Laurie Tennent Art

20" x 16" on a 24" x 20" paper Edition of 30 40" x 32" on a 48" x 40" paper Edition of 5 Signed and editioned in pencil on recto. Titled and dated in pencil on verso.

20" x 16" on a 24" x 20" paper Edition of 30 40" x 32" on a 48" x 40" paper Edition of 5 Signed and editioned in pencil on recto. Titled and dated in pencil on verso Framed.

20" x 16" on a 24" x 20" paper Edition of 30 40" x 32" on a 48" x 40" paper Edition of 5 Signed and editioned in pencil on recto. Titled and dated in pencil on verso Framed.

"Drift 27" Landscape Photography 30" x 20" Edition of 10 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Signed and numbered by the artist Comes with COA issued by the a...

20"x30" available unframed, edition of 5 Signed and editioned From the series: "The Hundred Acre Wood" Ragsdale’s process begins with rough sketch...

A view of the seaside pool at the Hotel St. Caterina, Amalfi, Italy, September 1984. Slim Aarons Pool on the Amalfi Coast Chromogenic Lambda ...

available unframed, signed on reverse by the artist, edition of 5 From the series: "The Hundred Acre Wood" This photograph depicts a scene created completely out of paper, the artis...

available unframed, signed on reverse by the artist, edition of 5 From the series: "The Hundred Acre Wood" This photograph depicts a scene created completely out of paper, the artis...

Archival pigment print Signed and numbered, verso 30 x 36 inches 40 x 48 inches 48 x 57 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. ...

30"x40" available unframed edition 1 of 5 From the series: "The Hundred Acre Wood" Ragsdale’s process begins with rough sketches of places ...

30"x40" photograph of created landscape of paper. from the series: "The Hundred- Acre Wood" signed on reverse edition of 5. The installation landscape scene created by Ken Ragsdale exisits only to be photographed. With each scene, the artist meticulously cuts paper and folds each component to be captured by his lens. This photograph of cut paper constructions depicts a bus ride through a forest scene from the artists memory. The hues of ambient amber, green, red and blue are created through lighting the staged scene created in white paper Ken Ragsdale’s process begins with rough sketches of places and things from his past that are relevant to current themes he is considering. This series focuses on a time period of 1974-78, in the regions of Northern Idaho, to Eastern Oregon and the areas between. As his working drawings solidify the dimensions of the objects which represent his memories from that era, Ragsdale considers the landscape, terrain and weather, filtered through his personal memories and experiences. 

Once the composition and components are determined as to capture the aura of a memory, schematic drawings are documented and prepared for hand assembly. Laboriously the schematics are cut out, folded and tabbed to create their final 3-dimensional formats. As each object is placed and the structures oriented, Ragsdale modifies the scenes to perfectly frame each scenario for the final photograph. From simple sheets of white Bristol Vellum, the atmosphere and lighting brings each image to life and allows for a reminiscent view of a wistful past. Pacific Northwest native Kenneth Ragsdale’s work, derived from personal memories, involves a mixture of drawing, painting, sculpture, paper-craft, theatre...

Archival pigment print Signed and numbered, verso 18 x 24 inches 30 x 40 inches 40 x 53 inches 48 x 64 inches (Total edition of 15) This artwork is offered by ClampArt, located in ...