Conceptual Photography

In 1971, Central Park was a hub for Vietnam War Protests. In this work, Mitchell Funk captures a packed protest scene with emphasis on the graphic nature of the banners and flags. Th...

A ripped muscleman strikes the pose with an admiring female bystander who holds an oversized pair of prank sunglasses. In reality, the muscleman is a 5-inch cut-out, and the girl is ...

Conceptual Photographer Mitchell Funk created a Sci-Fi image 2 years before the iconic Close Encounters of a Third Kind was released in 1977. Funk's work is really two images combine...

"Untitled 2.14" Photography 24' x 16' inch Edition of 15 by García De Marina Signed and numbered by the artist Comes with COA issued by the artist García de Marina was born in Gijó...

Mixed Media. Female centric. Featuring Madonna. About the Artist: Cabell Molina is a contemporary artist transplanted from California to the east. Where Cabell has proved hers...

Aluminum mounted giclee archival print. Sits about an inch off the wall. ABOUT THE ARTIST Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...

Photojournalist portrait of vanishing Surma tribe. Printed on canvas. Shot in July 2018, over a month in Ethiopia. "I wanted to photograph lost tribes because there are not m...

Vintage 50's Barbie with vintage accessories and set. Narrative depicts title - the end of the affair. Metallic print produced on metal. Black and white Photography. Ltd Ed.

Aluminum mounted giclee archival print. Ltd Ed 3/20. Sits about an inch off the wall. ABOUT THE ARTIST Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...

Face mounted Plexi. Aluminum Braced. Archival Print. Humorous, conceptual subject matter. ABOUT THE ARTIST Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the...

This trailblazing in-camera multiple exposures of New York buildings with the moon was done in 1972. It's not just an image that pushes the boundaries of visual imagery but it is a t...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. In "Offline," a thought-provoking photograph by Anne Valverde, we are presented with a tranquil coastal scene at twilight. The neon text 'off line' glows softly amidst the wild grasses at the forefront, suggesting a deliberate disconnection from the digital world and an immersion into natural serenity. The horizon blends sea and sky in a gradient of blues, symbolizing the vastness and depth of the world beyond our screens. The pristine environment, with its calm waters and untouched sands, encourages viewers to consider the peacefulness that comes with being 'offline' and reconnecting with the environment around us. The placement of the phrase 'off line' within the serene landscape invites the viewer to reflect on the concept of presence and the importance of disconnecting from the constant flow of information and connectivity that defines modern life. It's a gentle nudge to step back, to breathe in the fresh air, and to take in the moment without the distraction of technology. "Offline" is not just a visual experience; it is a statement on the balance we seek between the digital and natural worlds. It's a call to occasionally break away from the tether of our devices and to indulge in the beauty that exists when we do. This image captures that fleeting moment of dusk when the world slows down, and we can find solace in the simple and profound beauty of nature. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

"Everyone has a different vision of us because they look at us with their own eyes and not with ours, therefore, what we believe to be our identity is different from what others attr...

„According to some theories, the human brain encodes images through a process that takes place in several stages. At the beginning, the images are organized into two-dimensional sket...

„According to some theories, the human brain encodes images through a process that takes place in several stages. At the beginning, the images are organized into two-dimensional sket...

„According to some theories, the human brain encodes images through a process that takes place in several stages. At the beginning, the images are organized into two-dimensional sket...

„According to some theories, the human brain encodes images through a process that takes place in several stages. At the beginning, the images are organized into two-dimensional sket...

Signed, titled, and dated. Gelatin silver print 20 x 16 in.

Barbara Rosenthal’s Conceptual Photography is a concrete manifestation of complex inner stresses from external realities of all kinds: physical, familial, political, religious, time, space and relentless travel. Rosenthal begins by shooting surreal photographs in a kind of trance-state. She believes that the resultant images, and the Conceptual Distortions created from them, reveal elements of both her particular personality and psychological states, and reach the same in the viewers’ own. In artist’s own words: “I gave myself a camera and promised not to interfere.” During this decade of relentless exhibition and travel, Rosenthal has been shooting several hundred rolls of color and BW 35mm film with analog Olympus OM...

Tacita Dean (British, born 1965) Aerial View of Teignmouth Electron, Cayman Brac 16th of September 1998, 2000 Medium: Gelatin silver print on paper Dimensions: 21 x 26 cm (8 1/4 x 10...

He refers to the history of art, particularly to pop culture and the social circumstances of its local environment as well as its universal confrontation. Humor and irony with a crit...

Wildfire #32, Witch Creek Fire, Rancho Bernardo, CA, 2007 (25"x30") Edition 9 + 3 artist prints, signed by the artist, Sasha Bezzubov The photographs in the Wildfire series were made...

Walker Pickering is an artist and educator based in Lincoln, Nebraska. He is an Assistant Professor of Art at the University of Nebraska–Lincoln, where he has taught photography sinc...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 9-1-56 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 28,4 x 19,5 cm (11 1/8 x 7 5/8 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 4-3-275 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 18,1 x 13,1 cm (7 1/8 x 5 1/8 in.) Unique Print only Tichý, ...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 7-6-88 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 17 x 10,3 cm (6 3/4 x 4 in.) Unique Print only Tichý, practic...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 7-10-51 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 16 x 8,4 cm (6 1/4 x 3 1/4 in.) Unique Print only Tichý, pra...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 7-11-31 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 18 x 13 cm (7 1/8 x 5 1/8 in.) Unique Print only Tichý, prac...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 10-1-96 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 17,9 x 11,2 cm (7 x 4 3/8 in.) Unique Print only Tichý, prac...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 11-1-120 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 17,9 x 13 cm (7 x 5 1/8 in.) Unique Print only Tichý, pract...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 10-1-167 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 17,7 x 17,8 cm (7 x 7 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 3-8-437 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 11,8 x 20,4 cm (4 5/8 x 8 in.) Unique Print only Tichý, prac...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 3-8-431 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 15 x 9,8 cm (5 7/8 x 3 7/8 in.) Unique Print only Tichý, pra...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 6-9-23 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 23 x 16,5 cm (9 x 6 1/2 in.) Unique Print only Tichý, practic...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 4-089 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 20,6 x 12,3 cm (8 1/8 x 4 7/8 in.) Unique Print only Tichý, pr...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 2-070 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 18,1 x 13,2 cm (7 1/8 x 5 1/4 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 3-8-185 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 14,9 x 10,4 cm (5 7/8 x 4 1/8 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...

" Wherever You Look You See The Chrysler Building: Third Avenue and 38th St." was photographed looking uptown from the rooftop of a building on Third Avenue and 38th St. In the for...

Abstract Nature shot. In a canyon. Black and white. About the artist: Mital Patel is an internationally recognized nature and wildlife photographer who focuses on capturing bea...

A lonely-looking wide-eyed boxer peers out a car window in anticipation that his owner will return. On closer examination, this is not a photograph of a real Boxer but a cut out of...

Photojournalist portrait of vanishing Surma tribe. Printed on canvas. Shot in July 2018, over a month in Ethiopia. "I wanted to photograph lost tribes because there are not m...

Photojournalist portrait of vanishing Surma tribe. Printed on canvas. Shot in July 2018, over a month in Ethiopia. "I wanted to photograph lost tribes because there are not m...

Vintage 50's Barbie with vintage accessories and set. Narrative depicts title - the end of the affair. Metallic print produced on metal. Black and white Photography. Ltd Ed.

Vintage 50's Barbie with vintage accessories and set. Narrative depicts title - the end of the affair. Metallic print produced on metal. Black and white Photography. Ltd Ed.

Vintage 50's Barbie with vintage accessories and set. Narrative depicts title - the end of the affair. Metallic print produced on metal. Black and white Photography. Ltd Ed.

Face Mounted Plexi. Aluminum braced archival print. Mysterious subject matter. ABOUT THE ARTIST Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...

A two-inch plastic toy figure of a suited man is placed on top of an extended firetruck ladder. The toy truck and man are placed on the roof of a Brooklyn Heights building and positioned directly in front of the lower Manhattan skyline. At the time, it was the very center of of world commerce. The two-inch toy man raises above the tallest and most important buildings , including the recently finished World Trade Center Twin Towers. Clearly, this man is above it all and this photo is more than child's play. The work is signed, numbered 2/15, dated and titled lr. printed later, unframed, Printed on Hahnemühle Fine Art paper Robert Funk is a pioneer of toy, doll, miniature, plastic thingies and staged photography. He also photographs his own paintings. Most of his work is done on location. He does not use photoshop to strip in images. He doesn’t take photographs he creates photographs and has works dating from 1973. He was widely published in the 1970's and early 1980's. As an undergrad in painting, he studied with first-generation abstract expressionist Robert Richenburg...

Late light strikes two metal souvenirs placed on a ledge and set against the midtown skyline. Shot with a 20mm lens with maximum depth of field to rende...

Barbara Rosenthal’s Conceptual Photography is a concrete manifestation of complex inner stresses from external realities of all kinds: physical, familial, political, religious, time, space and relentless travel. Rosenthal begins by shooting surreal photographs in a kind of trance-state. She believes that the resultant images, and the Conceptual Distortions created from them, reveal elements of both her particular personality and psychological states, and reach the same in the viewers’ own. In artist’s own words: “I gave myself a camera and promised not to interfere.” During this decade of relentless exhibition and travel, Rosenthal has been shooting several hundred rolls of color and BW 35mm film with analog Olympus OM...

Landscape photography by fine art and documentary photographer Holly Gordon. Holly Gordon is one of the many treasures that Long Island has to offer, co...

This large format, color-photograph belongs to Jay Mark Johnson's wave series - the images from which depict the rhythmic cycling and recycling of oceanfront waves as recorded on remote coastlines around the world--in Hawaii, Florida, California, the Caribbean, Great Britain, Australia and South Africa. These artworks belong to the artist’s ongoing inquiry into the possibilities for timeline photography. For this decades-long project Johnson employs an unconventional camera system to produce seamless delineated renderings of familiar events as they occur over time. The results present an altered view of our surroundings. Artworks from Johnson’s timeline series have been exhibited extensively throughout the U.S. and Europe. They can be found in the permanent collections of the Bundestag (German Parliament) in Berlin, the Zentrum für Kunst und Medientechnologie at Karlsruhe, the Frederick R. Weisman Art Foundation, the Phoenix Art Museum, the Langen Foundation, Hombroich, Germany, the Peter Klein...

Totem of Unmeasurable Memory, 1995 Assemblage of 7 vintage silver gelatin prints Lewis Koch lives in Madison, Wisconsin, USA. After completing undergraduate studies in social histor...

Daisy May, 1991 - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print 24 x 20 inches The dogs, bewigged and bedecked with outfits and pr...

Signed and numbered on label affixed to reverse of mount Pigment print 44 x 57 1/3 inches Edition of 4 The dogs, bewigged and bedecked with outfits and props, demonstrate a wide ran...

Pawns - William Wegman (Colour Photography) Signed and numbered on label affixed to reverse of mount Pigment print 44 x 34 inches From an edition of 7 The dogs, bewigged and bedeck...

Signed and numbered on label affixed to reverse of mount Pigment print 44 x 34 inches From an edition of 7 + 2 APs

Breakout - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1995 24 x 20 inches The dogs, bewigged and bedecked with outfits...

Presentation - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 2004 24 x 20 inches The dogs, bewigged and bedecked with out...

Look There - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1996 24 x 20 inches The dogs, bewigged and bedecked with outfi...

Armed and Matching - William Wegman (Colour Photography) Signed and inscribed with title Unique colour Polaroid print, printed 1989 24 x 20 inches The dogs, bewigged and bedecked wi...