Film Portrait Photography

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Emily ‘ who was captured on film in 19...

Yeshiva Students, New York City, 1954 by Leonard Freed is a black-and-white photograph of three young Jewish Youth, studying at a yeshiva. This is a gelatin silver lifetime print, 16...

Friends, 1989 by Roberta Fineberg is a black-and-white photograph of friends in a Parisian bar in the Marais. The silhouetted figure is contrasted against the contours pf a female fa...

This is a black and white photograph of three soldiers seated on a bridge, above the Arno River, Florence, Italy 1958 by Leonard Freed. It is a 12" x 16" ge...

'Amaluna's Day Off #51', 50x50cm, Edition 1/7, 2015 / 2018 [From the series Cirque du Soleil] Art print based on an expired Polaroid mounted on DILITE 0,2mm - 50x50cm - gloss coatin...

Fire Hydrant, Harlem, 1963 by Leonard Freed is a 24" x 20" gelatin silver photograph signed by the photographer on verso (back). Provenance: Freed archive. LITERATURE: W. A. Ewing, N...

Ormond Gigli's Sardinia, Italy, 1969, is a limited edition archival pigment print. A 22.5" x 20" print in an edition of 8 is signed recto (front of photo). Provenance: the artist's...

CHRIS BUCK Born 1964, Toronto, Canada Lives and works in New York, NY ​ Eminem 1999 Ed 10 Artist Statement: For any serious photographer their best portraits are ultimately also self-portraits. The discomfort, oddness and frustration in my photographs are the evidence of my uneasiness. As I've grown more mature and more comfortable in my skin I've been able to recognize the struggle and vulnerability in my sitters, bringing my work to a point of collaboration with them. Where once I sought conflict with the subjects now we work to build something strange and wonderful together. ​ Solo Exhibitions 2017 Uneasy, Krause Gallery, New York, NY 2014 Turn of the Century Portraiture, Galerie Youn, Montreal, QC 2013 Presence: The Invisible Portrait, Foley Gallery, New York, NY 2002 The Sound of Music: New portraits of Contemporary Musicians, Other Music, New York 1998 FanClub, Saba Gallery, New York, NY ​ Group Exhibitions 2016 Winning the White House: From Press Prints to Selfies, curated by Susan Carlson and Claartje van Dijk for the International Center of Photography, New York, NY; exhibited at the Southampton Arts Center, Southhampton, NY 2013 Rebels, curated by Carl Saytor, Photoville Brooklyn. 2012 Traces of Myth. Curated by Brenda Massie, Hagedorn Foundation Gallery, Atlanta, GA 2009 Wild Things: Photography for Animal Lovers. Curated by Greg Garry, Stricola Gallery, New York, NY Michael Jackson Doesn’t Quit: An exhibition featuring works related to the entertainer and social phenomenon, Michael Jackson. Curated by Mike Ruiz and Ben Aqua, The Future Gallery, Berlin, Germany 2003 How Human: Group photography exhibition related to DNA, International Center of Photography, New York, NY 1995 Limbo: Collaborative show with Alex & Leja Kress, Limbo, New York, NY 1990 Stretch Camera: Group photography exhibition featuring images made exclusively with the Kodak disposable panoramic camera, The Palmerston, Toronto, Canada ​ Public Collections The International Center of Photography, New York, NY ​ Books 2016 UNEASY: Chris Buck Portraits 1986-2016, Norman Stuart Publishing, New York, NY 2012 PRESENCE: The Invisible Portrait, monograph, Kehrer Verlag, Heidelberg, Germany 2010 New York Portrait of a City, various artists, Taschen, New York, NY 2005 CBGB & OMFUG: Thirty Years from the Home of Underground Rock, various artists, Abrams, New York 2004 The World’s Top Photographers: Portraits, various artists, Rotovision SA, Hove, U.K. 2002 Hip Hop Immortals, various artists, Immortal Brands, New York, NY 1992 Shooting Stars, various artists, Stewart, Tabori & Chang, New York, NY Angry Women, various artists, RE/Search, San Francisco, CA ​ Awards 2016 American Photography Images of the Year (Paul Giamatti) 2015 American Photography Images of the Year (Lena Dunham) 2014 American Photography Images of the Year (Nick Offerman, Vice Office, President Barack Obama) 2013 Lürzer’s Archive 200 Best Ad Photographers 2014/ 2015 (President Barack Obama) Communication Arts Photography Annual Best of 2012 (President Barack Obama) 2012 American Photography Images of the Year (Michele Bachmann, Presence Jack Nicklaus, Presence Michael Stipe) Lürzer’s Archive 200 Best Ad Photographers 2012/ 2013 (George H. W. & Barbara Bush, Steve Coogan, Diesel elephant ad) 2011 American Photography Images of the Year (David Byrne) Photo District News Photo Annual Awards in Editorial (Ayaan Hirsi Ali) Photo District News Photo Annual Awards in Corp/ Design (MS Office for Macs) Communication Arts Photography Annual Best of 2011 (Trey Parker & Matt Stone) 2010 American Photography Images of the Year (Harold Ramis) Photo District News Photo Annual Awards in Editorial (Jay Leno) Photo District News Photo Annual Awards in Advertising (Old Spice) Photo District News Photo Annual Awards in Web Design (Chrisbuck) Communication Arts Photography Annual Best of 2010 (Jeb Bush) 2008 Photo District News Photo Annual Award in Editorial (Vice Boys) Photo District News Photo Annual Award in Personal Work (Isn’t Bill Gates, Isn’t Justin Timberlake) American Photography Images of the Year (Vice Boys, Isn’t Bill Gates, Isn’t Justin Timberlake) 2007 Annual Arnold Newman Portrait Prize (first recipient) Photo District News Photo Annual Award in Personal Work (Imagination, Common Sense) Photo District News Photo Annual Awards in Editorial (Donald Trump) 2006 22nd Annual PDN/Nikon Self-Promotion Award (Group Promo with JR) Photo District News Photo Annual Award in Editorial (Steve Martin, Jerry Stiller, Steve Carell, Rivers Cuomo, David Cronenberg) American Photography Images of the Year (Philip Lorca diCorcia) Photo District News Photo Annual Award in Personal Work 2005 Communication Arts Photography Annual Best of 2005 (Wes Anderson) Photo District News Photo Annual Award in Editorial (Wes Anderson) Photo District News Photo Annual Awards in Advertising (Moviefone) 2004 Communication Arts Photography Annual Best of 2004 (Ryan Adams) Photo District News Photo Annual Award in Editorial (Genesis P-Orridge) American Photography Images of the Year (Ryan Adams, Dave Matthews, Spike Lee) 2003 HOW Self-Promotion Award (Phobias/ Obsessed promo) SPD (Society of Publication Designers) Award (Kato Kaelin) Communication Arts Photography Annual Best of 2003 (Grady Turner/ Museum of Sex) Photo District News Photo Annual Award in Editorial (Phobias) Photo District News Photo Annual Awards in Advertising (Citibank dog) American Photography Images of the Year (Alberto Guerreo/ stomach reduction, Suburban Stoners story) 2002 18th Annual PDN/Nikon Self-Promotion Award (A Nice Pair/ HP promo) Communication Arts Photography Annual Best of 2002 (Spiritualized) American Photography Images of the Year (David Rakoff & Amy Sedaris) SPD (Society of Publication Designers) Award (Korey Stringer, John Lee, Jim Carrey) Art Directors’ Club of New York Photography Merit Award (Ike Turner) 2001 American Photography Images of the Year (James Caan, Bjork, Gillian Anderson, Ryan Adams, Joe/ Singles Dance, Jacqueline & Chaplin, Dr. Edwin Zinman) 2001 (continued) Photo District News Photo Annual Award in Editorial (Gillian Anderson) National Magazine Award (Canada) (Miguel Arteta) Communication Arts Photography Annual Best of 2001 (Shokrian Brothers) 2000 Communication Arts Photography Annual Best of 2000 (Salman Rushdie) Applied Arts Award in Photography (Salman Rushdie) 1999 American Photography Images of the Year (Richard Leacock, Missy Elliott, Elliott Smith...

Fire Hydrant, Harlem, 1963 by Leonard Freed is a 14" x 11" gelatin silver print signed by the photographer on verso (back of photo). Provenance: Freed estate LITERATURE: W. A. Ewin...

Nikita Khrushchev in front of Lincoln Memorial, 1959, Washington DC by Burt Glinn is one of the photographer's historical photographs. The portrait i...

Martin Luther King (MLK), 1964 by Leonard Freed is an iconic black and white documentary photograph, a portrait of one of the most influential African American personalities and civi...

Painter Helen Frankenthaler and sculptor David Smith in Frankenthaler's studio in New York City, 1957 is a gelatin silver print, 20” x 16”, signed and stamped by the Glinn estate. Th...

American photographer Burt Glinn photographed the Hollywood star in conversation with Mike Todd and film director John Huston for a “Stop Arthritis” event which took place in New Yor...

Listing includes framing with UV plexi, free shipping to the continental US and a 14-day return policy. One 4.5 x 3.25 inch unique vintage Kodak print of Tina Chow (1975). Prints are on active consignment from the estate of Antonio Lopez. Purchase includes certificates of authenticity from the estate of Antonio Lopez. These Kodak prints are not signed by Antonio Lopez. Antonio Lopez Biography - The foremost fashion illustrator of the 1970s and 80s, Antonio (as he signed his work) was and remains one of the most highly regarded and influential figures in the fashion world. While not initially known as a photographer, Antonio was rarely without his favorite Instamatic camera, and as his career progressed he turned increasingly to photography to create fashion stories, portraits, and elaborate mise-en-scènes. A serial Svengali, as the writer Karin Nelson noted: “Lopez brilliantly transformed the women in his world. Under his tutelage, Jerry Hall, a long tall Texan he met at Paris’s Club Sept, evolved into a golden goddess. He put Jessica Lange in gold lamé evening dresses after discovering her in Paris studying mime, and gave aspiring model Tina Lutz her start (and an introduction to future husband Michael...

Fanny Ardant, Paris, France, 1990 by Jean-Michel Voge is a contemporary color portrait of the internationally-known and stunning actress Fanny Ardant (b. ...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

Intended for Andy Warhol Marcel Proust, ca. 1976 Acetate positive acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Derivative on acetate, based on a photo by Otto Wegener...

Kate #16, 2002 is a vintage 8" x 10" black and white photograph from the series "Kate." Model Kate remains complicit in striking and defining dramatic poses for Freed. The photograph...

Muscle Boy, Harlem, 1963 by Leonard Freed is a signed and numbered archival Iris print. The edition 25/100 was in a planned edition of 100 and halted at 25 prints (as annotated on ve...

A classic black and white photograph from the late 1930s to early 1940s, Two Women on The Subway in New York City is by a master of ...

Lace curtains, Morocco, 1980 by Jean-Michel (JM) Voge, is a contemporary color photograph, an archival pigment print on handmade Awagami Japanese paper. ...

In the Country, 1988 is by Roberta Fineberg. A black-and-white documentary-style portrait of a French woman in the countryside - from northeast France, the Haute-Marne, the subject is photographed against a backdrop of fresh-cut hay. Far from Paris the French maintain deep connections with the land - owning often an ancestral house in the countryside, often rustic, a nation equally rooted in the agrarian. An 11" x 14" gelatin silver print (analog/film) in an edition of 5, the photograph is signed and editioned on recto (in margin) by the artist. Provenance: RF Studio *** Artist's Bio: As a visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, and the development of ideas for her photography, video, installations, works on paper, and painting. Drawn to experimentation, she explores diverse mediums and concepts such as the ephemeral (Butterfly Series), stolen moments (documentary photography), play, timelessness, the enduring, and the significance of matter. RF, living in New York City, began her career as an editorial photographer while studying in Paris. In France she contributed both photography and writing to publications, landing a column (photos and text) with The Saturday Review while exhibiting photographs in public spaces. Roberta Fineberg’s freelance photography appeared in Le Monde, Jeune Afrique, Paris Match, L’Officiel Femme, Ms, Weltwoche, Vanguardia, among others with images licensed through stock agencies. Photographs were selected for cover art at W.W. Norton, St. Martin’s Press, Harcourt, Bookspan, Simon & Schuster, etc. Print Regional Design Annual New York (2003) awarded her for book jacket photography for If Wishes Were Horses. In 1997 Macmillan published City Riders: A Story of Riding and Friendship her first book of black-and-white photographs and a story about three teenage girls in the 1990s who rode horses at the now-defunct Claremont Riding Academy and oldest stable in New York City. In 2023, RF created an interactive installation, works on paper on the female body, in a public space. In July 2022, Fineberg’s Double Helix was included in a Sotheby’s auction in New York City and exhibited in the preview show Contemporary Discoveries. Selected exhibitions include Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2020, 2022), CADAF online art fair (2020), Gallery122 New York pop-up group...

Willy Nelson, 1993 by American photographer Leonard Freed is a series of (3) photographs, gelatin silver press RC prints, which are each signed verso (bac...

Birmingham Children, 1963 by American photographer Leonard Freed is a 16" x 12" vintage gelatin silver photograph, signed verso (on back) by the photographer. A photo that depicts th...

China girl - Signed limited edition archival pigment print - Edition of 8 This image was captured on film in 1999. The negative was scanned creating a digital file which was t...

Neon Demon (Shot 2019 on 600 film) Influenced by films such as Ridley Scotts Blade Runner and Luc Bessons Fifth Element, it is based on futuristic imaginings of planet earth. Editi...

'3496' '3497' London, United Kingdom 2022 It is a black and white film photograph. Giclée print on Hahnemühle photo rag Baryta 308 Gsm fine art paper, limited edition of 20. P...

Interested in “ordinary people" French photographer Willy Ronis was a postwar (WWII) photographer who roamed the streets whether In France or Italy, photographing people in love, at ...

Golden - Shot 2019 on 600 film In part influenced by Australian New Wave Cinema and films such as Walkabout, The Last Wave and Picnic at Hanging Rock where the protagonists are profo...

By the time she was photographed by Jack Robinson on October 30, 1969, few singers had fused gospel and pop with classical music as successfully as Nina Simone. Born as Eunice Kathl...

Zarina - Limited edition archival pigment print, 1987 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which is then printed...

Interested in “ordinary people" French photographer Willy Ronis was a postwar (WWII) photographer who roamed the streets, photographing people in love, at work, and at play. Chez M...

Lawrence Schiller "Marilyn Monroe - Roll 2 Frame 2" 1962; Photograph 20 x 24 inches Edition of 75 Black and White Framed

Hand signed, numbered and dated by the artist in pencil. From the Self Portrait 1-5 series. Artwork is in excellent condition. Image size: 25 x 19 inches. Frame size: 32.6 x 25.75 in...

Childhood 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on a Medium format Negative. Signed on back with Certificate. Not mounted.

The Journey II- Shot 2019 on 600 film. Influenced by 1950s and 1980s cinema, The Journey sees a young woman heading off into the unknown where fate and chance all come into play. Th...

Writer and performer Lily Tomlin made her name in the NBC comedy show Rowan and Martin’s Laugh-In. Jack Robinson photographed Tomlin on March 29, 1971 for ...

Anthony Perkins was the son of the distinguished Broadway actor Osgood Perkins. He won an Academy Award nomination in just his second film, Friendly Persuasion (1956). In 1960, he appeared as Norman Bates in Alfred Hitchcock’s thriller Psycho, and from then on, Perkins was strongly identified with that one role. When photographed by Jack Robinson on May 21, 1968, Perkins had just made Pretty Poison playing a mentally disturbed man opposite Tuesday Weld. He was married to the photographer Berry Berenson...

'Nuns of New York' New York, United States 2019 Limited edition of 20.

"Hats on the Beach." This fashion photograph features two models playing checkers on the beach in coordinating swimsuits and monochrome hats. Robinson was a fr...

Cybill Shepherd was born in Memphis, Tennessee, and after winning a beauty pageant, became an enormously successful model. Shepherd had an All-America...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Emily ‘ who was captured on film in 19...

Childhood 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on a Medium format Negative. Signed on back with Certificate. Not mounted.

Warren Beatty dropped out of Northwestern University to study acting with Stella Adler. He made his film debut in Elia Kazan’s Splendor in the Grass (1961). In 1967, Beatty teamed ...

Burroughs Family, Hale County, Alabama, 1936 is paper size: 11" x 11.25" and image size: 7.5" x 9.4" A silver gelatin print c.1978 in an edition 44/75. Inscribed in ink on front of p...

From December, 1969, Pinchas Zuckerman at age 21 on the violin, Jacqueline DuPre at age 25 on the cello, and Daniel Barenboim at age 27 on the piano. They had just had a successful p...

Janet, 1981 by Louis Stettner is a 20 x 16in gelatin silver print on fiber paper. In an edition of 5, the photograph Ed 2/5 is signed both recto (photo front) and verso (photo back)....

Phyllis Galembo Deer and Bull, Mexico, 2012 Fujiflex 19 x 19 inches (48.3 x 48.3 cm) Edition 2/6

On March 30, 1972, Jack Robinson photographed artist, actress, fashion designer, author, and socialite Gloria Vanderbilt with her sons Carter Cooper (1965-1988) and Anderson Cooper...

Capturing the Jewish diaspora and the Hasidic community in Brooklyn, New York in the 1950s, this is subject matter which American photographer Leonard Freed from Brooklyn widely cov...

Pooh, Thailand, 1987 - 30x20cm, Edition of 10. Archival C-Print based on a 35mm negative. Signed on back with Certificate. Not mounted.

Gow, Thailand, 1987 30x20cm, Edition of 10. Archival C-Print based on a 35mm negative. Signed on back with Certificate. Not mounted.

Writer and performer Lily Tomlin made her name in the NBC comedy show Rowan and Martin’s Laugh-In as Ernestine, the telephone operator with an answer for e...

In Kings Road (2022) Mona Kuhn lyrically reconsiders the realms of time and space within the midcentury architectural elements of the iconic Schindler House in Los Angeles. Built by Austrian architect Rudolph M. Schindler in 1922, the house was both a social and design experiment and an avant-garde hub for intellectuals and artists in the 1920s and ’30s. The body of works incorporates chromogenic color prints, reflecting vignettes and materials of the building's emotional architecture, juxtaposition with unique solarized gelatin silver prints capturing traces of an ethereal human presence. Realm (2022) Kings Road: A Rudolph Schindler House 30" x 40" / 76cm x 102cm /edition of 12 15" x 20" / 38cm x 56cm / edition of 12 true size solarized gelatin silver print printed at artist darkroom in Los Angeles (10 days handling time) original photograph accompanied by signed artist certificate: artist signature label (8x10") signed/editioned/dated/titled by the artist + stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes & Succulents in 2018. In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road (2022) with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography...

Drawn to street photography, Roberta Fineberg visited Moscow for extended periods in 1989-1990, witnessing Russian President Mikhail Gorbachev's politics of "Glasnost/Perestroika" ("Openness"). The celebrated Soviet dancer Maya Plisetskaya...

The Pirelli Calendar, known and trade-marked as "The Cal", is an annual trade calendar which has been published by the UK subsidiary of the Italian tyre manufacturing company Pirelli...

A black and white photograph from 1994 that captures Alain Bernardin and chorus girls at The Crazy Horse Saloon in Paris, France. A leading tourist attract...

Childhood 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on a Medium format Negative. Signed on back with Certificate. Not mounted. The artist known as A...