing without the purpose” - Aristotele Anthurium - flower study, originally taken on medium format Fujichrome transparency colour film in the studio setting, in 1...

Original large format still life photograph from Linda Rosewall's series "Flora Italiana", an intensively beautiful body of works exploring the botanical splendor and vibrant color p...

'Brunch At Brennans' c. 1960. Sunday brunch at Brennan’s restaurant, New Orleans. 40x40" inches / 101 x 101 cm paper size Estate Stamped Collection Edition to 150 Photo by S...

Film star Merle Oberon (1911 - 1979) and lunch guests at her villa, La Consentida, Acapulco. The star is second from the right facing the camera. A Wonderful Time - Slim Aarons Esta...

Edition of 25 2 nude models with curly red hair sitting on a stone in the green woods. Both wear long pearl necklaces and orange and turquoise scarfs....

De Kers The Cherry Photograph on Dibond Framed Still Life in Plastic Series Richard Kuiper (the Netherlands, 1967) To 17th century merchants, the nouveaux riches of the Dutch Golden Age, collecting luxury items and utensils to show off their wealth and lifestyle was a competition. They revelled in exotic animals and shells from the East Indies, priceless glassware from Venice, porcelain from China, silver and gold from Antwerp. To immortalise their high standard of living they commissioned famous Dutch still life painters, including Pieter Claesz, Floris van Dijck, Frans Snyders...

In Bloom - 2020 Edition of 10 plus 2 Artist Proof, 25x20cm, Digital C-Print based on an original Polaroid on Hahnemuhle photo rag paper, not mounted. Signed on back with certifica...

Edition of 10 Signed and numbered in black ink on print verso. Series: Suburbia Bill Owens was born and raised in California. After volunteering in the Peace Corps he picked up phot...

Lizard Poppy X-Ray Photography on Dibond Lambda Print Color Black and White - Perspex Front UV Resistant The photography of Arie van ’t Riet is a merger of his scientific background, being an engineer and physicist, and his passion and love for flora and fauna. His focus is on the essence of nature. This process takes a sense of beauty, but also technical knowledge and insight. The animals (found dead) he uses, are placed in an optimal position together with plants and other crops. This setup, called a Biorama, is placed for a X-ray and by radiation fixated on film. For this work van ’t Riet received a special permit. Because he is specialised in working with this equipment he is able to make a picture in just one take. This is complicated because, for example, a thin leaf needs another approach than a fat...

Contemporary color still life photograph of yellow, purple, and white flower with red buttons in a silver compote cup on a wood tabletop "Flowers, Compote & Buttons", photographed by David Halliday in 2008 archival pigment print, ed. of 25 10 x 14 inch image on 16 x 12 inch paper, unframed Print is made to order "Flowers, Compote & Buttons" is an archival pigment print by photographer, David Halliday. Here, the artist beautifully situates colorful flowers and buttons in a silver compote cup on an old wooden table...

We Know Our Place (1958) Limited Estate Stamped - Giant (Photo by Slim Aarons) A Dalmatian dog lies at the feet of Mr and Mrs John M Seabrook as they pose...

Original large format still life photograph from Linda Rosewall's botany study series "Flora Italiana", an intensely beautiful body of works exploring the botanical splendor of Italian flowers in the natural world with highly detailed captures. Flora Italiana ( Papavero Bianco ) delicate white poppy flower petals 64 x 48 inches (162 x 122cm) signed edition of 7 40 x 30 inches (102 x 76cm) signed edition of 25 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request ___________________ About the artist Linda Rosewall’s artistic path was cemented during her childhood. She was inspired by her farther, an accomplished musician and composer who raised his six children as a performing family act. The experience of traveling the United States and Canada in a small airplane piloted by her father provided the opportunity for Linda to capture these moments on her small Kodak Instamatic Camera. At the age of 18, she enrolled at Columbia College of Fine Arts Chicago. During her studies, Linda apprenticed under photographer Norman Bilisko and later worked with Dennis Manarchy...

29 Palms Oasis (29 Palms, CA) - 2013 Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. 20x24c...

This listing is for an unframed print. Framing options are available. Virginie Drujon-Kippelen is a photographer whose work explores the visual representations of the natural world,...

This listing is for an unframed print. Framing options are available. Virginie Drujon-Kippelen is a photographer whose work explores the visual representations of the natural world,...

photo-eye Gallery is very excited to share new work from represented artist Maggie Taylor. After completing her prodigious series of illustrations for Lewis Carroll's Through the Loo...

Aspen Study II by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada ...

Part of Richard's Vietnam series 'This is Not America', this unusual photograph has a spiritual quality. This artwork is a limited edition of 25, gloss photographic print. Accompan...

Flora 16, 2015 - Autumnal Floral Fruit Seasonal Arrangement Frozen in Ice Print Flora 16 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limi...

After establishing his photography career in his native Tokyo, Japan; Kenji Toma arrived in New York in 1990. Since then he has been recognized as one of the leading photographers in Still Life with his unique mysterious style and detail oriented vision. Concurrently, he is working on personal projects and The Most Beautiful Flowers is his most representative work. His first monograph of the same title was published from KEHRER Verlag (Germany) in 2017. Currently, his studio is based in the Brooklyn Navy Yard...

From Richard Heeps series, 36 Minutes in Cambridgeshire. This project was born from an idea to produce a set of photographs that followed a straigh...

Brigitte LUSTENBERGER (*1969, Switzerland) Who can say where one ends and the other begins, 2023 From the series 'An Apparition Of Memory' C-print 100 x 100 cm (39 3/8 x 39 3/8 in.) ...

Poolside In Sotogrande 1960 - Slim Aarons Estate Stamped Afternoon tea round the pool on a cool day at the home of interior decorator James Pendleton in Beverly Hills. 40 x 60" in...

Oberon’s Lunch 1966 - Slim Aarons Estate Stamped Film star Merle Oberon (1911 – 1979) and lunch guests at her villa, La Consentida, Acapulco. The star is second from the right facin...