Metal Photography

There is a something about being a child on the beach where the sheer exuberance of running into the waves transcends the normal social barriers, and the shared exhilarance allows fo...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Seeside (Zuma Beach) - 2004 48x47cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid Certificate and Signature label. Artist Inventory #20430. Not m...

Shot in the rain in a nature preserve, Long Island, N.Y.

Rebecca Skinner’s “Resolute” is a 11 x 17 inch metal print of graffiti on a wall of peeling paint in a deserted school. The color photograph with hues of peach and brown is almost ab...

Chandra - meaning the Hindu God of the Moon – as the image was taken in Sri Lanka. The image was first gilded with copper then that was rubbed back to reveal most of the glass, and t...

"Anomalous" is a part of Christopher Kennedy's "Surrealism" series that uses his abstract PhotoLuminism technique combined in this case with a boat and a puffin from the real world t...

When the cinematic Bond was born. The most complete account of the making of the first James Bond film, Dr. No (1962). “Bond, James Bond.” Since Sean Connery uttered those immortal...

Untitled (29 Palms, CA) - 1999 57x56cm, Edition 3/10, analog C-Print, hand-printed by the artist, based on the Polaroid. Artist inventory number: 285.03. Mounted on Aluminum with...

"Wrapped Series Untitled #38" Photography 1/10 42" x 28" inch by Robert Mack 2017 Photograph, archival exhibition paper Aluminum mount, UV mat protection Edition 1 of 10 + 2AP ...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Rebecca Skinner’s “Vacated” is a 16 x 24 inch metal print and is part of her “Transient” series. The color photograph of an architecturally beautiful living room in an abandoned home...

Spiegelbild (Stage of Consciousness), 2008 125x154cm, Edition 4/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on the Polaroid. ...

Ripple Effect II Year: 2018 Medium: Photography (printed on metal) Size: 30" x 20" (larger sizes available - inquire within) 16x24 on metal - 20x30 on metal Made to Order Water Ripp...

An original Aluminum backed C-print by Roland Richer created in 2001. The work was acquired from Von Lintel Gallery in May of 2002. (71 x 49 1/4 inches)

"Apriel" captures a serene underwater moment in striking black and white. This fine art underwater photograph showcases delicate interplay between light, shadow, and movement as hair...

Fabien (The Last Picture Show) triptych - 2005, 30x30cm each, Edition of 10 plus 2 Artist Proofs. 3 Archival C-Prints, based on the three original Polaroids. Certificate and sign...

Rohina Hoffman's sumptuous and intimate images are part of her project Generation 1.75. These images are part of her 2023 book "Embrace" published by Schilt Publishing. Larger image...

Te veo… I see you. Matanzas 2005. Sparshatt's black-and-white portrait captures the essence of a weathered, elderly man, his face a tapestry of deep wrinkles that tell stories of a...

Rebecca Skinner’s “Gossip” is a 16 x 24 inch color photograph of vintage hair dryers in an abandoned salon. With satin finish, the image is infused directly into metal making it wate...

"Torquidos" is a painting of light 'unseen.' When light travels, the human eye doesn't see its trails, but the camera does. My usual version of light painting involves leaving the li...

Las Memorias… sitting on a rocking chair in Viñales watching the sunset and thinking of life. The wife of a tobacco farmer, a strong woman of generosity and humour lost in thought while enjoying a hand-rolled Puro and a glass of rum. Cuba 2019 James Sparshatt‘s black and white portraits are a search for a connection with a world of emotions. His photographs from the streets of Havana, the milongas of Buenos Aires, the jazz clubs of New Orleans and bars of Andalucia capture the spirit of music in populations wher it is the very lifeblood and expression of life. Matt print direct on to aluminium Edition of 12 Dark wood tray...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. As the show’s title denotes, “It’s About Time.” The opening reception will be held on Wednesday, January 23rd from 6pm to 8pm. The exhibit runs through March 17, 2019. While her photography spans five decades and multiple continents, Rice maintains a cohesive, candid voice that carries throughout all of her work. Observing the world around her in a cinematic way, she possesses an uncanny ability to recognize and capture moments of beauty and the spontaneity of the human spirit. By evoking a wonderstruck sensibility, Rice expresses a deep-rooted love for both people and landscapes using her distinct bohemian style. In this salon-style retrospective, Rice uses an “old school” approach and shoots with her Nikon on Tri-X film. When creating her art, she insists, “the camera has a mind of its own.” The scenes captured in her photography are unedited and thus born purely from the magic of the in-camera composition. In the invitational image, “Tree Farm, Long Lane, East Hampton, NY”, 1999, a naked woman wearing nothing but a large straw hat is captured from behind, centered between a long line of trees on either side, as she bikes down the lane. In another image, “Bubbles, Piazza Rondanini, Roma”, 1995, friends linger before a vine-covered building, extending their arms up in joyful wonder, catching bubbles descending from above. Receiving her first camera at the age of 11, she has since been an avid fine art photographer. After moving from Philadelphia to New York in 1976, Rice was immediately swept up in the electrifying, fast-paced art world of the city. In 1977, Disco...

Stefanie Schneider's Coupe Plate 'Haley and the Birds' - 2021 with 24-carat hand painted golden rim. Screen print based on the Polaroid. Edition of 500. Plate size 26.67 cm / 10....

Rebecca Skinner’s “Unravel” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 24 x 16 inch color photo with satin...

Rebecca Skinner’s “Workspace” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. A desk and chair sit in a vast space....

Rebecca Skinner’s “Dancing Chair” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 1...

Rebecca Skinner’s “Fallen” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. A white cup lays beside the red fall br...

Rebecca Skinner’s “Spill” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. The 20 x 30 inch photo with satin finish...

"Wrapped Series Untitled #1B" Photography Edition 1/10 42x28 in by Robert Mack 2008 Photograph, archival exhibition paper Aluminum mount, UV mat protecti...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –stars...

Silence (Zuma Beach) - 2004 48x47cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #2747. Not ...

"Ecstasy" is a classic example of my abstract PhotoLuminism technique. When light travels, the human eye cannot see its trails, but the camera can and does. Capturing images this way...

Cristian Stefanescu Monochromatic #03 Black and White Abstract Geometry, Limited Edition Digital Photograph Edition of 30 Artists Proofs 3 Ultra HD Photo Prints On Aluminium Dibond developed on matte Fuji Crystal Professional Archive Maxima photo paper. The matte surface prevents glare; surfaces are laminated with a UV protective film that makes them resistant to light. Image Size: 60 cm x 90 cm x 2 cm Sold Unframed Arrive Ready to Hang (integrated wall-mounts on the back using aluminium rail rectangle) Free Shipping Please note that in situ images are purely an indication of how a piece may look. Monochromatic #03 is part of a series of photographs entitled Monochromatic by Cristian Stefanescu. This black and white abstract geometry series is presenting a dialogue with the elements of perceptions and space. Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs. I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. Cristian Stefanescu, artist, is available for sale online and in our art gallery at Wychwood Art. Oxford based artist Cristian Stefanescu was born in 1968 in Bucharest. He obtained an MSc degree in 1992 at the Technical University of Construction Bucharest, specialisation in Water and Wastewater Treatment followed by the second MSc in 1994 obtained at University of Liège, specialisation in Groundwater Engineering. After having spent more than a decade of his life teaching at the Technical University of Construction Bucharest, Cristian moved from academia to photography working in fashion industry. The passion for photography developed in the early years of college and became a constant element of his life. After long and constant collaborations with fashion brands in Romania, in 2018 Stefanescu moved to London to open his own studio. Photography was born black and white and he chose to continue this tradition, while working on evolving the visual aesthetics of this raw art form rendering his believes. Cristian Stefanescu’s distinctive monochrome photographs are an exploration into the psychological and metaphysical. He captures nature or buildings in specific moments in time – through highly visual heartbreakingly dark images often overlapped with low-contrast minimal landscapes – to create works that stretch the idea of a hypothetical time. His photo installations exist in dialogue with the elements and perceptions of space and time. “Seeing is unconscious using our senses, our intellect and our emotions in order to interpret the world around us according to our own personality, frame of reference or system of beliefs.” he has said. “I like to use as starting point the elements already created in our reality, fragments of nature or made by human hand. I like to restructure the images I am taking, by altering the angles and relative lengths, joining structures or spatial symbols into a combined representation of matter, just as I like to reorganise my thoughts, in order to be able to change my interpretation, or better say my perception and while doing so I add new forms or perspectives to each thought. This is perhaps why I love photography, because it is simply a visual capture of something already created in the world and is always changing through our interpretation, it is more like a reflexion of our thoughts.” Always preferring to focus on the space rather than its subjects Stefanescu is obsessive about the contrast of his photography, in order to channel the intensity of light and texture of the storied buildings or nature elements. He documents concrete buildings, using the subject as representative for its physical referents, while considering metaphorically the world as the concrete representation of our emotions. Concrete thinking requires facts and representation about everyday life, palpable objects in a tree dimensional world. Stefanescu uses his photographs to deconstruct and alter reality in order to obtain abstract images, since by definition the abstract thinking involves a mental process and an abstract object does not exist in time or space, but rather exists as a thought, as an idea. “I use art in a reversed process of creation. I believe thought forms what our eyes can see, so I take what was already created by the thought of another and I try to place it back into what is known forever in the mind” he has said. Cristian Stefanescu believes in the energy of every being, of each object or nature element. He upholds that photography renders the ineffable combination of the object’s energy and the photographer’s one while taking a picture. And what is the energy of a photograph? Is it the energy of the space that is framed in the viewfinder, is it the energy of the photographer? I think it is an ineffable combination of the photographer’s energy when he pressed the shutter button and everything that forms the energy of the photographed space...

"John Lennon - Rickenbacker Guitar" Photography Ed. of 25 by Howard Grafton Signed and numbered on the back by the publisher The Beatles on the Ed Sullivan Show A piece of history....

In this project, Vladimir Clavijo-Telepnev draws a line between sensuality and explicit sexuality in depicting a woman's body. Modern photography offers two main approaches to the su...

A lady of pure joy… dancing in the Plaza de la Revolucion on May 1st. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as...

Suburbia (Suburbia) - 2004 Edition of 5, 60x80cm each, 200x170cm installed. 6 analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on 6 o...

"LB31" Abstract Photography 72" x 48" inch Edition of 4 by Giuliano Bekor 72" x 48" inch Edition of 4 Printed on Archival Metallic Paper Mounted on Aluminum with a 1/4 Museum Acr...

This contemporary figural limited edition photograph by Alyssa Fortin is a reinterpretation of the mythological story of Asopus' beautiful daughters who were abducted by gods to beco...

Immerse yourself in the captivating world of Topher Straus, where a single image explodes into a mesmerizing dreamscape. "Beachtree" is a testament to Straus' innovative spirit and his ability to push the boundaries of traditional landscape art...

Leaving (Sidewinder), triptych - 2005, Edition 2/5, 38x37cm each, (installed with gaps 38x125cm). 3 Analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper, bas...

Rebecca Skinner’s “Unaccompanied” was photographed in an abandoned train repair yard. A rusty hose reel leaves a black shadow along the graffiti filled wall ...

This dramatic underwater nude portrait of Katya Lee captures a figure in motion against a stark black backdrop, where flowing crimson fabric creates passionate contrast with pale, et...

Girl down the Road (The Last Picture Show) - 2006 Edition of 10, 58x57cm. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the Polaroid. Artist...

Purple Valley (Wastelands) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist inventory Number 6...

"LIPS - L8 GUCCI" Photography 50"D Edition 2/8 by Giuliano Bekor Edition 2 OF 8 Year created 2017 Print size 50 Inches diameter Trim Bleed Artwork finish size 50 Inches diameter M...

"Wrapped Series Untitled #4" Photography 38x28in Edition 1/10 by Robert Mack 2013 Photograph, archival exhibition paper Aluminum mount, UV mat protection 38” x 28” inches 97 x 72 ...

'I'm frozen in my Memory of Love that once was' (Till Death do us Part) - 2005 20x20cm, Edition of 10 plus 2 Artist Proofs, Archival C-Print print, based on the original Polaroid,...

The Kiss (Sidewinder) - 2005 125x154cm, Edition 2/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive paper, based on the original Polaroid. Signed on verso. Artist Inventory No. 3120.02. Mounted on Aluminum with matte UV-Protection. This piece ships in a crate. Schneider harnesses the unpredictable chemical mutations of expired Polaroid film, where bursts of color erupt across the surface, destabilizing the photograph's traditional allegiance to reality. These vivid distortions draw her characters into ethereal, trance-like dreamscapes. Like fleeting sequences from a vintage road movie, Schneider’s images shimmer with a transitory quality, dissolving before any definitive conclusions can be drawn. Their ephemeral essence is conveyed through subtle gestures and enigmatic motives. Refusing to yield to the constraints of reality, Schneider’s work keeps alive a delicate interplay of dream, desire, fact, and fiction, blurring the boundaries between them with poetic ambiguity. Stefanie Schneider’s work echoes the heart of American art, channeling the cinematic nostalgia of Ed Ruscha’s roadscapes, the stark sensuality of Georgia O’Keeffe’s deserts, and the haunting solitude of Edward Hopper...

Artist Commentary: Most people notice the LOVE sign first. I know I did when I came upon this scene. I had just finished photographing a wedding and was walking back to my car. I lov...

An underwater photograph of a naked young woman wrapped in bubbles. This is a bright high resolution photograph with rich green and golden tones migrating onto blue and orange. Ori...

A moment of joy on the dance floor at the Festival Acadiens et Creoles in 2019 in Lafayette, Louisiana. A joyous connection! Lafayette Louisiana, USA 2019 James Sparshatt‘s black and white portraits are a search for a connection with a world of emotions. His photographs from the streets of Havana, the milongas of Buenos Aires, the jazz clubs of New Orleans and bars of Andalucia capture the spirit of music in populations wher it is the very lifeblood and expression of life. Matt print direct on to aluminium Edition of 12 Dark wood tray...

"Wrapped Series Untitled #25" Photography 1/10 34" x 23" inch by Robert Mack 2013 Photograph, archival exhibition paper Aluminum mount, UV mat protecti...

Orlando Azevedo Cosmica #115, 4 Elements, Archival Pigment Print Unframed Ask us for framing options. 40 x 40 inches Edition of 13 Archival Pigment Print ...

In this new series Mercado utilizes canvas in big format as a medium to intervene Jack Delano's photographs of Puerto Rican agriculture workers he documented for the FSA in the 1940...

In this evocative underwater photograph, a crimson dress billows like a delicate flower petal beneath the surface, creating a powerful contrast against a serene aqua backdrop. The mi...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...