Metal Photography

Anyone who has stopped to engage with an oil spill will be familiar with the rainbow colours and the myriad of shapes that appear to the keen observer. The iridescence and depth is a...

Rebecca Skinner’s “Showtime #2” was photographed in an abandoned mansion in the Catskill Mountains of New York. A vintage television set sits o...

Rebecca Skinner’s “Time” was photographed in an abandoned home in rural Pennsylvania. The 18 x 12 inch abstract color photo of yellow peeling paint has a satin finish is infused dire...

Gallagher's Red is a limited edition photograph by Nancy C. Woodward. This is a dye sublimation print on Aluminum, 30x30 with a white, flush back frame. It is $2,500. This is an edition of 30. It was originally photographed in 2013. Nancy C. Woodward is an award winning photographic and mixed media artist. Her shadow portraits, colorful trees and ethereal landscapes depict unique views of the natural world. Nancy photographs moments when the natural world appears changed. Through experimenting with different color palettes, papers, fibers, mediums and surfaces, she brings new realms into view. Ms. Woodward has a studio along with twenty other working artists, at Firing Circuits Artist Studios in Norwalk, Connecticut. She was an Artist in Residence at Silver Lake Conference Center in Sharon, Connecticut for ten years. She is a member of the Ridgefield Guild of Artists, The Katonah Museum Artists...

Albert's Square is a limited edition photograph by Nancy C. Woodward. This is a dye sublimation print on Aluminum, 30x30 with a white, flush back frame. It is filled with Gold, White and Brown colors. It is $2,500. This is an edition of 30. It was originally photographed in 2012. Nancy C. Woodward is an award winning photographic and mixed media artist. Her shadow portraits, colorful trees and ethereal landscapes depict unique views of the natural world. Nancy photographs moments when the natural world appears changed. Through experimenting with different color palettes, papers, fibers, mediums and surfaces, she brings new realms into view. Ms. Woodward has a studio along with twenty other working artists, at Firing Circuits Artist Studios in Norwalk, Connecticut. She was an Artist in Residence at Silver Lake Conference Center in Sharon, Connecticut for ten years. She is a member of the Ridgefield Guild of Artists, The Katonah Museum Artists...

"Wrapped Series Untitled #1C" Photography 48 x 28 in Ed. 2/10 by Robert Mack 2008 Photograph, archival exhibition paper Aluminum mount, UV mat protection ...

Rebecca Skinner’s “Collection #3” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 12 x 18 inch photo with satin fi...

Rebecca Skinner’s “Thread” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 18 x 12 inch black and white photo with...

Rebecca Skinner’s “Rusted Web” is part of a her "Texture" series taking an up close look at rusted and/or weathered metal. With tones of yellow and orange, this 18 x 12 inch abstract...

"The sunflowers displayed here have been chosen, not only because of their golden individuality, but also because, like gold, they seem to have an everlasting quality. They don't re...

Rebecca Skinner’s “Time Stands Still” was photographed at an abandoned paper mill and is part of a series documenting the loss of industry in America. The 20 x 30 inch black and whit...

Ed. 4/15 Dye infused aluminum photograph Series: Portholes, abstract realism Jami Goldman is an American fine art photographer, with over 30 years experience behind the lens. She ...

Elegant Petals by Marcy Palmer depicts a golden stem with budding flowers emerging from a dark background. This photograph is made of 24k gold leaf on vel...

This one depicts a Planetary assemblage with small watch parts (metal wheels) collaged on to it. It is titled Josias Astronomical Clock SIMONS, Vera (1920 - 2012) Vera Habrecht Simon...

Ed. 7/15 Dye infused aluminum photograph Series: Portholes, abstract realism Jami Goldman is an American fine art photographer, with over 30 years experience behind the lens. She ...

Edition of 10 Please inquire for additional sizes Signed verso Debranne Cingari has always found inspiration for her photographs in the places and people she loves, fueled by a natu...

Katie Hallam Outnumbered Limited Edition Digital Photograph Edition of 75 Size of Artwork: H 60cm x W 40cm x D 2cm Sold Unframed Please note that in situ images are purely an indicat...

"Modernismo M32" Pop Art Photography 48"x48" in Edition of 12 by Giuliano Bekor Archival pigment print mounted on dibond. custom frame comes with non-reflective museum plexiglass ...

"LB17" Photography (FRAMED) 49" x 24" inch Edition of 4 by Giuliano Bekor Top: 8 acrylic circles of 12 inch diameter each, mounted on 1/4 Inch non-refl...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

"TIME TA25" (FRAMED) Photography 72" x 48" inch Edition 2/4 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: Time TA25 Year: 2018 Print size: 72" x 48" Inches Artwork finished size: 73" x 49" Inches Limited edition 2 of 4 Artist proof: 2 Medium: The artwork is printed on the highest resolution museum-quality polished aluminum with a high-gloss finish. Infusing dyes directly into specially coated aluminum sheets The waterproof scratch-resistant surface hygienic and durable medium. Comes in a custom gallery-style floater frame in a semi-gloss silver-face finish. Comes with a heavy-duty wooden liner float mount hanger. This artwork comes with two customizable time zone clocks...

"Anima Rêveuse" Photography51" x 40" inch Edition 2/3 by Alina Karo "Anima Rêveuse" Printed on Aluminum - ready to hang 51” x 40” Edition 2/3 Comes with COA VOLLIPSIS series by A...

11" x 14" Unframed Silver Gelatin Print Hand Signed by Ken Heyman From the Hipshot series

In 1964, Heyman was invited by Basic Books Publishing to collaborate on the subject of Pop art. In the fall of 1964, Heyman spent three days photographing such artists as Andy Warhol...

Orlando Azevedo Cosmica #4, 4 Elements, Earth, 2012 Dye Sublimation on Aluminum, Framed 40 x 40 inches Edition of 7

Fernanda Naman 4 Elements, IV 60 x 40 inches Edition of 9 Chromogenic Print - Gold Leaf

This is a series of photography of California, USA, from various photographers, which we constantly add to. We highlight the various aspects of California: its raw, natural beauty, with its vast expanse of land, clear blue sky and natural light. It is also a metropolis, given to a sense of freedom – to love and re-invent yourself as you please. It is also ancient land – land where dinosaurs roamed, Native Americans called home, Spanish explorers charted its land for more discovery of this gem. In modern times, environmentalists and residents fought to protect the land, setting landmarks in environmental and consumer protection. California leads the nation in many ways- the first to lend itself to causes: the freedom to love whomever and be whomever we want, welcome new peoples with warmth and entrepreneurship, be at the forefront of clean energy, invent new technology that changes the way the world lives and work, and the protection of our Earth. It is La La Land...

Fernanda Naman Abstract Landscape #6, 2017 40 x 40 inches 100 x 100 cm Edition of 6 C-Print Gold Leaf

This is a new series of photography of land art depicting Earth and its land forms taken from the air. This series of aerial photography captures Earth's beauty taken in remote lands...

Hand printed by the artist, considered one of the greatest platinum printers working today. Gum over palladium. Printed 2021

Ed. of 10, includes thin black frame. Debranne Cingari is a well-established American photographer and assemblage artist. Cingari is known for her explorative and boundary breaking artistic approach where she combines photographic images with assemblages of various artifacts. She often combines the two genres into text reliefs and cityscapes. With a background in photojournalism and a hobby of collecting random, assorted objects, Cingari introduces found items such as keys, locks, and book pages into her photographs, welding, drilling, screwing, gluing, and sewing them to the images. Such amalgamated compositions give new meaning to old objects...

Fernanda Naman Abstract Landscape #8, 2017 40 x 40 inches 100 x 100 cm Edition of 6 C-Print Gold Leaf

"Taming The Beast N3" Photography 30" x 40" inch Ed. 2/10 by Viktorija Pashuta 2017 Ready to hang Latvian born Viktorija Pashuta is internationally published and award winning fashion and art photographer gaining momentum and notoriety in Southern California. With visual cues rooted in dance and music, and fashion passion stemming from her European upbringing, her images are sensual, sultry, yet powerful. Viktorija’s work is known for so called ‘color therapy’ – where she uses saturated and vibrant colors to achieve the effect of fashion surrealism. Her images are very feminine and empowering at the same time to celebrate the essence of a woman. Her work has been published in such magazines as RUNWAY (USA), GQ, Esquire, VISION (China), Prestige International (France), Essence (USA), Estetica (USA), Nylon Guys, Vogue (Italia), Tchad (Canada), Fashizblack (France), Highlights (UK), CULTURE (Australia), shooting celebrity covers for Healthy Living Magazine, Runway, Orlando Style, Justine and more. Her celebrity work includes Paris Hilton, Kathy Griffin...

"Wrapped Series Untitled #2" Photography 34x23 in Edition 1/10 by Robert Mack 2008 Photograph, archival exhibition paper Aluminum mount, UV mat protectio...

"LIPS - L8 GUCCI" Photography 50"D Edition 2/8 by Giuliano Bekor Edition 2 OF 8 Year created 2017 Print size 50 Inches diameter Trim Bleed Artwork finish size 50 Inches diameter M...

"LIPS - L682" Lenticular photo 40"D Edition 3/8 by Giuliano Bekor 40" x 40" x 1.5" inch This art work is printed on the highest resolution archival fine art 3D Lenticular paper. P...

"Modernismo 49" Photography 40"x40" inch Edition of 20 by Giuliano Bekor Archival pigment print mounted on dibond. Custom frame comes with non-reflective museum plexiglass MODERNISSIMO series Modernismo was conceived between 2012 and 2014 as a series of pure photography, marrying elements of the historical pop art movement and raw, undulating forms of the human body. Patterns become the focal point as lines of the body become the canvas. Rooted in high fash- ion, Modernismo celebrates optical illusion coupled with vibrant color, within a unique and malleable interpretation. Bekor focused on creating a series of intrigue and minimalism, working with classical elements of black and white photography and playing on the vulnerabilities of his subject matter. Images composed of unique lighting, contrasting colors, and bare skin evoke drama and sensuality within the series. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt...

Ed. of 10, includes thin black frame. Debranne Cingari is a well-established American photographer and assemblage artist. Cingari is known for her explorative and boundary breaking artistic approach where she combines photographic images with assemblages of various artifacts. She often combines the two genres into text reliefs and cityscapes. With a background in photojournalism and a hobby of collecting random, assorted objects, Cingari introduces found items such as keys, locks, and book pages into her photographs, welding, drilling, screwing, gluing, and sewing them to the images. Such amalgamated compositions give new meaning to old objects...

Albert Bridge, Aluminium By Michael Wallner [2019] limited_edition Brushed aluminium Edition number 25 Image size: H:50 cm x W:135 cm Complete Size of U...

"LB18" (FRAMED) Abstract Photography 60" x 40" in Edition of 4 by Giuliano Bekor 2018 This artwork printed on a highest resolution archival fine art Kodak metallic pearl paper, pri...

Katie Hallam Blue Haze Limited Edition Digital Photograph on a metal backing and does not need framing. It is mounted securely and ready to hang on a wall. ...

limited_edition PHOTOGRAM Archival Chromagenic Photographic Print Edition number 12 Image size: H:100 cm x W:77 cm Complete Size of Unframed Work: H:100 cm x W:77 cm x D:2.5cm Frame...

The artwork of Jacques Beneich is an ever renewed exploration of his passion for fashion photography, black and white movies, and music, re-visited with an explosion of colors as a tribute to life. While working as a fashion photographer with the most well known magazines and companies, Jacques Beneich started working as a portraitist. In 1989 he signed one of the most famous series of portraits of some of the greatest jazz and blues musicians including Miles Davies, Fats Domino...

The Wynwood Silos in Miami Florida. After shooting the Silos, I met and befriended the artist/muralist who painted them, "Krave" (Daniel Fila). Sold as a collaborative work of art.

Ed. of 10, includes thin black frame. Debranne Cingari is a well-established American photographer and assemblage artist. Cingari is known for her explorative and boundary breaking artistic approach where she combines photographic images with assemblages of various artifacts. She often combines the two genres into text reliefs and cityscapes. With a background in photojournalism and a hobby of collecting random, assorted objects, Cingari introduces found items such as keys, locks, and book pages into her photographs, welding, drilling, screwing, gluing, and sewing them to the images. Such amalgamated compositions give new meaning to old objects...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #02 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

"Blank streams of Conxiousness" Photography 47x40 in Edition of 3 by Alina Karo Alina Karo "Blank streams of Conxiousness" Aluminum 47” x 40” Edition 1/3 Comes with COA VOLLIPSI...

"Wrapped Series Untitled #6" Photography 1/10 32" x 23" inch by Robert Mack 2013 Photograph, archival exhibition paper Aluminum mount, UV mat protection Edition 1 of 10 + 2AP ...

"Wrapped Series Untitled #40" Photography Ed. 2/10 28"x42"inch by Robert Mack 2007 Photograph, archival exhibition paper Aluminum mount, UV mat protection 28” x 42” inches 72 x 10...

"LB28" (FRAMED) Photography 40" x 54" in Edition of 2/4 by Giuliano Bekor Print size 54x40 Inches trim bleed Artwork finished size 55x41 Inches Limited edition 2 of 4 Artist proof...

"Taming The Beast N2" Fine Art Photography 30x40in Ed 2/10 by Viktorija Pashuta 2017 Ready to hang Latvian born Viktorija Pashuta is internationally published and award winning fashion and art photographer gaining momentum and notoriety in Southern California. With visual cues rooted in dance and music, and fashion passion stemming from her European upbringing, her images are sensual, sultry, yet powerful. Viktorija’s work is known for so called ‘color therapy’ – where she uses saturated and vibrant colors to achieve the effect of fashion surrealism. Her images are very feminine and empowering at the same time to celebrate the essence of a woman. Her work has been published in such magazines as RUNWAY (USA), GQ, Esquire, VISION (China), Prestige International (France), Essence (USA), Estetica (USA), Nylon Guys, Vogue (Italia), Tchad (Canada), Fashizblack (France), Highlights (UK), CULTURE (Australia), shooting celebrity covers for Healthy Living Magazine, Runway, Orlando Style, Justine and more. Her celebrity work includes Paris Hilton, Kathy Griffin...

"Wrapped Series Untitled #1A" Photography 42x28 in Edition 1/10 by Robert Mack 2008 Photograph, archival exhibition paper Aluminum mount, UV mat protecti...

Katie Hallam Cactus Limited Edition Digital Photograph Edition of 75 Image Size: H 50cm x W 62cm x D 1cm Sold Unframed Ready to Hang Please note that in situ images are purely an ind...

Katie Hallam Blue Haze Limited Edition Digital Photograph on a metal backing and does not need framing. It is mounted securely and ready to hang on a wall. ...

Katie Hallam Blossom Limited Edition Digital photograph Edition of 25 Image Size: H 50cm x W 40cm x D 1cm Sold Unframed Please note that in situ images are purely an indication of ho...

Katie Hallam Dollar Digital Photograph The value of money is always going to be a topical discussion. ‘Dollar’ looks at the current climate of relationships, value and connections...

Truth, 2017 Print on Museum Glass, Hand gilded with Lemon and Moon Gold 31 x 31 cm/ 12.2 x 12.2 in (custom framed) Edition of 5 This print is from a series of images made from a collection of honesty seeds gathered at the end of baking hot summer... The papery enclosures are like parchment through which the light filters with a pale gold delicacy." The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "My fascination with colour goes back a long way. One of my earliest creative recollections has me sitting at a table endlessly mixing paints in a valiant but ultimately futile attempt to 'invent a new colour'. It was an imperative that kept me occupied for some time as I recall. The result was always the same - and unedifying fudge of pale peach and silver." - Valda Bailey...

Rimma Gerlovina and Valeriy Gerlovin Compass, 1988 Aluminum sculpture, mixed media and c-print photograph construction, c-print, felt tip marker 12.5 h × 12.5w × 4 d in (30 × 30 × 6 cm) Rimma Gerlovina and Valeriy Gerlovin were founding members of the underground conceptual movement Samizdat in the Soviet Union, described in their book Russian Samizdat Art. Based on a play of paradoxes, their work is rich with philosophic and mythological implications, reflected in their writing as well. Their book Concepts was published in Russia in 2012. The work by Rimma Gerlovina and Valeriy Gerlovin is emphatically contemporary. The artist couple were part of the Moscow Conceptualists, their performance Costumes, from 1977, deepened their ongoing work with linguistic semiotic systems and their own bodies. Considering the context in which Gerlovina and Gerlovin made their work—that of political restrictions on public life, of unfreedom, and censorship—their collaborative togetherness must also be read as a space of possibility for political community and resistance. Rimma Gerlovina’s hair is featured prominently in the art of the Gerlovins as a constructing element of the body. Used for the linear drawings her braids transmit transpersonal waves reminiscent of an aura of live filaments. Long loose hairs function as threads of life; streaming in abundance, they allude to Aphrodisiac vitality and Samsonian strength. On the other hand, they are the haircloth worn during mourning and penitence. In New York they continued to make sculptural objects, and their photographic projects grew into an extended series called Photoglyphs. In their photographs, they use their own faces to explore the nature of thought and what lies beyond it. Since coming to the United States in 1980, they had many exhibitions in galleries and museums including the Art Institute of Chicago. The New Orleans Museum of Art launched a retrospective of their photography, which traveled to fifteen cities. Group exhibitions include the Venice Biennale, the Guggenheim Museum, New York, Smithsonian National Museum of American Art, Washington D.C., Bonn Kunsthalle, Germany, Tokyo Metropolitan Museum of Photography, State Tretyakov Gallery, Moscow, and others. Samizdat or “self-published” began in the Soviet Union, and Samizdat art consists mainly of books and magazines published and distributed by the artists who made them. Samizdat art has sources in the innovative books and magazines turned out by the early 20th century Russian avant-garde—artists and writers like Olga Rozanova, Vladimir Mayakovsky, El Lissitzky, and Alexander Rodchenko. Artists as varied as Alexander Archipenko, Leon Bakst, Marc Chagall, Naum Gabo, Alexandra Exter...