In 1967, artist Sol LeWitt wrote that in “Conceptual art the idea or concept is the most important aspect of the work.” He was giving a name to an art movement that had emerged in the 1960s in which artists were less focused on their medium being something traditionally “artistic” and instead engaged in using any object, movement, form, action or place to express an idea.
LeWitt’s work was featured alongside an assemblage of notes, drawings and outlines by other artists in “Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art,” a groundbreaking show at New York City’s School of Visual Arts curated by Mel Bochner, another leading exponent of Conceptualism. Building on radical 20th-century statements, like Fountain (1917) by French artist Marcel Duchamp, Conceptual artists around Europe and North and South America were not interested in the commercial art scene and rather directly challenged its systems and values.
Stretching into the 1970s, this movement has also been called Post-Object art and Dematerialized art. Conceptual art reflected a larger era of social and political upheaval. Pieces associated with the style range from Roelof Louw’s Soul City (Pyramid of Oranges) (1967) — a work of installation art that sees fresh oranges stacked into a pyramid from which visitors are allowed to take one orange away — to On Kawara’s “Today” series, which saw the Japanese artist carefully painting a date in white acrylic on canvases consisting of a single color from 1966 to his death in 2014. Artists such as Ed Ruscha, who created the Twentysix Gasoline Stations book — a collection of photos of gas stations that is widely said to be the first modern artists’ book — made photography a major platform for Conceptual art, as did Bruce Nauman, who burned one of Ruscha's books and then photographed it for his own.
Conceptual art’s legacy of questioning artistic authorship, ownership and how to work with complex ideas of space and time had a significant influence on the decades of culture that followed, and it continues to inform art today.
The collection of Conceptual photography, paintings and sculptures on 1stDibs includes artworks by John Baldessari, Jenny Holzer, Lawrence Weiner, Joseph Kosuth and others.
Great Blue Courtship S.E.
By Cheryl Medow
Located in Denton, TX
Edition of 5 Signed and numbered in pencil, and blind stamp on print margin Signed, titled, dated, and print type in pencil on print verso. Paper size: 42 x 34 1/2 in., Image: 40 x 3...
Archival Pigment
$3,854Sale Price|20% Off
Chef Portrait: Daniel Clifford /British Chef / Large Photograph in white + blue
By John Reardon
Located in London, GB
Daniel Clifford (born 6 August 1973) is an English chef who is best known for his work at the two Michelin star restaurant Midsummer House. He was also named one of the winners of th...
Photographic Paper, Photographic Film, Color, Archival Pigment
$2,350
"Untitled 2.22" Photography 24' x 35' inch Edition of 10 by García De Marina
Located in Culver City, CA
"Untitled 2.22" Photography 24' x 35' inch Edition of 10 by García De Marina Signed and numbered by the artist Comes with COA issued by the artist García de Marina was born in Gijó...
Digital Pigment
$2,973
Salle D'Etude by Gina Soden, Photography, Documentary Photography, Photographic
Located in Deddington, GB
Salle D’Etude by Gina Soden [2020] limited_edition and hand signed by the artist Digital photograph on Baryta paper Edition number 3 Image size: H:70.02 cm...
Paper, Digital
Perturbé by Gina Soden, Photography, Limited Edition Print, Documentary
Located in Deddington, GB
Perturbé by Gina Soden [2020] limited_edition Digital photograph on Baryta paper Edition number 1 Image size: H:76.2 cm x W:76,2 cm Complete Size of Unframed Work: H:80.2 cm x W:...
Paper, Digital
Isolamento by Gina Soden, Colour photography, Limited edition print
By Gina Soden
Located in Deddington, GB
Isolamento by Gina Soden [2020] limited_edition and hand signed by the artist Digital photograph on Baryta paper Edition number 3 Image size: H:70.02 cm x W:105 cm Complete Size of Unframed Work: H:74.2 cm x W:109 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look "On my 4th attempt I finally got inside here. Always overlooked by neighbours and a police station right next door, it always seemed tricky as it was hard not to get spotted. This was a grand villa...
Paper, Digital Pigment
$2,800
Blomberg 1, Laser cut archival pigment ink print, signed, numbered, framed
Located in Sante Fe, NM
Blomberg 1, Laser cut archival pigment ink print, signed, numbered, framed Ideas of home and dislocation have always been compelling to me as the child of immigrant parents who arri...
Archival Pigment
Birds, Cibachrome Photograph Print, Signed Conceptual Art
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...
C Print
$4,817
Moon over a Mayo Landscape - Mysterious Moonlit Photograph, Framed (or unframed)
By Paul Kenny
Located in London, GB
A moon shrouded in shadows emits a mystical glow, illuminating an enigmatic landscape… A mysterious moonlit scene, evoking depth and tranquility amidst shadowy green hues…. An abstr...
Archival Paper, Photographic Paper, Color, Archival Pigment
$1,850
"Untitled 3.22" Photography 16' x 24' inch Edition of 15 by García De Marina
Located in Culver City, CA
"Untitled 3.22" Photography 16' x 24' inch Edition of 15 by García De Marina Signed and numbered by the artist Comes with COA issued by the artist García de Marina was born in Gij...
Digital Pigment
Birds, Cibachrome Photograph Print, Signed Conceptual Art
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...
C Print
Faces, Vintage Color Photograph Digital Photo Collage Print Asian American
By Emily Cheng
Located in Surfside, FL
This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cubist, fractured way, with a woman (or man) holding a photograph over his/her face. it is marked proof NFS and is not signed or numbered. Emily Cheng (born in New York City, in 1953) is an American artist of Chinese ancestry. She is best known for large scale painting with a center focus often employing expansive circular images radiantly colored, radially composed. Cheng received her BFA in 1975 from the Rhode Island School of Design and attended the New York Studio School. Cheng has exhibited widely in the US and in Asia. In 2011, Cheng created Charting Sacred Territories, an exhibition exploring world religions which opened in the Museum of Contemporary Art Taipei (MOCA) , Taiwan (2011) and traveled to Hanart TZ Gallery in (2015), Shenzhen Art Museum, Shenzhen, China, (2015) and in Europe at the Palais Liechtenstein Feldkirch, Austria (2019). Cheng has had numerous solo shows in the US and in Asia and is represented by Hanart TZ Gallery in Hong Kong. In 2007, Timezone 8 published a monograph of Emily Cheng titled, Chasing Clouds, a decade of studies, with essays by Kevin Powers and Johnson Chang. Emily Cheng has lived and worked in New York City since 1977 and teaches Asian Art History at the School of Visual Arts. Influenced by a wide array of eastern and western artists including Van Gogh, Gauguin, Manet and Giacometti as well as de Kooning, early Philip Guston and Jackson Pollock. Nicolas Carone...
Photographic Paper, C Print
$1,850
"Untitled 3.20" Photography 16' x 24' inch Edition of 15 by García De Marina
Located in Culver City, CA
"Untitled 3.20" Photography 16' x 24' inch Edition of 15 by García De Marina Signed and numbered by the artist Comes with COA issued by the artist García de Marina was born in Gijó...
Digital Pigment
"All We Have Is Now" - Scott Froschauer Photograph Limited Edition 25
Located in West Hollywood, CA
Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for comm...
Archival Paper
I've always preferred my own birthday, 2013
Located in Sante Fe, NM
Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...
Archival Pigment
My co-worker was always jealous of my blonde hair, 2013
Located in Sante Fe, NM
Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...
Archival Pigment
Studying piano is one of my favorite hobbies, 2012
Located in Sante Fe, NM
Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...
Archival Pigment
My Funeral, 2013
Located in Sante Fe, NM
Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...
Archival Pigment
When he was a baby, 2011
Located in Sante Fe, NM
Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...
Archival Pigment
I loved demonstrating aerials, 2013
Located in Sante Fe, NM
Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...
Archival Pigment
When they lifted me on the piano, I had no choice but to oblidge, 2016
Located in Sante Fe, NM
Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...
Archival Pigment
I wanted to meet a rich husband, so I modeled in auto shows, 2016
Located in Sante Fe, NM
Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...
Archival Pigment
My dreams came true the day I did hair for a fashion show, 2013
Located in Sante Fe, NM
Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...
Archival Pigment
His first haircut, 2011
Located in Sante Fe, NM
Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...
Archival Pigment
Birds, Cibachrome Photograph Print, Signed Conceptual Art
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...
C Print
Birds, Cibachrome Photograph Print, Signed Conceptual Art
Located in Surfside, FL
This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...
C Print
$3,854Sale Price|22% Off
Floating Feather in the Midnight Sky, Medium size Photograph, Mounted and Framed
By Paul Kenny
Located in London, GB
The artworks capture a feather balanced amidst a starry void, inviting contemplation and reflection. A feather down drifts softly, suspended in a mysterious, dream-like expanse of bl...
Photographic Paper, Color, Photogram, Archival Pigment
Hoyt Lake Buffalo New York
By Max Collins
Located in Buffalo, NY
A unique wheat pasted photograph onto found wood by American conceptual artist Max Collins (b.1988). This work was featured in a unique exhibition curated...
Found Objects, Photographic Paper
$4,800
"Raven Skull" Diptych from Comparative Anatomy Portfolio Pacific Northwest 1993
Located in Portland, OR
DIANNE KORNBERG (1945) RAVEN SKULL, Diptych from Comparative Anatomy Portfolio, 1993 A selenium toned gelatin silver print edition 7/15. Housed in a high quality hardwood frame with acid free and UV materials. Kornberg is a Professor Emerita at Pacific Northwest College of Art, Portland, Oregon, she relocated her studio to an Island in the San Juan Archipelago in Washington State. Since that time she has been collaborating with two poets, making prints that are photo based but also incorporate drawing, painting, software artifacts and text. Kornberg earned a BFA from the University of Washington...
Black and White, Silver Gelatin
Untitled (from ROBOTNICS Series)
Located in Kansas City, MO
Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...
C Print
Watercolor Acrylic and Cyanotype, "The Moon Reflects the Light of the Sun"
Located in San Diego, CA
A one of a kind 6.5x8.5 Watercolor Acrylic and Cyanotype on Cotton Sateen executed by artist Annalise Neil. A certificate of authenticity will be provide...
Watercolor
A Conceptually Alternative Cyanotype, "Memory Trace"
Located in San Diego, CA
A one of a kind 20x11.25 Conceptually Alternative Cyanotype executed on Hahnemuhle Sumi-E Paper by artist Annalise Neil. A certificate of authenticity will be provided upon its purch...
Photographic Film
Cosa Mentale (Abstract Photography)
Located in London, GB
Cosa Mentale (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper — Unframed. Edition 6 + 2 AP This work is part of the "Humanistic Reciprocity". This series...
Paper, Archival Pigment
"Untitled 6.20" Still Life Photography 24' x 35' in Ed of 10 by García De Marina
Located in Culver City, CA
"Untitled 6.20" Still Life Photography 24' x 35' in Ed of 10 by García De Marina Signed and numbered by the artist Comes with COA issued by the artist García de Marina was born in ...
Digital Pigment
SEARCHING FOR A PORTAL - Twilight Living Chromogenic Print, Black, White
By Sarah Hobbs
Located in Signal Mountain, TN
This C-Print by Sarah Hobbs is part of a series included in her show "Twilight Living," at Channel to Channel. In this photograph, an electric box with several protruding wires is ce...
C Print
Jet Trails Over NYC Skyline at Dusk, Color Photography, Signed, 4/15
Located in Miami, FL
The work is signed, dated, and numbered 4/15 in the lower right recto corner, with other sizes available. It is unframed and printed later. Printed on Hahnemühle Fine Art paper. Mi...
Archival Ink, Archival Paper, Archival Pigment
Experiencing Anxiety (Abstract Photography)
Located in London, GB
Experiencing Anxiety (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 2/6 This new series titled Neurosis brings t...
Archival Pigment, Paper
V: Dogmatic thinking (Abstract Painting)
Located in London, GB
V: Dogmatic thinking (Abstract Painting) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human Brain...
Archival Pigment, Paper
Psychiatric Observation (Abstract Photography)
Located in London, GB
Psychiatric Observation (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 1/6 This new series titled Neurosis bring...
Archival Pigment, Paper
Panel C - Brutality of Creation (Abstract Photography)
Located in London, GB
Panel C - Brutality of Creation (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 1/6 This new series titled Neuros...
Archival Pigment, Paper
Panel A - Brutality of Creation (Abstract Photography)
Located in London, GB
Panel A - Brutality of Creation (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 1/6 This new series titled Neuros...
Archival Pigment, Paper
Framed Limited Edition Archival Print of Trinity Site, 2019
Located in London, GB
Trinity Site, 2019 by George McLeod Limited Edition, Framed Fine Art Print #blue #white #human figure in the landscape #white sand dunes #smoke #surreal #NewMexico More info about t...
Photographic Paper, Color, Pigment, Archival Pigment
II. Marvellous Unconsciousness (Abstract photography)
Located in London, GB
II. Marvellous Unconsciousness (Abstract photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a...
Archival Pigment, Paper
Stallion Portrait: Slickly - Mane - Champion Horse's hair portrait print
By John Reardon
Located in London, GB
Slickly was a world champion miler and leading French sire. Series: Studio Portraits, Slickly - 'Mane', 2009 by John Reardon Archival Pigment Print on Ha...
Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Col...
Candida Höfer, Deutsche Oper - Signed C-Print, Contemporary Photography
Located in Hamburg, DE
Candida Höfer (German, b. 1944) Deutsche Oper am Rhein Düsseldorf, 2012 Medium: C-Print on photo paper Image dimensions: 30 x 45,5 cm Sheet dimensions: 38 x 53,5 cm Edition of 100: H...
C Print
$7,000
Silver gelatin print from Ruven Afanador "Sombra" series, stamped on verso
Located in New York, NY
Untitled portrait from Ruven Afanador "Sombra" series, silver gelatin print, artist print. This work is featured in Afanador's 2004 book 'Sombra" which combines elegant, erotic port...
Silver Gelatin
III. Deceit of language
Located in London, GB
Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. This abstract work is part of the series titled Dichotomy of a Human Brain. It was created by combining fragments o...
Archival Pigment, Paper
Biblioteca del Duca D'Aumale Terrasini
Located in New York, NY
The photographer is based in Florence, and is fascinated how his architectural subject matter allows him to control the composition of his image. For many years he has photographed ...
C Print
$5,500
Jo Yarrington, Ghost Girls Film and Vintage Projector, 2018, Film, Found Objects
Located in Darien, CT
This installation imagines the Radium Girls as abstractd subjects. Repeating a motif of a circle, signifying the mouth, this art object conveys a modern view of the these workers, tied in with repetitive actions in abstracted patterns. Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instrument...
Film, Found Objects
$3,200
Jo Yarrington, Ghost Girls Window Transparencies, 2018, Plastic, Digital Print
Located in Darien, CT
This series of five transparencies are in an edition size of 3. They are designed to be installed directly onto interior window areas to allow light to pass thru them. These transpar...
Digital, Plastic
$3,200
Jo Yarrington, Ghost Girls Window Transparencies, 2018, Plastic, Digital Print
Located in Darien, CT
This series of five transparencies are in an edition size of 3. They are designed to be installed directly onto interior window areas to allow light to pass thru them. These transpar...
Plastic, Digital
$3,200
Jo Yarrington, Ghost Girls Window Transparencies, 2018, Plastic, Digital Print
Located in Darien, CT
This series of five transparencies are in an edition size of 3. They are designed to be installed directly onto interior window areas to allow light to pass thru them. These transpar...
Plastic, Digital
$350
Jo Yarrington, Ghost Girls_Transparencies, 2017, Inkjet Print, Photographic Film
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Plastic, Photographic Film, Inkjet
$5,500
Jo Yarrington, Ghost girls_Slide Carousel, 2018, Photographic Film, Found Object
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Photographic Film, Found Objects
Jeff Becker, Africa's Heartbeat, 2017, Video, Digital Pigment Print
By Jeff Becker
Located in Darien, CT
Using his inkjet printer as a paintbrush, Jeff Becker creates watercolor-like imagery without Photoshop or filters. Disruptive in nature, the Slurry Series works don't follow the tra...
Video, Digital Pigment
Jeff Becker, Planetary Breathing, 2017, Video, Digital Pigment Print
By Jeff Becker
Located in Darien, CT
Using his inkjet printer as a paintbrush, Jeff Becker creates watercolor-like imagery without Photoshop or filters. Disruptive in nature, the Slurry Series works don't follow the tra...
Video, Digital Pigment
Jeff Becker, Privey Policy, 2016, Archival Pigment Print
By Jeff Becker
Located in Darien, CT
Using his inkjet printer as a paintbrush, Jeff Becker creates watercolor-like imagery without Photoshop or filters. He refers to this process of dynamic chemical processes as The Slu...
Archival Pigment
Peoples Privacy
By Jeff Becker
Located in Darien, CT
Using his inkjet printer as a paintbrush, Jeff Becker creates watercolor-like imagery without Photoshop or filters. He refers to this process of dynamic chemical processes as The Sl...
Archival Paper, Inkjet
Jeff Becker, Slurry Pentagon, 2016, Inkjet Print
By Jeff Becker
Located in Darien, CT
Using his inkjet printer as a paintbrush, Jeff Becker creates watercolor-like imagery without Photoshop or filters. He refers to this process of dynamic chemical processes as The Sl...
Inkjet
$1,850
"Untitled 2.21" Photography 24' x 16' inch Edition of 15 by García De Marina
Located in Culver City, CA
"Untitled 2.21" Photography 24' x 16' inch Edition of 15 by García De Marina García de Marina was born in Gijón (Spain) in 1975. He emerged thru a deep transformation in 2010. A do...
Digital Pigment