Metal Photography

Hole, 2022, by Hunter & Gatti Acrylic and scratch on fine art metallic paper with a pearlescent coating Image size: 21.2 in H x 16.1 in W Unframed The “visible” spectrum, probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelenghts between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

Breaking the Waves 114x142 cm, Edition 1/3. Analog C-Print, hand-printed by the artists, based on a Polaroid. Certificate and Signature label, artist Inventory No. 133.08. Moun...

Jordan (Wastelands) Edition 2/5, 57x56cm, 2003 Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid. Artist inventory Number 1176.02. Signed...

Margarita Smoke Rings (Till Death do us Part) - 2009 Edition 1/5, 125x154cm. Analog C-Print, hand-printed by the artist, based on a Polaroid. Mounted on Aluminum with matte UV-P...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

Porcelain, aside from being an exquisite material, is the name of an exquisite photo series. The series includes my favorite underwater photographs of nude models in the porcelain co...

Snow Fence on Dunes in the Hamptons Black & White Photography Printed to order edition of 10 Dye Sublimation Print on Metal 16x24 on metal - 20x30 on metal - Title: Great Dune Year:...

Jamie, 2017 by Hunter & Gatti From the series of IWMYAS Wax, acrylic oil pastel on glicée print archival metallic paper. Image size: 107 cm H x 83 cm W Signed front and signed back w...

Guadalupe (The Last Picture Show) - 2005 38x37cm, Edition 1/5. Analog C-Print, hand-printed by the artist on Archive Fuji Crystal Paper, based on the Polaroid. Mounted on Alumi...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Printed onto direct positive Printing Out Paper and then gold-toned. Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and s...

Printed onto direct positive Printing Out Paper and then gold-toned. Contact print from a 5x7" negative from the Lick Observatory Archive. Linda Connor's imagery of ancient and sacr...

Available sizes: 18” x 20.26”, Edition of 8, Pigment Print 28” x 31.52”, Edition of 8, Pigment Print 38” x 42.77”, Edition of 6 Silver Gelatin 48” x 54.03”, Edition of 6 Silver Gelat...

END OF DAY, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf, Framed 52 x 43 cm (framed), 36 x 27 cm (glass image size) Edition 1/5. Although the prints ar...

This large montage of photographs (is not mounted onto aluminum) from Ken Gonzales-Day's dysmorphologies series. Fujifilm Fuji Color Crystal Archive paper color Photo paper. This is not signed or numbered. Ken Gonzales-Day's interdisciplinary and conceptually grounded projects consider the history of photography, the construction of race, and the limits of representational systems ranging from the lynching photograph to museum display. The Searching for California Hang Trees series offered a critical look at the legacies of landscape photography in the West while his most recent project considers the sculptural depiction of race. Profiled began as an exploration of the influence of eighteenth century "scientific" thought on twenty-first century institutions ranging from the museum to the prison and extended to the sculpture and portrait bust collections of several major museums including: The J. Paul Getty Museum; The Field Museum, Chicago; The Museum of Man, San Diego; L'École des beaux-arts,Paris. The Bode Museum, Berlin, Park Sanssouci, Potsdam; The National Museum of Natural History, Paris; The Yale Center for British Art, New Haven; among others. Gonzales-Day lives in Los Angeles and is Chair of the Art Department at Scripps College. Much of Gonzales-Day's work considers the larger political and social representational histories of the Mexican-American experience. His early work draws on the constructed photo methods of artists like Jeff Wall, Cindy Sherman, or Gregory Crewdson. For example, in Bone Grass Boy (1996), Gonzales-Day casts himself as all the central characters in a staged photonovella set during the Mexican American War...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Underwater nude photograph of a young woman with broken umbrella. The photograph has been edited into a minimalistic abstract image, a photomosaic of terracotta pink shapes. Origina...

Stefanie Schneider's Coupe Plate 'Haley and the Birds', 2021 with 24-carat hand painted golden rim. Screen print based on a Polaroid. Edition of 500. Plate size 26.67 cm / 10.5 i...

White Picket Fence (Suburbia), diptych, 2004, Edition of 3/5, 60x80cm each, installed 60x170cm, Analog C-Prints, hand-printed by the artist, based on 2 Polaroids, Mounted on Alum...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Artist Statement For me, the artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both ...

Geister or 'Ghost Ship' series from Nina Dietzel. Stunning on own, or paired with other images from the series. Surface mounted to polished plexiglass so that the photograph appears ...

The End of Love - Oxana's 30th Birthday (29 Palms, CA) - 2010 - Edition 1/5 , 48x56cm, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroi...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

Ripple Effect I Medium: Black & White Photography (printed on metal) Size: 30" x 20" (larger sizes available - inquire within) 16x24 on metal - 20x30 on metal Made to Order Water R...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –stars...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works Series Stand is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...

Guadalupe (The Last Picture Show) - 2005 38x37cm, Edition 1/5. Analog C-Print, hand-printed by the artist on Archive Fuji Crystal Paper, based on the Polaroid. Mounted on Alumi...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

Underwater photograph of a naked young woman diving (rolling) in a pool. This extremely dynamic photograph is rich in green tones looks abstract while in fact it is entirely figurati...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

Archival Pigment Print on Glass Plate Backed with 24kt Gold Leaf, Framed by the Artist GOLDEN STARDUST. The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. ...

Printed onto direct positive Printing Out Paper and then gold-toned. Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and s...

Printed onto direct positive Printing Out Paper and then gold-toned. Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and s...

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Printed onto direct positive Printing Out Paper and then gold-toned. Linda Connor's imagery of ancient and sacred places explores the relationship between nature, civilization and s...

The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –sta...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

Limited edition of 20 Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorpora...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

Long dark grasses and cattails form a patterned lattice through which the fall sky pushes through. This atmospheric photograph that captures the essence of a wetland is created in tw...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

The Element ‘Gold, (Au) can only be made in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –stars...

Available sizes: 18” x 36.98” , Edition of 8, Pigment Print 28” x 57.52” , Edition of 8, Pigment Print 38” x 78.07”, Edition 5 of 6 Silver Gelatin 48” x 98.61”, Edition of 6 Silver G...

Rebecca Skinner’s “Absent” was photographed in an abandoned building in West Virginia. The 18 x 12 inch color photograph is of a child's red chair forgotten in a worn hallway. With s...

The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –sta...

Underwater photograph of a gorgeous girl with dark hair in red dress. Original digital print on aluminum plate signed by the artist. Limited edition of 12 The artwork is furnished w...

Archival Pigment Print on Glass Plate Backed with 24kt Gold Leaf GOLDEN STARDUST . The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet...

Stunning hand printed photograph Beautiful gold leaf design multi faceted. Framed in Black Wood with Red Detail - one small blemish maybe able to fix. Framed out to 24x24" Museum Gl...