Metal Photography

A woman of vigour and spirit and humour, full of stories, sat on her rocking chair, smoking a cigar, commenting on the world with a word or stream of invective. The Spirit of the Re...

The Lady of Shallott, Signed Digital Photographic Landscape Print, 2020 30" x 20" x 0.5" (HxWxD) Digital Print on Metal Hand-signed by the artist. An almost abstracted seascape color photograph by artist Amanda Lomax...

In this new series Mercado utilizes canvas in big format as a medium to intervene Jack Delano's photographs of Puerto Rican agriculture workers he documented for the FSA in the 1940...

Mathew , Platinum Palladium print on Arches Platine paper from Ian Sanderson, unframed. Edition 1 of 12 plus 2 AP ( small Size ) Portrait of a charismatic man, shirtless, pr...

Underwater photograph of a young woman in red dress dancing underwater in a pool. A very bright photograph with plenty of sun and positivity. Model: a Russian dancer Olga Sokolova. ...

There is a something about being a child on the beach where the sheer exuberance of running into the waves transcends the normal social barriers, and the shared exhilarance allows fo...

Underwater black and white photograph of a topless young female dancer in the pool. Original print on aluminum plate with solid black backboard. The artwork needs no additional fram...

Allan Forsyth WILD HEART Limited Edition Archival Chromagenic Photographic Print Edition 25 Size: H 100cm x W 100cm x D 2cm Diasec Framed

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Archival Pigment Print on Glass Plate Backed with 24kt Gold Leaf, Framed by the Artist GOLDEN STARDUST The Element ‘Gold, (Au) can only be made in the nuclear reactor of stars. I...

Ed. of 20, printed on aluminum. Guadalupe Laiz is an international artist, photographer and explorer born and raised in Argentina. Guadalupe’s main focus for the past ten years has ...

Rebecca Skinner’s “Lonely Tree” is part of her "Winter Trees" series documenting the beauty of New England in the winter. The 12 x 18 inch black and white photo with satin finish is ...

Rebecca Skinner’s “The Factory” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. The 10 x 30 inch black and white l...

Archival Pigment Print on Glass Plate Backed with 24kt Gold Leaf GOLDEN STARDUST . The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet...

This vintage salt print is titled, attributed and annotated in lithographic ink on the front of the mount.

This vintage salt print is titled, attributed and annotated in lithographic ink on the front of the mount. Printed 1850s.

Estevan was born in 1966 in United States. At present he is situated in Los Angeles, California the city of the stars. His work has been highlighted in a large number of the top magazines and has additionally captured a portion of the top famous people too. He has likewise coordinated many music recordings also. He is the child of Eriberto Oriol who was additionally a well known picture taker. The universally eminent picture taker, music executive and urban way of life business visionary started his vocation as a hip-jump club bouncer and later turned a visit director for Cypress Hill and House of Pain which are the notable rap bunches in Los Angeles. He was talented an old camera...

Rebecca Skinner’s “Succession” was photographed at an abandoned hospital and is part of her “Forgotten” series raising mental health awareness. Seemingly endless doorways open to sof...

Dye Sublimation Print on metal Surfers. 16x24 on metal - $650 20x30 on metal - $900 About the artist: A computer programmer and Webmaster by trade, Paul describes himself as a fine ...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

'Snake Necklace by Elsa Peretti' Platinum print on vellum paper over silver leaf Handmade photograph Edition of 5 , plus 2 AP ( Medium Size ) Signed + numbered with certificate of...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Hand printed platinum palladium print Edition 1/35

Rebecca Skinner’s “Erosion #4” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 16 x 24 inch black and whi...

In this new series Mercado utilizes canvas in big format as a medium to intervene Jack Delano's photographs of Puerto Rican agriculture workers he documented for the FSA in the 1940...

Summertime (Malibu) - 2004 Edition 4/5, 39x37cm. Analog C-Print, hand-printed by the artist, based on a Polaroid. Artist inventory Number 660.04. Mounted on Aluminum with matt...

The Kiss (Sidewinder) - 2005 125x154cm, Edition 2/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive paper, based on the original Polaroid. Signed on verso. Artist Inventory No. 3120.02. Mounted on Aluminum with matte UV-Protection. This piece ships in a crate. Schneider harnesses the unpredictable chemical mutations of expired Polaroid film, where bursts of color erupt across the surface, destabilizing the photograph's traditional allegiance to reality. These vivid distortions draw her characters into ethereal, trance-like dreamscapes. Like fleeting sequences from a vintage road movie, Schneider’s images shimmer with a transitory quality, dissolving before any definitive conclusions can be drawn. Their ephemeral essence is conveyed through subtle gestures and enigmatic motives. Refusing to yield to the constraints of reality, Schneider’s work keeps alive a delicate interplay of dream, desire, fact, and fiction, blurring the boundaries between them with poetic ambiguity. Stefanie Schneider’s work echoes the heart of American art, channeling the cinematic nostalgia of Ed Ruscha’s roadscapes, the stark sensuality of Georgia O’Keeffe’s deserts, and the haunting solitude of Edward Hopper...

Rebecca Skinner’s “Return” is a 12 x 18 inch color photograph of a Victorian sofa in the interior of an abandoned building. Peeling paint in pink, yellow and white demonstrate the pa...

Rebecca Skinner’s “Exist” is a 18 x 12 inch color photograph of an old chair sitting in lush green grass growing in the interior of an abandoned building. The blue sky can be seen th...

Blue Sky (Zuma Beach) - 2004 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #20432. No...

Indira with red hair by Efren Isaza Archival pigment print Measures: 58.5 in. H x 46 in. W Mounted on aluminum/plexiglass Isaza, one of Colombia’s most influential fashion photogra...

Rebecca Skinner’s “Pink Piano” is a 16 x 24 inch metal print of an abandoned pink piano located in the remnants of an auditorium in Indiana. We can only ima...

Hand printed by the artist. Kerik is known for his fine art platinum printing process. This is an edition of 15 only. Comes with over mat.

The bearded one… in Old Havana. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a strength of...

Rebecca Skinner’s “Book Beauty II” is a 24 x 16 inch metal print of plant life growing on books left to decay in a deserted school. The color photograph with hues of green and blue i...

New York City Anthem: In 2016 I visited New York and took the opportunity to not only experience how it felt to be there, but to write down every sensation that I was having. I live in a rural part of Dorset so the city’s effect on me was exaggerated - sounds, smells and sights that were all being experienced at once. It was dazzling. When I returned home, I started work on making a piece that I felt would contain everything about New York City that enthralled me. It had to be big and it had to be from the viewpoint of being inside the city itself. Using my notes, I relived my time there and experimented with new techniques in the darkroom to help me capture the wide and sensational thrill of the place. – Mike...

A stunning photograph of light. Hand printed by the artist. Edition 3/15 Gum Bichromate over Platinum / Palladium

"Beatles - Afternoon Rehearsal" Photography 18x21in Ed. of 25 by Howard Grafton Signed and numbered on the back by the publisher The Beatles on the E...

This contemporary figural limited edition photograph by Alyssa Fortin is a reinterpretation of the mythological story of Asopus' beautiful daughters who were abducted by gods to beco...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

Artist: Paul Vinet Title: Procession #3 Date: 2008 Medium: Gold Leaf on C-Print mounted on Dibond, signed, dated, and numbered verso Edition 2/3 Dimensions: 30 x 32 inches

That Luscious Day by Marcy Palmer presents a carnation flower surrounded by petals and leaves, bathed in gold. This photograph is made of 24k gold leaf on...

Unique. Paul Snell is an Australian artist who blurs the boundaries between photography and painting, creating contemplative works that replace constant image saturation with moment...

An original enamel on metal painting by emerging contemporary conceptual artist Craig Sheperd (b. 1984) Craig Sheperd’s paintings, most of which are enamel on metal, were created o...

Platinum/Palladium (there was no pull down for this) Print Date 2014 Hand printed by artist Edition 1/15 Corner Mounted Outer Dimensions 28x32"

This is a series of photography of California, USA, from various photographers, which we constantly add to. We highlight the various aspects of California: its raw, natural beauty, with its vast expanse of land, clear blue sky and natural light. It is also a metropolis, given to a sense of freedom – to love and re-invent yourself as you please. It is also ancient land – land where dinosaurs roamed, Native Americans called home, Spanish explorers charted its land for more discovery of this gem. In modern times, environmentalists and residents fought to protect the land, setting landmarks in environmental and consumer protection. California leads the nation in many ways- the first to lend itself to causes: the freedom to love whomever and be whomever we want, welcome new peoples with warmth and entrepreneurship, be at the forefront of clean energy, invent new technology that changes the way the world lives and work, and the protection of our Earth. It is La La Land...

This elegant underwater photograph captures a ballet dancer in pointe shoes and flowing white tutu, suspended in deep teal waters. The rich contrast between the pristine white costum...

This commanding industrial photograph dates from 1928, a pivotal year in the early career of Margaret Bourke-White, and belongs to the definitive body of work that established her as...

Shot in the lush jungle of Myakka River State Park, Florida. Printed on archival fine art paper, mounted on dibond aluminum with a float mount backing. Available in a wide variety ...

Rebecca Skinner’s “Incapacitated” is part of her "Rust to Dust" series documenting the beauty of the decaying automobile. The 20 x 30 inch color photograph is of an antique car...

Rebecca Skinner’s “Broken” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 12 x 18 inch color photo of shattere...

In this new series Mercado utilizes canvas in big format as a medium to intervene Jack Delano's photographs of Puerto Rican agriculture workers he documented for the FSA in the 194...

This large montage of photographs (is not mounted onto aluminum) from Ken Gonzales-Day's dysmorphologies series. Fujifilm Fuji Color Crystal Archive paper color Photo paper. This is ...

A line in the sky #5 2017 Pigment print with 24k gold leaf 24 x 35 inches (61 x 88.9 cm) $5,700 This work is offered by CLAMP in New York City.

Stayed by Marcy Palmer presents a collection of flowers, illuminated in gold. This photograph is made of 24k gold leaf on vellum with an archival UV varni...

Chandra - meaning the Hindu God of the Moon – as the image was taken in Sri Lanka The image was first gilded with copper then that was rubbed back to reveal most of the glass, and t...

Albert's Square is a limited edition photograph by Nancy C. Woodward. This is a dye sublimation print on Aluminum, 30x30 with a white, flush back frame. It is filled with Gold, White and Brown colors. It is $2,500. This is an edition of 30. It was originally photographed in 2012. Nancy C. Woodward is an award winning photographic and mixed media artist. Her shadow portraits, colorful trees and ethereal landscapes depict unique views of the natural world. Nancy photographs moments when the natural world appears changed. Through experimenting with different color palettes, papers, fibers, mediums and surfaces, she brings new realms into view. Ms. Woodward has a studio along with twenty other working artists, at Firing Circuits Artist Studios in Norwalk, Connecticut. She was an Artist in Residence at Silver Lake Conference Center in Sharon, Connecticut for ten years. She is a member of the Ridgefield Guild of Artists, The Katonah Museum Artists...

Salton Baptistes (California Badlands) - 2010 20x25cm, Edition of 10 plus 2 Artist Proofs. Archival based on the original Polaroid, not mounted. Artist Inventory No. 4538. Signa...

"COCA-COLA" Photography (FRAMED) 40" x 40" inch Ed. of 20 by Giuliano Bekor Print size 40x40 Inches Artwork finished size 42x42 Inches Limited edition of 20 Artist proof 2 Signed and numbered by the artist. Comes with COA issues by the artist. Medium: This artwork printed on a highest resolution archival fine art museum quality Kodak optima paper, Printed with a high gloss finish. Mounted on 1/4 Inch non-reflective museum grade acrylic face- mount. 1/8 Inch polished aluminum back-mount. finished with hand polished crystal clear edges for extra depth and dimension. Comes with custom gallery style chrome metal floater frame-face finish. Artwork framed with a stainless metal linner float mount hanger. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt gallery...