Metal Photography

This early albumen silver print from an imperial plate was printed prior to 1876, when it was included in an album compiled at the Centennial Expositio...

Rebecca Skinner’s “Erosion #1” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 18 x 12 inch abstract blac...

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

This ethereal underwater photograph captures a topless female figure draped in flowing turquoise tulle, suspended against a dramatic black backdrop. Vibrant magenta flowers float at the water's surface, creating striking color contrasts with the aquamarine tones. Sher's composition transforms the underwater environment into a stage for graceful movement, where fabric becomes liquid poetry. The work continues the tradition of underwater photography as contemporary fine art, exploring themes of weightlessness and transformation. The interplay between human form, textile, and botanical elements creates a dreamlike narrative that bridges dance, fashion, and aquatic artistry. Original digital print on aluminum plate signed by the artist. Limited edition of 12. Print #2 The artwork is furnished with certificate of authenticity, signed by artist with artist's name, edition number, edition limit, and other details. The artwork needs no framing; it is being hung by a hidden frame on the back. The most recent magazine publications: 2023 🇨🇦 VIGOUR Magazine (Canada) 2022 🇺🇸 Art Market (US) 2022 🇺🇸 Redwood Art...

"Volcanic Daisy" Print on Aluminum 43 x 43 in Ed. of 15 by Mick Fleetwood Digital print on aluminum - ready to hang Mick Fleetwood, the legendary drummer and founding member of Fl...

Rebecca Skinner’s “Great Norther Railcar” is a 16 x 24 inch contemporary black and white photograph of a weathered railcar resting in the beautiful North Dakota landscape. The framel...

Rebecca Skinner’s “West Hallway” is a 24 x 16 inch contemporary color photograph of a faded blue door ajar in a dim, decaying hallway with peeling walls and muted lighting, evoking t...

This dreamy underwater fine art photograph captures a woman suspended in soft coral and rose-toned waters, creating a feeling of weightless freedom. The gentle pink palette ranges fr...

Abstract Metal Shape in Rocky Landscape - Esoteric Art Photograph Photo depicting a curved, metallic sculpture resting on a rocky ground by Y. Y. Meru (American b. 1923 d. 2009.) Th...

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

First Lady (Statue of Liberty) By Michael Wallner [2018] limited_edition Brushed aluminium Edition number 25 Image size: H:91 cm x W:45 cm Complete Size of...

Rebecca Skinner’s “Pink Piano” is a 16 x 24 inch metal print of an abandoned pink piano located in the remnants of an auditorium in Indiana. We can only ima...

Rebecca Skinner’s “Faded Footsteps” is a 20 x 30 inch color metal print of a symmetrical blue wrought-iron double staircase in an abandoned school. Arched sunlit window and peeling p...

Rebecca Skinner’s “Still” is a 18 x 12 inch metal print and is part of her “Transient” series. The color photograph is of a vintage meat grinder sits on a...

Rebecca Skinner’s “The Race is Over” is a 11.25 x 17 inch metal print of weathered stadium seating at an abandoned race track. The vintage brown wooden...

Rebecca Skinner’s “Endure” was photographed in an abandoned train repair yard. The 30 x 20 inch color photograph is of an industrial scene in a state of decay with cool tones of blue...

The strength and patience of the feminine form resound in the echoing smile of Alex Sher’s underwater photograph “Surprise”. The female body becomes almost unrecognizable as the nude...

Rebecca Skinner’s “Respite” is a 12 x 18 inch black and white interior photograph of a piano in an abandoned auditorium. The frameless metal print has a satin finish and is infused d...

Loose print. Hand printed by artist. No damage. Mint condition. Signed and titled in pencil with notations No markings on verso.

Loose print. Hand printed by artist. No damage. Mint condition. Signed and titled in pencil with notations No markings on verso.

Rebecca Skinner’s “Domino Room” was photographed at the abandoned Scranton Lace Factory in Pennsylvania and is part of a series documenting the loss of industry in America. Large win...

Rebecca Skinner’s “Trolley Car #8483” is part of her "End of the Line" series taking us back to the days of riding the railways and trolleys for transporta...

Rebecca Skinner’s “Unstable” is a 16 x 24 inch metal print and is part of her “Transient” series. The color photograph is of architectural ruins at an abandoned mansion. The frameles...

Rebecca Skinner’s “The Day the Music Died” was photographed in an abandoned train repair yard. The 16 x 24 inch color metal print is of a piano ...

Rebecca Skinner’s “Passing Time” was photographed at an abandoned paper mill and is part of a series documenting the loss of industry in America. The 24 x 1...

Rebecca Skinner’s “Aged #2” is a 30 x 40 inch metal print and is part of her “Transient” series. The close up color photograph is of a bright red vintage TV abandoned long ago. The f...

Rebecca Skinner’s “The Palace” is a 16 x 24 inch contemporary color photograph of an abandoned theater in Gary, Indiana. A shredded curtain hangs on the stage in the vast space litte...

Rebecca Skinner’s “Erosion #2” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 24 x 16 inch black and whi...

Allan Forsyth WILD HEART Limited Edition Archival Chromagenic Photographic Print Edition 25 Size: H 100cm x W 100cm x D 2cm Diasec Framed

Rebecca Skinner’s “Shine On” was photographed in an abandoned church in rural Pennsylvania. The 16 x 24 inch black and white photo with satin finish is infused directly into metal ma...

This beautiful old tools photography was done by Matt McKee as part of the old tools series he did from 2016. This print is part of an edition of 30 and come...

Nathalie - Platinum Palladium print over 24 carat Gold leaf on vellum paper , Unframed Edition 1 of 8 plus 2 AP ( Medium Size ) Woman in a wet silk bathrobe...

"Beatles - John and George Live" Photography Ed. of 25 by Howard Grafton Signed and numbered on the back by the publisher The Beatles on the Ed Sullivan Show A piece of history. ...

A stunning photograph of light. Hand printed by the artist. Edition 3/15 Gum Bichromate over Platinum / Palladium

Hand printed photograph. Gum over platinum from an original colladian photograph by a master printer.

Framing available. A stunning powerful photograph. Tom Millea was known for his exceptional platinum printing. Loose print.Signed. 8x12" pigment print

"Daisy (blue center #2)" Print on Aluminum 43x43 in Ed. of 15 by Mick Fleetwood Digital print on aluminum - ready to hang Mick Fleetwood, the legendary drummer and founding member...

"Paul Performing Yesterday" Photography 18" x 21" in Ed. of 25 by Howard Grafton Signed and numbered on the back by the publisher The Beatles on the ...

Diasec® mounting is a time proven system that has set the benchmark for face mounting photographic and fine art prints. Developed in the late 1960’s Diasec® was the first system that allowed photographs to be bonded directly and permanently to acrylic sheet. Diasec® panels are backed with pure aluminium sheet, reinforcing the rigidity of the finished panel. Giving a beautiful profile when viewed from the side. The aluminium back also enables us to attach one of our bespoke pure aluminium sub-frames that allows the artwork to hang on the wall without a traditional picture frame Discover new photography by Allan Forsyth online and in our Wychwood Art Gallery in Deddington. Allan Forsyth is an artist who explores a breadth of themes that is reflected in the range of techniques he employs: analogue and digital exposures taken by the artist exist in his work, alongside computer generated imagery, photograms, and photographic collages from historic magazines and vintage postcards. Born in the Highlands of Scotland, Forsyth’s heritage conveys his love of the drama of nature to his work, seeking to expand the beauty of natural forms that we sometimes overlook in everyday life showing an extra dimension in his work. His work complements some of the most dynamic of interiors worldwide and his work has been exhibited and collected internationally. He lives and works in London. GHOST FLOWER...

"Butterfly Monarch #1" Print on Aluminum 40x40 in Ed. of 75 by Mick Fleetwood Digital print on aluminum Mick Fleetwood, the legendary drummer and founding member of Fleetwood Mac...

This one depicts a Planetary assemblage with small watch parts (metal wheels) collaged on to it. It is titled Josias Astronomical Clock SIMONS, Vera (1920 - 2012) Vera Habrecht Simon...

Allan Forsyth AQUA FLORA N°10 112x85cm Archival Chromagenic Photographic Print Diasec Framed Edition 12 Allan Forsyth is an artist who explores a breadth of themes that is reflected...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

Underwater nude shot from above a small cenote in Tulum, Mexico. Other size prints, framing options and print methods (such as fine art paper or face mounted plexiglass) available up...

When the cinematic Bond was born. The most complete account of the making of the first James Bond film, Dr. No (1962). “Bond, James Bond.” Since Sean Connery uttered those immortal...

"Double Daisy" Print on Aluminum 43x43 in Ed. of 15 by Mick Fleetwood Digital photography print on aluminum - ready to hang Mick Fleetwood, the legendary drummer and founding memb...

Hand Printed Platinum Photograph. Artist is Australian Beautiful blacks and creamy whites. Original 1/1

An original Aluminum backed C-print by Roland Richer created in 2001. The work was acquired from Von Lintel Gallery in May of 2002. (71 x 49 1/4 inches)

Ed. of 20, printed on aluminum. Guadalupe Laiz is an international artist, photographer and explorer born and raised in Argentina. Guadalupe’s main focus for the past ten years has ...

Rebecca Skinner’s “Sink VI” is an 8 x 12 inch metal print photographed at an abandoned hospital. The color photograph is of a vintage sink against a yellow wall with peeling paint. T...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Shot in a nature preserve in Long Island, NY. Photos are available in a variety of print mediums. Custom size, frame and printing options are available (including dye-sublimated al...

Rebecca Skinner’s “Alkabo I” is a 24 x 36 inch black and white photograph captured in a North Dakota ghost town. Dramatic sky frames a weathered structure in this beautiful contempor...

"Paul I Can Hear Myself" Photography 21" x 18" in Ed. of 25 by Howard Grafton Signed and numbered on the back by the publisher The Beatles on the Ed ...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 15 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

"Beatles on Set Live" Photography 18" x 21" in Ed. of 25 by Howard Grafton Signed and numbered on the back by the publisher The Beatles on the Ed Sul...

CARLOS MERCADO TROPICALIA TROPICALIA...Inspired in Nostalgia of the Caribbean Puerto Rico and Cuban images from the Golden era of the 50's recollects th...

Rebecca Skinner’s “Unravel” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 24 x 16 inch color photo with satin...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. As the show’s title denotes, “It’s About Time.” The opening reception will be held on Wednesday, January 23rd from 6pm to 8pm. The exhibit runs through March 17, 2019. While her photography spans five decades and multiple continents, Rice maintains a cohesive, candid voice that carries throughout all of her work. Observing the world around her in a cinematic way, she possesses an uncanny ability to recognize and capture moments of beauty and the spontaneity of the human spirit. By evoking a wonderstruck sensibility, Rice expresses a deep-rooted love for both people and landscapes using her distinct bohemian style. In this salon-style retrospective, Rice uses an “old school” approach and shoots with her Nikon on Tri-X film. When creating her art, she insists, “the camera has a mind of its own.” The scenes captured in her photography are unedited and thus born purely from the magic of the in-camera composition. In the invitational image, “Tree Farm, Long Lane, East Hampton, NY”, 1999, a naked woman wearing nothing but a large straw hat is captured from behind, centered between a long line of trees on either side, as she bikes down the lane. In another image, “Bubbles, Piazza Rondanini, Roma”, 1995, friends linger before a vine-covered building, extending their arms up in joyful wonder, catching bubbles descending from above. Receiving her first camera at the age of 11, she has since been an avid fine art photographer. After moving from Philadelphia to New York in 1976, Rice was immediately swept up in the electrifying, fast-paced art world of the city. In 1977, Disco...