Metal Photography

Rebecca Skinner’s “Dancing Chair” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 1...

Rebecca Skinner’s “Stairway” portrays a rusty iron staircase in an abandoned, decaying building with peeling paint, arched windows and moody natural light — atmospheric urban decay g...

Rebecca Skinner’s “Dirty Film” was photographed at an abandoned theater. An open red door offers a view of coffee cups spilling movie film into a dirty sink with a broom conveniently...

Rebecca Skinner’s “Scale” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 18 x 12 inch black and white photo with ...

Rebecca Skinner’s “Erosion #1” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 24 x 16 inch abstract blac...

Rebecca Skinner’s “Discarded” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 20 x 30 inch color photo of a yel...

Rebecca Skinner’s “Contradiction” is a 17 x 11 inch black and white photograph of a salon style, vintage hair dryer in an abandoned factory. With sa...

“Far from being an exercise in nostalgia, this analogue technique offers Jackson, as it does other artists at the cutting edge of this art movement, a path to the future.” – The Financial Times “Mike...

Eric Rhein “Bayou” 2010 Signed, verso Gelatin silver print, sterling silver, bronze, and found objects 25 x 21 x 4 inches (63.5 x 53.3 x 10.2 cm), framed This work is offered by...

Rebecca Skinner’s “Spool #2” is a black and white photo taken at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 12 x 18 inch photo wi...

A line in the sky #9 2017 Pigment print with 24k gold leaf 24 x 35 inches (61 x 88.9 cm) $5,700 This work is offered by CLAMP in New York City.

Rebecca Skinner’s “Book Beauty 5” is a 20 x 30 inch metal print of plant life growing on books left to decay in a deserted school. The color photograph with hues of green and blue is...

Rebecca Skinner’s “Still” is a 18 x 12 inch metal print and is part of her “Transient” series. The color photograph is of a vintage meat grinder sits on a...

Rebecca Skinner’s “Showtime II” was photographed in an abandoned mansion in the Catskill Mountains of New York. A vintage television set sits o...

Rebecca Skinner’s “Weary” is a contemporary color photograph of an abandoned room with a worn leather chair and a crumbling fireplace covered in green moss, symbolizing decay and the...

Rebecca Skinner’s “disMantle” was photographed in an abandoned mansion in the Catskill Mountains of New York. The mantle on the fireplace has beautiful architecture with ivory, peach...

Rebecca Skinner’s “Rip” is a 12 x 18 inch color photo on metal that is part of her texture series, which takes an up-close look at rusted and/or weather...

Claire - Platinum Palladium print on Arches Platine paper, unframed. Edition 1 of 12 plus 2 AP ( small Size ) Handmade photographic reproduction on sensitised paper Portrait...

Indian Wells, Amagansett Long Island, New York Photograph on Metal" 16x24 on metal - $650 20x30 on metal - $900 16"x24" 10 day turnaround About the art...

Blue Sky (Zuma Beach) - 2004 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #20432. No...

Streetcorner (Stranger than Paradise) - triptych, 2003 Edition 6/10, 57x56cm each, 57x185cm installed including 5cm gaps. 3 Analog C-Prints, hand-printed by the artist on Fuji Cr...

Black & White Photo on Metal of Mecox Bay. Long Island Medium: Photography (printed on metal) Size: 30" x 20" (larger sizes available - inquire within) Made to Order About the Artist: A computer programmer and Webmaster by trade, Paul describes himself as a fine art photographer and a “digital manipulator.” His keen vision captures ordinary details from daily life and transforms them into images of beauty and wit, filled with contrasting shapes and effects. Paul’s current series of abstract work focuses on macro images of nature combined with additional exposures of ice, snow, sand, and sky. These futuristic scenes, inspired by the writings of Kurt Vonnegut...

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

Purple Valley (Wastelands) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist inventory Number 6...

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

Lone Pine Dreaming (The Last Picture Show) - diptych - 2005 Edition 1/5, 58x57cm each, 58x119 installed. 2 Analog C-Prints, hand-printed by the artist on Archive Fuji Chrystal Pap...

Dye Sublimation Print on metal Boardwalk in Nature Editioned print About the artist: A computer programmer and Webmaster by trade, Paul describes himself as a fine art photographer and a “digital manipulator.” His keen vision captures ordinary details from daily life and transforms them into images of beauty and wit, filled with contrasting shapes and effects. Paul’s current series of abstract work focuses on macro images of nature combined with additional exposures of ice, snow, sand, and sky. These futuristic scenes, inspired by the writings of Kurt Vonnegut, offer a wry commentary on global warming and climate change. Paul’s work is printed on a variety of substrates including metal, paper, and canvas. His photography has been displayed in galleries such as Ashawagh Hall...

Four Corners (The Last Picture Show), triptych - 2005 Edition 1/5, 58x57cm each, 58x181cm installed. 3 Analog C-Prints, hand-printed by the artist on Archive Fuji Chrystal Paper,...

Four Corners (The Last Picture Show) - 2005 Edition 1/5, 58x57cm. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the original Polaroid. Artis...

Four Corners (The Last Picture Show) - 2005 Edition 1/5, 58x57cm. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the original Polaroid. Artis...

Campbell Kitchen (29 Palms, CA) - 1999 Edition 1/10, 65x60cm. Analog C-Print, hand-printed by the artist, mounted on Aluminum with matte UV-Protection, based on the Polaroid with ...

Philippe Cheng (American, b. 1961) "Untitled, Greece, 2005", signed, titled and dated verso, C-print (chromogenic print) mounted on aluminum with UV ultra non-glare plexiglass P...

Neighborhood Garden (Suburbia) - 2004 60x80cm, Edition of 1/5. Analog C-Print, hand-printed by the artist, based on the original Polaroid, mounted on Aluminum with matte UV-Projection. Artist Inventory No. 405.01. Signed on verso. The project "Suburbia" was shot on the set of Marc Forster's first feature film 'Everything put Together' with Radha Mitchell, Michelle Hicks, Megan Mullally, Catherine Lloyd Burns, Matt Malloy and others. Suburbs collectively, or the people who live in them Suburb { a district, especially a residential one, on the edge of a city or large town } synonyms [Outer edge , Fringes, Periphery, Limits, Outer reaches, Environs ] Sunday in suburbia, a summer's day heavy with heat, hardly a soul to be seen. As a result, the motifs of Stefanie Schneider's “Suburbia” cycle – put together in California, in the very west of the USA – are virtually inconspicuous.Schneider's camera encircles an idyllic American setting, capturing a garden practically empty of people. Surrounded by a white picket fence, flowers and trees bloom profusely in the blazing sunlight. The day is empty and quiet like only a Sunday can be. The grass is perfectly cut, the garden well tended, the inhabitants oblivious to everything and lethargic. An instant is seized, revealing the tragedy of an average, unsuccessful, middle class life. The scene is familiar from countless movies and American literature; the perfect façade of an American ideal, which seems to conceal the horror of daily life. In David Lynch's „Blue Velvet“ the film begins with the camera rolling over a similar setting: the view over the fence, the painstakingly neatly cut lawn, ending with a close-up: a cut-off ear covered with feasting ants. Stefanie Schneider overdoes it, she exaggerates: this is confirmed by the irritating colourfulness as well as the vehemence of the motifs. Emptiness stands in stark contrast to the beauty of the blooming roses or the lush growth of the trees. The fenced, idyllic summer scene appears vacant; unused chairs surround a table, the grill untouched and clean, no object out of place. It is only the inhabitants who appear curiously lost. Schneider shows them in the middle of their saturated lives, in well-tended averageness, which can only be endured with a Martini on ice, on hand before lunch. In her opinion the scenes are banal, yet one becomes witness to great intimacy. Schneider's „Suburbia“ cycle lives from the interplay of the motifs, and tells a story with the same flavour as American author Raymond Carver...

Layered laser cut dye sublimation prints on aluminum (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series "Dream Date" This artwork is offered by ClampArt, loc...

Dye sublimation print on aluminum, polished chrome float frame (Edition of 3 + 2 APs) Signed and numbered on label, verso From the series "Particle Paradise" This artwork is offered...

The Prince II (The Princess and her Lover) - 2009 - 98x96cm, Edition 1/5. Analog C-Print based, hand-printed by the artist, based on the Polaroid. Mounted on Aluminum with matte ...

The Sweet Blasts! Portfolio represents my own apprehension with our intersections of technology with natural systems. The series is not meant to be anti- or pro- anything. In my mi...

Rosegarden II (Suburbia) - 2004, Edition of 1/5, 60x80cm. analog C-Print, hand-printed by the artist, based on the original Polaroid. Mounted on Aluminum with matte UV-Projecti...

Impact - it all began quite simply I was very happy (Wastelands) - 2003 Edition of 5, 100x100cm. Archival C-Print, based on the Polaroid. Artist inventory Number 1189.08. Mounted...

Photograph of dramatic sunrise DAWN 12" x 24" on metal - are $500 - edition of 5 10 day turnaround About the artist: A computer programmer and Webmaster by trade, Paul describes hi...

Indira with red hair by Efren Isaza Archival pigment print Measures: 58.5 in. H x 46 in. W Mounted on aluminum/plexiglass Isaza, one of Colombia’s most influential fashion photogra...

Hampton Dunes Dye Sublimation print on Metal Dye-sublimation printing is a computer printing technique which uses heat to transfer dye onto materials such as a metal, plastic, card,...

Hampton Dunes Dye Sublimation print on Metal Dye-sublimation printing is a computer printing technique which uses heat to transfer dye onto materials such as a metal, plastic, card,...

Alphabet Soup (Till Death do us Part) - 2005, 128x127cm, Edition 2/5, analog C-Print, hand-printed by the artist. based on the Polaroid. Artist Inventory No. 9283.02. Mounted o...

Memorial Day (Stranger than Paradise) - 2001 Edition of 5, 48x46 cm each, installed 48 x 352cm including gaps. 7 analog C-Prints, hand-printed by the artist on Fuji Crystal Archiv...

'Salt'n Sea' (California Badlands), 2010 70x90cm, Edition of 5, analog C-Print, printed on Fuji Crystal Archive paper, hand-printed by the artist, based on the Polaroid. Certifi...

Exxon (Stranger than Paradise) - 1999 58x57cm, Edition of 10 (last Edition), plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based ...

Hand printed by artist In edition of 15 Platinum/Palladium (no pull down for it) Mint Condition Framing available

Dreaming of Buffalo (29 Palms, CA) - 2009 37x47cm Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the original Polaroid. Mounted on Alumi...

'Salton Baptistes' (California Badlands) - 2010 50x60cm, Edition of 5. Analog C-Print, hand-printed by the Artist, based on the Polaroid. Mounted on 3mm Aluminum with matte UV-Pro...

Max, Trailer Park (29 Palms, CA) - 1999 Edition 3/10, 68x60cm including white 'Polaroid' frame. Analog C-Print, hand-printed by the artist, based on the Polaroid. Mounted on Alum...

Moving in Together (Till Death do us Part) - 2008 125x154cm, Edition 1/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Certifi...

Stillness (Zuma Beach) - 2004 29x28cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #20433. N...

Under Water (Zuma Beach) - 2004 38x37cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label....

Toy Boat (Malibu) - 2004 Edition 1/5, 39x37cm. Analog C-Print, hand-printed by the artist, based on the Polaroid. Artist inventory Number 662.01. Mounted...

Wonder Valley (29 Palms, CA) Installation by Stefanie Schneider. Dimensions: 250x400cm Video by Camille Waldorf. Song written & performed by Camille Waldorf. Text, song and video i...

'Tiffanys' by Stuart Möller limited edition to 10 only this size - signed & numbered by the artist A young woman passes by the infamous diamond and jewellery store, Tiffany's in Ne...

Artwork represents a collaboration between photographer John Mazlish & painter John-Herbert Wright.

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and original; a unique piece of art. The “visible” spectrum, is probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelengths between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

Margarita Smoke Rings (Till Death do us Part) - 2009 125x154cm, Edition 3/5. Analog C-Print, hand-printed by the artist, matte surface, based on the Polaroid. Signature label and...